Milestones of a Jazz Legend: Paul Desmond

~ Release by Paul Desmond (see all versions of this release, 2 available)

Tracklist

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▼ CD 1: Desmond (1955) (1-9) / The Paul Desmond Quartet Featuring Don Elliott (1956) (10-17)
#TitleArtistRatingLength
1A Garden in the Rain
Paul Desmond Quintet with The Bill Bates Singers2:49
2Soon
Paul Desmond Quintet with The Bill Bates Singers2:18
3Winky
Paul Desmond Quintet with The Bill Bates Singers2:57
4Will I Know?
Paul Desmond Quintet with The Bill Bates Singers2:52
5Jeruvian
Paul Desmond Quintet3:35
6Baroque (Chorale Prelude)
Paul Desmond Quintet1:45
7But Happy (Fugue IV)
Paul Desmond Quintet3:04
8Misty Window
Paul Desmond Quintet3:21
9Warm Cradle
Paul Desmond Quintet2:47
10Jazzabelle
The Paul Desmond Quartet featuring Don Elliot6:33
11A Watchman's Carroll
The Paul Desmond Quartet featuring Don Elliot3:07
12Everything Happens to Me
The Paul Desmond Quartet featuring Don Elliot5:15
13Let's Get Away From It All
The Paul Desmond Quartet featuring Don Elliot4:07
14Look for the Silver Lining
The Paul Desmond Quartet featuring Don Elliot4:22
15Sacre Blues
The Paul Desmond Quartet featuring Don Elliot6:05
16You Go to My Head
The Paul Desmond Quartet featuring Don Elliot5:21
17Line for Lyons
The Paul Desmond Quartet featuring Don Elliot5:22
▼ CD 2: Jazz at the College of the Pacific (1954) (1-6) / Jazz at Storyville (1953) (7-11)
#TitleArtistRatingLength
1All the Things You Are
alto saxophone:
Paul Desmond (on 1953-12-14)
double bass:
Ron Crotty (on 1953-12-14)
drums (drum set):
Joe Dodge (on 1953-12-14)
piano:
Dave Brubeck (on 1953-12-14)
recorded at:
University of the Pacific in Stockton, California, United States (on 1953-12-14)
live instrumental recording of:
All the Things You Are (from “Very Warm for May”) (on 1953-12-14)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
The Dave Brubeck Quartet9:11
2Laura
alto saxophone:
Paul Desmond (on 1953-12-14)
double bass:
Ron Crotty (on 1953-12-14)
drums (drum set):
Joe Dodge (on 1953-12-14)
piano:
Dave Brubeck (on 1953-12-14)
recorded at:
University of the Pacific in Stockton, California, United States (on 1953-12-14)
live instrumental recording of:
Laura (1945 song) (on 1953-12-14)
lyricist:
Johnny Mercer (in 1945)
composer:
David Raksin (in 1944)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corp., Twentieth Century Music Corp. and United Partnership Ltd.
version of:
Laura (original 1944 film theme)
The Dave Brubeck Quartet3:11
3Lullaby in Rhythm
alto saxophone:
Paul Desmond (on 1953-12-14)
double bass:
Ron Crotty (on 1953-12-14)
drums (drum set):
Joe Dodge (on 1953-12-14)
piano:
Dave Brubeck (on 1953-12-14)
recorded at:
University of the Pacific in Stockton, California, United States (on 1953-12-14)
live instrumental recording of:
Lullaby in Rhythm (on 1953-12-14)
lyricist:
Walter Hirsch (in 1938)
composer:
Benny Goodman (clarinetist and bandleader) (in 1938), Clarence Profit (in 1938) and Edgar Sampson (in 1938)
The Dave Brubeck Quartet7:22
4I'll Never Smile Again
alto saxophone:
Paul Desmond (on 1953-12-14)
double bass:
Ron Crotty (on 1953-12-14)
drums (drum set):
Joe Dodge (on 1953-12-14)
piano:
Dave Brubeck (on 1953-12-14)
recorded at:
University of the Pacific in Stockton, California, United States (on 1953-12-14)
live instrumental recording of:
I’ll Never Smile Again (on 1953-12-14)
lyricist and composer:
Ruth Lowe
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Pickwick Music (publisher), Universal Music Corp. (USA, affiliated with ASCAP) and Universal‐MCA Music Publishing (US)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Dave Brubeck Quartet5:27
5I Remember You
alto saxophone:
Paul Desmond (on 1953-12-14)
bass:
Ron Crotty (on 1953-12-14)
membranophone:
Joe Dodge (on 1953-12-14)
piano:
Dave Brubeck (on 1953-12-14)
recorded at:
University of the Pacific in Stockton, California, United States (on 1953-12-14)
The Dave Brubeck Quartet9:12
6For All We Know
alto saxophone:
Paul Desmond (on 1953-12-14)
double bass:
Ron Crotty (on 1953-12-14)
drums (drum set):
Joe Dodge (on 1953-12-14)
piano:
Dave Brubeck (on 1953-12-14)
recorded at:
University of the Pacific in Stockton, California, United States (on 1953-12-14)
live instrumental recording of:
For All We Know (1934 song) (on 1953-12-14)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1934)
composer:
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ASCAP affiliated) (ended), Cromwell Music, Inc. (ended), EMI Feist Catalog Inc. (ended), Leo Feist, Inc. (ended), Redwood Music Ltd. (Carlin) (ended), Tro-Cromwell Music, Inc. (ended), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company and Toy Town Tunes, Inc.
