Trésors classiques

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

Fatbox in a paper card

Annotation last modified on 2024-10-09 01:10 UTC.

Tracklist

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CD 1
#TitleArtistRatingLength
1Miserve
assistant engineer:
Mike Cox (engineer)
engineer:
Andrew Hallifax
executive producer:
John Kehoe
producer:
Morten Winding
bass vocals:
James Elias (choir vocalist)
choir vocals:
Choir of Trinity College, Cambridge (from 1993-03-15 until 1993-03-17)
countertenor vocals:
Reiner Schneider-Waterberg
soprano vocals:
Rebecca Daldorph and Louisa Keily (British soprano)
conductor:
Richard Marlow (English choral conductor and organist) (from 1993-03-15 until 1993-03-17)
chorus master:
Richard Marlow (English choral conductor and organist)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 1993-03-15 until 1993-03-17)
recording of:
Miserere mei, Deus (from 1993-03-15 until 1993-03-17)
composer:
Gregorio Allegri (composer)
quotes lyrics from:
Miserere mei (words from Psalm 51)
Allegri8:22
2Les Quatre Saisons : Concerto no. 1 en mi majeur, « Le Printemps » : Allegro
violin:
Vladimir Spivakov (Russian violinist/conductor)
orchestra:
Moscow Virtuosi
conductor:
Vladimir Spivakov (Russian violinist/conductor)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (“The Four Seasons”: Concerto in E Major, op. 8 no. 1, RV. 269, “Spring”: 1. Allegro)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Vivaldi3:29
3Toccata et Fugue en ré mineur, BWV 565
organ:
Lorenzo Ghielmi
recording of:
Toccata und Fuge d-Moll, BWV 565
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach Compendium (number: BC J 37) and Bach-Werke-Verzeichnis (number: BWV 565)
J. S. Bach8:35
4Requiem : “Dies Irae”
recording engineer:
Peter Jütte (from 1991-03-12 until 1991-03-15)
producer:
Wolfram Graul (Conductor, engineer, producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1991-03-12 until 1991-03-15)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1991-03-12 until 1991-03-15)
conductor:
Sir Colin Davis (English conductor) (from 1991-03-12 until 1991-03-15)
recorded at:
Herkulessaal (Hercules Hall) in München (Munich), Bayern (Bavaria), Germany (from 1991-03-12 until 1991-03-15)
recording of:
Requiem in D minor, K. 626: III. Sequenz: a. Dies irae (Süßmayr Edition; choir) (from 1991-03-12 until 1991-03-15)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
recording of:
Requiem in D minor, K. 626: III. Sequenz: a. Dies irae (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Mozart1:49
5« Pour Élise », Bagatelle en la mineur, Wo 059
piano:
Nelly Kokinos and Andrew Wilde (pianist)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59)
composer:
Ludwig van Beethoven (German composer) (from 1808 until 1810)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 59)
Beethoven3:11
6Le Barbier de Séville : Ouverture
recording of:
Il barbiere di Siviglia: Sinfonia
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Der Barbier von Sevilla (german lyrics)
part of:
Il barbiere di Siviglia
part of:
Le Barbier de Séville (french lyrics)
part of:
The Barber of Seville (english lyrics)
Rossini7:19
7Le Danube bleu, op. 314
recording engineer:
Lewis Layton (engineer) (from 1957-04-15 until 1957-04-16)
producer:
Richard Mohr (producer)
orchestra:
Chicago Symphony Orchestra (from 1957-04-15 until 1957-04-16)
conductor:
Fritz Reiner (conductor) (from 1957-04-15 until 1957-04-16)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1957-04-15 until 1957-04-16)
recording of:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314) (from 1957-04-15 until 1957-04-16)
premiered in:
Wien (Vienna), Austria (on 1867-02-15)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
J. Strauss8:08
8Aida: “Gloria all’Egitto, ad Iside”
choir vocals:
The John Alldis Choir
orchestra:
London Symphony Orchestra
chorus master:
John Alldis (chorusmaster and conductor)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Verdi4:55
9Concerto pour violon, op. 35 : Allegro vivacissimo
engineer:
Anthony Salvatore (engineer) (from 1967-12-18 until 1967-12-19)
