Andrea Chénier (Milano, 1941)

~ Release by Umberto Giordano; Beniamino Gigli, Maria Caniglia, Gino Bechi, Giulietta Simionato, Giuseppe Taddei, Oliviero de Fabritiis (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Andrea Chénier: Atto I. “Questo azzura sofà”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1941-11)
baritone vocals [Gérard]:
Gino Bechi (baritone) (in 1941-11)
bass vocals [Il maggiordomo]:
Gino Conti (operatic bass) (in 1941-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1941-11)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1941-11)
recording of:
Andrea Chénier: Atto I. “Questo azzurro sofà” (Il Maestro di Casa) / “Compiacente a’colloqui” … “Son sessant’anni, o vecchio” (Gérard) (in 1941-11)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano5:46
2Andrea Chénier: Atto I. “Via, v'affrettate”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1941-11)
baritone vocals [Gérard]:
Gino Bechi (baritone) (in 1941-11)
mezzo-soprano vocals [La contessa]:
Giulietta Simionato (mezzo-soprano) (in 1941-11)
soprano vocals [Bersi]:
Maria Huder (soprano) (in 1941-11)
soprano vocals [Maddalena]:
Maria Caniglia (soprano) (in 1941-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1941-11)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1941-11)
recording of:
Andrea Chénier: Atto I. “Il giorno intorno già s’insera lentamente!” (Maddalena, Gérard) / “Via, v’affretate” (Contessa, Gérard, Maddalena, Bersi) (in 1941-11)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano4:52
3Andrea Chénier: Atto I. “Debole è il re!”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1941-11)
baritone vocals [Fléville]:
Giuseppe Taddei (baritone) (in 1941-11)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1941-11)
mezzo-soprano vocals [La contessa]:
Giulietta Simionato (mezzo-soprano) (in 1941-11)
tenor vocals [L'abate]:
Adelio Zagonara (tenor) (in 1941-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1941-11)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1941-11)
recording of:
Andrea Chénier: Atto I. “Debole è il Re!” (L'Abate, Fléville, Contessa, Coro) (in 1941-11)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano5:35
4Andrea Chénier: Atto I. “Signor Chénier?”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1941-11)
baritone vocals [Fléville]:
Giuseppe Taddei (baritone) (in 1941-11)
mezzo-soprano vocals [La contessa]:
Giulietta Simionato (mezzo-soprano) (in 1941-11)
soprano vocals [Maddalena]:
Maria Caniglia (soprano) (in 1941-11)
tenor vocals [Chénier]:
Beniamino Gigli (tenor) (in 1941-11)
tenor vocals [L'abate]:
Adelio Zagonara (tenor) (in 1941-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1941-11)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1941-11)
recording of:
Andrea Chénier: Atto I. “Signor Chénier” … “Madame la Contessa?” (Contessa, Chénier, Fléville, L'Abate, Maddalena) (in 1941-11)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano3:24
5Andrea Chénier: Atto I. “Un di all'azzurro spazio”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1941-11)
tenor vocals [Chénier]:
Beniamino Gigli (tenor) (in 1941-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1941-11)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1941-11)
recording of:
Andrea Chénier: Atto I. “Colpito qui m’avete” … “Un dì all’azzurro spazio” (Improvviso) (Chénier) (in 1941-11)
composer:
Umberto Giordano (Italian opera composer) (until 1896)
librettist:
Luigi Illica
publisher:
Casa Musicale Sonzogno di Piero Ostali, Milano
part of:
Andrea Chénier: Atto I
Umberto Giordano4:15
6Andrea Chénier: Atto I. “Perdonatemi!”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1941-11)
baritone vocals [Gérard]:
Gino Bechi (baritone) (in 1941-11)
bass vocals [Il maggiordomo]:
Gino Conti (operatic bass) (in 1941-11)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1941-11)
mezzo-soprano vocals [La contessa]:
Giulietta Simionato (mezzo-soprano) (in 1941-11)
soprano vocals [Maddalena]:
Maria Caniglia (soprano) (in 1941-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1941-11)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1941-11)
recording of:
Andrea Chénier: Atto I. “Perdonatemi!” (Maddalena, Contessa, Gérard, Maestro di Casa) / “La notte il giorno portiamo” (Voci lontane) (in 1941-11)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano4:12
7Andrea Chénier: Atto II. “Per l'ex inferno!”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1941-11)
baritone vocals [Mathieu]:
