American Highway

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Listen to the Music
registrazione di:
Listen to the Music
paroliere e compositore:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
editore:
Warner Bros. Music (publisher; do NOT use as release label) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers53:26
2Everywhere
programmazione:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (nel 1987)
produttore:
Lindsey Buckingham (guitarist, singer, songwriter and producer) e Richard Dashut
basso elettrico :
John McVie (nel 1987)
batteria e percussione :
Mick Fleetwood (nel 1987)
campionatore [Fairlight CMI] e chitarra :
Lindsey Buckingham (guitarist, singer, songwriter and producer) (nel 1987)
tastiera :
Lindsey Buckingham (guitarist, singer, songwriter and producer) (nel 1987) e Christine McVie (nel 1987)
voce di accompagnamento:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (nel 1987), Christine McVie (nel 1987) e Stevie Nicks (nel 1987)
voce principale:
Christine McVie (nel 1987)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1987) e Warner Music International (trademark of Warner Music International the company) (nel 1988)
registrazione di:
Everywhere (nel 1987)
paroliere e compositore:
Christine McVie
editore:
Bright Music Ltd. (publisher)
Fleetwood Mac4.13:41
3Ventura Highway
assistente tecnico:
Chuck Leary
tecnico:
Mike Stone (producer and engineer, 1960s–80s)
produttore:
America (US folk/soft rock band) e George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
basso :
Joe Osborne (American bass guitar player, session musician and songwriter)
batteria e percussione :
Hal Blaine (U.S. studio drummer and percussionist)
chitarra :
Gerry Beckley, Dewey Bunnell e Dan Peek
tastiera :
Gerry Beckley e Dan Peek
voce:
Gerry Beckley, Dewey Bunnell e Dan Peek
remixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1972), Warner Music International (trademark of Warner Music International the company) (nel 1972) e Rhino Entertainment Company (not for release label use!) (nel 2011)
registrazione di:
Ventura Highway
paroliere e compositore:
Dewey Bunnell
editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
registrazione dal vivo di:
Ventura Highway
paroliere e compositore:
Dewey Bunnell
editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
America43:32
4I’m a Man
produttore:
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
diritti fonografici (℗) detenuti da:
Fontana (nel 1967)
registrazione di:
I’m a Man
autore:
Jimmy Miller (producer for Rolling Stones/Nirvana etc) e Steve Winwood
compositore:
Keith Emerson
editore:
Island Music Ltd., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
The Spencer Davis Group42:56
5American Pie
tecnico:
Tom Flye
banjo e chitarra acustica :
Don McLean (il 1971-05-26)
basso :
Bob Rothstein (il 1971-05-26)
batteria e percussione :
Roy Markowitz (il 1971-05-26)
chitarra elettrica :
David Spinozza (il 1971-05-26)
marimba e vibrafono :
Mike Mainieri (il 1971-05-26)
pianoforte :
Paul Griffin (American pianist, session musician) (il 1971-05-26)
pianoforte elettrico :
Ray Colcord (il 1971-05-26)
cori:
West 44th Street Rhythm and Noise Choir (il 1971-05-26)
voce:
Bob Rothstein (il 1971-05-26) e Don McLean (il 1971-05-26)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1971), EMI (EMI Records, or EMI Music only if there is no other imprint) (nel 1971) e United Artists Records (for bootlegs and counterfeit) (nel 1971)
registrazione parziale di:
American Pie (il 1971-05-26)
paroliere e compositore:
Don McLean
editore:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd e Yahweh Tunes, Inc.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean54:07
6Baby, I Love You
registrazione cover di:
Baby, I Love You
autore:
Jeff Barry, Ellie Greenwich e Phil Spector
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company e Universal–Songs of PolyGram International, Inc.
Ramones3:45
7Everybody’s Talkin’
registrazione cover di:
Everybody’s Talkin’
paroliere e compositore:
Fred Neil
editore:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music e Third Story Music, Inc.
