Essential Recordings 1956–62

~ Release by Aretha Franklin (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1Right Now
bass:
Bill Lee (bassist, composer, father of Spike Lee) (on 1960-08-01)
drums (drum set):
James Osie Johnson (on 1960-08-01)
guitar:
Skeeter Best (on 1960-08-01)
trombone:
Tyree Glenn (on 1960-08-01)
recording of:
Right Now (on 1960-08-01)
writer:
J. Leslie McFarland (composer)
2:26
2Today I Sing the Blues
recorded in:
New York, New York, United States (on 1960-08-01)
producer:
John Hammond (producer)
bass:
Bill Lee (bassist, composer, father of Spike Lee) (on 1960-08-01)
drums (drum set):
Osie Johnson (on 1960-08-01)
guitar:
Lord Westbrook (on 1960-08-01)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1960-08-01)
trombone:
Tyree Glenn (on 1960-08-01)
arranger:
Curtis Lewis (US songwriter)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1961)
cover recording of:
Today I Sing the Blues (on 1960-08-01)
writer:
Curley Hamner
composer:
Curtis Lewis (US songwriter)
publisher:
Bess Music and BMG Music Publishing Ltd.
2:46
3Love Is the Only Thing
bass:
Bill Lee (bassist, composer, father of Spike Lee) (on 1960-08-01)
drums (drum set):
Osie Johnson (on 1960-08-01)
guitar:
Lord Westbrook (on 1960-08-01)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1960-08-01)
trombone:
Tyree Glenn (on 1960-08-01)
recording of:
Love Is the Only Thing (on 1960-08-01)
lyricist and composer:
J. Leslie McFarland (composer)
2:43
4Over the Rainbow
bass:
Bill Lee (bassist, composer, father of Spike Lee) (on 1960-08-01)
drums (drum set):
Osie Johnson (on 1960-08-01)
guitar:
Lord Westbrook (on 1960-08-01)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1960-08-01)
trombone:
Tyree Glenn (on 1960-08-01)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1961)
cover recording of:
Over the Rainbow (The Wizard of Oz) (on 1960-08-01)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
2:41
5(Blue) By Myself
producer:
John Hammond (producer)
bass:
Bill Lee (bassist, composer, father of Spike Lee)
drums (drum set):
Sticks Evans
guitar:
Lord Westbrook
piano:
Ray Bryant (US jazz pianist, composer, and arranger)
tenor saxophone:
Al Sears
trombone:
Quentin Jackson
arranger:
J. Leslie McFarland (composer)
recording of:
(Blue) By Myself (on 1960-11-17)
writer:
Joe Bailey (US double bassist and songwriter) and J. Leslie McFarland (composer)
2:41
6Won’t Be Long
recorded in:
New York, New York, United States (on 1960-11-29)
producer:
John Hammond (producer)
mixer:
Leo Sacks and Mark Wilder (US recording/mastering engineer)
bass:
Bill Lee (bassist, composer, father of Spike Lee) (on 1960-11-29)
drums (drum set):
Belton Evans (on 1960-11-29)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1960-11-29) and Aretha Franklin (on 1960-11-29)
arranger:
Curtis Lewis (US songwriter)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1961)
recording of:
Won’t Be Long (on 1960-11-29)
lyricist and composer:
J. Leslie McFarland (composer)
publisher:
World Song Publishing Inc.
cover recording of:
Won’t Be Long (on 1960-11-29)
lyricist and composer:
J. Leslie McFarland (composer)
publisher:
World Song Publishing Inc.
