Just for Kicks / Mmm Nice! / On the Rocks

~ Release by Bob Thompson, His Orchestra and Chorus (see all versions of this release, 1 available)

Tracklist

| |
▼ CD 1
#TitleRatingLength
1On the Street Where You Live
producer:
Simon Rady
bass:
Joe Mondragon (on 1958-11-03)
bass trombone:
George Roberts (american bass trombone) (on 1958-11-03)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1958-11-03)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1958-11-03)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1958-11-03)
harp:
Kathryn Julye (on 1958-11-03)
percussion:
Frank Flynn (on 1958-11-03), Ralph Hansell (on 1958-11-03), Milt Holland (on 1958-11-03) and Louis Singer (percussionist) (on 1958-11-03)
trombone:
Milt Bernhart (on 1958-11-03), Joe Howard (american trombone player) (on 1958-11-03), Ed Kusby (on 1958-11-03) and Tommy Pederson (on 1958-11-03)
trumpet:
Don Fagerquist (on 1958-11-03)
tuba:
Red Callender (on 1958-11-03)
vibraphone:
Larry Bunker (on 1958-11-03)
woodwind:
Jules Jacob (US jazz woodwind player) (on 1958-11-03)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-11-03)
recording of:
On the Street Where You Live (My Fair Lady) (on 1958-11-03)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
2:47
2All of You
producer:
Simon Rady
bass:
Joe Mondragon (on 1958-11-03)
bass trombone:
George Roberts (american bass trombone) (on 1958-11-03)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1958-11-03)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1958-11-03)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1958-11-03)
harp:
Kathryn Julye (on 1958-11-03)
percussion:
Frank Flynn (on 1958-11-03), Ralph Hansell (on 1958-11-03), Milt Holland (on 1958-11-03) and Louis Singer (percussionist) (on 1958-11-03)
trombone:
Milt Bernhart (on 1958-11-03), Joe Howard (american trombone player) (on 1958-11-03), Ed Kusby (on 1958-11-03) and Tommy Pederson (on 1958-11-03)
trumpet:
Don Fagerquist (on 1958-11-03)
tuba:
Red Callender (on 1958-11-03)
vibraphone:
Larry Bunker (on 1958-11-03)
woodwind:
Jules Jacob (US jazz woodwind player) (on 1958-11-03)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-11-03)
recording of:
All of You (Silk Stockings musical) (on 1958-11-03)
lyricist and composer:
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Chappell Music (UK)
part of:
Silk Stockings (1957 musical film)
2:21
3Bye Bye Blackbird
producer:
Simon Rady
bass:
Joe Mondragon (on 1958-11-03)
bass trombone:
George Roberts (american bass trombone) (on 1958-11-03)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1958-11-03)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1958-11-03)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1958-11-03)
harp:
Kathryn Julye (on 1958-11-03)
percussion:
Frank Flynn (on 1958-11-03), Ralph Hansell (on 1958-11-03), Milt Holland (on 1958-11-03) and Louis Singer (percussionist) (on 1958-11-03)
trombone:
Milt Bernhart (on 1958-11-03), Joe Howard (american trombone player) (on 1958-11-03), Ed Kusby (on 1958-11-03) and Tommy Pederson (on 1958-11-03)
trumpet:
Don Fagerquist (on 1958-11-03)
tuba:
Red Callender (on 1958-11-03)
vibraphone:
Larry Bunker (on 1958-11-03)
woodwind:
Jules Jacob (US jazz woodwind player) (on 1958-11-03)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-11-03)
recording of:
Bye Bye Blackbird (on 1958-11-03)
lyricist:
Mort Dixon (in 1926)
composer:
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
2:26
4Angel Eyes
producer:
Simon Rady
bass:
Joe Mondragon (on 1958-11-03)
bass trombone:
George Roberts (american bass trombone) (on 1958-11-03)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1958-11-03)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1958-11-03)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1958-11-03)
harp:
Kathryn Julye (on 1958-11-03)
percussion:
Frank Flynn (on 1958-11-03), Ralph Hansell (on 1958-11-03), Milt Holland (on 1958-11-03) and Louis Singer (percussionist) (on 1958-11-03)
trombone:
Milt Bernhart (on 1958-11-03), Joe Howard (american trombone player) (on 1958-11-03), Ed Kusby (on 1958-11-03) and Tommy Pederson (on 1958-11-03)
trumpet:
Don Fagerquist (on 1958-11-03)
tuba:
Red Callender (on 1958-11-03)
vibraphone:
Larry Bunker (on 1958-11-03)
woodwind:
Jules Jacob (US jazz woodwind player) (on 1958-11-03)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-11-03)
recording of:
Angel Eyes (1946 jazz standard) (on 1958-11-03)
lyricist:
Earl Brent (in 1946)
composer:
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music), Onyx Music Corporation and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
2:57
5Makin’ Whoopee
producer:
Simon Rady
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1958-11-10)
bass trombone:
Kenny Shroyer (trombonist) (on 1958-11-10)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1958-11-10)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1958-11-10)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1958-11-10)
harp:
Kathryn Julye (on 1958-11-10)
percussion:
Frank Flynn (on 1958-11-10), Ralph Hansell (on 1958-11-10), Milt Holland (on 1958-11-10) and Louis Singer (percussionist) (on 1958-11-10)
trombone:
Ed Kusby (on 1958-11-10), Dick Nash (on 1958-11-10), Tommy Pederson (on 1958-11-10) and Lloyd Ulyate (on 1958-11-10)
trumpet:
Pete Candoli (on 1958-11-10)
tuba:
Red Callender (on 1958-11-10)
vibraphone:
Larry Bunker (on 1958-11-10)
woodwind:
Gene Cipriano (on 1958-11-10)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-11-10)
recording of:
Makin’ Whoopee! (on 1958-11-10)
lyricist:
Gus Kahn
composer:
Walter Donaldson
translator:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. and WB Music Corp. (1929–2019)
2:39
6Diga Diga Doo
producer:
Simon Rady
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1958-11-10)
bass trombone:
Kenny Shroyer (trombonist) (on 1958-11-10)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1958-11-10)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1958-11-10)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1958-11-10)
harp:
Kathryn Julye (on 1958-11-10)
percussion:
Frank Flynn (on 1958-11-10), Ralph Hansell (on 1958-11-10), Milt Holland (on 1958-11-10) and Louis Singer (percussionist) (on 1958-11-10)
trombone:
Ed Kusby (on 1958-11-10), Dick Nash (on 1958-11-10), Tommy Pederson (on 1958-11-10) and Lloyd Ulyate (on 1958-11-10)
trumpet:
Pete Candoli (on 1958-11-10)
tuba:
Red Callender (on 1958-11-10)
vibraphone:
Larry Bunker (on 1958-11-10)
woodwind:
Gene Cipriano (on 1958-11-10)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-11-10)
recording of:
Diga Diga Doo (on 1958-11-10)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
2:44
7Look for the Silver Lining
producer:
Simon Rady
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1958-11-10)
bass trombone:
Kenny Shroyer (trombonist) (on 1958-11-10)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1958-11-10)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1958-11-10)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1958-11-10)
harp:
Kathryn Julye (on 1958-11-10)
percussion:
Frank Flynn (on 1958-11-10), Ralph Hansell (on 1958-11-10), Milt Holland (on 1958-11-10) and Louis Singer (percussionist) (on 1958-11-10)
trombone:
Ed Kusby (on 1958-11-10), Dick Nash (on 1958-11-10), Tommy Pederson (on 1958-11-10) and Lloyd Ulyate (on 1958-11-10)
trumpet:
Pete Candoli (on 1958-11-10)
tuba:
Red Callender (on 1958-11-10)
vibraphone:
Larry Bunker (on 1958-11-10)
woodwind:
Gene Cipriano (on 1958-11-10)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-11-10)
recording of:
Look for the Silver Lining (on 1958-11-10)
lyricist:
Buddy DeSylva
composer:
Jerome Kern
publisher:
Chappell & Co. and T.B. Harms Co.
