The Silver Collection

~ Release by Billie Holiday (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
1I Wished on the Moon
recorded in:
Los Angeles, California, United States (from 1957-01-03 until 1957-01-07)
engineer:
Val Valentin
producer:
Norman Granz
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (from 1957-01-03 until 1957-01-07)
drums (drum set):
Alvin Stoller (from 1957-01-03 until 1957-01-07)
guitar:
Barney Kessel (from 1957-01-03 until 1957-01-07)
piano:
Jimmy Rowles (from 1957-01-03 until 1957-01-07)
tenor saxophone:
Ben Webster (from 1957-01-03 until 1957-01-07)
trumpet:
Harry “Sweets” Edison (from 1957-01-03 until 1957-01-07)
vocals:
Billie Holiday (from 1957-01-03 until 1957-01-07)
recording of:
I Wished on the Moon (from 1957-01-03 until 1957-01-07)
lyricist:
Dorothy Parker
composer:
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:29
2Moonlight in Vermont
recorded in:
Los Angeles, California, United States (from 1957-01-03 until 1957-01-07)
engineer:
Val Valentin
producer:
Norman Granz
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (from 1957-01-03 until 1957-01-07)
drums (drum set):
Alvin Stoller (from 1957-01-03 until 1957-01-07)
guitar:
Barney Kessel (from 1957-01-03 until 1957-01-07)
piano:
Jimmy Rowles (from 1957-01-03 until 1957-01-07)
tenor saxophone:
Ben Webster (from 1957-01-03 until 1957-01-07)
trumpet:
Harry “Sweets” Edison (from 1957-01-03 until 1957-01-07)
vocals:
Billie Holiday (from 1957-01-03 until 1957-01-07)
recording of:
Moonlight in Vermont (from 1957-01-03 until 1957-01-07)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:52
3Say It Isn't So
recorded in:
Los Angeles, California, United States (from 1957-01-03 until 1957-01-07)
engineer:
Val Valentin
producer:
Norman Granz
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (from 1957-01-03 until 1957-01-07)
drums (drum set):
Alvin Stoller (from 1957-01-03 until 1957-01-07)
guitar:
Barney Kessel (from 1957-01-03 until 1957-01-07)
piano:
Jimmy Rowles (from 1957-01-03 until 1957-01-07)
tenor saxophone:
Ben Webster (from 1957-01-03 until 1957-01-07)
trumpet:
Harry “Sweets” Edison (from 1957-01-03 until 1957-01-07)
vocals:
Billie Holiday (from 1957-01-03 until 1957-01-07)
recording of:
Say It Isn’t So (from 1957-01-03 until 1957-01-07)
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Music Corp.
3:20
4Our Love Is Here to Stay
recorded in:
Los Angeles, California, United States (on 1957-01-08)
engineer:
Val Valentin (on 1957-01-08)
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-08)
drums (drum set):
Alvin Stoller (on 1957-01-08)
guitar:
Barney Kessel (on 1957-01-08)
piano:
Jimmy Rowles (on 1957-01-08)
tenor saxophone:
Ben Webster (on 1957-01-08)
trumpet:
Harry “Sweets” Edison (on 1957-01-08)
vocals:
Billie Holiday (on 1957-01-08)
orchestra:
Billie Holiday and Her Orchestra (on 1957-01-08)
recording of:
Love Is Here to Stay (on 1957-01-08)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
43:45
5Darn That Dream
recorded in:
Los Angeles, California, United States (from 1957-01-03 until 1957-01-07)
engineer:
Val Valentin
producer:
Norman Granz
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (from 1957-01-03 until 1957-01-07)
drums (drum set):
Alvin Stoller (from 1957-01-03 until 1957-01-07)
guitar:
Barney Kessel (from 1957-01-03 until 1957-01-07)
piano:
Jimmy Rowles (from 1957-01-03 until 1957-01-07)
tenor saxophone:
Ben Webster (from 1957-01-03 until 1957-01-07)
trumpet:
Harry “Sweets” Edison (from 1957-01-03 until 1957-01-07)
vocals:
Billie Holiday (from 1957-01-03 until 1957-01-07)
recording of:
Darn That Dream (from 1957-01-03 until 1957-01-07)
lyricist:
Eddie DeLange (in 1939)
composer:
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
part of:
Swingin’ the Dream
6:20
6But Not for Me
recorded in:
Los Angeles, California, United States (on 1957-01-07)
engineer:
Val Valentin (on 1957-01-07)
producer:
Norman Granz
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-07)
drums (drum set):
Alvin Stoller (on 1957-01-07)
guitar:
Barney Kessel (on 1957-01-07)
piano:
Jimmy Rowles (on 1957-01-07)
tenor saxophone:
Ben Webster (on 1957-01-07)
trumpet:
Harry “Sweets” Edison (on 1957-01-07)
vocals:
Billie Holiday (on 1957-01-07)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-07)
recording of:
But Not for Me (on 1957-01-07)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
43:52
7Body and Soul
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-07)
double bass [bass]:
Joe Mondragon (in 1957-01)
drums (drum set):
Alvin Stoller (on 1957-01-07)
guitar:
Barney Kessel (on 1957-01-07)
piano:
Jimmy Rowles (on 1957-01-07)
tenor saxophone:
Ben Webster (on 1957-01-07)
trumpet:
Harry “Sweets” Edison (on 1957-01-07)
vocals:
Billie Holiday (on 1957-01-07)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1957-01-07 until 1957-01-09)
recording of:
Body and Soul (on 1957-01-07)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
36:23
8Comes Love
recorded in:
Los Angeles, California, United States (on 1957-01-08)
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1957-01-08)
drums (drum set):
Larry Bunker (on 1957-01-08)
guitar:
Barney Kessel (on 1957-01-08)
piano:
Jimmy Rowles (on 1957-01-08)
tenor saxophone:
Ben Webster (on 1957-01-08)
trumpet:
Harry “Sweets” Edison (on 1957-01-08)
vocals:
Billie Holiday (on 1957-01-08)
recording of:
Comes Love (on 1957-01-08)
lyricist:
Lew Brown
composer:
Sam H. Stept and Charles Tobias (Tin Pan Alley songwriter)
4:02
9They Can't Take That Away From Me
recorded in:
Los Angeles, California, United States (on 1957-01-09)
engineer:
Val Valentin
producer:
Norman Granz
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-09)
drums (drum set):
Larry Bunker (on 1957-01-09)
guitar:
Barney Kessel (on 1957-01-09)
piano:
Jimmy Rowles (on 1957-01-09)
tenor saxophone:
Ben Webster (on 1957-01-09)
trumpet:
Harry “Sweets” Edison (on 1957-01-09)
vocals:
Billie Holiday (on 1957-01-09)
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (on 1957-01-09)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1937 nominee)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
4:13
10Embraceable You
recorded in:
Los Angeles, California, United States (on 1957-01-09)
engineer:
Val Valentin
producer:
Norman Granz
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-09)
drums (drum set):
Larry Bunker (on 1957-01-09)
guitar:
Barney Kessel (on 1957-01-09)
piano:
Jimmy Rowles (on 1957-01-09)
tenor saxophone:
Ben Webster (on 1957-01-09)
trumpet:
Harry “Sweets” Edison (on 1957-01-09)
vocals:
Billie Holiday (on 1957-01-09)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1957-01-07 until 1957-01-09)
recording of:
Embraceable You (on 1957-01-09)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
56:50
11Let's Call the Whole Thing Off
recorded in:
Los Angeles, California, United States (on 1957-01-09)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-09)
drums (drum set):
Larry Bunker (on 1957-01-09)
guitar:
Barney Kessel (on 1957-01-09)
piano:
Jimmy Rowles (on 1957-01-09)
tenor saxophone:
Ben Webster (on 1957-01-09)
trumpet:
Harry “Sweets” Edison (on 1957-01-09)
vocals:
Billie Holiday (on 1957-01-09)
recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”) (on 1957-01-09)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
translated version of:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
part of:
Shall We Dance (1937 film soundtrack)
3:26
12Gee Baby Ain't I Good to You
recorded in:
Los Angeles, California, United States (on 1957-01-09)
engineer:
Val Valentin
producer:
Norman Granz
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-09)
drums (drum set):
Larry Bunker (on 1957-01-09)
guitar:
Barney Kessel (on 1957-01-09)
piano:
Jimmy Rowles (on 1957-01-09)
tenor saxophone:
Ben Webster (on 1957-01-09)
trumpet:
Harry “Sweets” Edison (on 1957-01-09)
vocals:
Billie Holiday (on 1957-01-09)
recording of:
Gee, Baby Ain’t I Good to You (on 1957-01-09)
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, volume I)
5:39
13All or Nothing at All
recorded in:
Los Angeles, California, United States (on 1956-08-18)
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-18)
drums (drum set):
Alvin Stoller (on 1956-08-18)
guitar:
Barney Kessel (on 1956-08-18)
piano:
Jimmy Rowles (on 1956-08-18)
tenor saxophone:
Ben Webster (on 1956-08-18)
trumpet:
Harry “Sweets” Edison (on 1956-08-18)
vocals:
Billie Holiday (on 1956-08-18)
recording of:
All or Nothing at All (on 1956-08-18)
lyricist:
Jack Lawrence (US songwriter)
composer:
Arthur Altman and Jack Lawrence (US songwriter)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Range Road Music Inc. and Universal‐MCA Music Publishing (US)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
5:43
14We'll Be Together Again
engineer:
Val Valentin (on 1956-08-18)
producer:
Norman Granz
double bass:
Joe Mondragon (on 1956-08-18)
drums (drum set):
Alvin Stoller (on 1956-08-18)
guitar:
Barney Kessel (on 1956-08-18)
piano:
Jimmy Rowles (on 1956-08-18)
tenor saxophone:
Ben Webster (on 1956-08-18)
trumpet:
Harry “Sweets” Edison (on 1956-08-18)
vocals:
Billie Holiday (on 1956-08-18)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-08-18)
recording of:
We’ll Be Together Again (on 1956-08-18)
lyricist:
Frankie Laine
composer:
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
44:24

Credits

Release

remastering:Dennis Drake (US PolyGram engineer)
design:Tom Hughes
Discogs:https://www.discogs.com/release/1594776 [info]