3:12
7All Night Long
recorded in:
New York, New York, United States (on 1960-11-17)
producer:
John Hammond (producer)
bass:
Bill Lee (bassist, composer, father of Spike Lee) (on 1960-11-17)
drums (drum set):
Sticks Evans (on 1960-11-17)
guitar:
Lord Westbrook (on 1960-11-17)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1960-11-17)
tenor saxophone:
Al Sears (on 1960-11-17)
trombone:
Quentin Jackson (on 1960-11-17)
arranger:
J. Leslie McFarland (composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
recording of:
All Night Long (on 1960-11-17)
writer:
Curtis Reginald Lewis (US songwriter)
publisher:
EMI Music Publishing (do not use as a release label!), Six Continents Music Publishing and Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
33:00
8It Ain’t Necessarily So
producer:
John Hammond (producer)
bass:
Bill Lee (bassist, composer, father of Spike Lee) (on 1960-12-19)
drums (drum set):
Belton Evans (on 1960-12-19)
guitar:
Lord Westbrook (on 1960-12-19)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1960-12-19)
tenor saxophone:
Warren Luckey (on 1960-12-19)
vocals:
Aretha Franklin (on 1960-12-19)
arranger:
J. Leslie McFarland (composer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1961)
cover recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (on 1960-12-19)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
42:56
9Sweet Lover
recording of:
Sweet Lover
writer:
J. Leslie McFarland (composer) and Sid Wyche
3:25
10Who Needs You?
producer:
John Hammond (producer)
bass:
Milt Hinton (on 1961-01-10)
drums (drum set):
Sticks Evans (on 1961-01-10)
guitar:
Lord Westbrook (on 1961-01-10)
piano:
Aretha Franklin (on 1961-01-10)
tenor saxophone:
Al Sears (on 1961-01-10)
arranger:
J. Leslie McFarland (composer)
recording of:
Who Needs You? (on 1961-01-10)
writer:
Jeanne Burns and Billie Holiday
2:49
11Are You Sure?
producer:
John Hammond (producer)
bass:
Milt Hinton (on 1961-01-10)
drums (drum set):
Sticks Evans (on 1961-01-10)
guitar:
Lord Westbrook (on 1961-01-10)
piano:
Aretha Franklin (on 1961-01-10)
tenor saxophone:
Al Sears (on 1961-01-10)
arranger:
J. Leslie McFarland (composer)
cover recording of:
Are You Sure (on 1961-01-10)
lyricist and composer:
Meredith Willson
2:44
12Maybe I’m a Fool
recorded in:
New York, New York, United States (on 1961-01-10)
producer:
John Hammond (producer)
bass:
Milt Hinton (on 1961-01-10)
drums (drum set):
Sticks Evans (on 1961-01-10)
guitar:
Lord Westbrook (on 1961-01-10)
piano:
Aretha Franklin (on 1961-01-10)
tenor saxophone:
Al Sears (on 1961-01-10)
arranger:
J. Leslie McFarland (composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1961)
recording of:
Maybe I’m a Fool (on 1961-01-10)
writer:
J. Leslie McFarland (composer)
publisher:
Chappell & Co.
33:20
13Kissin’ by the Mistletoe
producer:
Al Kasha (composer, songwriter and arranger)
recording of:
Kissin’ by the Mistletoe (on 1961-07-11)
lyricist and composer:
J. Leslie McFarland (composer)
2:22
14When They Ask About You
producer:
Al Kasha (composer, songwriter and arranger)
cover recording of:
When They Ask About You (on 1961-07-11)
lyricist and composer:
Sam H. Stept
3:00
15I Surrender, Dear
producer:
Al Kasha (composer, songwriter and arranger)
bass:
Russ Savakus (on 1961-08-16)
guitar:
Bucky Pizzarelli (on 1961-08-16)
piano:
Aretha Franklin (on 1961-08-16) and Ernest Hayes (American pianist, organist and arranger) (on 1961-08-16)
saxophone:
C. Massey (on 1961-08-16)
trombone:
Robert Ascher (on 1961-08-16)
violin:
Bernard Eichenbaum (on 1961-08-16), Harry Lookovsky (on 1961-08-16), Harry Katzman (on 1961-08-16), Charles Libove (on 1961-08-16) and George Ockner (on 1961-08-16)
background vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1961-08-16)
conductor:
Richard Wess (on 1961-08-16)
arranger:
Richard Wess
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1962)
recorded at:
Columbia Studios in New York, New York, United States (on 1961-08-16)
cover recording of:
I Surrender Dear (on 1961-08-16)
lyricist:
Gordon Clifford (in 1931)
composer:
Harry Barris (in 1931)
publisher:
Mills Music, Inc.
