Four Classic Albums

~ Veröffentlichung von John Coltrane (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelBewertungLänge
1Little Old Lady
recording engineer:
Tom Dowd (am 1959-11-24) und Phil Iehle (am 1959-11-24)
Produzent(in):
Nesuhi Ertegun
Klavier:
Wynton Kelly (am 1959-11-24)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-11-24)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1959-11-24)
Tenorsaxophon:
John Coltrane (am 1959-11-24)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-11-24)
instrumental cover recording of:
Little Old Lady (am 1959-11-24)
Texter:
Stanley Adams (US lyricist & songwriter) und Hoagy Carmichael
Komponist(in):
Hoagy Carmichael
4:28
2Village Blues
recording engineer:
Tom Dowd (am 1960-10-21) und Phil Iehle (am 1960-10-21)
Produzent(in):
Nesuhi Ertegun
Klavier:
McCoy Tyner (jazz pianist) (am 1960-10-21)
Kontrabass:
Steve Davis (post-bop contrabassist who played with Coltrane) (am 1960-10-21)
Schlagzeug:
Elvin Jones (jazz drummer) (am 1960-10-21)
Tenorsaxophon:
John Coltrane (am 1960-10-21)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1960-10-21)
recording of:
Village Blues (am 1960-10-21)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
5:24
3My Shining Hour
recording engineer:
Tom Dowd (am 1959-12-02) und Phil Iehle (am 1959-12-02)
Produzent(in):
Nesuhi Ertegun
Klavier:
Wynton Kelly (am 1959-12-02)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-12-02)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1959-12-02)
Tenorsaxophon:
John Coltrane (am 1959-12-02)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-12-02)
instrumental cover recording of:
My Shining Hour (The Sky’s the Limit) (am 1959-12-02)
Texter:
Johnny Mercer (in 1943)
Komponist(in):
Harold Arlen (in 1943)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (beendet), Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Harwin Music Corporation
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
Teil von:
The Sky’s the Limit (1943 film)
4:55
4Fifth House
recording engineer:
Tom Dowd (am 1959-12-02) und Phil Iehle (am 1959-12-02)
Produzent(in):
Nesuhi Ertegun
Klavier:
Wynton Kelly (am 1959-12-02)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-12-02)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1959-12-02)
Tenorsaxophon:
John Coltrane (am 1959-12-02)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-12-02)
recording of:
Fifth House (am 1959-12-02)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
4:43
5Harmonique
recording engineer:
Tom Dowd (am 1959-12-02) und Phil Iehle (am 1959-12-02)
Produzent(in):
Nesuhi Ertegun
Klavier:
Wynton Kelly (am 1959-12-02)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-12-02)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1959-12-02)
Tenorsaxophon:
John Coltrane (am 1959-12-02)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-12-02)
recording of:
Harmonique (am 1959-12-02)
Komponist(in):
John Coltrane
4:15
6Like Sonny
recording engineer:
Tom Dowd (am 1959-12-02) und Phil Iehle (am 1959-12-02)
Produzent(in):
Nesuhi Ertegun
Klavier:
Wynton Kelly (am 1959-12-02)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-12-02)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1959-12-02)
Tenorsaxophon:
John Coltrane (am 1959-12-02)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-12-02)
recording of:
Like Sonny (am 1959-12-02)
Komponist(in):
John Coltrane
named after artist:
Sonny Rollins (American saxophonist)
publisher:
Jowcol Music
5:55
7I'll Wait And Pray
recording engineer:
Tom Dowd (am 1959-11-24) und Phil Iehle (am 1959-11-24)
Produzent(in):
Nesuhi Ertegun
Klavier:
Wynton Kelly (am 1959-11-24)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-11-24)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1959-11-24)
Tenorsaxophon:
John Coltrane (am 1959-11-24)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-11-24)
instrumental cover recording of:
I’ll Wait and Pray (am 1959-11-24)
Verfasser(in):
Jerry Valentine (trombone, aka Jerry Valentine) und George Treadwell
3:36
8Some Other Blues