The Dave Brubeck Quartet5:57
7Over the Rainbow
Dave Brubeck & Paul Desmond5:06
8You Go to My Head
Dave Brubeck & Paul Desmond7:52
9Crazy Chris
Dave Brubeck & Paul Desmond7:03
10Give a Little Whistle / Lady Be Good
Dave Brubeck & Paul Desmond6:54
11Tea For Two
Dave Brubeck & Paul Desmond6:57
▼ CD 3: Gerry Mulligan - Paul Desmond Quartet (1957)
#TitleArtistRatingLength
1Blues in Time
alto saxophone:
Paul Desmond (on 1957-08-01)
baritone saxophone:
Gerry Mulligan (on 1957-08-01)
double bass [bass]:
Joe Benjamin (US jazz bassist) (on 1957-08-01)
drums (drum set):
Dave Bailey (on 1957-08-01)
Gerry Mulligan – Paul Desmond Quartet9:04
2Body and Soul
alto saxophone:
Paul Desmond (on 1957-08-01)
baritone saxophone:
Gerry Mulligan (on 1957-08-01)
double bass [bass]:
Joe Benjamin (US jazz bassist) (on 1957-08-01)
drums (drum set):
Dave Bailey (on 1957-08-01)
instrumental recording of:
Body and Soul (on 1957-08-01)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Gerry Mulligan – Paul Desmond Quartet9:42
3Stand Still
alto saxophone:
Paul Desmond (on 1957-08-27)
baritone saxophone:
Gerry Mulligan (on 1957-08-27)
double bass [bass]:
Joe Benjamin (US jazz bassist) (on 1957-08-27)
drums (drum set):
Dave Bailey (on 1957-08-27)
Gerry Mulligan – Paul Desmond Quartet3:29
4Line for Lyons
recorded in:
New York, New York, United States (on 1957-08-27)
alto saxophone:
Paul Desmond (on 1957-08-27)
baritone saxophone:
Gerry Mulligan (on 1957-08-27)
double bass [bass]:
Joe Benjamin (US jazz bassist) (on 1957-08-27)
drums (drum set):
Dave Bailey (on 1957-08-27)
recording of:
Line for Lyons (on 1957-08-27)
composer:
Gerry Mulligan
dedicated to:
Jimmy Lyons (Jimmy Lyons, DJ, founded Monterey Jazz Festival)
Gerry Mulligan – Paul Desmond Quartet3:09
5Wintersong
alto saxophone:
Paul Desmond (on 1957-08-01)
baritone saxophone:
Gerry Mulligan (on 1957-08-01)
double bass [bass]:
Joe Benjamin (US jazz bassist) (on 1957-08-01)
drums (drum set):
Dave Bailey (on 1957-08-01)
Gerry Mulligan – Paul Desmond Quartet7:00
6Battle Hymn of the Republican
alto saxophone:
Paul Desmond (on 1957-08-27)
baritone saxophone:
Gerry Mulligan (on 1957-08-27)
double bass [bass]:
Joe Benjamin (US jazz bassist) (on 1957-08-27)
drums (drum set):
Dave Bailey (on 1957-08-27)
Gerry Mulligan – Paul Desmond Quartet7:47
7Fall Out
alto saxophone:
Paul Desmond (on 1957-08-27)
baritone saxophone:
Gerry Mulligan (on 1957-08-27)
double bass [bass]:
Joe Benjamin (US jazz bassist) (on 1957-08-27)
drums (drum set):
Dave Bailey (on 1957-08-27)
Gerry Mulligan – Paul Desmond Quartet5:51
▼ CD 4: First Place Again (1960) (1-7) / Jazz Interwoven (1955) (8-10)
#TitleArtistRatingLength
1I Get a Kick Out of You
Paul Desmond8:40
2For All We Know
producer:
Bob Prince (Jazz composer, arranger, conductor & producer) (in 1960)
alto saxophone:
Paul Desmond (in 1960-09)
double bass:
Percy Heath (in 1960-09)
drums (drum set):
Connie Kay (in 1960-09)
electric guitar:
Jim Hall (US jazz guitarist, composer & arranger) (in 1960-09)
instrumental recording of:
For All We Know (1934 song) (in 1960-09)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1934)
composer:
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ASCAP affiliated) (ended), Cromwell Music, Inc. (ended), EMI Feist Catalog Inc. (ended), Leo Feist, Inc. (ended), Redwood Music Ltd. (Carlin) (ended), Tro-Cromwell Music, Inc. (ended), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company and Toy Town Tunes, Inc.
Paul Desmond5:34
3Two Degrees East, Three Degrees West
producer:
Bob Prince (Jazz composer, arranger, conductor & producer) (in 1960)
alto saxophone:
Paul Desmond (in 1960-09)
double bass:
Percy Heath (in 1960-09)
drums (drum set):
Connie Kay (in 1960-09)
electric guitar:
Jim Hall (US jazz guitarist, composer & arranger) (in 1960-09)
recording of:
2 Degrees East, 3 Degrees West (in 1960-09)
composer:
John Lewis (pianist, member of Modern Jazz Quartet)
Paul Desmond7:29
4Greensleeves
producer:
Bob Prince (Jazz composer, arranger, conductor & producer) (in 1960)
alto saxophone:
Paul Desmond (in 1960-09)
double bass:
Percy Heath (in 1960-09)
drums (drum set):
Connie Kay (in 1960-09)
electric guitar:
Jim Hall (US jazz guitarist, composer & arranger) (in 1960-09)
Paul Desmond2:06
5You Go to My Head
producer:
Bob Prince (Jazz composer, arranger, conductor & producer) (in 1960)
alto saxophone:
Paul Desmond (in 1960-09)
double bass:
Percy Heath (in 1960-09)
drums (drum set):
Connie Kay (in 1960-09)
electric guitar:
Jim Hall (US jazz guitarist, composer & arranger) (in 1960-09)
instrumental recording of:
You Go to My Head (in 1960-09)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
Paul Desmond6:29
6East of the Sun (And West of the Moon)
Paul Desmond5:46
7Time After Time
producer:
Bob Prince (Jazz composer, arranger, conductor & producer) (in 1960)
alto saxophone:
Paul Desmond (in 1960-09)
double bass:
Percy Heath (in 1960-09)
drums (drum set):
Connie Kay (in 1960-09)
electric guitar:
Jim Hall (US jazz guitarist, composer & arranger) (in 1960-09)
instrumental recording of:
Time After Time (in 1960-09)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell/Morris Ltd. and Sands Music Corp.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Paul Desmond6:17
8At a Perfume Counter
Dave Brubeck & Paul Desmond14:07
9Stardust