Leone Paci (italian baritone) (in 1941-11)
soprano vocals [Bersi]:
Maria Huder (soprano) (in 1941-11)
tenor vocals [L'incredibile]:
Adelio Zagonara (tenor) (in 1941-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1941-11)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1941-11)
recording of:
Andrea Chénier: Atto II. “Per l'ex inferno!” (Mathieu, Bersi, L'Incredibile) (in 1941-11)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano3:37
8Andrea Chénier: Atto II. “Roucher!” - “Chénier!”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1941-11)
bass vocals [Roucher]:
Italo Tajo (Italian operatic bass) (in 1941-11)
tenor vocals [Chénier]:
Beniamino Gigli (tenor) (in 1941-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1941-11)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1941-11)
recording of:
Andrea Chénier: Atto II. “Roucher!” (Chénier, Roucher) / “Credo a una possanza arcana” (Chénier) (in 1941-11)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano6:23
9Andrea Chénier: Atto II. “Accetto il passaporto!”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1941-11)
bass vocals [Roucher]:
Italo Tajo (Italian operatic bass) (in 1941-11)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1941-11)
tenor vocals [Chénier]:
Beniamino Gigli (tenor) (in 1941-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1941-11)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1941-11)
recording of:
Andrea Chénier: Atto II. “Accetto il passaporto!” (Chénier, Roucher, Coro) (in 1941-11)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano6:09
10Andrea Chénier: Atto II. “Ecco l'altare …”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1941-11)
soprano vocals [Maddalena]:
Maria Caniglia (soprano) (in 1941-11)
tenor vocals [Chénier]:
Beniamino Gigli (tenor) (in 1941-11)
tenor vocals [L'incredibile]:
Adelio Zagonara (tenor) (in 1941-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1941-11)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1941-11)
partial recording of:
Andrea Chénier: Atto II. “Ecco l'altare” … “Eravate possente” … “Ora soave” (Maddalena, Chénier, L'Incredibile) (in 1941-11)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano4:51
11Andrea Chénier: Atto II. “Ora soave, sublime ora d'amore!”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1941-11)
soprano vocals [Maddalena]:
Maria Caniglia (soprano) (in 1941-11)
tenor vocals [Chénier]:
Beniamino Gigli (tenor) (in 1941-11)
tenor vocals [L'incredibile]:
Adelio Zagonara (tenor) (in 1941-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1941-11)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1941-11)
partial recording of:
Andrea Chénier: Atto II. “Ecco l'altare” … “Eravate possente” … “Ora soave” (Maddalena, Chénier, L'Incredibile) (in 1941-11)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano2:18
12Andrea Chénier: Atto II. “Maddalena di Coigny!”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1941-11)
baritone vocals [Gérard]:
Gino Bechi (baritone) (in 1941-11)
baritone vocals [Mathieu]:
Leone Paci (italian baritone) (in 1941-11)
bass vocals [Roucher]:
Italo Tajo (Italian operatic bass) (in 1941-11)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1941-11)
soprano vocals [Maddalena]:
Maria Caniglia (soprano) (in 1941-11)
tenor vocals [Chénier]:
Beniamino Gigli (tenor) (in 1941-11)
tenor vocals [L'incredibile]:
Adelio Zagonara (tenor) (in 1941-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1941-11)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1941-11)
recording of:
Andrea Chénier: Atto II. “Maddalena di Coigny!” (Gérard, Maddalena, Chénier, Roucher, L'Incredibile, Mathieu, La Folla) (in 1941-11)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano1:52
2▼CD
#TitleArtistRatingLength
1Andrea Chénier: Atto III. “Dumouriez, traditore e giacobino”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1941-11)
baritone vocals [Gérard]:
Gino Bechi (baritone) (in 1941-11)
baritone vocals [Mathieu]:
Leone Paci (italian baritone) (in 1941-11)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1941-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1941-11)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1941-11)
recording of:
Andrea Chénier: Atto III. “Dumouriez traditore” (Mathieu, Cittadini) / “Grazie, cittadini!” (Gérard, Mathieu, Cittadini) (in 1941-11)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto III
Umberto Giordano5:07
2Andrea Chénier: Atto III. “Son la vecchia Madelon”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1941-11)