42:48
16Rock‐A‐Bye Your Baby With a Dixie Melody
producer:
Al Kasha (composer, songwriter and arranger)
bass:
Russ Savakus (on 1961-08-16)
drums (drum set):
Gary Chester (studio drummer and educator) (on 1961-08-16)
guitar:
Bucky Pizzarelli (on 1961-08-16)
piano:
Aretha Franklin (on 1961-08-16) and Ernest Hayes (American pianist, organist and arranger) (on 1961-08-16)
saxophone:
C. Massey (on 1961-08-16)
trombone:
Robert Ascher (on 1961-08-16)
violin:
Bernard Eichenbaum (on 1961-08-16), Harry Lookovsky (on 1961-08-16), Harry Katzman (on 1961-08-16), Charles Libove (on 1961-08-16) and George Ockner (on 1961-08-16)
background vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1961-08-16)
conductor:
Richard Wess (on 1961-08-16)
arranger:
Richard Wess
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
recorded at:
Columbia Studios in New York, New York, United States (on 1961-08-16)
cover recording of:
Rock-a-Bye Your Baby With a Dixie Melody (on 1961-08-16)
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Jean Schwartz
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Redwood Music Ltd. (Carlin)
42:26
17Operation Heartbreak
producer:
Al Kasha (composer, songwriter and arranger)
bass:
Russ Savakus (on 1961-08-16)
drums (drum set):
Gary Chester (studio drummer and educator) (on 1961-08-16)
guitar:
Bucky Pizzarelli (on 1961-08-16)
piano:
Aretha Franklin (on 1961-08-16) and Ernest Hayes (American pianist, organist and arranger) (on 1961-08-16)
saxophone:
C. Massey (on 1961-08-16)
trombone:
Robert Ascher (on 1961-08-16)
violin:
Bernard Eichenbaum (on 1961-08-16), Harry Lookovsky (on 1961-08-16), Harry Katzman (on 1961-08-16), Charles Libove (on 1961-08-16) and George Ockner (on 1961-08-16)
background vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1961-08-16)
conductor:
Richard Wess (on 1961-08-16)
arranger:
Richard Wess
recorded at:
Columbia Studios in New York, New York, United States (on 1961-08-16)
recording of:
Operation Heartbreak (on 1961-08-16)
writer:
Al Kasha (composer, songwriter and arranger), Alan Thomas (songwriter for Aretha Franklin) and Curtis Williams (1950s doo-wop singer, member of The Penguins)
publisher:
EMI Blackwood Music Inc.