producer:
Richard Mohr (producer)
violin:
Itzhak Perlman (violinist and conductor) (from 1967-12-18 until 1967-12-19)
orchestra:
Boston Symphony Orchestra (from 1967-12-18 until 1967-12-19)
conductor:
Erich Leinsdorf (conductor) (from 1967-12-18 until 1967-12-19)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1967-12-18 until 1967-12-19)
recording of:
Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo (from 1967-12-18 until 1967-12-19)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1878)
part of:
Concerto for Violin and Orchestra in D major, op. 35
Tchaïkovsky9:55
10Carmen : Ouverture
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1963)
conductor:
Herbert von Karajan (conductor) (in 1963)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1963)
recording of:
Carmen : Prélude (in 1963)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen (Italian lyrics)
part of:
Carmen (German translation, Julius Hopp)
part of:
Carmen (english lyrics, David Parry)
part of:
Carmen, WD 31 (opera by Georges Bizet)
Bizet3:29
11L’Apprenti sorcier
producer:
Thomas Frost (classical music producer)
orchestra:
The Philadelphia Orchestra (on 1963-10-02)
conductor:
Eugene Ormandy (conductor) (on 1963-10-02)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1964)
recorded at:
Town Hall (One of Philadelphia Orchestra's recording venue) in Philadelphia, Pennsylvania, United States (on 1963-10-02)
recording of:
L’Apprenti sorcier (The Sorcerer's Apprentice) (on 1963-10-02)
composer:
Paul Dukas (composer) (from 1896 until 1897)
part of:
Fantasia (Disney soundtrack)
Dukas10:26
12Adagio pour cordes, op. 11
orchestra:
Boston Symphony Orchestra (on 1957-04-03)
conductor:
Charles Munch (conductor and violinist) (on 1957-04-03)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1957-04-03)
recording of:
Adagio for Strings (on 1957-04-03)
orchestrator:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1938)
composer:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
recording of:
Adagio for Strings (catch‐all for arrangements)
composer:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1936)
arrangement of:
Adagio for Strings
Barber7:44
CD 2
#TitleArtistRatingLength
1Concerto Brandebourgeois no. 5, BWV 1050 : Allegro : 1er mouvement
recorded in:
Bad Arolsen, Hessen (Hesse), Germany (from 1993-05-24 until 1993-05-28)
orchestra and performer:
La Petite Bande (Belgian chamber orchestra) (from 1993-05-24 until 1993-05-28)
conductor:
Sigiswald Kuijken (from 1993-05-24 until 1993-05-28)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro (from 1993-05-24 until 1993-05-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: I. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
J. S. Bach9:42
2Concerto pour clarinette, K 622 : Adagio
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1956-07-09)
orchestra:
Boston Symphony Orchestra (on 1956-07-09)
conductor:
Charles Munch (conductor and violinist) (on 1956-07-09)
recorded at:
Tanglewood: Seiji Ozawa Hall in Lenox, Massachusetts, United States (on 1956-07-09)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (on 1956-07-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Mozart7:14
3Sonate pour piano no. 14, op. 27 no. 2, « Clair de Lune » : Adagio sostenuto
piano:
Andrew Wilde (pianist)
recording of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (Piano Sonata No. 14 in C-sharp minor "Quasi una fantasia", Op. 27 No. 2 "Moonlight": I. Adagio sostenuto)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight” (Piano Sonata No. 14 in C-sharp minor "Quasi una fantasia", Op. 27 No. 2 "Moonlight")
Beethoven6:03
4Danses Polovtsiennes
choir vocals:
The John Alldis Choir
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Loris Tjeknavorian
recording of:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
arranger:
Александр Константинович Глазунов (Alexander Konstantinovich Glazunov, Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Nikolai Rimsky-Korsakov, Russian composer)
Borodine11:35
5Pavane
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus)
lyricist:
Robert de Montesquiou
composer:
Gabriel Fauré (French composer) (in 1887)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Fauré5:47
6Symphonie no. 5 : Adagietto
producer:
Gerard Westerdaal (Producer, engineer)
orchestra:
Radio Filharmonisch Orkest (Netherlands Radio Philharmonic Orchestra) (on 1992-10-17)
conductor:
Edo de Waart (conductor) (on 1992-10-17)
balance engineer:
Arie Dubbeldam
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1992-10-17)
live recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (on 1992-10-17)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Mahler10:01
7Boléro
recording engineer:
Lewis Layton (engineer) (on 1956-01-23)
producer:
Richard Mohr (producer)
orchestra:
Boston Symphony Orchestra (on 1956-01-23)
conductor:
Charles Munch (conductor and violinist) (on 1956-01-23)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1956-01-23)
recording of:
Boléro (on 1956-01-23)
composer:
Maurice Ravel (classical composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Ravel13:54
8Concerto pour piano no. 2, op. 18 en ut mineur : Allegro moderato
conductor:
Michael Tilson Thomas (conductor and pianist)
partial recording of:
Piano Concerto no. 2 in C minor, op. 18
premiered in:
Moscow, Russia (on 1901-11-09)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (from 1900-10 until 1901-04)
dedicated to:
Nikolai Dahl
premiered at:
[Philharmonic Society Concert] (1901-11-09)
publisher:
A. Gutheil (in 1901)
part of:
Works of Sergei Rachmaninoff by opus number (number: op. 18)
Rachmaninov10:58
9Ainsi parlait Zarathoustra, op. 30 : Lever de Soleil
recording engineer:
Leslie Chase (on 1954-03-08)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Chicago Symphony Orchestra (on 1954-03-08)
conductor:
Fritz Reiner (conductor) (on 1954-03-08)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1954-03-08)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Thus Spake Zoroaster, op. 30: Introduction, Sonnenaufgang) (on 1954-03-08)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra (Thus Spake Zoroaster, op. 30, op 30; TrV 176)
R. Strauss1:34
CD 3
#TitleArtistRatingLength
1Canon en ré majeur
orchestra:
Festival Strings Lucerne
conductor:
Rudolf Baumgartner (conductor)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon and Gigue in D major, P. 37, T. 377: I. Canon)
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Pachelbel6:22
2Stabat Mater, RV 621 : Largo
engineer:
Hans Schmid (engineer) (on 1989-04-24)
producer:
Wilhelm Meister (Tonmeister / recording producer) (on 1989-04-24)
alto vocals:
Nathalie Stutzmann (contralto and conductor) (on 1989-04-24)
contralto vocals:
Nathalie Stutzmann (contralto and conductor)
orchestra:
Moscow Virtuosi (on 1989-04-24)
conductor:
Vladimir Spivakov (Russian violinist/conductor) (on 1989-04-24)
recorded at:
Herkulessaal (Hercules Hall) in München (Munich), Bayern (Bavaria), Germany (on 1989-04-24)
recording of:
Stabat Mater, RV 621: I. Largo "Stabat mater dolorosa" (on 1989-04-24)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Stabat Mater, RV 621
Vivaldi3:10
3Concerto pour piano no. 21, K. 467 en ut majeur : Andante
piano:
Alicia de Larrocha (pianist) (from 1991-02-09 until 1991-02-11)
orchestra:
English Chamber Orchestra (from 1991-02-09 until 1991-02-11)
conductor:
Sir Colin Davis (English conductor) (from 1991-02-09 until 1991-02-11)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1991-02-09 until 1991-02-11)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (from 1991-02-09 until 1991-02-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Mozart7:39
4Symphonie no. 9, op. 125 « Choral » en ré mineur : Allegro
conductor:
André Previn (pianist, conductor, composer, arranger)
partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Beethoven4:19
5Songe d’une nuit d’été : Marche Nuptiale
orchestra:
Bamberger Symphoniker (Bamberg Symphony)
conductor:
Claus Peter Flor
recording of:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace (A Midsummer Night’s Dream, op. 61: no. 9. Wedding March: Allegro vivace)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Mendelssohn4:49
