Radioactivity Volume 01-07

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1When It's Over
programming:
David Kahne
assistant engineer:
Alex "Odd Job" Uychocde
engineer:
John Ewing, Jr. (engineer), Steve Gallagher (engineer) and Don Gilmore (American rock/nu metal music producer)
producer:
Don Gilmore (American rock/nu metal music producer) and David Kahne
mixer:
David Kahne and David Leonard (US producer and engineer)
recorded at:
Jim Henson Studios (former A&M Studios) in Hollywood, Los Angeles, California, United States
mixed at:
Scream Studios in Studio City, Los Angeles, California, United States
recording of:
When It’s Over
writer:
Craig "DJ Homicide" Bullock, Stan Frazier, Murphy Karges, Mark McGrath (lead singer of the rock band Sugar Ray) and Rodney Sheppard
Sugar Ray53:40
2Follow Me
engineer:
Mike Bradford
additional producer:
Mike Bradford
producer:
Kid Rock (American singer/rapper)
mixer:
Kid Rock (American singer/rapper) and Mike Bradford
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2000) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2000)
recorded at:
Outside the Tsongas Arena in Lowell, Massachusetts, United States
recording of:
Follow Me
writer:
Michael Bradford and Matthew Shafer
publisher:
Chunky Style Music, EMI Music Publishing (do not use as a release label!), Gaje Music, Warner Chappell Music (publisher as Warner/Chappell Music) and Warner–Tamerlane (publisher; do NOT use as release label)
Uncle Kracker3.553:38
3Elevation
assistant engineer:
Chris Heaney (engineer)
engineer:
Richard Rainey
additional producer:
Chris Vrenna (member of Tweaker)
producer:
Brian Eno and Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
assistant mixer:
Alvin Sweeney
mixer:
Paul Leary and Tim Palmer (British producer/mixer)
synthesizer:
Bono (singer of U2), The Edge (U2 guitarist David Evans) and Brian Eno
remixer:
Chris Vrenna (member of Tweaker)
phonographic copyright (℗) by:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2001), Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 2001) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2001)
remix of:
Elevation (album version) by U2 (Irish rock band)
recording of:
Elevation
lyricist:
Bono (singer of U2)
composer:
Bono (singer of U2), Adam Clayton, The Edge (U2 guitarist David Evans), Larry Mullen, Jr. and U2 (Irish rock band)
publisher:
Blue Mountain Music, Mother Music, PolyGram International Music Publishing B.V. and Universal Music Publishing International BV (Global Licensing & Royalty Review division, Universal Music Publishing Group)
U233:33
4Hanging by a Moment
assistant recording engineer:
Bill Kinsley and Monique Mizrahi
recording engineer:
Ron Aniello, Neal Avron (American engineer) and Jim Scott (US recording engineer and producer)
additional engineer:
Bob Kearny and Marc Greene (engineer)
assistant engineer:
Paul Hayden (engineer)
producer:
Ron Aniello
assistant mixer:
Carl Egsieker and Ryan Williams (US recording engineer/producer)
mixer:
Brendan O’Brien (engineer)
additional double bass [string bass]:
John Leftwhich (Jazz bassist)
bass guitar:
Sergio Andrade
drums (drum set):
Diff
guitar and lead vocals:
Jason Wade
phonographic copyright (℗) by:
Geffen Records (in 2000) and SKG Music L.L.C. (for copyrights use only, company associated with Dreamworks Records) (in 2000, in 2001, in 2009)
recorded at:
Cello in Hollywood, Los Angeles, California, United States, Panembriello and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
Southern Tracks in Atlanta, Georgia, United States
part of:
My VH1 Music Awards – Your Song Kicked Ass but Was Played Too Damn Much Nominees (2001)
recording of:
Hanging by a Moment
lyricist and composer:
Jason Wade
publisher:
G‐Chills and Songs of DreamWorks
Lifehouse3.653:34
5Angel
producer:
Sting Intl
vocals:
Rayvon
produced for:
Big Yard Music Group
samples:
Angel of the Morning (live: KGSR-FM, Austin, TX, USA) by Chip Taylor (US singer/songwriter) and The Joker (single version) by Steve Miller Band (American rock band)
edit of:
Angel by Shaggy (Orville Richard Burrell, dancehall and reggae singer) featuring Rayvon
recording of:
Angel
writer:
Eddie Curtis (songwriter), Ahmet Ertegun (US American Songwriter, producer), Steve Miller (leader of Steve Miller Band) and Chip Taylor (US singer/songwriter)
publisher:
Cotillion Music Inc. (BMI) and EMI Blackwood Music Inc.