3:00
2▼CD
#TitleRatingLength
1I Told You So
bass:
Bill Lee (bassist, composer, father of Spike Lee) (on 1961-11-07)
drums (drum set):
Teddy Somer (on 1961-11-07)
guitar:
Don Armone (on 1961-11-07) and Bucky Pizzarelli (on 1961-11-07)
piano:
Mo Wechsler (on 1961-11-07)
saxophone:
James Richardson (on 1961-11-07), Toots Mondello (on 1961-11-07), Romero Penque (on 1961-11-07) and Stanley Webb (on 1961-11-07)
trombone:
Robert Alexander (trombone) (on 1961-11-07), Morty Bowman (on 1961-11-07), Jimmy Cleveland (US jazz trombonist) (on 1961-11-07) and Urbie Green (on 1961-11-07)
trumpet:
Bernie Glow (on 1961-11-07), Jimmy Nottingham (on 1961-11-07), Bernie Privin (on 1961-11-07) and Joe Wilder (on 1961-11-07)
conductor:
Richard Wess (on 1961-11-07)
arranger:
Richard Wess
recorded at:
Columbia Studios in New York, New York, United States (on 1961-11-07)
recording of:
I Told You So (on 1961-11-07)
writer:
J. Leslie McFarland (composer)
42:45
2Rough Lover
bass:
Bill Lee (bassist, composer, father of Spike Lee) (on 1961-11-07)
drums (drum set):
Teddy Somer (on 1961-11-07)
guitar:
Don Armone (on 1961-11-07) and Bucky Pizzarelli (on 1961-11-07)
piano:
Aretha Franklin (on 1961-11-07) and Mo Wechsler (on 1961-11-07)
saxophone:
James Richardson (on 1961-11-07), Toots Mondello (on 1961-11-07), Romero Penque (on 1961-11-07) and Stanley Webb (on 1961-11-07)
trombone:
Robert Alexander (trombone) (on 1961-11-07), Morty Bowman (on 1961-11-07), Jimmy Cleveland (US jazz trombonist) (on 1961-11-07) and Urbie Green (on 1961-11-07)
trumpet:
Bernie Glow (on 1961-11-07), Jimmy Nottingham (on 1961-11-07), Bernie Privin (on 1961-11-07) and Joe Wilder (on 1961-11-07)
conductor:
Richard Wess (on 1961-11-07)
arranger:
Richard Wess
recorded at:
Columbia Studios in New York, New York, United States (on 1961-11-07)
recording of:
Rough Lover (on 1961-11-07)
writer:
J. Leslie McFarland (composer)
42:49
3It’s So Heartbreakin’
bass:
Bill Lee (bassist, composer, father of Spike Lee) (on 1961-11-07)
drums (drum set):
Teddy Somer (on 1961-11-07)
guitar:
Don Armone (on 1961-11-07) and Bucky Pizzarelli (on 1961-11-07)
piano:
Aretha Franklin (on 1961-11-07) and Mo Wechsler (on 1961-11-07)
saxophone:
James Richardson (on 1961-11-07), Toots Mondello (on 1961-11-07), Romero Penque (on 1961-11-07) and Stanley Webb (on 1961-11-07)
trombone:
Robert Alexander (trombone) (on 1961-11-07), Morty Bowman (on 1961-11-07), Jimmy Cleveland (US jazz trombonist) (on 1961-11-07) and Urbie Green (on 1961-11-07)
trumpet:
Bernie Glow (on 1961-11-07), Jimmy Nottingham (on 1961-11-07), Bernie Privin (on 1961-11-07) and Joe Wilder (on 1961-11-07)
conductor:
Richard Wess (on 1961-11-07)
arranger:
Richard Wess
recorded at:
Columbia Studios in New York, New York, United States (on 1961-11-07)
recording of:
It’s So Heartbreakin’ (on 1961-11-07)
writer:
J. Leslie McFarland (composer)
42:42
4Hard Times
producer:
John Hammond (producer)
bass:
Bill Lee (bassist, composer, father of Spike Lee) (on 1961-11-07)
drums (drum set):
Teddy Somer (on 1961-11-07)
guitar:
Don Armone (on 1961-11-07) and Bucky Pizzarelli (on 1961-11-07)
piano:
Aretha Franklin (on 1961-11-07) and Mo Wechsler (on 1961-11-07)
saxophone:
James Richardson (on 1961-11-07), Toots Mondello (on 1961-11-07), Romero Penque (on 1961-11-07) and Stanley Webb (on 1961-11-07)
trombone:
Robert Alexander (trombone) (on 1961-11-07), Morty Bowman (on 1961-11-07), Jimmy Cleveland (US jazz trombonist) (on 1961-11-07) and Urbie Green (on 1961-11-07)
trumpet:
Bernie Glow (on 1961-11-07), Jimmy Nottingham (on 1961-11-07), Bernie Privin (on 1961-11-07) and Joe Wilder (on 1961-11-07)
conductor:
Richard Wess (on 1961-11-07)
arranger:
Richard Wess
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2002)
recorded at:
Columbia Studios in New York, New York, United States (on 1961-11-07)
cover recording of:
Hard Times (Nobody Knows Better Than I) (on 1961-11-07)
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Unichappell Music, Inc.