baritone vocals [Gérard]:
Gino Bechi (baritone) (in 1941-11)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1941-11)
mezzo-soprano vocals [Madelon]:
Vittoria Palombini (mezzo-soprano) (in 1941-11)
tenor vocals [L'incredibile]:
Adelio Zagonara (tenor) (in 1941-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1941-11)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1941-11)
recording of:
Andrea Chénier: Atto III. “Son la vecchia Madelon” (Madelon, Gérard) / “Amici ancor cantiam” (Voci dalla strada, L'Incredibile, Gérard) (in 1941-11)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto III
Umberto Giordano4:08
3Andrea Chénier: Atto III. “L'uccello è nelle rete!”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1941-11)
baritone vocals [Gérard]:
Gino Bechi (baritone) (in 1941-11)
tenor vocals [L'incredibile]:
Adelio Zagonara (tenor) (in 1941-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1941-11)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1941-11)
recording of:
Andrea Chénier: Atto III. “L'uccello è nella rete! ... Donnina innamorata” (L'Incredibile, Gérard) (in 1941-11)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto III
Umberto Giordano3:35
4Andrea Chénier: Atto III. “Nemico della patria?!”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1941-11)
baritone vocals [Gérard]:
Gino Bechi (baritone) (in 1941-11)
tenor vocals [L'incredibile]:
Adelio Zagonara (tenor) (in 1941-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1941-11)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1941-11)
partial recording of:
Andrea Chénier: Atto III. “Nemico della patria?” … “Or io rinnego il santo grido!” (Gérard, L'Incredibile) (in 1941-11)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto III
Umberto Giordano3:54
5Andrea Chénier: Atto III. “Or io rinnego il santo grido!”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1941-11)
baritone vocals [Gérard]:
Gino Bechi (baritone) (in 1941-11)
baritone vocals [Mathieu]:
Leone Paci (italian baritone) (in 1941-11)
soprano vocals [Maddalena]:
Maria Caniglia (soprano) (in 1941-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1941-11)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1941-11)
recording of:
Andrea Chénier: Atto III. “Carlo Gérard?” (Maddalena, Mathieu, Gérard) / “Io t'aspettava!” (Gérard, Maddalena) (in 1941-11)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto III
partial recording of:
Andrea Chénier: Atto III. “Nemico della patria?” … “Or io rinnego il santo grido!” (Gérard, L'Incredibile) (in 1941-11)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto III
Umberto Giordano6:00
6Andrea Chénier: Atto III. “La mamma morta”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1941-11)
baritone vocals [Gérard]:
Gino Bechi (baritone) (in 1941-11)
soprano vocals [Maddalena]:
Maria Caniglia (soprano) (in 1941-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1941-11)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1941-11)
partial recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (in 1941-11)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
publisher:
Edoardo Sonzogno Ltd. and MCPS (UK rights society; do not use this as a label or work publisher!)
part of:
Andrea Chénier: Atto III
Umberto Giordano4:03
7Andrea Chénier: Atto III. “E l'angelo si accosta”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1941-11)
baritone vocals [Fouquier-Tinville]:
Giuseppe Taddei (baritone) (in 1941-11)
baritone vocals [Gérard]:
Gino Bechi (baritone) (in 1941-11)
baritone vocals [Mathieu]:
Leone Paci (italian baritone) (in 1941-11)
bass vocals [Dumas]:
Gino Conti (operatic bass) (in 1941-11)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1941-11)
soprano vocals [Maddalena]:
Maria Caniglia (soprano) (in 1941-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1941-11)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1941-11)
partial recording of:
Andrea Chénier: Atto III. “Il tuo perdono è la mia forza!” (Gérard) / “Mamma Cadet!” (Mercantine, Cittadini, Mathieu, Gérard, Maddalena) / “Gravier de Vergennes!” (Dumas, Fouquier-Tinville, Cittadini, Gérard, Maddalena) (in 1941-11)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto III
partial recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (in 1941-11)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
publisher:
Edoardo Sonzogno Ltd. and MCPS (UK rights society; do not use this as a label or work publisher!)