Dave Brubeck & Paul Desmond6:50
10Crazy Chris
Dave Brubeck & Paul Desmond6:33
▼ CD 5: Desmond Blue (1962) (1-9) / Two of a Mind (1962) (10-15)
#TitleArtistRatingLength
1My Funny Valentine
engineer:
Ray Hall (engineer) (on 1961-09-14)
producer:
George Avakian (US 1940-90s record producer) (on 1961-09-14)
double bass:
Milt Hinton (on 1961-09-14)
drums (drum set):
Connie Kay (on 1961-09-14)
French horn:
Al Richmond (on 1961-09-14)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (in 1962)
harp:
Gene Bianco (on 1961-09-14)
saxophone:
Paul Desmond (on 1961-09-14)
conductor:
Bob Prince (Jazz composer, arranger, conductor & producer) (on 1961-09-14)
arranger:
Bob Prince (Jazz composer, arranger, conductor & producer) (on 1961-09-14)
live instrumental recording of:
My Funny Valentine (from “Babes in Arms”) (on 1961-09-14)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Paul Desmond With Strings3:52
2Desmond Blue
engineer:
Ray Hall (engineer) (on 1961-10-02)
producer:
George Avakian (US 1940-90s record producer) (on 1961-10-02)
double bass:
Milt Hinton (on 1961-10-02)
French horn:
Al Richmond (on 1961-10-02)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1961-10-02)
harp:
Gloria Agostini (Harp) (on 1961-10-02)
saxophone:
Paul Desmond (on 1961-10-02)
conductor:
Bob Prince (Jazz composer, arranger, conductor & producer) (on 1961-10-02)
arranger:
Bob Prince (Jazz composer, arranger, conductor & producer) (on 1961-10-02)
Paul Desmond With Strings3:40
3Then I'll Be Tired of You
engineer:
Ray Hall (engineer) (on 1961-10-02)
producer:
George Avakian (US 1940-90s record producer) (on 1961-10-02)
double bass:
Milt Hinton (on 1961-10-02)
French horn:
Al Richmond (on 1961-10-02)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1961-10-02)
saxophone:
Paul Desmond (on 1961-10-02)
conductor:
Bob Prince (Jazz composer, arranger, conductor & producer) (on 1961-10-02)
arranger:
Bob Prince (Jazz composer, arranger, conductor & producer) (on 1961-10-02)
instrumental recording of:
Then I’ll Be Tired of You (on 1961-10-02)
lyricist:
Yip Harburg
composer:
Arthur Schwartz
Paul Desmond With Strings4:06
4I've Got You Under My Skin
engineer:
Ray Hall (engineer) (on 1961-10-02)
producer:
George Avakian (US 1940-90s record producer) (on 1961-10-02)
double bass:
Milt Hinton (on 1961-10-02)
French horn:
Al Richmond (on 1961-10-02)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1961-10-02)
harp:
Gloria Agostini (Harp) (on 1961-10-02)
saxophone:
Paul Desmond (on 1961-10-02)
conductor:
Bob Prince (Jazz composer, arranger, conductor & producer) (on 1961-10-02)
arranger:
Bob Prince (Jazz composer, arranger, conductor & producer) (on 1961-10-02)
recorded at:
Webster Hall in East Village, New York, New York, United States (in 1962)
instrumental recording of:
I’ve Got You Under My Skin (on 1961-10-02)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
Paul Desmond With Strings4:33
5Late Lament
engineer:
Ray Hall (engineer) (on 1961-09-28)
producer:
George Avakian (US 1940-90s record producer) (on 1961-09-28)
double bass:
Milt Hinton (on 1961-09-28)
French horn:
Al Richmond (on 1961-09-28)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1961-09-28)
harp:
Gloria Agostini (Harp) (on 1961-09-28)
saxophone:
Paul Desmond (on 1961-09-28)
conductor:
Bob Prince (Jazz composer, arranger, conductor & producer) (on 1961-09-28)
arranger:
Bob Prince (Jazz composer, arranger, conductor & producer) (on 1961-09-28)
recording of:
Late Lament (on 1961-09-28)
composer:
Paul Desmond
Paul Desmond With Strings4:09
6I Should Care
engineer:
Ray Hall (engineer) (on 1961-09-28)
producer:
George Avakian (US 1940-90s record producer) (on 1961-09-28)
double bass:
Milt Hinton (on 1961-09-28)
French horn:
Al Richmond (on 1961-09-28)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1961-09-28)
harp:
Gloria Agostini (Harp) (on 1961-09-28)
saxophone:
Paul Desmond (on 1961-09-28)
conductor:
Bob Prince (Jazz composer, arranger, conductor & producer) (on 1961-09-28)
arranger:
Bob Prince (Jazz composer, arranger, conductor & producer) (on 1961-09-28)
instrumental recording of:
I Should Care (on 1961-09-28)
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Paul Desmond With Strings3:53
7Like Someone in Love
engineer:
Ray Hall (engineer) (on 1961-09-28)
producer:
George Avakian (US 1940-90s record producer) (on 1961-09-28)
double bass:
Milt Hinton (on 1961-09-28)
French horn:
Al Richmond (on 1961-09-28)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1961-09-28)
harp:
Gloria Agostini (Harp) (on 1961-09-28)
saxophone:
Paul Desmond (on 1961-09-28)
conductor:
Bob Prince (Jazz composer, arranger, conductor & producer) (on 1961-09-28)
arranger:
Bob Prince (Jazz composer, arranger, conductor & producer) (on 1961-09-28)
instrumental cover recording of:
Like Someone in Love (on 1961-09-28)
lyricist:
Johnny Burke (American lyricist, 1908-1964) (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Paul Desmond With Strings4:12
8Ill Wind
engineer:
Ray Hall (engineer) (on 1961-10-02)
producer:
George Avakian (US 1940-90s record producer) (on 1961-10-02)
double bass:
Milt Hinton (on 1961-10-02)
French horn:
Al Richmond (on 1961-10-02)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1961-10-02)
harp:
Gloria Agostini (Harp) (on 1961-10-02)
saxophone:
Paul Desmond (on 1961-10-02)
conductor:
Bob Prince (Jazz composer, arranger, conductor & producer) (on 1961-10-02)
arranger:
Bob Prince (Jazz composer, arranger, conductor & producer) (on 1961-10-02)
instrumental recording of:
Ill Wind (on 1961-10-02)
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
Paul Desmond With Strings3:51
9Body and Soul
recording engineer:
Ray Hall (engineer)
producer:
George Avakian (US 1940-90s record producer)
instrumental recording of:
Body and Soul (on 1961-10-02)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Paul Desmond With Strings4:57
10All the Things You Are
recording engineer:
Mickey Crofford, Ray Hall (engineer) and Bob Simpson (US jazz engineer/producer)
producer:
George Avakian (US 1940-90s record producer), Bob Prince (Jazz composer, arranger, conductor & producer) and Bob Prince (Robert Graham Prince; Jazz composer, arranger, conductor, producer)
alto saxophone:
Paul Desmond (on 1962-07-03)
baritone saxophone:
Gerry Mulligan (on 1962-07-03)
double bass [bass]:
Wendell Marshall (on 1962-07-03)
drums (drum set):
Connie Kay (on 1962-07-03)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1962-07-03)
instrumental cover recording of:
All the Things You Are (from “Very Warm for May”) (on 1962-07-03)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
Paul Desmond & Gerry Mulligan5:50
11Stardust
recording engineer:
Mickey Crofford, Ray Hall (engineer) and Bob Simpson (US jazz engineer/producer)
producer:
George Avakian (US 1940-90s record producer), Bob Prince (Jazz composer, arranger, conductor & producer) and Bob Prince (Robert Graham Prince; Jazz composer, arranger, conductor, producer)
alto saxophone:
Paul Desmond (on 1962-07-03)
baritone saxophone:
Gerry Mulligan (on 1962-07-03)
double bass [bass]:
Wendell Marshall (on 1962-02-08)
drums (drum set):
Connie Kay (on 1962-07-03)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1962-07-03)
instrumental cover recording of:
Stardust (the jazz standard) (on 1962-07-03)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
Paul Desmond & Gerry Mulligan8:22
12Two of a Mind
Paul Desmond & Gerry Mulligan5:59
13Blight of the Fumble Bee
alto saxophone:
Paul Desmond (on 1962-06-26)
baritone saxophone:
Gerry Mulligan (on 1962-06-26)
double bass [bass]:
John Beal (American Broadway bassist) (on 1962-06-26)
drums (drum set):
Connie Kay (on 1962-06-26)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1962-06-26)
recording of:
Blight of the Fumble Bee
composer:
Gerry Mulligan
Paul Desmond & Gerry Mulligan7:00
14The Way You Look Tonight
recording engineer:
Mickey Crofford, Ray Hall (engineer) and Bob Simpson (US jazz engineer/producer)
producer:
George Avakian (US 1940-90s record producer), Bob Prince (Jazz composer, arranger, conductor & producer) and Bob Prince (Robert Graham Prince; Jazz composer, arranger, conductor, producer)
alto saxophone:
Paul Desmond (on 1962-06-26)
baritone saxophone:
Gerry Mulligan (on 1962-06-26)
double bass [bass]:
John Beal (American Broadway bassist) (on 1962-06-26)
drums (drum set):
Connie Kay (on 1962-06-26)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1962-06-26)
instrumental cover recording of:
The Way You Look Tonight (from “Swing Time”) (on 1962-06-26)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 9)
part of:
Swing Time (film)
Paul Desmond & Gerry Mulligan7:21
15Out of Nowhere
Paul Desmond & Gerry Mulligan6:29
▼ CD 6: Dave Brubeck Octet (1956)
#TitleArtistRatingLength
1The Way You Look Tonight
recorded in:
San Francisco, California, United States (in 1950-07)
alto saxophone:
Paul Desmond (in 1950-07)
double bass:
Jack Weeks (in 1950-07)
drums (drum set):
Cal Tjader (in 1950-07)
piano:
Dave Brubeck (in 1950-07)
reeds:
Bill Smith (Clarinet, played with Brubeck) (in 1950-07)
tenor saxophone:
David van Kriedt (in 1950-07)
trombone:
Bob Collins (jazz saxophonist) (in 1950-07)
trumpet:
Dick Collins (trumpet) (in 1950-07)
arranger:
Dave Brubeck
recording of:
The Way You Look Tonight (from “Swing Time”) (in 1950-07)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 9)
part of:
Swing Time (film)
The Dave Brubeck Octet3:02
2Love Walked In
recorded in:
San Francisco, California, United States (in 1950-07)
alto saxophone:
Paul Desmond (in 1950-07)
double bass:
Jack Weeks (in 1950-07)
drums (drum set):
Cal Tjader (in 1950-07)
piano:
Dave Brubeck (in 1950-07)
reeds:
Bill Smith (Clarinet, played with Brubeck) (in 1950-07)
tenor saxophone:
David van Kriedt (in 1950-07)
trombone:
Bob Collins (jazz saxophonist) (in 1950-07)
trumpet:
Dick Collins (trumpet) (in 1950-07)
arranger:
David van Kriedt
recording of:
Love Walked In (in 1950-07)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell & Co Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
The Dave Brubeck Octet2:39
3What Is This Thing Called Love
recorded in:
San Francisco, California, United States (in 1950-07)
alto saxophone:
Paul Desmond (in 1950-07)
double bass:
Jack Weeks (in 1950-07)
drums (drum set):
Cal Tjader (in 1950-07)
piano:
Dave Brubeck (in 1950-07)
reeds:
Bill Smith (Clarinet, played with Brubeck) (in 1950-07)
tenor saxophone:
David van Kriedt (in 1950-07)
trombone:
Bob Collins (jazz saxophonist) (in 1950-07)
trumpet:
Dick Collins (trumpet) (in 1950-07)
arranger:
Bill Smith (Clarinet, played with Brubeck)