3:08
5You Made Me Love You
bass:
Jimmy Rowser (on 1961-12-21)
cello:
George Koutzen (on 1961-12-21) and Peter Makas (on 1961-12-21)
drums (drum set):
Teddy Sommer (on 1961-12-21)
guitar:
Mundell Lowe (on 1961-12-21)
piano:
Tommy Flanagan (on 1961-12-21) and Aretha Franklin (on 1961-12-21)
saxophone:
Phil Bodner (Woodwind player) (on 1961-12-21)
trumpet:
Joe Wilder (on 1961-12-21)
viola:
Leon Frengut (on 1961-12-21) and Harold Furmansky (on 1961-12-21)
violin:
Tony Bambino (on 1961-12-21), Hinda Barnett (on 1961-12-21), Arnold Eidus (on 1961-12-21), Harry Katzman (on 1961-12-21), Gene Orloff (on 1961-12-21) and Julius Schachter (on 1961-12-21)
conductor:
Richard Wess (on 1961-12-21)
arranger:
Richard Wess
recorded at:
Columbia Studios in New York, New York, United States (on 1961-12-21)
cover recording of:
You Made Me Love You (I Didn’t Want to Do It) (on 1961-12-21)
lyricist:
Joseph McCarthy (lyricist, 1885–1943)
composer:
James V. Monaco
publisher:
Broadway Music Corp.
part of:
Irene (the musical)
32:20
6Just for You
bass:
Jimmy Rowser (on 1961-12-21)
cello:
George Koutzen (on 1961-12-21) and Peter Makas (on 1961-12-21)
drums (drum set):
Teddy Sommer (on 1961-12-21)
guitar:
Mundell Lowe (on 1961-12-21)
piano:
Tommy Flanagan (on 1961-12-21)
saxophone:
Phil Bodner (Woodwind player) (on 1961-12-21)
trumpet:
Joe Wilder (on 1961-12-21)
viola:
Leon Frengut (on 1961-12-21) and Harold Furmansky (on 1961-12-21)
violin:
Tony Bambino (on 1961-12-21), Hinda Barnett (on 1961-12-21), Arnold Eidus (on 1961-12-21), Harry Katzman (on 1961-12-21), Gene Orloff (on 1961-12-21) and Julius Schachter (on 1961-12-21)
conductor:
Richard Wess (on 1961-12-21)
arranger:
Richard Wess
recorded at:
Columbia Studios in New York, New York, United States (on 1961-12-21)
recording of:
Just for You (on 1961-12-21)
writer:
J. Bailey and J. Leslie McFarland (composer)
52:22
7Blue Holiday
producer:
John Hammond (producer)
bass:
Larry Gales (on 1962-01-25)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1962-01-25)
guitar:
Mundell Lowe (on 1962-01-25)
piano:
Aretha Franklin (on 1962-01-25) and Wynton Kelly (on 1962-01-25)
saxophone:
Jerry Dodgion (on 1962-01-25) and Oliver Nelson (saxophone, arranger, composer) (on 1962-01-25)
trombone:
Al Grey (trombone) (on 1962-01-25)
trumpet:
Joe Newman (US jazz trumpeter) (on 1962-01-25)
conductor:
Richard Wess (on 1962-01-25)
arranger:
Richard Wess
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1962)
recorded at:
Columbia Studios in New York, New York, United States (on 1962-01-25)
cover recording of:
Blue Holiday (on 1962-01-25)
writer:
Willie Denson and Luther Dixon
publisher:
EMI Longitude Music and Kilynn Music Publishing, Inc.