Shaggy feat. Rayvon43:29
6Turn Off the Light
programming and producer:
Nelly Furtado and Track & Field
mixer:
Brad Haehnel
guitar:
Field (Canadian producer, songwriter & musician) and James McCollum (Canadian guitarist/songwriter)
turntable:
Field (Canadian producer, songwriter & musician)
additional background vocals:
Track
background vocals and lead vocals:
Nelly Furtado
mixed at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States
part of:
Billboard Year-End Hot 100 singles of 2002 (number: 92)
recording of:
Turn Off the Light
lyricist and composer:
Nelly Furtado
publisher:
Nelstar Publishing
Nelly Furtado4.14:27
7Irresistable
Jessica Simpson3:12
8Make Me Crazy
Scandal’us3:16
9Bootylicious
recording engineer:
Dan Workman (lead vocals [vocals])
producer:
Beyoncé Knowles, Rob Fusari and Falonte Moore
assistant mixer:
Flip Osman
mixer:
Tony Maserati (engineer / mixer)
phonographic copyright (℗) by:
Sony Music Entertainment, Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2000, in 2001)
produced for:
Lonte Music (Falonte Moore), Music World Productions, Inc. and White Chocolate Productions
samples:
Edge of Seventeen by Stevie Nicks
music videos:
Bootylicious by Destiny’s Child
recording of:
Bootylicious
writer:
Beyoncé Knowles, Rob Fusari, Falonte Moore and Stevie Nicks
is based on:
Edge of Seventeen
Destiny’s Child3.453:28
10Free
Mýa5:19
11Lets Get Married
Jagged Edge feat. Run4:10
12Strawberry Kisses
phonographic copyright (℗) by:
BMG Australia Limited (not for release label use!) (in 2001)
Nikki Webster3:31
13Pop
recording of:
Pop
writer:
Wade Robson and Justin Timberlake
publisher:
Tennman Tunes, Universal Music–Z Tunes LLC and WaJeRo Sound
*NSYNC3.22:56
14Don't Come Back
Human Nature3:29
15In My Pocket
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2001)
Mandy Moore33:40
16Just the Thing
vocals and performer:
Peta Morris
recording of:
Just the Thing
lyricist and composer:
Paulmac (Australian musician, producer and remixer)
Paul Mac feat. Peta Morris3:54
17We Come 1
assistant recording engineer:
Peanut
recording engineer:
Grippa
programming:
Rollo (Rollo Armstrong of Faithless)
producer and mixer:
Rollo (Rollo Armstrong of Faithless) and Sister Bliss
drums (drum set):
Andy Treacy
keyboard:
Sister Bliss
vocals:
Maxi Jazz
recorded at:
Grayhound Recordings in San Francisco, California, United States (in 2001)
recording of:
We Come 1
lyricist:
Maxi Jazz
writer:
Maxi Jazz, Rollo (Rollo Armstrong of Faithless) and Sister Bliss
composer:
Rollo (Rollo Armstrong of Faithless) and Sister Bliss
publisher:
Champion Music, Universal Music Publishing Group and Warner/Chappell (Warner/Chappell Music, Inc.)
Faithless2.753:45
18Rock da Funky Beats
performer:
Chuck D
recording of:
Rock Da Funky Beats
writer:
James Allan (DJ, producer & record company manager), Carlton Douglas Ridenhour, Mallorca Lee, Alistair MacIsaac and Mark Sherry
publisher:
23rd Precinct Music Ltd., Notting Hill Music (publisher) and Reach Global Inc.
Public Domain feat. Chuck D3:44