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (in 1950-07)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
The Dave Brubeck Octet2:43
4September in the Rain
recorded in:
San Francisco, California, United States (in 1950-07)
alto saxophone:
Paul Desmond (in 1950-07)
double bass:
Jack Weeks (in 1950-07)
drums (drum set):
Cal Tjader (in 1950-07)
piano:
Dave Brubeck (in 1950-07)
reeds:
Bill Smith (Clarinet, played with Brubeck) (in 1950-07)
tenor saxophone:
David van Kriedt (in 1950-07)
trombone:
Bob Collins (jazz saxophonist) (in 1950-07)
trumpet:
Dick Collins (trumpet) (in 1950-07)
arranger:
David van Kriedt
recording of:
September in the Rain (in 1950-07)
lyricist:
Al Dubin (in 1937)
composer:
Harry Warren (US composer and lyricist) (in 1937)
publisher:
Henrees Music co. (in 1937) and Peermusic (UK) Limited (in 1937)
The Dave Brubeck Octet2:53
5Prelude
recorded in:
San Francisco, California, United States (in 1950-07)
alto saxophone:
Paul Desmond (in 1950-07)
double bass:
Jack Weeks (in 1950-07)
drums (drum set):
Cal Tjader (in 1950-07)
piano:
Dave Brubeck (in 1950-07)
reeds:
Bill Smith (Clarinet, played with Brubeck) (in 1950-07)
tenor saxophone:
David van Kriedt (in 1950-07)
trombone:
Bob Collins (jazz saxophonist) (in 1950-07)
trumpet:
Dick Collins (trumpet) (in 1950-07)
recording of:
Prelude (in 1950-07)
composer:
David van Kriedt
The Dave Brubeck Octet2:17
6Fugue on Bop Themes
recorded in:
San Francisco, California, United States (in 1950-07)
alto saxophone:
Paul Desmond (in 1950-07)
double bass:
Jack Weeks (in 1950-07)
drums (drum set):
Cal Tjader (in 1950-07)
piano:
Dave Brubeck (in 1950-07)
reeds:
Bill Smith (Clarinet, played with Brubeck) (in 1950-07)
tenor saxophone:
David van Kriedt (in 1950-07)
trombone:
Bob Collins (jazz saxophonist) (in 1950-07)
trumpet:
Dick Collins (trumpet) (in 1950-07)
recording of:
Fugue on Bop Themes (in 1950-07)
composer:
David van Kriedt
The Dave Brubeck Octet2:46
7Let's Fall in Love
recorded in:
San Francisco, California, United States (in 1950-07)
alto saxophone:
Paul Desmond (in 1950-07)
double bass:
Jack Weeks (in 1950-07)
drums (drum set):
Cal Tjader (in 1950-07)
piano:
Dave Brubeck (in 1950-07)
reeds:
Bill Smith (Clarinet, played with Brubeck) (in 1950-07)
tenor saxophone:
David van Kriedt (in 1950-07)
trombone:
Bob Collins (jazz saxophonist) (in 1950-07)
trumpet:
Dick Collins (trumpet) (in 1950-07)
arranger:
David van Kriedt
recording of:
Let’s Fall in Love (in 1950-07)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Francis, Day & Hunter Ltd.
The Dave Brubeck Octet2:25
8IPCA
recorded in:
San Francisco, California, United States (in 1950-07)
alto saxophone:
Paul Desmond (in 1950-07)
double bass:
Jack Weeks (in 1950-07)
drums (drum set):
Cal Tjader (in 1950-07)
piano:
Dave Brubeck (in 1950-07)
reeds:
Bill Smith (Clarinet, played with Brubeck) (in 1950-07)
tenor saxophone:
David van Kriedt (in 1950-07)
trombone:
Bob Collins (jazz saxophonist) (in 1950-07)
trumpet:
Dick Collins (trumpet) (in 1950-07)
recording of:
IPCA (in 1950-07)
composer:
Bill Smith (Clarinet, played with Brubeck)
The Dave Brubeck Octet2:43
9How High the Moon
recorded in:
San Francisco, California, United States (in 1948)
alto saxophone:
Paul Desmond (in 1948)
double bass:
Jack Weeks (in 1948)
drums (drum set):
Cal Tjader (in 1948)
piano:
Dave Brubeck (in 1948)
reeds:
Bill Smith (Clarinet, played with Brubeck) (in 1948)
tenor saxophone:
David van Kriedt (in 1948)
trombone:
Bob Collins (jazz saxophonist) (in 1948)
trumpet:
Dick Collins (trumpet) (in 1948)
cover recording of:
How High the Moon (in 1948)
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Dave Brubeck Octet6:54
10Serenade Suite
recorded in:
San Francisco, California, United States (in 1948)
alto saxophone:
Paul Desmond (in 1948)
double bass:
Jack Weeks (in 1948)
drums (drum set):
Cal Tjader (in 1948)
piano:
Dave Brubeck (in 1948)
reeds:
Bill Smith (Clarinet, played with Brubeck) (in 1948)
tenor saxophone:
David van Kriedt (in 1948)
trombone:
Bob Collins (jazz saxophonist) (in 1948)
trumpet:
Dick Collins (trumpet) (in 1948)
recording of:
Serenade Suite (in 1948)
composer:
David van Kriedt
The Dave Brubeck Octet4:36
11Playland-at-the-Beach
recorded in:
San Francisco, California, United States (in 1948)
alto saxophone:
Paul Desmond (in 1948)
double bass:
Jack Weeks (in 1948)
drums (drum set):
Cal Tjader (in 1948)
piano:
Dave Brubeck (in 1948)
reeds:
Bill Smith (Clarinet, played with Brubeck) (in 1948)
tenor saxophone:
David van Kriedt (in 1948)
trombone:
Bob Collins (jazz saxophonist) (in 1948)
trumpet:
Dick Collins (trumpet) (in 1948)
recording of:
Playland-at-the-Beach (in 1948)
composer:
Dave Brubeck
The Dave Brubeck Octet1:32
12Prisoner's Song
recorded in:
San Francisco, California, United States (in 1948)
alto saxophone:
Bob Cummings (saxophonist) (in 1948)
double bass:
Jack Weeks (in 1948)
drums (drum set):
Cal Tjader (in 1948)
piano:
Dave Brubeck (in 1948)
reeds:
Bill Smith (Clarinet, played with Brubeck) (in 1948)
tenor saxophone:
David van Kriedt (in 1948)
trombone:
Bob Collins (jazz saxophonist) (in 1948)
trumpet:
Dick Collins (trumpet) (in 1948)
arranger:
Jack Weeks
recording of:
The Prisoner’s Song (in 1948)
lyricist and composer:
Guy Massey (1920s US songwriter)
publisher:
Shapiro, Bernstein & Co., Inc.