part of:
Sally (1920 musical)
2:29
8It Might as Well Be Spring
producer:
Simon Rady
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1958-11-10)
bass trombone:
Kenny Shroyer (trombonist) (on 1958-11-10)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1958-11-10)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1958-11-10)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1958-11-10)
harp:
Kathryn Julye (on 1958-11-10)
percussion:
Frank Flynn (on 1958-11-10), Ralph Hansell (on 1958-11-10), Milt Holland (on 1958-11-10) and Louis Singer (percussionist) (on 1958-11-10)
trombone:
Ed Kusby (on 1958-11-10), Dick Nash (on 1958-11-10), Tommy Pederson (on 1958-11-10) and Lloyd Ulyate (on 1958-11-10)
trumpet:
Pete Candoli (on 1958-11-10)
tuba:
Red Callender (on 1958-11-10)
vibraphone:
Larry Bunker (on 1958-11-10)
woodwind:
Gene Cipriano (on 1958-11-10)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-11-10)
recording of:
It Might as Well Be Spring (State Fair) (on 1958-11-10)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (Sony Music Publishing (Japan) Incorporated, song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 18)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
2:22
9Why Do I Love You
producer:
Simon Rady
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1958-11-17)
bass trombone:
Kenny Shroyer (trombonist) (on 1958-11-17)
drums (drum set):
Frank Capp (on 1958-11-17)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1958-11-17)
percussion:
Frank Flynn (on 1958-11-17), Ralph Hansell (on 1958-11-17), Milt Holland (on 1958-11-17) and Louis Singer (percussionist) (on 1958-11-17)
trombone:
Milt Bernhart (on 1958-11-17), Nick DiMaio (on 1958-11-17), Ed Kusby (on 1958-11-17) and Dick Noel (trombone) (on 1958-11-17)
trumpet:
Don Fagerquist (on 1958-11-17), Uan Rasey (on 1958-11-17), Manny Stevens (on 1958-11-17) and Ray Triscari (on 1958-11-17)
tuba:
Red Callender (on 1958-11-17)
vibraphone:
Larry Bunker (on 1958-11-17)
woodwind:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1958-11-17)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-11-17)
recording of:
Why Do I Love You? (Show Boat) (on 1958-11-17)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
T.B. Harms Co. (in 1927)
medley of:
Selections from "Show boat"
part of:
Show Boat (1951 film)
part of:
Show Boat: Act II
2:29
10Just for Kicks
producer:
Simon Rady
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1958-11-17)
drums (drum set):
Frank Capp (on 1958-11-17)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1958-11-17)
percussion:
Ralph Hansell (on 1958-11-17), Milt Holland (on 1958-11-17) and Louis Singer (percussionist) (on 1958-11-17)
trombone:
Milt Bernhart (on 1958-11-17)
trumpet:
Don Fagerquist (on 1958-11-17) and Uan Rasey (on 1958-11-17)
vibraphone:
Larry Bunker (on 1958-11-17)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-11-17)
recording of:
Just for Kicks (on 1958-11-17)
composer:
Bob Thompson ("space age pop" composer, arranger, and orchestra leader)
2:27
11A Foggy Day
producer:
Simon Rady
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1958-11-28)
bass trombone:
George Roberts (american bass trombone) (on 1958-11-28)
drums (drum set):
Frank Capp (on 1958-11-28)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1958-11-28)
percussion:
Ralph Hansell (on 1958-11-28), Milt Holland (on 1958-11-28), Bernie Mattinson (on 1958-11-28) and Louis Singer (percussionist) (on 1958-11-28)
trombone:
Milt Bernhart (on 1958-11-28), Joe Howard (american trombone player) (on 1958-11-28), Dick Nash (on 1958-11-28) and Lloyd Ulyate (on 1958-11-28)
trumpet:
Frank Beach (trombone, trumpet) (on 1958-11-28), Don Fagerquist (on 1958-11-28), Al Porcino (on 1958-11-28) and Uan Rasey (on 1958-11-28)
tuba:
Phil Stevens (tuba) (on 1958-11-28)
vibraphone:
Larry Bunker (on 1958-11-28)
woodwind:
Ronnie Lang (on 1958-11-28)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-11-28)