6Valse no. 1, op. 18, « Grande Valse brillante »
piano:
Anda Géza (Geza Anda, pianist)
recording of:
Waltz no. 1 in E-flat major, op. 18 “Grande Valse brillante”
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1833)
dedicated to:
Laura Harsford
part of:
Works of Fryderyk Chopin by opus number (number: op. 18)
Chopin6:01
7Symphonie no. 3, op. 90 en ré majeur : Poco allegretto
engineer:
Karl-Otto Bremer (engineer) and Friedrich-Karl Wagner (engineer)
producer:
Dr. Ulf Thomson (producer, director)
orchestra:
Sinfonieorchester des Norddeutschen Rundfunks (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (in 1983)
conductor:
Günter Wand (conductor) (in 1983)
recording of:
Sinfonie Nr. 3 F-Dur, op. 90: III. Poco allegretto (in 1983)
composer:
Johannes Brahms (German composer) (in 1883)
part of:
Sinfonie Nr. 3 F-Dur, op. 90 (Symphony no. 3 in F major, op. 90)
Brahms5:45
8Le Lac des cygnes : Andante, « La Mort du cygne »
orchestra:
Государственный академический симфонический оркестр России (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO) (in 1988)
conductor:
Евгений Фёдорович Светланов (Yevgeny Svetlanov, conductor) (in 1988)
recording of:
Swan Lake, op. 20: Act IV, no. 29: Scene finale: Andante - Allegro agitato - Alla breve. Moderato e maestoso (in 1988)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Swan Lake, op. 20: Act IV
Tchaïkovsky4:35
9La Walkyrie : La Chevauchée des Walkyries : Acte III, scène 1
conductor:
Marek Janowski (conductor)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Wagner4:50
10La Moldau
conductor:
Leopold Stokowski (conductor)
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Smetana12:27
11Requiem: Pie Jesu
organ:
Richard Pearce (organist)
solo violin:
Briony Shaw
baritone vocals:
Mark Griffiths (baritone)
choir vocals:
Choir of Trinity College, Cambridge
soprano vocals:
Camilla Otaki
orchestra:
London Musici
conductor:
Richard Marlow (English choral conductor and organist)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
Fauré3:53
12Roméo et Juliette : Les Montaigus et les CapuletsProkofiev5:27
13Carmina Burana: O Fortuna
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Orff5:28
CD 4
#TitleArtistRatingLength
1AdagioAlbinoni1:47
2Les Indes Galantes : Danse du calumet de la paixRameau1:48
3Le Messie : Alleluia
choir vocals:
Royal Philharmonic Chorus (in 1959)
orchestra:
Royal Philharmonic Chorus and Royal Philharmonic Orchestra (in 1959)
conductor:
Sir Thomas Beecham (conductor) (in 1959)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 1959)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Haendel3:37
4« La Truite », op. 114 en la majeur
recorded in:
New York, New York, United States (from 1983-05-23 until 1983-05-27)
recording engineer:
Edwin Begley (sound engineer in RCA Victor) (ended) and Anthony Salvatore (engineer) (ended)
engineer:
Sydney Davis (engineer) (ended) and Thomas MacCluskey (engineer) (ended)
producer:
John Pfeiffer (producer and engineer) (ended)
cello:
David Soyer (from 1983-05-23 until 1983-05-27)
double bass:
Julius Levine (double bass player) (from 1983-05-23 until 1983-05-27)
piano:
Emanuel Ax (pianist) (from 1983-05-23 until 1983-05-27)
viola:
Michael Tree (violist) (from 1983-05-23 until 1983-05-27)
violin:
John Dalley (violinist) (from 1983-05-23 until 1983-05-27)
orchestra:
Guarneri Quartet
recording of:
Quintett A-Dur, D. 667 „Forellenquintett“: IV. Theme con variazioni. Andantine - Allegretto (from 1983-05-23 until 1983-05-27)
composer:
Franz Schubert (composer) (in 1819)
publisher:
G. Henle Verlag
part of:
Quintett A-Dur, D. 667 „Forellenquintett“ (Piano quintet in A, "Trout Quintet")
Schubert7:50
5Symphonie fantastique : Un bal
engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
orchestra:
Boston Symphony Orchestra (on 1962-04-09)
conductor:
Charles Munch (conductor and violinist) (on 1962-04-09)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1962-04-09)
recording of:
Symphonie fantastique, op. 14: II. Un bal (on 1962-04-09)
composer:
Hector Berlioz (composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Berlioz6:26