recording engineer:
Tom Dowd (am 1959-12-02) und Phil Iehle (am 1959-12-02)
Produzent(in):
Nesuhi Ertegun
Klavier:
Wynton Kelly (am 1959-12-02)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-12-02)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1959-12-02)
Tenorsaxophon:
John Coltrane (am 1959-12-02)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-12-02)
recording of:
Some Other Blues (am 1959-12-02)
Komponist(in):
John Coltrane
5:38
9My Favourite Things
recording engineer:
Tom Dowd (am 1960-10-21) und Phil Iehle (am 1960-10-21)
Klavier:
McCoy Tyner (jazz pianist) (am 1960-10-21)
Kontrabass:
Steve Davis (post-bop contrabassist who played with Coltrane) (am 1960-10-21)
Schlagzeug:
Elvin Jones (jazz drummer) (am 1960-10-21)
Sopransaxophon:
John Coltrane (am 1960-10-21)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1960-10-21)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 49)
instrumental cover recording of:
My Favorite Things (The Sound of Music) (am 1960-10-21)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Williamson Music Company
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
American Splendor
Teil von:
The Sound of Music (Rodgers & Hammerstein musical)
3.613:46
10Every Time We Say Goodbye
recording engineer:
Tom Dowd (am 1960-10-26) und Phil Iehle (am 1960-10-26)
Klavier:
McCoy Tyner (jazz pianist) (am 1960-10-26)
Kontrabass:
Steve Davis (post-bop contrabassist who played with Coltrane) (am 1960-10-26)
Schlagzeug:
Elvin Jones (jazz drummer) (am 1960-10-26)
Sopransaxophon:
John Coltrane (am 1960-10-26)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1960-10-26)
instrumental cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (am 1960-10-26)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
35:44
11Summertime
recording engineer:
Tom Dowd (am 1960-10-24) und Phil Iehle (am 1960-10-24)
Klavier:
McCoy Tyner (jazz pianist) (am 1960-10-24)
Kontrabass:
Steve Davis (post-bop contrabassist who played with Coltrane) (am 1960-10-24)
Schlagzeug:
Elvin Jones (jazz drummer) (am 1960-10-24)
Tenorsaxophon:
John Coltrane (am 1960-10-24)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1960-10-24)
instrumental cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (am 1960-10-24)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
311:37
12But Not For Me
recording engineer:
Tom Dowd (am 1960-10-26) und Phil Iehle (am 1960-10-26)
Klavier:
McCoy Tyner (jazz pianist) (am 1960-10-26)
Kontrabass:
Steve Davis (post-bop contrabassist who played with Coltrane) (am 1960-10-26)
Schlagzeug:
Elvin Jones (jazz drummer) (am 1960-10-26)
Tenorsaxophon:
John Coltrane (am 1960-10-26)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1960-10-26)
instrumental cover recording of:
But Not for Me (am 1960-10-26)
Texter:
Ira Gershwin (in 1930)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (bis 2019-05-28), New World Music Co. (in 1930) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
9:38
2▼CD
Nr.TitelBewertungLänge
1Bags & Trane
recording engineer:
Tom Dowd (am 1959-01-15)
Produzent(in):
Nesuhi Ertegun
Klavier:
Hank Jones (piano) (am 1959-01-15)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-01-15)
Schlagzeug:
Connie Kay (am 1959-01-15)
Tenorsaxophon:
John Coltrane (am 1959-01-15)
Vibraphon:
Milt Jackson (am 1959-01-15)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-01-15)
recording of:
Bags & Trane (am 1959-01-15)
Komponist(in):
Milt Jackson
7:21
2Three Little Words
recording engineer:
Tom Dowd (am 1959-01-15)
Produzent(in):
Nesuhi Ertegun
Bass und Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-01-15)
Klavier:
Hank Jones (piano) (am 1959-01-15)
Schlagzeug:
Connie Kay (am 1959-01-15)
Tenorsaxophon:
John Coltrane (am 1959-01-15)
Vibraphon:
Milt Jackson (am 1959-01-15)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-01-15)
instrumental cover recording of:
Three Little Words (am 1959-01-15)
Texter:
Bert Kalmar (in 1930)
Komponist(in):
Harry Ruby (in 1930)
publisher:
Bug Music (music publishing), Chappell und MPL Music Publishing Inc.