recording of:
A Foggy Day (in London Town) (on 1958-11-28)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
2:15
12Peek‐A‐Boo
producer:
Simon Rady
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1958-11-28)
bass trombone:
George Roberts (american bass trombone) (on 1958-11-28)
drums (drum set):
Frank Capp (on 1958-11-28)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1958-11-28)
percussion:
Ralph Hansell (on 1958-11-28), Milt Holland (on 1958-11-28), Bernie Mattinson (on 1958-11-28) and Louis Singer (percussionist) (on 1958-11-28)
trombone:
Milt Bernhart (on 1958-11-28), Joe Howard (american trombone player) (on 1958-11-28), Dick Nash (on 1958-11-28) and Lloyd Ulyate (on 1958-11-28)
trumpet:
Frank Beach (trombone, trumpet) (on 1958-11-28), Don Fagerquist (on 1958-11-28), Al Porcino (on 1958-11-28) and Uan Rasey (on 1958-11-28)
tuba:
Phil Stevens (tuba) (on 1958-11-28)
vibraphone:
Larry Bunker (on 1958-11-28)
woodwind:
Ronnie Lang (on 1958-11-28)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-11-28)
recording of:
Peek‐A‐Boo (on 1958-11-28)
composer:
Bob Thompson ("space age pop" composer, arranger, and orchestra leader)
2:35
13It’s All Right With Me
producer:
Simon Rady
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1958-11-28)
bass trombone:
George Roberts (american bass trombone) (on 1958-11-28)
drums (drum set):
Frank Capp (on 1958-11-28)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1958-11-28)
percussion:
Ralph Hansell (on 1958-11-28), Milt Holland (on 1958-11-28), Bernie Mattinson (on 1958-11-28) and Louis Singer (percussionist) (on 1958-11-28)
trombone:
Milt Bernhart (on 1958-11-28), Joe Howard (american trombone player) (on 1958-11-28), Dick Nash (on 1958-11-28) and Lloyd Ulyate (on 1958-11-28)
trumpet:
Frank Beach (trombone, trumpet) (on 1958-11-28), Don Fagerquist (on 1958-11-28), Al Porcino (on 1958-11-28) and Uan Rasey (on 1958-11-28)
tuba:
Phil Stevens (tuba) (on 1958-11-28)
vibraphone:
Larry Bunker (on 1958-11-28)
woodwind:
Ronnie Lang (on 1958-11-28)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-11-28)
recording of:
It’s All Right with Me (Can‐Can musical) (on 1958-11-28)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
2:22
14Mad About the Boy
producer:
Simon Rady
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1958-11-28)
bass trombone:
George Roberts (american bass trombone) (on 1958-11-28)
drums (drum set):
Frank Capp (on 1958-11-28)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1958-11-28)
percussion:
Ralph Hansell (on 1958-11-28), Milt Holland (on 1958-11-28), Bernie Mattinson (on 1958-11-28) and Louis Singer (percussionist) (on 1958-11-28)
trombone:
Milt Bernhart (on 1958-11-28), Joe Howard (american trombone player) (on 1958-11-28), Dick Nash (on 1958-11-28) and Lloyd Ulyate (on 1958-11-28)
trumpet:
Frank Beach (trombone, trumpet) (on 1958-11-28), Don Fagerquist (on 1958-11-28), Al Porcino (on 1958-11-28) and Uan Rasey (on 1958-11-28)
tuba:
Phil Stevens (tuba) (on 1958-11-28)
vibraphone:
Larry Bunker (on 1958-11-28)
woodwind:
Ronnie Lang (on 1958-11-28)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-11-28)
recording of:
Mad About the Boy (on 1958-11-28)
lyricist and composer:
Noël Coward
publisher:
Chappell & Co. and Chappell Music Ltd.
part of:
Words and Music
2:18
15They Can’t Take That Away From Me
recording engineer:
John Norman (recording engineer) and Al Schmitt
producer:
Neely Plumb
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (on 1959-06-22)
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (on 1959-06-22)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
2:26
16Hello Young Lovers
recording engineer:
John Norman (recording engineer) and Al Schmitt
producer:
Neely Plumb
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (on 1959-06-22)
recording of:
Hello, Young Lovers (The King and I) (on 1959-06-22)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company and Williamson Music, Inc.