Harry Nilsson2:43
8La Grange
tecnico:
Robin Gibb, Terry Manning (US recording engineer) e Robin Brian
produttore:
Bill Ham (manager of ZZ Top)
tecnico di missaggio e editor:
Terry Manning (US recording engineer)
batteria :
Rube Beard (ZZ Top drummer)
chitarra , chitarra elettrica e voce principale:
Billy Gibbons
chitarra basso :
Dusty Hill
registrata presso:
Ardent Studios in Memphis, Tennessee, Stati Uniti, Brian studios in Memphis, Tennessee, Stati Uniti e Robin Hood Studios in Tyler, Texas, Stati Uniti
registrazione di:
La Grange
autore:
Frank Beard (ZZ Top drummer), Billy Gibbons e Dusty Hill
editore:
Hamstein Music Company (publisher), Music of Stage Three, Songs of Mosaic e Stage Three Songs
si basa su:
Boogie Chillen’
ZZ Top4.653:44
9On the Road Again
registrazione di:
On the Road Again
paroliere e compositore:
Floyd Jones (blues performer and songwriter) e Alan Wilson (Canned Heat member)
editore:
Embassy Music Corporation, EMI Catalogue Partnership, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., EMI United Partnership Ltd., Frederick Music Co., Lawn Music, Metric Music Co (publisher), SBK Unart Catalog Inc., SBK United Partnership Ltd., Songs of Peer (publisher; see also Songs of Peer, Ltd.) e United Partnership Ltd.
Canned Heat5:00
10Vicious
registrazione di:
Vicious
paroliere e compositore:
Lou Reed
editore:
BMG Music Publishing Ltd., Champs Élysées Nouv Société, Chappell S.A., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Oakfield Avenue Music Ltd., Spirit One Music, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Lou Reed2:56
11I’m Bored
produttore:
James Williamson (Iggy and The Stooges guitarist)
batteria :
Klaus Krüger (briefly a member of Tangerine Dream)
chitarra e tastiera :
Scott Thurston
chitarra basso :
Jackie Clark
voce principale:
Iggy Pop
registrazione di:
I’m Bored
paroliere e compositore:
Iggy Pop
editore:
EMI/Virgin Music Publishing Ltd.
Iggy Pop42:45
12Born to Be Wild
produttore:
Gabriel Mekler
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1968) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 53) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 129)
registrazione di:
Born to Be Wild
paroliere e compositore:
Mars Bonfire
editore:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.353:28
13I Just Want to Celebrate
registrazione di:
I Just Want to Celebrate
autore:
Dino Fekaris e Nick Zesses
editore:
Jobete Music Co., Inc.
Rare Earth2:54
14All Right Now
tecnico:
Roy Thomas Baker (producer)
produttore:
Free (60s/70s UK blues rock group) e John Kelly (producer)
basso :
Andy Fraser (English bassist, member of Free)
batteria :
Simon Kirke
chitarra :
Paul Kossoff
voce principale:
Paul Rodgers
remixer:
Bob Clearmountain
diritti fonografici (℗) detenuti da:
Free (60s/70s UK blues rock group) (nel 1970)
diritti fonografici (℗) detenuti da:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1970, nel 1971)
registrata presso:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito e Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito
video musicali:
All Right Now di Free (60s/70s UK blues rock group)
registrazione di:
All Right Now
autore:
Andy Fraser (English bassist, member of Free) e Paul Rodgers
editore:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Free4.654:12
15Moondance
registrazione di:
Moondance
paroliere e compositore:
Van Morrison
editore:
Caledonia Productions, Inc. (Caledonia Soul Music Division), Chappell Music (UK), Van-Jan Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, Caledonia Soul Music (dal 1970 al 1971), WB Music Corp. (1929–2019) (dal 1970 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Van Morrison4:36
16Don’t Want to Talk About It
Crazy Horse5:18
17Black Velvet
produttore:
David Tyson (Canadian producer/songwriter)
tecnico di missaggio:
Kevin Doyle (award-winning sound engineer, producer)
voce principale:
Alannah Myles
diritti fonografici (℗) detenuti da:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (nel 1989) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1989)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 2) (numero: 6)
registrazione di:
Black Velvet
autore:
David Tyson (Canadian producer/songwriter) e Christopher Ward (Canadian songwriter & veejay)
editore:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin', Kobalt Music Publishing Ltd. (UK), Ole Media Management LP e Zomba Music Publishing Ltd.
