Hair: The American Tribal Love‐Rock Musical (Broadway Deluxe Collector’s Edition)
~ Release by Gerome Ragni, James Rado & Galt MacDermot (see all versions of this release, 2 available)
Tracklist
| |Digital Media 1 | ||||
---|---|---|---|---|
# | Title | Artist | Rating | Length |
1 | Aquarius
| Ronald Dyson, Hair Ensemble | 2:55 | |
2 | Donna
| Gerome Ragni, Hair Ensemble | 2:15 | |
3 | Hashish
| Hair Ensemble | 0:58 | |
4 | Sodomy
| Steve Curry, Hair Ensemble | 0:55 | |
5 | Colored Spade
| Lamont Washington, Hair Ensemble | 1:13 | |
6 | Manchester England
| James Rado, Hair Ensemble | 1:21 | |
7 | I’m Black
| Lamont Washington, Steve Curry, James Rado, Gerome Ragni | 0:27 | |
8 | Ain’t Got No
| Steve Curry, Lamont Washington, Hair Ensemble, Melba Moore | 0:45 | |
9 | I Believe in Love
| Melba Moore, Hair Ensemble | 1:08 | |
10 | Ain’t Got No (reprise)
| Hair Ensemble | 1:16 | |
11 | Air
| Sally Eaton, Melba Moore, Hair Ensemble, Shelley Plimpton | 1:30 | |
12 | Initials
| Hair Ensemble | 0:56 | |
13 | I Got Life
| James Rado, Hair Ensemble | 3:08 | |
14 | Going Down
| Gerome Ragni, Hair Ensemble | 2:22 | |
15 | Hair
| Gerome Ragni | 3:01 | |
16 | My Conviction
| Jonathan Kramer | 1:41 | |
17 | Easy to Be Hard
| Lynn Kellogg | 2:40 | |
18 | Don’t Put It Down
| Gerome Ragni, Steve Curry | 2:04 | |
19 | Frank Mills
| Shelley Plimpton | 2:09 | |
20 | Be‐In
| Hair Ensemble | 3:09 | |
21 | Where Do I Go?
| James Rado, Hair Ensemble | 2:43 | |
22 | Electric Blues
| Paul Jabara, Hair Ensemble | 2:35 | |
23 | Manchester England (reprise)
| James Rado, Hair Ensemble | 0:33 | |
24 | Black Boys
| Diane Keaton, Natalie Mosco, Suzannah Norstrand | 1:10 | |
25 | White Boys
| Melba Moore, Emmaretta Marks, Lorrie Davis | 2:30 | |
26 | Walking in Space
| Hair Ensemble | 4:50 | |
27 | Abie Baby
| Lorrie Davis, Ronald Dyson, Donnie Burks, Lamont Washington | 2:45 | |
28 | Three‐Five‐Zero‐Zero
| Hair Ensemble | 3:10 | |
29 | What a Piece of Work Is Man / Walking in Space (reprise)
| Walter Harris, Ronald Dyson, Hair Ensemble, Company | 2:24 | |
30 | Good Morning Starshine
| Lynn Kellogg, James Rado, Gerome Ragni | 2:33 | |
31 | The Bed
| Hair Ensemble | 2:58 | |
32 | The Flesh Failures (Let the Sunshine In)
| James Rado, Lynn Kellogg, Hair Ensemble, Melba Moore | 3:40 |
Digital Media 2 | ||||
---|---|---|---|---|
# | Title | Artist | Rating | Length |
1 | Ain’t Got No
| Walker Daniels, Gerome Ragni, Steve Dean, Arnold Wilkerson | 1:22 | |
2 | I Got Life
| Marijane Maricle, Walker Daniels | 2:49 | |
3 | Air
| Jonelle Allen, Shelley Plimpton, Sally Eaton | 1:31 | |
4 | Going Down
| Gerome Ragni, Hair Ensemble | 2:39 | |
5 | Hair
| Walker Daniels, Gerome Ragni, Hair Ensemble | 3:09 | |
6 | Dead End
| Jill O’Hara, Hair Ensemble | 2:38 | |
7 | Frank Mills
| Shelley Plimpton | 1:53 | |
8 | Hare Krishna
| Hair Ensemble | 3:22 | |
9 | Where Do I Go?
| Walker Daniels, Hair Ensemble | 3:01 | |
10 | Electric Blues
| Suzannah Evans, Linda Compton, Paul Jabara | 2:32 | |
11 | Easy to Be Hard
| Suzannah Evans, Linda Compton, Paul Jabara | 2:08 | |
12 | Manchester
| Walker Daniels | 1:14 | |
13 | White Boys
| Alma Robinson, Jonelle Allen, Susan Batson | 2:37 | |
14 | Black Boys
| Linda Compton, Suzannah Evans, Shelley Plimpton | 1:05 | |
15 | Walking in Space
| Hair Ensemble | 4:22 | |
16 | Aquarius
| Hair Ensemble | 2:17 | |
17 | Good Morning Starshine
| Jill O’Hara, Hair Ensemble | 3:52 | |
18 | Exanaplanetooch
| Walker Daniels | 2:38 | |
19 | The Climax
| Jill O’Hara | 1:52 | |
20 | Opening
| Galt MacDermot, Hair Band | 2:28 | |
21 | Red Blue and White
| Marijane Maricle, Arnold Soboloff | 1:45 | |
22 | Sentimental Ending
| Hair Ensemble | 1:29 | |
23 | Galt MacDermot Interview: How did you become involved with “Hair”?
| Galt MacDermot | 1:07 | |
24 | Galt MacDermot Interview: What do you remember about the off‐Broadway cast recording?
| Galt MacDermot | 0:33 | |
25 | Galt MacDermot Interview: And the Broadway cast recording?
| Galt MacDermot | 0:31 | |
26 | Galt MacDermot Interview: In the recording session photos, you were the only person wearing a jacket and tie.
| Galt MacDermot | 0:14 | |
27 | Galt MacDermot Interview: How did the two productions differ?
| Galt MacDermot | 1:14 | |
28 | Galt MacDermot Interview: You were not a traditional theater composer. Did you have any models or influences?
| Galt MacDermot | 0:52 | |
29 | Galt MacDermot Interview: Did “Hair” influence your later work, like “Two Gentlemen of Verona”?
| Galt MacDermot | 0:42 | |
30 | Galt MacDermot Interview: “Hair” was controversial with critics and the public. Did this affect you at all?
| Galt MacDermot | 0:39 | |
31 | Galt MacDermot Interview: On writing for the theater, and what makes a popular song?
| Galt MacDermot | 0:57 | |
32 | Galt MacDermot Interview: Did you ever rewrite any of the “Hair” songs?
| Galt MacDermot | 0:23 | |
33 | Galt MacDermot Interview: What sort of music do you write now?
| Galt MacDermot | 0:23 | |
34 | Galt MacDermot Interview: Do you use synthesizers?
| Galt MacDermot | 0:20 | |
35 | Galt MacDermot Interview: Have you got any advice for people who want to write for musical theater?
| Galt MacDermot | 0:30 | |
36 | Galt MacDermot Interview: Does any one songs in “Hair” express your philosophy?
| Galt MacDermot | 0:22 |
Credits
Release
Release group
includes: | Hair: An American Tribal Love‐Rock Musical (1967 original off-Broadway cast) Hair: The American Tribal Love-Rock Musical (1968 original Broadway cast) |
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