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd. and Williamson Music Ltd.
part of:
The King and I (Rodgers & Hammerstein musical)
2:19
17The Best Thing for You
recording engineer:
John Norman (recording engineer) and Al Schmitt
producer:
Neely Plumb
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (on 1959-06-29)
recording of:
The Best Thing for You (Would Be Me) (on 1959-06-29)
lyricist and composer:
Irving Berlin (in 1950)
2:28
18Ain’t We Got Fun
recording engineer:
John Norman (recording engineer) and Al Schmitt
producer:
Neely Plumb
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (on 1959-06-29)
recording of:
Ain’t We Got Fun? (on 1959-06-29)
lyricist:
Raymond B. Egan and Gus Kahn
composer:
Richard A. Whiting
2:39
19The Song Is You
recording engineer:
John Norman (recording engineer) and Al Schmitt
producer:
Neely Plumb
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (on 1959-07-09)
recording of:
The Song Is You (on 1959-07-09)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co.
2:24
20Do It Again
recording engineer:
John Norman (recording engineer) and Al Schmitt
producer:
Neely Plumb
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (on 1959-07-09)
recording of:
Do It Again (on 1959-07-09)
lyricist:
Buddy DeSylva
composer:
George Gershwin (composer)
publisher:
Harms, Inc. (in 1922)
2:17
21Playboy
recording engineer:
John Norman (recording engineer) and Al Schmitt
producer:
Neely Plumb
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (on 1959-07-09)
recording of:
Playboy (on 1959-07-09)
composer:
Bob Thompson ("space age pop" composer, arranger, and orchestra leader)
2:12
▼ CD 2
#TitleRatingLength
1Younger Than Springtime
recording engineer:
John Norman (recording engineer) and Al Schmitt
producer:
Neely Plumb
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (on 1959-08-12)
recording of:
Younger Than Springtime (on 1959-08-12)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Williamson Music Company
part of:
South Pacific (Rodgers & Hammerstein musical)
2:10
2Joie de vivre
recording engineer:
John Norman (recording engineer) and Al Schmitt
producer:
Neely Plumb
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (on 1959-08-12)
recording of:
Joie de vivre (on 1959-08-12)
composer:
Bob Thompson ("space age pop" composer, arranger, and orchestra leader)
2:32
3I’ve Grown Accustomed to Her Face
recording engineer:
John Norman (recording engineer) and Al Schmitt
producer:
Neely Plumb
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (on 1959-08-12)
recording of:
I’ve Grown Accustomed to Her Face (My Fair Lady) (on 1959-08-12)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe (in 1956)
publisher:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
My Fair Lady (full musical)
2:24
4People Will Say We’re in Love
recording engineer:
John Norman (recording engineer) and Al Schmitt
producer:
Neely Plumb
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (on 1959-08-12)
recording of:
People Will Say We’re in Love (on 1959-08-12)
orchestrator:
Robert Russell Bennett
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company and Williamson Music, Inc.
part of:
Oklahoma! (Rodgers & Hammerstein musical)
2:36
5While We’re Young
recording engineer:
John Norman (recording engineer) and Al Schmitt
producer:
Neely Plumb
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (on 1959-08-12)
recording of:
While We’re Young (on 1959-08-12)
lyricist:
William Engvick
composer:
Morty Palitz and Alec Wilder (composer)
publisher:
Ludlow Music, Inc., Regent Music (BMI) and ロックンロール ミュージック (Rock ’n’ Roll Music)
1:59
6Mmm, Nice!
recording engineer:
John Norman (recording engineer) and Al Schmitt
producer:
Neely Plumb
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (on 1959-08-12)
recording of:
Mmm, Nice! (on 1959-08-12)
composer:
Bob Thompson ("space age pop" composer, arranger, and orchestra leader)
2:26
7Happy Talk
recording engineer:
John Norman (recording engineer) and Al Schmitt
producer:
Neely Plumb
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (on 1959-10-21)
recording of:
Happy Talk (South Pacific) (on 1959-10-21)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Rodgers & Hammerstein Theatrical Europe Ltd.