The Dave Brubeck Octet1:07
13Schizophrenic Scherzo
recorded in:
San Francisco, California, United States (in 1948)
alto saxophone:
Bob Cummings (saxophonist) (in 1948)
double bass:
Jack Weeks (in 1948)
drums (drum set):
Cal Tjader (in 1948)
piano:
Dave Brubeck (in 1948)
reeds:
Bill Smith (Clarinet, played with Brubeck) (in 1948)
tenor saxophone:
David van Kriedt (in 1948)
trombone:
Bob Collins (jazz saxophonist) (in 1948)
trumpet:
Dick Collins (trumpet) (in 1948)
recording of:
Schizophrenic Scherzo (in 1948)
composer:
Bill Smith (Clarinet, played with Brubeck)
The Dave Brubeck Octet2:17
14Rondo
recorded in:
San Francisco, California, United States (in 1948)
alto saxophone:
Bob Cummings (saxophonist) (in 1948)
double bass:
Jack Weeks (in 1948)
drums (drum set):
Cal Tjader (in 1948)
piano:
Dave Brubeck (in 1948)
reeds:
Bill Smith (Clarinet, played with Brubeck) (in 1948)
tenor saxophone:
David van Kriedt (in 1948)
trombone:
Bob Collins (jazz saxophonist) (in 1948)
trumpet:
Dick Collins (trumpet) (in 1948)
recording of:
Rondo (in 1948)
composer:
Dave Brubeck
The Dave Brubeck Octet1:33
15I Hear a Rhapsody
recorded in:
San Francisco, California, United States (in 1948)
alto saxophone:
Bob Cummings (saxophonist) (in 1948)
double bass:
Jack Weeks (in 1948)
drums (drum set):
Cal Tjader (in 1948)
piano:
Dave Brubeck (in 1948)
reeds:
Bill Smith (Clarinet, played with Brubeck) (in 1948)
tenor saxophone:
David van Kriedt (in 1948)
trombone:
Bob Collins (jazz saxophonist) (in 1948)
trumpet:
Dick Collins (trumpet) (in 1948)
arranger:
David van Kriedt
The Dave Brubeck Octet2:18
16You Go to My Head
recorded in:
San Francisco, California, United States (in 1948)
alto saxophone:
Bob Cummings (saxophonist) (in 1948)
double bass:
Jack Weeks (in 1948)
drums (drum set):
Cal Tjader (in 1948)
piano:
Dave Brubeck (in 1948)
reeds:
Bill Smith (Clarinet, played with Brubeck) (in 1948)
tenor saxophone:
David van Kriedt (in 1948)
trombone:
Bob Collins (jazz saxophonist) (in 1948)
trumpet:
Dick Collins (trumpet) (in 1948)
recording of:
You Go to My Head (in 1948)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
The Dave Brubeck Octet3:03
17Laura
recorded in:
San Francisco, California, United States (in 1948)
alto saxophone:
Bob Cummings (saxophonist) (in 1948)
double bass:
Jack Weeks (in 1948)
drums (drum set):
Cal Tjader (in 1948)
piano:
Dave Brubeck (in 1948)
reeds:
Bill Smith (Clarinet, played with Brubeck) (in 1948)
tenor saxophone:
David van Kriedt (in 1948)
trombone:
Bob Collins (jazz saxophonist) (in 1948)
trumpet:
Dick Collins (trumpet) (in 1948)
arranger:
Dave Brubeck
instrumental cover recording of:
Laura (original 1944 film theme) (in 1948)
composer:
David Raksin (in 1944)
The Dave Brubeck Octet2:11
18Closing Theme
recorded in:
San Francisco, California, United States (in 1948)
alto saxophone:
Bob Cummings (saxophonist) (in 1948)
double bass:
Jack Weeks (in 1948)
drums (drum set):
Cal Tjader (in 1948)
piano:
Dave Brubeck (in 1948)
reeds:
Bill Smith (Clarinet, played with Brubeck) (in 1948)
tenor saxophone:
David van Kriedt (in 1948)
trombone:
Bob Collins (jazz saxophonist) (in 1948)
trumpet:
Dick Collins (trumpet) (in 1948)
recording of:
Closing Theme (in 1948)
composer:
Dave Brubeck
The Dave Brubeck Octet0:31
▼ CD 7: Jazz at Oberlin (1953) (1-5) / Jazz at the Blackhawk (1956) (6-13)
#TitleArtistRatingLength
1These Foolish Things (Remind Me of You)
alto saxophone:
Paul Desmond (on 1953-03-02)
double bass:
Ron Crotty (on 1953-03-02)
drums (drum set):
Lloyd Davis (on 1953-03-02)
piano:
Dave Brubeck (on 1953-03-02)
recorded at:
Finney Chapel in Oberlin, Ohio, United States (on 1953-03-02)
live instrumental recording of:
These Foolish Things (Remind Me of You) (on 1953-03-02)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link (US vaudeville actor & songwriter)
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
