A Good Day To Die Hard

~ Release by Marco Beltrami (see all versions of this release, 2 available)

Annotation

℗ «2013 Twentieth Century Fox Film Corporation. All Rights Reserved. under exclusive license to Sony Music Entertainment»
℗ «2013 Twentieth Century Fox Film Corporation. All Rights Reserved. under exclusive license to Sony Music Entertainment»

Countries excluded (Spotify + Deezer)

(As of 2020-04-20).

  • South America: 🇫🇰 Falkland Islands (Malvinas) (fk)
  • Northern Europe: 🇸🇯 Svalbard and Jan Mayen (sj)
  • Eastern Africa: 🇮🇴 British Indian Ocean Territory (io)
  • South-Eastern Asia: 🇹🇱 Timor-Leste (tl)
  • Oceania: 🇨🇨 Cocos (Keeling) Islands (cc) 🇨🇽 Christmas Island (cx) 🇳🇫 Norfolk Island (nf)
  • Polynesia: 🇨🇰 Cook Islands (ck) 🇳🇺 Niue (nu) 🇹🇰 Tokelau (tk)
  • Micronesia: 🇫🇲 Micronesia, Federated States of (fm)
Annotation last modified on 2020-04-20 06:23 UTC.

Tracklist

1Digital Media
#TitleRatingLength
1Yuri Says
recording engineer:
Vincent Cirilli, John Kurlander (engineer) and Tim Lauber
engineer:
Denis St Amand
assistant mixer:
Tyson Lozensky (Engineer)
mixer:
John Kurlander (engineer)
editor:
Jim Schultz
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Pianella Studios
recording of:
Yuri Says
composer:
Marco Beltrami (American score composer) and Brandon Roberts (film music composer)
2:19
2Getting Yuri to the Van
recording engineer:
Vincent Cirilli, John Kurlander (engineer) and Tim Lauber
engineer:
Denis St Amand
assistant mixer:
Tyson Lozensky (Engineer)
mixer:
John Kurlander (engineer)
editor:
Jim Schultz
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Pianella Studios
recording of:
Getting Yuri To The Van
composer:
Marco Beltrami (American score composer) and Marcus Trumpp (German film composer and orchestrator)
2:14
3Jack Makes the Call
recording engineer:
Vincent Cirilli, John Kurlander (engineer) and Tim Lauber
engineer:
Denis St Amand
assistant mixer:
Tyson Lozensky (Engineer)
mixer:
John Kurlander (engineer)
editor:
Jim Schultz
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Pianella Studios
recording of:
Jack Makes The Call
composer:
Marco Beltrami (American score composer)
2:50
4Everyone to the Courthouse
recording engineer:
Vincent Cirilli, John Kurlander (engineer) and Tim Lauber
engineer:
Denis St Amand
assistant mixer:
Tyson Lozensky (Engineer)
mixer:
John Kurlander (engineer)
editor:
Jim Schultz
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Pianella Studios
recording of:
Everyone To The Courthouse
composer:
Marco Beltrami (American score composer) and Brandon Roberts (film music composer)
3:10
5Court Adjourned
recording engineer:
Vincent Cirilli, John Kurlander (engineer) and Tim Lauber
engineer:
Denis St Amand
assistant mixer:
Tyson Lozensky (Engineer)
mixer:
John Kurlander (engineer)
editor:
Jim Schultz
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Pianella Studios
recording of:
Court Adjourned (A Good Day To Die Hard)
composer:
Marco Beltrami (American score composer) and Brandon Roberts (film music composer)
2:19
6Truckzilla
recording engineer:
Vincent Cirilli, John Kurlander (engineer) and Tim Lauber
engineer:
Denis St Amand
assistant mixer:
Tyson Lozensky (Engineer)
mixer:
John Kurlander (engineer)
editor:
Jim Schultz
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Pianella Studios
recording of:
Truckzilla (Act 1)
composer:
Marco Beltrami (American score composer) and Marcus Trumpp (German film composer and orchestrator)
3:39
7Yippie Kay Yay, Mother Russia!
recording engineer:
Vincent Cirilli, John Kurlander (engineer) and Tim Lauber
engineer:
Denis St Amand
assistant mixer:
Tyson Lozensky (Engineer)
mixer:
John Kurlander (engineer)
editor:
Jim Schultz
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Pianella Studios
recording of:
Yippie Kay Yay, Mother Russia!
composer:
Marco Beltrami (American score composer), Michael Kamen (American score composer) and Marcus Trumpp (German film composer and orchestrator)
1:54
8Truckzilla
recording engineer:
Vincent Cirilli, John Kurlander (engineer) and Tim Lauber
engineer:
Denis St Amand
assistant mixer:
Tyson Lozensky (Engineer)
mixer:
John Kurlander (engineer)
editor:
Jim Schultz
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Pianella Studios
recording of:
Truckzilla (Act 2)
composer:
Marco Beltrami (American score composer) and Marcus Trumpp (German film composer and orchestrator)
2:01
9Father & Son
recording engineer:
Vincent Cirilli, John Kurlander (engineer) and Tim Lauber
engineer:
Denis St Amand
assistant mixer:
Tyson Lozensky (Engineer)
mixer:
John Kurlander (engineer)
editor:
Jim Schultz
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Pianella Studios
recording of:
Father & Son
composer:
Marco Beltrami (American score composer) and Brandon Roberts (film music composer)
1:25
10To the Safe House
recording engineer:
Vincent Cirilli, John Kurlander (engineer) and Tim Lauber
engineer:
Denis St Amand
assistant mixer:
Tyson Lozensky (Engineer)
mixer:
John Kurlander (engineer)
editor:
Jim Schultz
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Pianella Studios
recording of:
To The Safe House
composer:
Marco Beltrami (American score composer) and Marcus Trumpp (German film composer and orchestrator)
1:51
11Regroup
recording engineer:
Vincent Cirilli, John Kurlander (engineer) and Tim Lauber
engineer:
Denis St Amand
assistant mixer:
Tyson Lozensky (Engineer)
mixer:
John Kurlander (engineer)
editor:
Jim Schultz
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Pianella Studios
recording of:
Regroup
composer:
Marco Beltrami (American score composer) and Marcus Trumpp (German film composer and orchestrator)
2:30
12Leaving the Safe House
recording engineer:
Vincent Cirilli, John Kurlander (engineer) and Tim Lauber
engineer:
Denis St Amand
assistant mixer:
Tyson Lozensky (Engineer)
mixer:
John Kurlander (engineer)
editor:
Jim Schultz
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Pianella Studios
recording of:
Leaving the Safe House
composer:
Marco Beltrami (American score composer) and Marcus Trumpp (German film composer and orchestrator)
1:59
13Getting to the Dance Floor
recording engineer:
Vincent Cirilli, John Kurlander (engineer) and Tim Lauber
engineer:
Denis St Amand
assistant mixer:
Tyson Lozensky (Engineer)
mixer:
John Kurlander (engineer)
editor:
Jim Schultz
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Pianella Studios
recording of:
Getting to the Dance Floor
composer:
Marco Beltrami (American score composer) and Marcus Trumpp (German film composer and orchestrator)
1:34
14Too Many Kolbasas on the Dance Floor
recording engineer:
Vincent Cirilli, John Kurlander (engineer) and Tim Lauber
engineer:
Denis St Amand
assistant mixer:
Tyson Lozensky (Engineer)
mixer:
John Kurlander (engineer)
editor:
Jim Schultz
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Pianella Studios
recording of:
Too Many Kolbasas On The Dance Floor
composer:
Marco Beltrami (American score composer) and Brandon Roberts (film music composer)
3:53
15What’s So Funny?
recording engineer:
Vincent Cirilli, John Kurlander (engineer) and Tim Lauber
engineer:
Denis St Amand
assistant mixer:
Tyson Lozensky (Engineer)
mixer:
John Kurlander (engineer)
editor:
Jim Schultz
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Pianella Studios
recording of:
What's So Funny?
composer:
Marco Beltrami (American score composer), Michael Kamen (American score composer) and Brandon Roberts (film music composer)
2:29
16McClanes Get the Bird
recording engineer:
Vincent Cirilli, John Kurlander (engineer) and Tim Lauber
engineer:
Denis St Amand
assistant mixer:
Tyson Lozensky (Engineer)
mixer:
John Kurlander (engineer)
editor:
Jim Schultz
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Pianella Studios
recording of:
McClanes Get The Bird
composer:
Marco Beltrami (American score composer), Michael Kamen (American score composer) and Marcus Trumpp (German film composer and orchestrator)
2:59
17Scumbags
recording engineer:
Vincent Cirilli, John Kurlander (engineer) and Tim Lauber
engineer:
Denis St Amand
assistant mixer:
Tyson Lozensky (Engineer)
mixer:
John Kurlander (engineer)
editor:
Jim Schultz
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Pianella Studios