part of:
Andrea Chénier: Atto III
Umberto Giordano5:17
8Andrea Chénier: Atto III. “Andrea Chénier”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1941-11)
baritone vocals [Fouquier-Tinville]:
Giuseppe Taddei (baritone) (in 1941-11)
baritone vocals [Gérard]:
Gino Bechi (baritone) (in 1941-11)
bass vocals [Dumas]:
Gino Conti (operatic bass) (in 1941-11)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1941-11)
soprano vocals [Maddalena]:
Maria Caniglia (soprano) (in 1941-11)
tenor vocals [Chénier]:
Beniamino Gigli (tenor) (in 1941-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1941-11)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1941-11)
partial recording of:
Andrea Chénier: Atto III. “Il tuo perdono è la mia forza!” (Gérard) / “Mamma Cadet!” (Mercantine, Cittadini, Mathieu, Gérard, Maddalena) / “Gravier de Vergennes!” (Dumas, Fouquier-Tinville, Cittadini, Gérard, Maddalena) (in 1941-11)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto III
recording of:
Andrea Chénier: Atto III. “Sì, fui soldato” … “Passa la vita mia” (Chénier) (in 1941-11)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto III
Umberto Giordano3:03
9Andrea Chénier: Atto III. “Udiamo i testimoni”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1941-11)
baritone vocals [Fouquier-Tinville]:
Giuseppe Taddei (baritone) (in 1941-11)
baritone vocals [Gérard]:
Gino Bechi (baritone) (in 1941-11)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1941-11)
tenor vocals [Chénier]:
Beniamino Gigli (tenor) (in 1941-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1941-11)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1941-11)
recording of:
Andrea Chénier: Atto III. “Udiamo i testimoni!” (Fouquier-Tinville, Gérard, Cittadini) / “Qui la giustizia ha nome tirannia” (Gérard, Cittadini, Chénier) (in 1941-11)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto III
Umberto Giordano2:48
10Andrea Chénier: Atto IV. “Cittadino, men duol”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1941-11)
bass vocals [Roucher]:
Italo Tajo (Italian operatic bass) (in 1941-11)
bass vocals [Schmidt]:
Gino Conti (operatic bass) (in 1941-11)
tenor vocals [Chénier]:
Beniamino Gigli (tenor) (in 1941-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1941-11)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1941-11)
recording of:
Andrea Chénier: Atto IV. “Cittadino, men duol” (Schmidt, Roucher, Chénier) (in 1941-11)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto IV
Umberto Giordano1:15
11Andrea Chénier: Atto IV. “Come un bel dì di maggio”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1941-11)
tenor vocals [Chénier]:
Beniamino Gigli (tenor) (in 1941-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1941-11)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1941-11)
recording of:
Andrea Chénier: Atto IV. “Come un bel dì di maggio” (Chénier) (in 1941-11)
composer:
Umberto Giordano (Italian opera composer) (in 1896)
librettist:
Luigi Illica (in 1896)
part of:
Andrea Chénier: Atto IV
Umberto Giordano2:57
12Andrea Chénier: Atto IV. “La, la, la …”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1941-11)
baritone vocals [Gérard]:
Gino Bechi (baritone) (in 1941-11)
baritone vocals [Mathieu]:
Leone Paci (italian baritone) (in 1941-11)
bass vocals [Schmidt]:
Gino Conti (operatic bass) (in 1941-11)
soprano vocals [Maddalena]:
Maria Caniglia (soprano) (in 1941-11)
tenor vocals [Chénier]:
Beniamino Gigli (tenor) (in 1941-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1941-11)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1941-11)
recording of:
Andrea Chénier: Atto IV. ‘La Marseillaise’ (Mathieu) - "Viene a costei concesso" (Gérard, Schmidt, Maddalena) (in 1941-11)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto IV
recording of:
Andrea Chénier: Atto IV. “Il vostro giuramento vi sovvengo!” (Maddalena, Gérard, Schmidt) / “Benedico il destino!” (Maddalena, Schmidt, Gérard, Chénier) (in 1941-11)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto IV
Umberto Giordano3:56
13Andrea Chénier: Atto IV. “Vinco a te s'acquieta”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1941-11)
bass vocals [Schmidt]:
Gino Conti (operatic bass) (in 1941-11)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1941-11)
soprano vocals [Maddalena]:
Maria Caniglia (soprano) (in 1941-11)
tenor vocals [Chénier]:
Beniamino Gigli (tenor) (in 1941-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1941-11)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1941-11)
recording of:
Andrea Chénier: Atto IV. “La nostra morte è il trionfo dell'amor!” (Chénier, Maddalena, Schmidt) (in 1941-11)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto IV
recording of:
Andrea Chénier: Atto IV. “Vicino a te” (Chénier, Maddalena) (in 1941-11)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto IV
Umberto Giordano7:43