The Dave Brubeck Quartet6:33
2Perdido
alto saxophone:
Paul Desmond (on 1953-03-02)
double bass:
Ron Crotty (on 1953-03-02)
drums (drum set):
Lloyd Davis (on 1953-03-02)
piano:
Dave Brubeck (on 1953-03-02)
recorded at:
Finney Chapel in Oberlin, Ohio, United States (on 1953-03-02)
live recording of:
Perdido (original instrumental version) (on 1953-03-02)
composer:
Juan Tizol
The Dave Brubeck Quartet7:52
3Stardust
alto saxophone:
Paul Desmond (on 1953-03-02)
double bass:
Ron Crotty (on 1953-03-02)
drums (drum set):
Lloyd Davis (on 1953-03-02)
piano:
Dave Brubeck (on 1953-03-02)
recorded at:
Finney Chapel in Oberlin, Ohio, United States (on 1953-03-02)
live instrumental recording of:
Stardust (the jazz standard) (on 1953-03-02)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
The Dave Brubeck Quartet6:30
4The Way You Look Tonight
alto saxophone:
Paul Desmond (on 1953-03-02)
double bass:
Ron Crotty (on 1953-03-02)
drums (drum set):
Lloyd Davis (on 1953-03-02)
piano:
Dave Brubeck (on 1953-03-02)
recorded at:
Finney Chapel in Oberlin, Ohio, United States (on 1953-03-02)
live instrumental recording of:
The Way You Look Tonight (from “Swing Time”) (on 1953-03-02)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 9)
part of:
Swing Time (film)
The Dave Brubeck Quartet7:52
5How High the Moon
alto saxophone:
Paul Desmond (on 1953-03-02)
double bass:
Ron Crotty (on 1953-03-02)
drums (drum set):
Lloyd Davis (on 1953-03-02)
piano:
Dave Brubeck (on 1953-03-02)
recorded at:
Finney Chapel in Oberlin, Ohio, United States (on 1953-03-02)
live instrumental recording of:
How High the Moon (on 1953-03-02)
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Dave Brubeck Quartet9:15
6Jeepers Creepers
alto saxophone:
Paul Desmond (in 1953-09)
double bass:
Bill Ruther (in 1953-09)
drums (drum set):
Lloyd Davis (drums, jazz) (in 1953-09)
piano:
Dave Brubeck (in 1953-09)
recorded at:
The Blackhawk in San Francisco, California, United States (in 1953-09)
live instrumental recording of:
Jeepers Creepers (in 1953-09)
lyricist:
Johnny Mercer (in 1938)
writer:
Richard A. Whiting
composer:
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
The 11th Academy Award for Best Original Song (number: 2)
Dave Brubeck Quartet Featuring Paul Desmond7:24
7On a Little Street in Singapore
alto saxophone:
Paul Desmond (in 1952-09)
double bass:
Bill Ruther (in 1952-09)
drums (drum set):
Lloyd Davis (drums, jazz) (in 1952-09)
piano:
Dave Brubeck (in 1952-09)
recorded at:
The Blackhawk in San Francisco, California, United States
live instrumental recording of:
On a Little Street in Singapore (in 1952-09)
writer:
Peter de Rose and Billy Hill (US songwriter)
Dave Brubeck Quartet Featuring Paul Desmond2:41
8Trolley Song (Rehearsal)
alto saxophone:
Paul Desmond (in 1953-10)
double bass:
Bill Ruther (in 1953-10)
drums (drum set):
Lloyd Davis (drums, jazz) (in 1953-10)
piano:
Dave Brubeck (in 1953-10)
recorded at:
The Blackhawk in San Francisco, California, United States
live instrumental recording of:
The Trolley Song (“‘Clang, Clang, Clang,’ Went the Trolley…”) (in 1953-10)
lyricist:
Ralph Blane
composer:
Hugh Martin
publisher:
EMI Feist Catalog Inc., EMI United Partnership Ltd. and United Partnership Ltd.
part of:
The 17th Academy Award for Best Original Song (number: 2)
part of:
Meet Me in St. Louis (1944 film)
Dave Brubeck Quartet Featuring Paul Desmond2:15
9The Trolley Song
alto saxophone:
Paul Desmond (in 1953)
double bass:
Bill Ruther (in 1953)
drums (drum set):
Lloyd Davis (drums, jazz) (in 1953)
piano:
Dave Brubeck (in 1953)
recorded at:
The Blackhawk in San Francisco, California, United States
live instrumental recording of:
The Trolley Song (“‘Clang, Clang, Clang,’ Went the Trolley…”) (in 1953)
lyricist:
Ralph Blane
composer:
Hugh Martin
publisher:
EMI Feist Catalog Inc., EMI United Partnership Ltd. and United Partnership Ltd.