7:27
3The Night We Called It A Day
recording engineer:
Tom Dowd (am 1959-01-15)
Produzent(in):
Nesuhi Ertegun
Klavier:
Hank Jones (piano) (am 1959-01-15)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-01-15)
Schlagzeug:
Connie Kay (am 1959-01-15)
Tenorsaxophon:
John Coltrane (am 1959-01-15)
Vibraphon:
Milt Jackson (am 1959-01-15)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-01-15)
instrumental cover recording of:
The Night We Called It a Day (am 1959-01-15)
Texter:
Tom Adair
Komponist(in):
Matt Dennis (American singer, pianist, band leader)
publisher:
BMI/Embassy Music Corp. und Dorsey Brothers Music
4:19
4Be-bop
recording engineer:
Tom Dowd (am 1959-01-15)
Produzent(in):
Nesuhi Ertegun
Klavier:
Hank Jones (piano) (am 1959-01-15)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-01-15)
Schlagzeug:
Connie Kay (am 1959-01-15)
Tenorsaxophon:
John Coltrane (am 1959-01-15)
Vibraphon:
Milt Jackson (am 1959-01-15)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-01-15)
instrumental cover recording of:
Be-Bop (am 1959-01-15)
Komponist(in):
Dizzy Gillespie
publisher:
MCA Inc./ASCAP (this was the US media company that became Universal Studios, Inc. in Dec 1996)
7:57
5The Late Late Blues
recording engineer:
Tom Dowd (am 1959-01-15)
Produzent(in):
Nesuhi Ertegun
Klavier:
Hank Jones (piano) (am 1959-01-15)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-01-15)
Schlagzeug:
Connie Kay (am 1959-01-15)
Tenorsaxophon:
John Coltrane (am 1959-01-15)
Vibraphon:
Milt Jackson (am 1959-01-15)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-01-15)
recording of:
The Late Late Blues (am 1959-01-15)
Komponist(in):
Milt Jackson
9:30
6Giant Steps
recording engineer:
Tom Dowd (am 1959-05-05) und Phil Iehle (am 1959-05-05)
Produzent(in):
Nesuhi Ertegun
Klavier:
Tommy Flanagan (am 1959-05-05)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-05-05)
Schlagzeug:
Art Taylor (am 1959-05-05)
Tenorsaxophon:
John Coltrane (am 1959-05-05)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-05-05)
recording of:
Giant Steps (am 1959-05-05)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
Teil von:
The Real Book (compilation of jazz standards, volume I)
3.354:43
7Cousin Mary
recording engineer:
Tom Dowd (am 1959-05-04) und Phil Iehle (am 1959-05-04)
Produzent(in):
Nesuhi Ertegun
Klavier:
Tommy Flanagan (am 1959-05-04)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-05-04)
Schlagzeug:
Art Taylor (am 1959-05-04)
Tenorsaxophon:
John Coltrane (am 1959-05-04)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-05-04)
recording of:
Cousin Mary (original instrumental version) (am 1959-05-04)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
45:45
8Countdown
recording engineer:
Tom Dowd (am 1959-05-04) und Phil Iehle (am 1959-05-04)
Produzent(in):
Nesuhi Ertegun
Klavier:
Tommy Flanagan (am 1959-05-04)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-05-04)
Schlagzeug:
Art Taylor (am 1959-05-04)
Tenorsaxophon:
John Coltrane (am 1959-05-04)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-05-04)
recording of:
Countdown (am 1959-05-04)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
32:21
9Spiral
recording engineer:
Tom Dowd (am 1959-05-04) und Phil Iehle (am 1959-05-04)
Produzent(in):
Nesuhi Ertegun (am 1959-05-04)
Klavier:
Tommy Flanagan (am 1959-05-04)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-05-04)
Schlagzeug:
Art Taylor (am 1959-05-04)
Tenorsaxophon:
John Coltrane (am 1959-05-04)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-05-04)
recording of:
Spiral (am 1959-05-04)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
45:57
10Syeeda's Song Flute
recording engineer:
Tom Dowd (am 1959-05-05) und Phil Iehle (am 1959-05-05)
Produzent(in):
Nesuhi Ertegun
Klavier:
Tommy Flanagan (am 1959-05-05)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-05-05)
Schlagzeug:
Art Taylor (am 1959-05-05)
Tenorsaxophon:
John Coltrane (am 1959-05-05)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-05-05)
recording of:
Syeeda's Song Flute (am 1959-05-05)
Komponist(in):
John Coltrane
47:01
11Naima
recording engineer:
Tom Dowd (am 1959-12-02) und Phil Iehle (am 1959-12-02)
Produzent(in):
Nesuhi Ertegun
Klavier:
Wynton Kelly (am 1959-12-02)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-12-02)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1959-12-02)
Tenorsaxophon:
John Coltrane (am 1959-12-02)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-12-02)
recording of:
Naima (original instrumental version) (am 1959-12-02)
Komponist(in):
John Coltrane
named after artist:
Juanita Naima Grubbs
publisher:
Jowcol Music
44:20
12Mr P.C.
recording engineer:
Tom Dowd (am 1959-05-05) und Phil Iehle (am 1959-05-05)
Produzent(in):
Nesuhi Ertegun
Klavier:
Tommy Flanagan (am 1959-05-05)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-05-05)
Schlagzeug:
Art Taylor (am 1959-05-05)
Tenorsaxophon:
John Coltrane (am 1959-05-05)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-05-05)
recording of:
Mr. P.C. (am 1959-05-05)
Komponist(in):
John Coltrane
named after artist:
Paul Chambers (US jazz bassist)
publisher:
Jowcol Music
46:57
13Giant Steps (alternate take)
Klavier:
Tommy Flanagan (am 1959-05-05)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-05-05)
Schlagzeug:
Art Taylor (am 1959-05-05)
Tenorsaxophon:
John Coltrane (am 1959-05-05)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) und Rhino Entertainment Company (not for release label use!) (in 2020)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-05-05)
recording of:
Giant Steps (am 1959-05-05)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
Teil von:
The Real Book (compilation of jazz standards, volume I)
4:53

Nennungen

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/3186618 [Info]