Alannah Myles4.54:45
18Ride Like the Wind
assistente tecnico:
Stuart Gitlin
tecnico e tecnico di missaggio:
Chet Himes
produttore:
Michael Omartian
batteria :
Tommy Taylor (US drummer)
chitarra acustica , chitarra elettrica , chitarra solista e voce principale:
Christopher Cross (US singer‐songwriter)
chitarra basso :
Andy Salmon
percussione :
Lenny Castro
pianoforte e pianoforte elettrico :
Michael Omartian
sintetizzatore :
Rob Meurer
voce di accompagnamento:
Christopher Cross (US singer‐songwriter) e Michael McDonald (R&B & soul singer)
arrangiatore:
Christopher Cross (US singer‐songwriter), Rob Meurer e Michael Omartian
diritti fonografici (℗) detenuti da:
Warner Bros. (holding: file NO releases) (nel 1979) e Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1979)
è stato produttore per:
Free Flow Productions
registrata presso:
Pecan Street Studios in Austin, Texas, Stati Uniti e Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Ride Like the Wind
paroliere e compositore:
Christopher Cross (US singer‐songwriter)
editore:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher) e Universal Music–MGB Songs
sub-editore:
Shinko Music Entertainment Co., Ltd. e Universal Music Publishing, Synch Division
Christopher Cross4.14:28
19Urgent
registrazione di:
Urgent
paroliere e compositore:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Intersong Music Ltd., Somerset Songs Publishing Inc., Fuji Pacific Music inc. (Fujipacific Music inc.) (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Foreigner4:21
20Make It With You
archi , chitarra , chitarra basso , voce di accompagnamento e voce principale:
David Gates (singer/songwriter, lead singer of Bread)
batteria :
Michael Botts
diritti fonografici (℗) detenuti da:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (nel 1970) e Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1972)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 13)
registrazione di:
Make It With You
paroliere e compositore:
David Gates (singer/songwriter, lead singer of Bread)
editore:
EMI Music (do not use as release label! this is a music publisher), Screen Gems–EMI Music Ltd., Sony/ATV Tunes LLC (ASCAP) e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread53:12
21Just What I Needed
assistente tecnico:
Nigel Walker (UK producer/engineer/guitarist)
tecnico:
Geoff Workman
produttore:
Roy Thomas Baker (producer)
diritti fonografici (℗) detenuti da:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (nel 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1978) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1978)
registrata presso e mixata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (nel 1978-02)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 112) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 369)
registrazione di:
Just What I Needed (nel 1978-02)
paroliere e compositore:
Ric Ocasek
editore:
BMG Music Publishing Ltd., Lido Music, Inc. e Lido Music (not for release label use!) (nel 1978)
The Cars4.33:44
2▼CD
#TitoloArtistaValutazioneDurata
1Wicked Game
produttore:
Erik Jacobsen
tecnico di missaggio:
Mark Needham
registrazione di:
Wicked Game (nel 1989)
paroliere e compositore:
Chris Isaak
editore:
C. Isaak Music Publishing Co. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Chris Isaak4.354:49
2It Ain’t Over ’Til It’s Over
tecnico:
David Domanich e Henry Hirsch
produttore:
Lenny Kravitz
tecnico di missaggio:
Henry Hirsch
corno ospite :
The Phenix Horns
piano Rhodes, chitarra basso, batteria, chitarra e sitar e voce principale:
Lenny Kravitz
arrangiatore corno e archi :
Lenny Kravitz
registrazione di:
It Ain’t Over ’til It’s Over
paroliere e compositore:
Lenny Kravitz
Lenny Kravitz4.153:57
3The Sidewinder Sleeps Tonite
tecnico:
Clif Norrell
tecnico aggiunto:
George Cowan (US engineer), Mark Howard (producer/recording engineer, New Orleans/Los Angeles based), John Keane (US indie rock producer/engineer), Ted Malia e Andrew Roshberg
