Best of Cannonball Adderley

~ Release by Cannonball Adderley (see all versions of this release, 1 available)

Annotation

Label: Curb - Catalog #: 77399

Annotation last modified on 2006-05-22 11:04 UTC.

Tracklist

1▼Medium
#TitleRatingLength
1Mercy, Mercy, Mercy
recording of:
Mercy, Mercy, Mercy
composer:
Josef Zawinul (jazz and fusion keyboard player)
publisher:
Zawinul Music
5:14
2Clouds
5:02
3Stella by Starlight
recording of:
Stella by Starlight
lyricist:
Ned Washington (in 1946)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The Real Book (compilation of jazz standards, volume I)
3:09
4Morning of the Carnival
3:33
5The Song Is You
recording of:
The Song Is You
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co.
3:19
6Mystified (Angel Face)
recording engineer:
Bob Arnold (engineer)
producer:
David Axelrod (baroque pop composer)
alto saxophone:
Julian Cannonball Adderley (on 1965-04-26), Marshall Royal (on 1965-04-26) and Phil Woods (US jazz woodwind player) (on 1965-04-26)
baritone saxophone, bass clarinet and flute:
Danny Bank (reeds) (on 1965-04-26)
bass clarinet, flute and tenor saxophone:
Bob Ashton (on 1965-04-26)
bass trombone:
Tony Studd (on 1965-04-26)
clarinet:
Budd Johnson (on 1965-04-26), Marshall Royal (on 1965-04-26) and Phil Woods (US jazz woodwind player) (on 1965-04-26)
cornet and trumpet:
Nat Adderley (on 1965-04-26)
double bass:
Sam Jones (US jazz bassist) (on 1965-04-26)
drums (drum set):
Louis Hayes (on 1965-04-26)
flute and tenor saxophone:
Budd Johnson (on 1965-04-26)
piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1965-04-26)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1965-04-26), Willie Dennis (on 1965-04-26) and J.J. Johnson (jazz/bop trombonist/session leader) (on 1965-04-26)
trumpet:
Jimmy Maxwell (Trumpet) (on 1965-04-26), Jimmy Nottingham (on 1965-04-26), Clark Terry (American swing trumpeter) (on 1965-04-26) and Snooky Young (on 1965-04-26)
tuba:
Don Butterfield (on 1965-04-26)
orchestra:
Oliver Nelson’s Orchestra
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1965-04-26)
arranger:
Oliver Nelson (saxophone, arranger, composer)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2004) and Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2005)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1965-04-26)
3:47
7This Can't Be Love
2:39
8Somewhere
alto saxophone:
Cannonball Adderley (on 1966-04-06)
cornet:
Nat Adderley (on 1966-04-06)
double bass:
Herbie Lewis (on 1966-04-06)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (on 1966-04-06)
piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1966-04-06)
conductor:
Ray Ellis (US producer, arranger and conductor) (on 1966-04-06)
arranger:
Ray Ellis (US producer, arranger and conductor)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1966-04-06)
instrumental recording of:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company) (on 1966-04-06)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Amberson Enterprises, Inc., Campbell Connelly & Co. Ltd., Chappell & Co Ltd., Chappell & Co., Inc. (USA), G. Schirmer, G. Schirmer Inc., PolyGram Music Publishing Ltd., The Leonard Bernstein Music Publishing Co., LLC, Universal - Polygram and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
West Side Story: Ballet Sequence
2:55
9Shake a Lady
recording engineer:
Bob Arnold (engineer)
producer:
David Axelrod (baroque pop composer)
alto saxophone:
Julian Cannonball Adderley (on 1965-04-26), Marshall Royal (on 1965-04-26) and Phil Woods (US jazz woodwind player) (on 1965-04-26)
baritone saxophone, bass clarinet and flute:
Danny Bank (reeds) (on 1965-04-26)
bass clarinet, flute and tenor saxophone:
Bob Ashton (on 1965-04-26)
bass trombone:
Tony Studd (on 1965-04-26)
clarinet:
Budd Johnson (on 1965-04-26), Marshall Royal (on 1965-04-26) and Phil Woods (US jazz woodwind player) (on 1965-04-26)
cornet and trumpet:
Nat Adderley (on 1965-04-26)
double bass:
Sam Jones (US jazz bassist) (on 1965-04-26)
drums (drum set):
Louis Hayes (on 1965-04-26)
flute and tenor saxophone:
Budd Johnson (on 1965-04-26)
piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1965-04-26)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1965-04-26), Willie Dennis (on 1965-04-26) and J.J. Johnson (jazz/bop trombonist/session leader) (on 1965-04-26)
trumpet:
Jimmy Maxwell (Trumpet) (on 1965-04-26), Jimmy Nottingham (on 1965-04-26), Clark Terry (American swing trumpeter) (on 1965-04-26) and Snooky Young (on 1965-04-26)
tuba:
Don Butterfield (on 1965-04-26)
orchestra:
Oliver Nelson’s Orchestra
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1965-04-26)
arranger:
Oliver Nelson (saxophone, arranger, composer)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2005)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1965-04-26)
3:03
10The End of a Love Affair
4:33
11I Concentrate on You
3:36

Credits

Release

ASIN:US: B000000CXY [info]