part of:
South Pacific (Rodgers & Hammerstein musical)
2:29
8Almost Like Being in Love
recording engineer:
John Norman (recording engineer) and Al Schmitt
producer:
Neely Plumb
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (on 1959-10-21)
recording of:
Almost Like Being in Love (from “Brigadoon”) (on 1959-10-21)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
Brigadoon (complete musical)
2:40
9All the Things You Are
recording engineer:
John Norman (recording engineer) and Al Schmitt
producer:
Neely Plumb
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (on 1959-10-21)
recording of:
All the Things You Are (from “Very Warm for May”) (on 1959-10-21)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
2:25
10There’s a Small Hotel
recording engineer:
John Norman (recording engineer) and Al Schmitt
producer:
Neely Plumb
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (on 1959-11-04)
recording of:
There’s a Small Hotel (from “On Your Toes”) (on 1959-11-04)
lyricist:
Lorenz Hart (in 1936)
composer:
Richard Rodgers (composer) (in 1936)
part of:
On Your Toes
part of:
Pal Joey
2:24
11Breezin’ Along With the Breeze
recording engineer:
John Norman (recording engineer) and Al Schmitt
producer:
Neely Plumb
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (on 1959-11-04)
recording of:
Breezin’ Along With the Breeze (on 1959-11-04)
lyricist:
Haven Gillespie (in 1926) and Seymour Simons (in 1926)
composer:
Richard A. Whiting (in 1926)
2:32
12Just You, Just Me
recording engineer:
John Norman (recording engineer) and Al Schmitt
producer:
Neely Plumb
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (on 1959-11-04)
recording of:
Just You, Just Me (on 1959-11-04)
lyricist:
Raymond Klages (in 1929)
composer:
Jesse Greer (in 1929)
publisher:
EMI United Partnership Ltd., Robbins Music (publishing company owned by EMI Music Publishing Ltd.) and Robbins Music Corporation
part of:
New York, New York (1977 musical film soundtrack)
2:46
13June Is Bustin’ Out All Over
recording engineer:
John Norman (recording engineer) and Al Schmitt
producer:
Neely Plumb
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (on 1959-11-11)
recording of:
June Is Bustin’ Out All Over (Carousel) (on 1959-11-11)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
Carousel (Rodgers & Hammerstein musical)
2:17
14Always
recording engineer:
John Norman (recording engineer) and Al Schmitt
producer:
Neely Plumb
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (on 1959-11-11)
recording of:
Always (on 1959-11-11)
lyricist and composer:
Irving Berlin (in 1925)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Inc. and Irving Berlin Music
2:09
15The Little Black Box
recording engineer:
John Norman (recording engineer) and Al Schmitt
producer:
Neely Plumb
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (on 1959-11-11)
recording of:
The Little Black Box (on 1959-11-11)
composer:
Bob Thompson ("space age pop" composer, arranger, and orchestra leader)
2:31
16On the Rocks
recording engineer:
John Norman (recording engineer) and Al Schmitt
producer:
Neely Plumb
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (on 1959-11-18)
recording of:
On the Rocks (on 1959-11-18)
composer:
Bob Thompson ("space age pop" composer, arranger, and orchestra leader)
2:29
17Jersey Bounce
recording engineer:
John Norman (recording engineer) and Al Schmitt
producer:
Neely Plumb
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (on 1959-11-18)
recording of:
Jersey Bounce (on 1959-11-18)
lyricist:
Robert B. Wright
composer:
Tiny Bradshaw, Edward Johnson (US songwriter) and Bobby Plater
2:22
18I’ll See You Again
recording engineer:
John Norman (recording engineer) and Al Schmitt
producer:
Neely Plumb
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (on 1959-11-18)
recording of:
I’ll See You Again (adapted from Bitter Sweet) (on 1959-11-18)
lyricist and composer:
Noël Coward
arranger:
Saint-Granier
publisher:
Chappell & Co.
arrangement of:
Bitter Sweet, Act I: I’ll See You Again
part of:
Bitter Sweet (Noel Coward operetta)
2:17
19Radio Theme in the Style of Bob Thompson
0:43
20Texaco
1:03
21Pepsi Is for Swingers
vocals:
Mel Tormé (“The Velvet Fog”)
1:21

Credits

Release

manufactured in:Spain
manufactured by and distributed by:Blue Moon producciones discográficas, S.L. (not for release label use! Spanish reissues, with MANY sub-labels; find the right one!)
copyrighted (©) by and phonographic copyright (℗) by:Blue Moon (Spanish label) (in 2011)