produttore:
Scott Litt (producer and engineer) e R.E.M. (American rock band)
assistente tecnico di missaggio:
Tod Lemkuhl
tecnico di missaggio:
Scott Litt (producer and engineer) e Clif Norrell
tecnico di missaggio aggiunto:
Ed Brooks (audio engineer at RFI Mastering in Seattle)
oboe ospite :
Deborah Workman (oboist)
viola ospite :
Reid Harris, Paul Murphy (viola) e Heidi Nitchie (violist)
violino ospite :
Denise Berginson-Smith (violinist), Patti Gouvas, Lonnie Ottzen (violinist), Sandy Salzinger (violinist), Sou-Chun Su (violinist) e Jody Taylor (violin)
violoncello ospite :
Kathleen Kee, Daniel Laufer (cellist) e Elizabeth Proctor Murphy
voce:
Michael Stipe
direttore d'orchestra:
George Hanson
orchestratore:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures)
diritti fonografici (℗) detenuti da:
R.E.M./Athens, Ltd. (nel 1992) e R.E.M./Athens L.L.C. (nel 2017)
registrata in aggiunta presso:
Bosstown Recording Studios in Atlanta, Georgia, Stati Uniti, John Keane Studios in Athens, Georgia, Stati Uniti e Kingsway Studios (New Orleans) in New Orleans, Louisiana, Stati Uniti
registrata presso:
Bearsville Studios in Bearsville, New York, Stati Uniti e Criteria Studios in Miami, Florida, Stati Uniti
mixata presso:
Bad Animals Studio in Seattle, Washington, Stati Uniti
registrazione di:
The Sidewinder Sleeps Tonite
autore:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) e Michael Stipe
editore:
Night Garden Music
si basa su:
The Lion Sleeps Tonight
R.E.M.3.854:07
4You Get What You Give
tecnico di missaggio:
Michael Brauer (engineer)
basso elettrico :
John Pierce (US session bassist)
batteria :
Gary Ferguson (Session drummer)
chitarra :
Gregg Alexander e Rusty Anderson
percussione :
Juliet Prater
tastiera e voce di accompagnamento:
Rick Nowels
voce principale:
Gregg Alexander
arrangiatore voci aggiunto:
Richie Podler
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1998)
registrazione di:
You Get What You Give
autore:
Gregg Alexander e Rick Nowels
editore:
EMI Blackwood Music Inc., EMI Music Inc., Future Furniture Music Inc. e Grosse Point Harlem
New Radicals3.654:40
5Scooby Snacks
assistente tecnico di registrazione:
Edward Douglas (engineer) (dal 1995-04-25 al 1995-05-20) e Juan Garcia (assistant at Magic Shop) (dal 1995-04-25 al 1995-05-20)
tecnico di registrazione:
Tim Latham (dal 1995-04-25 al 1995-05-20)
produttore:
Fun Lovin’ Criminals
assistente tecnico di missaggio:
Sean “Puffy” Coffey (US recording engineer) (dal 1995-06-03 al 1995-07-19)
tecnico di missaggio:
Tim Latham (dal 1995-06-03 al 1995-07-19)
esecutore:
Fun Lovin’ Criminals
arrangiatore:
Fun Lovin’ Criminals
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1996) e EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1996)
registrata presso:
Steve Rosenthal’s Magic Shop in Manhattan, New York, New York, Stati Uniti (dal 1995-04-25 al 1995-05-20)
mixata presso:
Platinum Island NYC in New York, New York, Stati Uniti (dal 1995-06-03 al 1995-07-19)
campionamenti:
Movement of Fear di Tones on Tail
registrazione di:
Scooby Snacks
paroliere aggiunto:
Quentin Tarantino
autore:
Stephen Borgovini, Brian Leiser e Huey Morgan (DJ for the BBC)
editore:
Beggars Banquet Music Ltd., DiFontaine Carting & Asbestos Removal, Co., Notting Hill Music (UK) Ltd., Universal Music Careers e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Fun Lovin’ Criminals3.63:04
6Easy
produttore:
Faith No More (dal 1992-01 al 1992-03) e Matt Wallace (US producer & engineer) (dal 1992-01 al 1992-03)
basso elettrico :
Billy Gould (dal 1992-01 al 1992-03)
batteria :
Mike Bordin (American drummer) (dal 1992-01 al 1992-03)
chitarra elettrica :
Jim Martin (ex-Faith No More guitarist) (dal 1992-01 al 1992-03)
tastiera :
Roddy Bottum (dal 1992-01 al 1992-03)
voce principale:
Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.) (dal 1992-01 al 1992-03)
diritti fonografici (℗) detenuti da:
Slash Records (company, do not use as release label!)