recording of:
Scumbags
composer:
Marco Beltrami (American score composer) and Brandon Roberts (film music composer)
2:05
18Entering Chernobyl
recording engineer:
Vincent Cirilli, John Kurlander (engineer) and Tim Lauber
engineer:
Denis St Amand
assistant mixer:
Tyson Lozensky (Engineer)
mixer:
John Kurlander (engineer)
editor:
Jim Schultz
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Pianella Studios
recording of:
Entering Chernobyl
composer:
Marco Beltrami (American score composer), Brandon Roberts (film music composer) and Marcus Trumpp (German film composer and orchestrator)
4:07
19Into the Vault
recording engineer:
Vincent Cirilli, John Kurlander (engineer) and Tim Lauber
engineer:
Denis St Amand
assistant mixer:
Tyson Lozensky (Engineer)
mixer:
John Kurlander (engineer)
editor:
Jim Schultz
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Pianella Studios
recording of:
Into The Vault
composer:
Marco Beltrami (American score composer) and Brandon Roberts (film music composer)
2:20
20Rubbed Out at the Spa
recording engineer:
Vincent Cirilli, John Kurlander (engineer) and Tim Lauber
engineer:
Denis St Amand
assistant mixer:
Tyson Lozensky (Engineer)
mixer:
John Kurlander (engineer)
editor:
Jim Schultz
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Pianella Studios
recording of:
Rubbed Out At The Spa
composer:
Marco Beltrami (American score composer) and Brandon Roberts (film music composer)
2:08
21Sunshine Shootout
recording engineer:
Vincent Cirilli, John Kurlander (engineer) and Tim Lauber
engineer:
Denis St Amand
assistant mixer:
Tyson Lozensky (Engineer)
mixer:
John Kurlander (engineer)
editor:
Jim Schultz
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Pianella Studios
recording of:
Sunshine Shootout
composer:
Marco Beltrami (American score composer) and Marcus Trumpp (German film composer and orchestrator)
1:37
22Get to the Choppa!
recording engineer:
Vincent Cirilli, John Kurlander (engineer) and Tim Lauber
engineer:
Denis St Amand
assistant mixer:
Tyson Lozensky (Engineer)
mixer:
John Kurlander (engineer)
editor:
Jim Schultz
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Pianella Studios
recording of:
Get To The Choppa!
composer:
Marco Beltrami (American score composer), Michael Kamen (American score composer) and Marcus Trumpp (German film composer and orchestrator)
3:01
23Chopper Takedown
recording engineer:
Vincent Cirilli, John Kurlander (engineer) and Tim Lauber
engineer:
Denis St Amand
assistant mixer:
Tyson Lozensky (Engineer)
mixer:
John Kurlander (engineer)
editor:
Jim Schultz
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Pianella Studios
recording of:
Chopper Takedown
composer:
Marco Beltrami (American score composer) and Marcus Trumpp (German film composer and orchestrator)
3:25
24It’s Hard to Kill a McClane
recording engineer:
Vincent Cirilli, John Kurlander (engineer) and Tim Lauber
engineer:
Denis St Amand
assistant mixer:
Tyson Lozensky (Engineer)
mixer:
John Kurlander (engineer)
editor:
Jim Schultz
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Pianella Studios
recording of:
It's Hard To Kill A McClane
composer:
Marco Beltrami (American score composer) and Brandon Roberts (film music composer)
3:01
25Triple Vodka Rhapsody
recording engineer:
Vincent Cirilli, John Kurlander (engineer) and Tim Lauber
engineer:
Denis St Amand
assistant mixer:
Tyson Lozensky (Engineer)
mixer:
John Kurlander (engineer)
editor:
Jim Schultz
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Pianella Studios
recording of:
Triple Vodka Rhapsody
composer:
Marco Beltrami (American score composer) and Marcus Trumpp (German film composer and orchestrator)
1:53
26McClane’s Brain
recording engineer:
Vincent Cirilli, John Kurlander (engineer) and Tim Lauber
engineer:
Denis St Amand
assistant mixer:
Tyson Lozensky (Engineer)
mixer:
John Kurlander (engineer)
editor:
Jim Schultz
conductor:
Pete Anthony (American conductor and orchestrator.)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
Pianella Studios
recording of:
McClane's Brain
composer:
Marco Beltrami (American score composer)
1:54