4.52:55
8That Lucky Old Sun
bass:
Jimmy Rowser (on 1961-12-21)
cello:
George Koutzen (on 1961-12-21) and Peter Makas (on 1961-12-21)
drums (drum set):
Teddy Sommer (on 1961-12-21)
guitar:
Mundell Lowe (on 1961-12-21)
piano:
Tommy Flanagan (on 1961-12-21)
saxophone:
Phil Bodner (Woodwind player) (on 1961-12-21)
trumpet:
Joe Wilder (on 1961-12-21)
viola:
Leon Frengut (on 1961-12-21) and Harold Furmansky (on 1961-12-21)
violin:
Tony Bambino (on 1961-12-21), Hinda Barnett (on 1961-12-21), Arnold Eidus (on 1961-12-21), Harry Katzman (on 1961-12-21), Gene Orloff (on 1961-12-21) and Julius Schachter (on 1961-12-21)
conductor:
Richard Wess (on 1961-12-21)
arranger:
Richard Wess
recorded at:
Columbia Studios in New York, New York, United States (on 1961-12-21)
cover recording of:
That Lucky Old Sun (on 1961-12-21)
lyricist:
Haven Gillespie (in 1949)
composer:
Beasley Smith (in 1949)
publisher:
Beasley Smith Music, Haven Gillespie Music Publishing Co. and Robbins Music Corp.
33:21
9AC‐Cent‐Tchu‐Ate the Positive
producer:
John Hammond (producer)
bass:
Larry Gales (on 1962-01-25)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1962-01-25)
guitar:
Mundell Lowe (on 1962-01-25)
piano:
Aretha Franklin (on 1962-01-25) and Wynton Kelly (on 1962-01-25)
saxophone:
Jerry Dodgion (on 1962-01-25) and Oliver Nelson (saxophone, arranger, composer) (on 1962-01-25)
trombone:
Al Grey (trombone) (on 1962-01-25)
trumpet:
Joe Newman (US jazz trumpeter) (on 1962-01-25)
conductor:
Richard Wess (on 1962-01-25)
arranger:
Richard Wess
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1962)
recorded at:
Columbia Studios in New York, New York, United States (on 1962-01-25)
cover recording of:
Ac‐cent‐tchu‐ate the Positive (on 1962-01-25)
lyricist:
Johnny Mercer (in 1944)
composer:
Harold Arlen (in 1944)
publisher:
Harwin Music Corporation, Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The 18th Academy Award for Best Original Song (number: 2)
52:18
10Exactly Like You
bass:
Larry Gales (on 1962-01-25)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1962-01-25)
guitar:
Mundell Lowe (on 1962-01-25)
piano:
Aretha Franklin (on 1962-01-25) and Wynton Kelly (on 1962-01-25)
saxophone:
Jerry Dodgion (on 1962-01-25) and Oliver Nelson (saxophone, arranger, composer) (on 1962-01-25)
trombone:
Al Grey (trombone) (on 1962-01-25)
trumpet:
Joe Newman (US jazz trumpeter) (on 1962-01-25)
conductor:
Richard Wess (on 1962-01-25)
arranger:
Richard Wess
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1962)
recorded at:
Columbia Studios in New York, New York, United States (on 1962-01-25)
cover recording of:
Exactly Like You (on 1962-01-25)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1930)
writer:
Fritz Löhner-Beda (librettist, lyricist, writer)
composer:
Jimmy McHugh (songwriter) (in 1930)
42:38
11Nobody Like You
producer:
John Hammond (producer)
bass:
Larry Gales (on 1962-01-25)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1962-01-25)
guitar:
Mundell Lowe (on 1962-01-25)
piano:
Aretha Franklin (on 1962-01-25) and Wynton Kelly (on 1962-01-25)
saxophone:
Jerry Dodgion (on 1962-01-25) and Oliver Nelson (saxophone, arranger, composer) (on 1962-01-25)
trombone:
Al Grey (trombone) (on 1962-01-25)
trumpet:
Joe Newman (US jazz trumpeter) (on 1962-01-25)
conductor:
Richard Wess (on 1962-01-25)
arranger:
Richard Wess
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1962)
recorded at:
Columbia Studios in New York, New York, United States (on 1962-01-25)
recording of:
Nobody Like You (on 1962-01-25)
writer:
Rev. James Cleveland
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
42:24
12Try a Little Tenderness
recorded in:
New York, New York, United States (on 1962-04-27)
producer:
Robert Mersey
conductor:
Robert Mersey (on 1962-04-27)
arranger:
Robert Mersey
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1962) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1962)
cover recording of:
Try a Little Tenderness (on 1962-04-27)
lyricist:
James Campbell (British songwriter and music publisher) and Reginald Connelly
composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Warner Chappell and Campbell Connelly & Co. Ltd. (on 1932-11-04)
43:19
13I Apologize
producer:
Robert Mersey
conductor:
Robert Mersey
arranger:
Robert Mersey
cover recording of:
I Apologize (on 1962-04-27)
writer:
Ed G. Nelson (Popular music songwriter and bandleader), Al Goodhart and Al Hoffman
publisher:
Crawford Music Corp. and DeSylva, Brown and Henderson, Inc.