registrazione cover di:
Easy (dal 1992-01 al 1992-03)
paroliere e compositore:
Lionel Richie
editore:
Brenda Richie Publishing, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc. e Libren Music
Faith No More43:06
7Kiss Me
tecnico e tecnico di missaggio:
Russ Long (engineer)
batteria e percussione :
Dale Baker (Drummer; The Maudlin Fee)
voce:
Leigh Nash (vocalist of Sixpence None the Richer)
diritti fonografici (℗) detenuti da:
Squint Entertainment (nel 1998)
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 15)
registrazione di:
Kiss Me
paroliere e compositore:
Matt Slocum (lead guitarist for Sixpence None the Richer)
editore:
My So-Called Music, Songs of Evergreen Copyrights, Squint Songs e Le Tigre Sur un Ballon Publishing (nel 1999)
Sixpence None the Richer4.53:28
8Constant Craving
produttore:
k.d. lang, Ben Mink e Greg Penny
basso elettrico :
David Piltch
famiglia delle chitarre e violino :
Ben Mink
fisarmonica e pianoforte :
Teddy Borowiecki
membranofono :
Randall Stoll (drummer)
percussione :
Graham Boyle (drummer)
vibrafono :
Gary Burton (jazz vibraphonist and composer)
voce:
k.d. lang
voce aggiuntiva:
Sue Leonard
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992) e Warner Music H.K. Ltd. (nel 1997)
registrata presso:
Vancouver Studios in Vancouver, British Columbia (Columbia Britannica), Canada
mixata presso:
Saylor Recording in Hollywood, Los Angeles, California, Stati Uniti
video musicali:
Constant Craving (music video) di k.d. lang
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 14)
registrazione di:
Constant Craving
paroliere e compositore:
k.d. lang e Ben Mink
editore:
Bumstead Publishing e Zavion Music
k.d. lang3.84:36
9I Want You to Want Me
tecnico:
Antonio Reale
produttore:
Tom Werman
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
registrata presso:
Kendun Recorders in Burbank, California, Stati Uniti (nel 1977)
mixata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti (nel 1977)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 266)
registrazione di:
I Want You to Want Me (nel 1977)
paroliere e compositore:
Rick Nielsen
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Gil Music Corporation, Screen Gems–EMI Music Ltd., Adult Music (nel 1977) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (nel 1977)
parte di:
10 Things I Hate About You
Cheap Trick4.153:11
10Driver’s Seat
batteria :
Luigi Salvoni
chitarra :
Mick Dyche e Loz Netto
chitarra acustica :
Paul Roberts (Lead singer of Sniff ’n’ The Tears)
chitarra basso :
Chris Birkin
voce:
Paul Roberts (Lead singer of Sniff ’n’ The Tears)
diritti fonografici (℗) detenuti da:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (nel 1978)
registrazione di:
Driver’s Seat (Sniff ’n’ the Tears song)
compositore:
Paul Roberts (Lead singer of Sniff ’n’ The Tears)
Sniff ’n’ the Tears44:02
11I Saw the Light
produttore:
Todd Rundgren
strumenti e voce:
Todd Rundgren
arrangiatore:
Todd Rundgren
diritti fonografici (℗) detenuti da:
Bearsville Records (nel 1972)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 452)
registrazione di:
I Saw the Light
paroliere e compositore:
Todd Rundgren
editore:
Earmark Music Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Todd Rundgren52:55
12Get It Right Next Time
tecnico:
Nick Patrick
registrazione di:
Get It Right Next Time
paroliere e compositore:
Gerry Rafferty
editore:
Stage Three Music Ltd.