part of:
The 17th Academy Award for Best Original Song (number: 2)
part of:
Meet Me in St. Louis (1944 film)
Dave Brubeck Quartet Featuring Paul Desmond3:23
10I May Be Wrong
alto saxophone:
Paul Desmond (in 1952-09)
double bass:
Bill Ruther (in 1952-09)
drums (drum set):
Lloyd Davis (drums, jazz) (in 1952-09)
piano:
Dave Brubeck (in 1952-09)
recorded at:
The Blackhawk in San Francisco, California, United States
live instrumental recording of:
I May Be Wrong (but I Think You’re Wonderful) (in 1952-09)
lyricist:
Harry Ruskin
composer:
Henry Sullivan
Dave Brubeck Quartet Featuring Paul Desmond2:52
11Blue Moon
alto saxophone:
Paul Desmond (in 1953-02)
double bass:
Ron Crotty (in 1953-02)
drums (drum set):
Lloyd Davis (drums, jazz) (in 1953-02)
piano:
Dave Brubeck (in 1953-02)
recorded at:
The Blackhawk in San Francisco, California, United States
live instrumental recording of:
Blue Moon (in 1953-02)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
Dave Brubeck Quartet Featuring Paul Desmond8:16
12My Heart Stood Still
alto saxophone:
Paul Desmond (in 1953-10)
double bass:
Ron Crotty (in 1953-10)
drums (drum set):
Lloyd Davis (drums, jazz) (in 1953-10)
piano:
Dave Brubeck (in 1953-10)
recorded at:
The Blackhawk in San Francisco, California, United States
live instrumental recording of:
My Heart Stood Still (in 1953-10)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
One Dam Thing After Another
Dave Brubeck Quartet Featuring Paul Desmond3:25
13Let's Fall in Love
alto saxophone:
Paul Desmond (in 1953-02)
double bass:
Ron Crotty (in 1953-02)
drums (drum set):
Lloyd Davis (drums, jazz) (in 1953-02)
piano:
Dave Brubeck (in 1953-02)
recorded at:
The Blackhawk in San Francisco, California, United States
live instrumental recording of:
Let’s Fall in Love (in 1953-02)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Francis, Day & Hunter Ltd.
Dave Brubeck Quartet Featuring Paul Desmond7:21
▼ CD 8: Jazz Goes to College (1954)
#TitleArtistRatingLength
1Balcony Rock
producer:
George Avakian (US 1940-90s record producer)
alto saxophone:
Paul Desmond (in 1954-05)
double bass:
Bob Bates (in 1954-05)
drums (drum set):
Joe Dodge (in 1954-05)
piano:
Dave Brubeck (in 1954-05)
recorded at:
University of Michigan in Ann Arbor, Michigan, United States (in 1954-05)
live recording of:
Balcony Rock (in 1954-05)
composer:
Dave Brubeck and Paul Desmond
The Dave Brubeck Quartet11:55
2Out of Nowhere
producer:
George Avakian (US 1940-90s record producer)
alto saxophone:
Paul Desmond (in 1954-05)
double bass:
Bob Bates (in 1954-05)
drums (drum set):
Joe Dodge (in 1954-05)
piano:
Dave Brubeck (in 1954-05)
recorded at:
University of Cincinnati in Cincinnati, Ohio, United States (in 1954-05)
live instrumental cover recording of:
Out of Nowhere (in 1954-05)
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
The Dave Brubeck Quartet8:04
3Le Souk
producer:
George Avakian (US 1940-90s record producer)
alto saxophone:
Paul Desmond (in 1954-05)
double bass:
Bob Bates (in 1954-05)
drums (drum set):
Joe Dodge (in 1954-05)
piano:
Dave Brubeck (in 1954-05)
recorded at:
Oberlin College in Oberlin, Ohio, United States (in 1954-05)
live recording of:
Le Souk (in 1954-05)
composer:
Dave Brubeck and Paul Desmond
The Dave Brubeck Quartet4:36
4Take the 'A' Train
producer:
George Avakian (US 1940-90s record producer)
alto saxophone:
Paul Desmond (in 1954-05)
double bass:
Bob Bates (in 1954-05)
drums (drum set):
Joe Dodge (in 1954-05)
piano:
Dave Brubeck (in 1954-05)
recorded at:
University of Michigan in Ann Arbor, Michigan, United States (in 1954-05)
live recording of:
Take the “A” Train (original instrumental version) (in 1954-04)
composer:
Billy Strayhorn
part of:
The Real Book (compilation of jazz standards, Volume I)
live cover recording of:
Take the “A” Train (original instrumental version) (in 1954-05)
composer:
Billy Strayhorn
part of:
The Real Book (compilation of jazz standards, Volume I)
instrumental recording of:
Take the “A” Train (version with lyrics by Sherrill)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
The Dave Brubeck Quartet6:11
5The Song Is You
producer:
George Avakian (US 1940-90s record producer)
alto saxophone:
Paul Desmond (in 1954-05)
double bass:
Bob Bates (in 1954-05)
drums (drum set):
Joe Dodge (in 1954-05)
piano:
Dave Brubeck (in 1954-05)
recorded at:
University of Michigan in Ann Arbor, Michigan, United States (in 1954-05)
live instrumental cover recording of:
The Song Is You (in 1954-05)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co.
The Dave Brubeck Quartet5:38
6Don't Worry 'Bout Me
producer:
George Avakian (US 1940-90s record producer)
alto saxophone:
Paul Desmond (in 1954-05)
double bass:
Bob Bates (in 1954-05)
drums (drum set):
Joe Dodge (in 1954-05)
piano:
Dave Brubeck (in 1954-05)
recorded at:
University of Michigan in Ann Arbor, Michigan, United States (in 1954-05)
live instrumental cover recording of:
Don’t Worry ’Bout Me (in 1954-05)
lyricist:
Ted Koehler (in 1939)
writer:
Rube Bloom (American songwriter, pianist and vocalist) and Ted Koehler
composer:
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Cinephonic Music Co., Ltd. and Redwood Music Ltd. (Carlin)
The Dave Brubeck Quartet8:47
7I Want to Be Happy
producer:
George Avakian (US 1940-90s record producer)
alto saxophone:
Paul Desmond (in 1954-05)
double bass:
Bob Bates (in 1954-05)
drums (drum set):
Joe Dodge (in 1954-05)
piano:
Dave Brubeck (in 1954-05)
recorded at:
University of Michigan in Ann Arbor, Michigan, United States (in 1954-05)
live instrumental cover recording of:
I Want to Be Happy (No, No, Nanette) (in 1954-05)
lyricist:
Irving Caesar and Otto Harbach
composer:
Vincent Youmans
part of:
No, No, Nanette
The Dave Brubeck Quartet6:36
▶ CD 9: Dave Brubeck and Jay & Kai at Newport (1956)
▶ CD 10: Tonight Only! (1961)