2:56
14Without the One You Love
recorded in:
New York, New York, United States (on 1962-04-27)
producer:
Robert Mersey
piano:
Aretha Franklin
conductor:
Robert Mersey
arranger:
Robert Mersey
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1962)
recording of:
Without the One You Love (on 1962-04-27)
writer:
Aretha Franklin
publisher:
Chappell & Co.
cover recording of:
Without the One You Love
writer:
Aretha Franklin
publisher:
Chappell & Co.
2:51
15Don’t Cry, Baby
recorded in:
New York, New York, United States (on 1964-04-27)
producer:
Robert Mersey
conductor:
Robert Mersey
arranger:
Robert Mersey
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1962)
cover recording of:
Don’t Cry Baby (on 1962-04-27)
writer:
Saul Bernie, James P. Johnson and Stella Unger
publisher:
Advanced Music corp. and Warner Bros. Music (publisher; do NOT use as release label)
3:25
16I’m Wandering
producer:
Robert Mersey
conductor:
Robert Mersey
arranger:
Robert Mersey
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1962)
cover recording of:
I’m Wandering (on 1962-05-04)
writer:
Tyran Carlo and Berry Gordy
publisher:
Merrimac Music Corp.
3:30
17I Don’t Know You Anymore
producer:
Robert Mersey
conductor:
Robert Mersey
arranger:
Robert Mersey
cover recording of:
I Don’t Know You Anymore (on 1962-05-04)
lyricist:
Peter Udell
composer:
Gary Geld
2:52
3▼CD
#TitleRatingLength
1Lover Come Back to Me
producer:
Robert Mersey
conductor:
Robert Mersey
arranger:
Robert Mersey
cover recording of:
Lover, Come Back to Me (from "The New Moon") (on 1962-05-04)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
2:36
2How Deep Is the Ocean
cover recording of:
How Deep Is the Ocean?
lyricist and composer:
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. and Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
2:51
3I’m Sitting on Top of the World
producer:
Robert Mersey
conductor:
Robert Mersey
arranger:
Robert Mersey
cover recording of:
I’m Sitting on Top of the World (First line: “Don’t want any millions, I’m getting my share…”) (on 1962-05-05)
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Ray Henderson
publisher:
EMI Music Publishing (do not use as a release label!) and Leo Feist, Inc.
2:45
4Look for the Silver Lining
recorded in:
New York, New York, United States (on 1962-05-05)
producer:
Robert Mersey
conductor:
Robert Mersey
arranger:
Robert Mersey
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1962) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1962)
cover recording of:
Look for the Silver Lining (on 1962-05-05)
lyricist:
Buddy DeSylva
composer:
Jerome Kern
publisher:
Chappell & Co. and T.B. Harms Co.