6Symphonie no. 9, « Nouveau Monde » en mi mineur : Allegro con fuoco
recording engineer:
Lewis Layton (engineer) (on 1957-11-09)
producer:
Richard Mohr (producer)
orchestra:
Chicago Symphony Orchestra (on 1957-11-09)
conductor:
Fritz Reiner (conductor) (on 1957-11-09)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1957-11-09)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: IV. Allegro con fuoco (Symphony No. 9 in E minor, Op. 95 "From the New World": IV. Allegro con fuoco) (on 1957-11-09)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Dvořák10:31
7Rhapsodie hongroise no. 2 en do dièse mineur
recording engineer:
Robert Simpson (engineer) (from 1960-02-07 until 1960-02-18)
producer:
Peter Dellheim (producer for RCA)
orchestra:
RCA Victor Symphony Orchestra (from 1960-02-07 until 1960-02-18)
conductor:
Leopold Stokowski (conductor) (from 1960-02-07 until 1960-02-18)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1960-02-07 until 1960-02-18)
recording of:
Hungarian Rhapsody for Orchestra no. 4 in D minor, S. 359/4 (for orchestra; Liszt/Doppler) (from 1960-02-07 until 1960-02-18)
additional orchestrator:
Franz Doppler
orchestrator and composer:
Franz Liszt (Hungarian composer, pianist and conductor)
orchestration of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 2 in C-sharp minor, S. 244 no. 2 (original piano solo version)
part of:
6 Hungarian Rhapsodies for Orchestra, S. 359
recording of:
Hungarian Rhapsody for Orchestra no. 2 in C minor, S. 359/2 (orch. Liszt/Doppler)
orchestrator:
Franz Doppler and Franz Liszt (Hungarian composer, pianist and conductor)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
orchestration of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 12 in C-sharp minor, S. 244 no. 12
part of:
6 Hungarian Rhapsodies for Orchestra, S. 359
Liszt8:45
8Méditation de Thaïs
piano:
Sergei Bezrodny (Sergei Bezrodnyi)
violin:
Vladimir Spivakov (Russian violinist/conductor)
recording of:
Meditation from Thaïs (catch-all for arrangements)
composer:
Jules Massenet (French Romantic composer)
arrangement of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra)
composer:
Jules Massenet (French Romantic composer) (, in 1894)
part of:
Thaïs: Acte II
Massenet4:11
9Nabucco: Va, pensiero
conductor:
Charles Munch (conductor and violinist)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Verdi4:54
10Pompe et Circonstance : Marche no. 1
orchestra:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major
premiered in:
Liverpool, Merseyside, England, United Kingdom (on 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
part of:
Pomp and Circumstance Military Marches, op. 39
Elgar5:49
11Concerto de Aranjuez : Adagio
classical guitar:
Julian Bream (British classical guitarist and lutenist)
guitar:
Julian Bream (British classical guitarist and lutenist) (on 1974-11-18)
solo cor anglais:
Michael Winfield (on 1974-11-18)
orchestra:
Monteverdi Orchestra (on 1974-11-18)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 1974-11-18)
phonographic copyright (℗) by:
RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1975)
recording of:
Concierto de Aranjuez: II. Adagio (on 1974-11-18)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Rodrigo10:28
12Symphonie no. 3 : Chant folklorique
orchestra:
Orquesta Filarmónica de Gran Canaria
conductor:
Adrian Leaper (conductor)
partial recording of:
Symphony no. 3, op. 36 "Symphony of Sorrowful Songs"
composer:
Henryk Mikołaj Górecki (Henryk Mikolaj Gorecki, Polish composer) (in 1976)
part of:
Works of Henryk Mikołaj Górecki by opus number (number: op. 36)
Górecki4:18
13Jazz suite no. 2 : Valse no. 2
orchestra:
Radio-Sinfonie-Orchester Frankfurt (Frankfurt Radio Symphony Orchestra)
conductor and performer:
Dmitri Kitaenko (Dmitri Kitayenko, Soviet, Russian conductor b. 1940)
recording of:
Suite for Variety Orchestra: VII. Waltz II. Allegretto poco moderato (formerly thought to be from 2nd Jazz Suite)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer)
part of:
Suite for Variety Orchestra
Chostakovitch3:56