Gerry Rafferty34:40
13For What It’s Worth
produttore:
Charles Greene (producer) e Brian Stone (producer)
voce:
Stephen Stills
voce di accompagnamento:
Richie Furay e Dewey Martin
diritti fonografici (℗) detenuti da:
Warner Music International (trademark of Warner Music International the company) (nel 1967) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1969)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 63)
registrazione di:
For What It’s Worth (il 1966-12-05)
paroliere e compositore:
Stephen Stills
editore:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East e Ten‐East Music (BMI)
Buffalo Springfield4.252:36
14Green Onions
registrata a:
Memphis, Tennessee, Stati Uniti (nel 1962-06)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
batteria [drums] :
Al Jackson (Booker T & The MGs drummer) (nel 1962-06)
chitarra :
Steve Cropper (nel 1962-06)
chitarra basso [bass] :
Lewie Steinberg (nel 1962-06)
organo Hammond :
Booker T. Jones (nel 1962-06)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 181) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 418)
registrazione di:
Green Onions (nel 1962-06)
compositore:
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones e Lewie Steinberg
editore:
Al Jackson Jr. Music, Bug Music (music publishing), Carlin Music Corporation, East/Memphis Music Corp. e Irving Music (BMI)
Booker T. & the MG’s3.952:54
15I’m Waiting for My Man
tecnico di registrazione:
Omi Haden
produttore:
Andy Warhol (American artist)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 81) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 159)
registrazione di:
I’m Waiting for the Man
paroliere e compositore:
Lou Reed
editore:
Screen Gems e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Velvet Underground3.654:41
16Cocaine
registrazione di:
Cocaine
paroliere e compositore:
J.J. Cale
editore:
Audigram Music, Audigram Songs, Inc., Blue Mountain Music Ltd., BMG Platinum Songs, Kobalt Music Publishing Ltd. (UK), Warner Chappell Music (publisher as Warner/Chappell Music) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
J.J. Cale2:53
17Strawberry Letter 23
Shuggie Otis4:00
18Across 110th Street
esecutore:
Peace (funk/soul, Bobby Womack collaborator, e.g "Across 110th Street")
registrazione di:
Across 110th Street
autore:
J.J. Johnson (jazz/bop trombonist/session leader) e Bobby Womack
Bobby Womack53:49
19California Soul
produttore:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) e Charles Stepney (musician, producer, arranger and songwriter)
arrangiatore:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) e Charles Stepney (musician, producer, arranger and songwriter)
registrazione cover di:
California Soul
autore:
Nickolas Ashford e Valerie Simpson
editore:
Jobete Music Co., Inc. (il 1969-01-17)
Marlena Shaw52:56
20Bullitt (main title)
produttore:
Jimmy Hilliard e Jimmy Hilliard (Credited as Producer Big-band musician who later worked as an A&R executive and producer for Warner Bros. Records. Produced hundreds of recordings and a number of hit singles and albums of varying genres for artists such as Jimmy Durante, Barbara McNair,)
direttore d'orchestra:
Lalo Schifrin (pianist & composer)
registrazione di:
Bullitt
compositore:
Lalo Schifrin (pianist & composer)
Lalo Schifrin42:04
21Ashes, the Rain and I
registrazione di:
Ashes the Rain and I
autore:
Dale Peters e Joe Walsh (Eagles/James Gang)
James Gang34:55
3▼CD
#TitoloArtistaValutazioneDurata
1I’m Yours
assistente tecnico di registrazione:
Iain Hill (UK engineer)
tecnico di registrazione:
Dyre Gormsen
produttore:
Martin Terefe
tecnico di missaggio:
Tony Maserati (engineer / mixer)
basso :
Martin Terefe
batteria :
Kristoffer Sonne
chitarra :
Jason Mraz
tastiera :
Nikolaj Torp Larsen
voce:
Jason Mraz
voce di accompagnamento:
Toca Rivera
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 2008) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2008)
registrata presso:
Kensaltown Recording Studios in London (Greater London), England, Regno Unito
mixata presso:
Canaan Road Studios in New York, New York, Stati Uniti
parte di:
BILLIONS CLUB
registrazione di:
I’m Yours
paroliere e compositore:
Jason Mraz
editore:
Goo Eyed Music