part of:
Sally (1920 musical)
3:07
5Trouble in Mind
cover recording of:
Trouble in Mind (on 1962-05-11)
lyricist and composer:
Richard M. Jones (US jazz pianist)
publisher:
State Street Music Publ. Co. Inc., Universal Studios, Inc. (formerly known as MCA Inc.) and Universal‐MCA Music Publishing (US)
2:16
6Just for a Thrill
producer:
Robert Mersey
conductor:
Robert Mersey
arranger:
Robert Mersey
cover recording of:
Just for a Thrill (on 1962-05-11)
lyricist:
Don Raye
composer:
Lil Hardin Armstrong
arranger:
Vance Thompson
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and Universal Music Corp. (USA, affiliated with ASCAP)
2:35
7God Bless the Child
recorded in:
New York, New York, United States (on 1962-05-11)
producer:
Robert Mersey
conductor:
Robert Mersey (on 1962-05-11)
arranger:
Robert Mersey
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1962)
cover recording of:
God Bless the Child (on 1962-05-11)
lyricist:
Billie Holiday
composer:
Arthur Herzog, Jr.
publisher:
Basart Editions (ended) and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
43:05
8I Surrender, Dear [Mono]
cover recording of:
I Surrender Dear
lyricist:
Gordon Clifford (in 1931)
composer:
Harry Barris (in 1931)
publisher:
Mills Music, Inc.
2:48
9There Is a Fountain Filled With Blood
producer:
Joe Von Battle
recorded at:
New Bethel Baptist Church in Detroit, Michigan, United States (in 1956)
live cover recording of:
There Is a Fountain Filled With Blood (in 1956)
lyricist:
William Cowper (English poet)
composer:
Lowell Mason
4:29
10Precious Lord (Part 1)
producer:
Joe Von Battle
recorded at:
New Bethel Baptist Church in Detroit, Michigan, United States (in 1956)
live partial cover recording of:
Take My Hand, Precious Lord (in 1956)
lyricist and arranger:
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”)
additional composer:
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”)
composer:
[traditional] (special purpose artist)
previously attributed to:
George Nelson Allen (American composer from the 1800s)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3:23
11Precious Lord (Part 2)
producer:
Joe Von Battle
recorded at:
New Bethel Baptist Church in Detroit, Michigan, United States (in 1956)
live partial cover recording of:
Take My Hand, Precious Lord (in 1956)
lyricist and arranger:
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”)
additional composer:
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”)
composer:
[traditional] (special purpose artist)
previously attributed to:
George Nelson Allen (American composer from the 1800s)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
2:53
12You Grow Closer
producer:
Joe Von Battle
recorded at:
New Bethel Baptist Church in Detroit, Michigan, United States (in 1956)
live cover recording of:
You Grow Closer (in 1956)
writer:
Joe B. Junior
2:44
13Never Grow Old
producer:
Joe Von Battle
recorded at:
New Bethel Baptist Church in Detroit, Michigan, United States (in 1956)
live recording of:
Never Grow Old (in 1956)
writer:
[traditional] (special purpose artist)
2:57
14The Day Is Past and Gone
producer:
Joe Von Battle
recorded at:
New Bethel Baptist Church in Detroit, Michigan, United States (in 1956)
live cover recording of:
The Day Is Past and Gone (in 1956)
writer:
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”), Joe B. Junior and Isaac Watts (hymn writer)
24:58
15He Will Wash You White as Snow
producer:
Joe Von Battle
recorded at:
New Bethel Baptist Church in Detroit, Michigan, United States (in 1956)
live cover recording of:
He Will Wash You White As Snow (in 1956)
writer:
Joe B. Junior
4:18
16While the Blood Runs Warm
producer:
Joe Von Battle
recorded at:
New Bethel Baptist Church in Detroit, Michigan, United States (in 1956)
live cover recording of:
While the Blood Runs Warm (in 1956)
writer:
Ralph Bass and Sonny Thompson (US R&B bandleader and pianist)
3:06
17Yield Not to Temptation
producer:
Joe Von Battle
recorded at:
New Bethel Baptist Church in Detroit, Michigan, United States (in 1956)
live recording of:
Yield Not to Temptation (in 1956)
lyricist and composer:
[traditional] (special purpose artist)
2:57