Jason Mraz3.94:02
2Riptide
produttore:
John Castle, James Keogh (Australian singer-songwriter) e Edwin White (Australian musician and producer)
voce:
Vance Joy (Australian singer-songwriter)
parte di:
triple j’s Hottest 100 (Australian annual music listener poll) (numero: 2013), Billboard Year-End Hot 100 singles of 2015 (numero: 71), Indie 88: Top 500 Indie Rock Songs (numero: 72) e BILLIONS CLUB
registrazione di:
Riptide
paroliere e compositore:
James Keogh (Australian singer-songwriter)
editore:
Mushroom Music Pty. Ltd. e WB Music Corp. (1929–2019)
Vance Joy3.953:21
3Secret Smile
registrazione di:
Secret Smile
paroliere e compositore:
Dan Wilson (American singer/songwriter)
editore:
Warner/Chappell Music Ltd. (1996–2019)
Semisonic3:46
4California
produttore:
Ethan Johns
tecnico di missaggio:
Bob Clearmountain
registrazione di:
California
paroliere e compositore:
Rufus Wainwright (Canadian‐American singer‐songwriter and composer)
editore:
Master Mistress Music
Rufus Wainwright53:20
5Oye como va
tecnico:
David Brown (US producer, engineer - Record Plant Studios, Wally Heider Studios) e John Fiore (engineer)
produttore:
Fred Catero e Carlos Santana
batteria :
Michael Shrieve (il 1970-07-08)
chitarra :
Carlos Santana (il 1970-07-08)
chitarra basso :
David Brown (US bassist for Santana/Allman Brothers/31st of February) (il 1970-07-08)
congas e percussione :
Michael Carabello (il 1970-07-08)
congas, percussione e timbales :
José “Chepito” Áreas (il 1970-07-08)
percussione :
Rico Reyes (il 1970-07-08)
tabla :
Steven Saphore (il 1970-07-08)
tastiera e voce principale:
Gregg Rolie (il 1970-07-08)
voce di accompagnamento:
Rico Reyes (il 1970-07-08) e Carlos Santana (il 1970-07-08)
arrangiatore:
Santana (US Latin, blues, & rock band)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1970) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1970)
registrata presso:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, Stati Uniti (il 1970-07-08)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 479)
registrazione cover di:
Oye como va (il 1970-07-08)
paroliere e compositore:
Tito Puente
editore:
EMI Full Keel Music, Full Keel Music, Planetary Music Publ. Corp., Sony/ATV Music Publishing LLC (1995–2020) e Windswept Pacific Music Ltd.
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
si basa su:
Chanchullo
si basa su:
Te enseñaré
Santana44:17
6Alone Again Or
tecnico:
Bruce Botnick
produttore:
Bruce Botnick e Arthur Lee
basso elettrico :
Ken Forssi (il 1967-09-10)
batteria :
Michael Stuart-Ware (US drummer for Love) (il 1967-09-10)
chitarra acustica e voce principale:
Bryan MacLean (il 1967-09-10)
voce principale aggiuntiva:
Arthur Lee (nel 1967-09)
arrangiatore archi e arrangiatore corno :
David Angel (composer and arranger) (il 1967-09-10)
registrata presso:
Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (il 1967-09-10)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 436)
registrazione di:
Alone Again Or (il 1967-09-10)
paroliere e compositore:
Bryan MacLean
Love4.23:12
7California Dreaming
tecnico:
Bones Howe
produttore:
Lou Adler
chitarra :
P.F. Sloan (nel 1965)
flauto contralto solista :
Bud Shank (nel 1965)
diritti fonografici (℗) detenuti da:
Geffen Records e Dunhill Records (nel 1966)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 89) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 420)
registrazione di:
California Dreamin’ (nel 1965)
autore:
John Phillips (The Mamas & The Papas) e Michelle Phillips
editore:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) e Universal/MCA Music Publishing GmbH
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.452:39
8San Francisco (Be Sure to Wear Flowers in Your Hair)
produttore:
Lou Adler e John Phillips (The Mamas & The Papas)
voce:
Scott McKenzie (nel 1967-05)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1967) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967)
registrazione di:
San Francisco (Be Sure to Wear Flowers in Your Hair) (nel 1967-05)
editore:
John Phillips (The Mamas & The Papas)
paroliere e compositore:
John Phillips (The Mamas & The Papas)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) e Wingate Music Corp.
Scott McKenzie3.752:59
9Woodstock
registrazione cover di:
Woodstock
paroliere e compositore:
Joni Mitchell
editore:
Warner Bros. Music (publisher; do NOT use as release label)
Matthews’ Southern Comfort3.64:30
10Mercedes Benz
registrazione di:
Mercedes Benz
autore:
Janis Joplin, Michael McClure e Bob Neuwirth
Janis Joplin2:13
11Redondo Beach
registrazione di:
Redondo Beach
paroliere e compositore:
Patti Smith
compositore aggiunto:
Lenny Kaye e Richard Sohl
Patti Smith3:25
12Boom Boom
The Animals3:17
13Light My Fire
produttore:
Rick Jarrard
arrangiatore archi :
George Tipton (American composer, musical arranger and conductor, born 1932)
registrazione cover di:
Light My Fire (il 1968-01-06)
autore:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek e Jim Morrison (lead vocalist of the Doors)
editore:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. e 日音 Synch事業部 (NICHION, INC. Synch Division)
José Feliciano33:35
14Abracadabra
tecnico e tecnico di missaggio:
David Cole (American recording engineer and producer)
tecnico aggiunto:
Gary Mallaber
produttore:
Gary Mallaber e Steve Miller (leader of Steve Miller Band)
basso :
Gerald Johnson
batteria e tastiera :
Gary Mallaber
chitarra [guitars] e voce principale [vocals]:
Steve Miller (leader of Steve Miller Band)
sintetizzatore e tastiera [keyboards] :
Byron Allred
diritti fonografici (℗) detenuti da:
Sailor Records (Steve Miller label)
registrazione di:
Abracadabra
paroliere e compositore:
Steve Miller (leader of Steve Miller Band)
editore:
Sailor Music
Steve Miller Band4.85:08
15Live Your Life Be Free
diritti fonografici (℗) detenuti da:
Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (nel 2019)
registrazione di:
Live Your Life Be Free
paroliere e compositore:
Rick Nowels e Ellen Shipley
editore:
Future Furniture Music, Shipwreck Music (publisher) e Virgin Music Ltd.
Belinda Carlisle4:22
16Eye of the Tiger
assistente tecnico:
Hill Swimmer
tecnico:
Phil Bonanno e Mike Clink
produttore:
Jim Peterik e Frankie Sullivan (US guitarist and songwriter, member of Survivor)
diritti fonografici (℗) detenuti da:
Volcano Entertainment III, L.L.C. (nel 1985)
registrazione di:
Eye of the Tiger
autore:
Jim Peterik e Frankie Sullivan (US guitarist and songwriter, member of Survivor)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (fino al 2017-03-31) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (dal 2017-04-01 a oggi)
parte di:
The 55th Academy Award for Best Original Song (numero: 2)
Survivor4.83:49
17If I Can’t Change Your Mind
tecnico e produttore:
Lou Giordano (Boston engineer) e Bob Mould
assistente tecnico di missaggio:
Tom Bender (engineer)
batteria :
Malcolm Travis (member of Sugar)
chitarra , tastiera e voce principale:
Bob Mould
chitarra basso :
David Barbe
percussione :
Bob Mould e Malcolm Travis (member of Sugar)
registrata presso:
The Outpost (Stoughton, Massachusetts) in Stoughton, Massachusetts, Stati Uniti
mixata presso:
Carriage House Studios in Stamford, Connecticut, Stati Uniti
registrazione di:
If I Can't Change Your Mind
paroliere e compositore:
Bob Mould
editore:
Granary Music
Sugar3.53:18
18I Wanna Be Your Dog
produttore:
John Cale (The Velvet Underground founder)
batteria :
Scott Asheton
chitarra basso :
Dave Alexander (bassist for The Stooges)
chitarra elettrica :
Ron Asheton
voce principale:
Iggy Stooge
parte di:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 37), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 314) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 438)
registrazione di:
I Wanna Be Your Dog
autore:
Dave Alexander (bassist for The Stooges), Ron Asheton, Scott Asheton e Iggy Pop
editore:
Productions et Éditions Cinématographiques Françaises, Stooge Staffel Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (fino al 2017-03-31) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (dal 2017-04-01 a oggi)
The Stooges3.553:09
19The Trip
Kim Fowley1:59
20Love Song
registrazione cover di:
Love Song
paroliere e compositore:
Lesley Duncan
editore:
BMG Gold Songs, Concord Music GmbH, Concord Songs Limited, New Hidden Valley Music Co., PW Arrangements, Sunshine Music (Tomandl & Janisch OG (Vienna)), Universal Music Corporation (ASCAP) (USA, affiliated with ASCAP), Universal Music Publishing MGB Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Dionne Warwick3:07
21Facing West
registrazione di:
Facing West
autore:
Camilla Staveley-Taylor, Emily Staveley-Taylor e Jessica Staveley-Taylor
The Staves2:39
22Embryonic Journey
registrazione di:
Embryonic Journey
compositore:
Jorma Kaukonen (American blues, folk, and rock guitarist) (nel 1962)
editore:
Icebag Corp.
Jefferson Airplane1:52

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