The Hits Album: The Car Album: Singalong

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Someone You Loved
programming:
Tom Barnes (UK songwriter and drummer)
producer and mixer:
TMS (UK songwriting/production team)
bass guitar:
Pete Kelleher (multi-instrumentalist)
piano:
Benjamin Kohn (songwriter and producer)
strings:
Phil Cook (member of Megafaun, Justin Vernon collaborator)
vocals:
Lewis Capaldi (singer-songwriter)
part of:
Billboard Year-End Hot 100 singles of 2020 (number: 10), Spotify: Top Hits of 2019 (number: 11) and Billboard Year-End Hot 100 singles of 2019 (number: 27)
recording of:
Someone You Loved
writer:
Benjamin Kohn (songwriter and producer), Lewis Capaldi (singer-songwriter), Pete Kelleher (multi-instrumentalist), Sam Roman (Sam Roman, singer / songwriter / producer) and Tom Barnes (UK songwriter and drummer)
Lewis Capaldi3.053:03
2Human
producer:
Two Inch Punch (pop producer from London)
mixer:
Manny Marroquin
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 2017)
music videos:
Human by Rag’n’Bone Man and Human (official video) by Rag’n’Bone Man
recording of:
Human (in 2016)
writer:
Jamie Hartman (pop songwriter and producer), Nick Monson and Rory Graham
Rag’n’Bone Man4.153:20
3Walk Me Home
recording engineer and mixer:
Simon Gooding
programming and producer:
Kyle Moorman and Peter Thomas (US songwriter, producer and instrumentalist)
drums (drum set), electric guitar, percussion, synthesizer and background vocals:
Kyle Moorman and Peter Thomas (US songwriter, producer and instrumentalist)
lead vocals:
P!nk (American singer/songwriter)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2019)
part of:
Billboard Decade End Chart: Adult Contemporary Songs (2010s) (number: 48) and Billboard Year-End Hot 100 singles of 2019 (number: 99)
recording of:
Walk Me Home
writer:
Alecia Moore (American singer/songwriter), Nathaniel Ruess and Scott Friedman (Shawn Mendes collaborator)
P!nk3.42:55
4Shotgun
programming:
Cam Blackwood, Matthew Racher (drummer) and Liam Thorne
engineer:
Liam Thorne
producer:
Cam Blackwood
assistant mixer:
Joel Davies (engineer) and Charles Haydon Hicks
mixer:
Dan Grech‐Marguerat
additional percussion:
Liam Thorne
bass guitar [bass]:
George Ezra and FRED (UK producer, songwriter, multi-instrumentalist and DJ)
brass:
The Atlantic Horns
drums (drum set) [drums]:
FRED (UK producer, songwriter, multi-instrumentalist and DJ), Jaleesa Gemerts and Matthew Racher (drummer)
guitar:
Cam Blackwood and George Ezra
keyboard and lead vocals:
George Ezra
keyboard [keys]:
FRED (UK producer, songwriter, multi-instrumentalist and DJ)
organ:
James Wyatt
percussion:
Matthew Racher (drummer)
saxophone [sax]:
Mark Brown (London based saxophonist and keyboardist)
synthesizer [synths]:
Cam Blackwood
trombone:
Mike Kearsey
trumpet:
Ben Edwards (trumpet and flugelhorn player)
background vocals [backing vocals]:
Cam Blackwood, Florrie Arnold (Florence Arnold), Ollie Hodge and Joel Pott
additional brass arranger:
Emma Corby
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2018)
recorded at:
Voltaire Road Studios in Clapham, Lambeth, London (Greater London), England, United Kingdom
mixed at:
Studio 3, Strongroom Studios in Shoreditch, Hackney, London (Greater London), England, United Kingdom
recording of:
Shotgun
writer:
George Ezra and Joel Pott
George Ezra33:19
5Break Up Song
programming:
Frank Nobel and Linus Nordstrom
engineer:
Chris Bishop (engineer) (lead vocals [vocals]) and Paul Norris (chief engineer at Metropolis Studios London) (lead vocals [vocals])
producer:
Goldfingers (producer), KAMILLE (Camille Purcell, Camille Purcell), KAMILLE (Camille Purcell, Camille Purcell) (task: vocal) and Raphaella (Producer/Singer-Songwriter from North London) (task: vocal)
assistant mixer:
Bill Zimmerman
mixer:
Phil Tan (Malaysian-American audio engineer)
bass and background vocals:
KAMILLE (Camille Purcell, Camille Purcell)
drums (drum set) [drums]:
Frank Nobel and Linus Nordstrom
keyboard [keys]:
KAMILLE (Camille Purcell, Camille Purcell), Frank Nobel and Linus Nordstrom
vocals:
JADE (UK vocalist, member of Little Mix), Leigh‐Anne, Jesy Nelson and Perrie (English singer‐songwriter)
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2021) and Warner Music UK Limited (not for release label use!) (in 2021)
recorded at:
Metropolis Studios (London) in London (Greater London), England, United Kingdom
recording of:
Break Up Song
writer:
JADE (UK vocalist, member of Little Mix), KAMILLE (Camille Purcell, Camille Purcell), Leigh‐Anne, Frank Nobel, Linus Nordstrom and Perrie (English singer‐songwriter)
publisher:
BMG Rights Management UK Ltd. (not for release label use! see annotation), Concord Music Publishing LLC, Sony/ATV Music Publishing (1995–2020) and TwentySeven Music Publishing
Little Mix3:20
6Chandelier
additional engineer:
Julian Burg and Alex Pasco
engineer and producer:
Greg Kurstin and Jesse Shatkin (American singer-songwriter, and record producer)
executive producer:
Sia (Australian singer‐songwriter)
assistant mixer:
Delbert Bowers (American engineer) and Chris Galland
mixer:
Manny Marroquin
drums (drum set):
Greg Kurstin and Jesse Shatkin (American singer-songwriter, and record producer)
guitar, mellotron and piano:
Greg Kurstin
keyboard:
Jesse Shatkin (American singer-songwriter, and record producer)
phonographic copyright (℗) by:
Monkey Puzzle Records (imprint of Monkey Puzzle Records Ltd.) (in 2014, in 2015)
mixed at:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
part of:
Billboard Year-End Hot 100 singles of 2014 (number: 25), Rolling Stone: The 100 Best Songs of the 2010s (number: 27), Billboard Year-End Hot 100 singles of 2015 (number: 90), TheNeedleDrop: Top 100 Songs of the 2010s (number: 93), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 99) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 176)
recording of:
Chandelier
writer:
Jesse Shatkin (American singer-songwriter, and record producer) and Sia Furler (Sia, Australian singer‐songwriter)
publisher:
Aidenjulius Music, EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing, Inc. and Sony/ATV Music Publishing LLC (1995–2020)
part of:
Moulin Rouge! The Musical: Act 2
Sia4.13:36
7Only Love Can Hurt Like This
recording engineer:
Mario Luccy
additional producer:
AC Burrell and Kyle Townsend
producer:
AC Burrell
assistant mixer:
Delbert Bowers (American engineer) and Chris Galland
mixer:
Manny Marroquin
bass:
Bryan “B-Dub” White (bassist and producer)
lead vocals:
Paloma Faith
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2014)
recorded at:
Realsongs in Los Angeles, California, United States
mixed at:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
recording of:
Only Love Can Hurt Like This
lyricist and composer:
Diane Warren (US songwriter)
Paloma Faith3.53:54
8Hold Back the RiverJames Bay3:59
9Angels
programming:
Steve Power and Mark Smith (UK producer/bassist (Boys Don't Cry/Waterboys))
assistant engineer:
Jim Brumby (UK engineer) and Matt Hay
producer:
Guy Chambers (English songwriter and record producer) and Steve Power
mixer:
Steve Power
bass:
Mark Smith (UK producer/bassist (Boys Don't Cry/Waterboys))
drums (drum set) [drums]:
Chris Sharrock
guitar:
Andre Barreau, Chester Kamen and Gary Nuttall
keyboard [keyboards]:
Guy Chambers (English songwriter and record producer) and Steve Power
percussion:
Andy Duncan (UK drummer and producer)
background vocals:
Andre Barreau, Gary Nuttall and Nicole Patterson
lead vocals:
Robbie Williams
orchestra:
London Session Orchestra
arranger:
Guy Chambers (English songwriter and record producer)
concertmaster:
Gavyn Wright (UK violinist, conductor)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1997)
recorded at:
Matrix Maison Rouge Studios in London (Greater London), England, United Kingdom
mixed at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
part of:
The Co-Op: Top 10 British Funeral Songs (number: 5)
recording of:
Angels
writer:
Guy Chambers (English songwriter and record producer) and Robbie Williams
publisher:
BMG Music Publishing, EMI Music Publishing (PRS‐affiliated), EMI Songs, EMI Virgin Music Ltd. (do not use this as a release label!) and Kobalt Music Publishing Ltd. (UK)
Robbie Williams3.654:25
10I Have a Dream
vocals:
Westlife
performer:
Brian, Kian, Mark (Mark Feehily), Nicky and Shane
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1999)
cover recording of:
I Have a Dream
writer:
Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
Bocu Music Ltd., EMI Music Publishing (do not use as a release label!), Union Songs AB (publisher), Union Songs Music, Universal Music Publishing Group, Artwork Music Co., Inc. (from 1979 to ????), EMI Waterford Music (from 1979 to present), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (from 1979 to present) and Universal/Union Songs Musikförlag AB (from 1979 to present)
part of:
Mamma Mia! (1999 musical)
Westlife44:14
11Valerie
assistant recording engineer:
Iain Gore and Rohan Onraet
recording engineer:
Gabriel Roth, Taz Mattar, Dom Morley, Derek Pacuk and Mark Ronson (British DJ and producer)
producer:
Mark Ronson (British DJ and producer)
assistant mixer:
Dan Parry (British mix/recording engineer)
mixer:
Tom Elmhirst (mixing engineer)
baritone saxophone:
Ian Hendrickson-Smith
bass:
Nick Movshon
guitar:
Thomas Brenneck and Binky Griptite
membranophone:
Homer Steinweiss
percussion:
?uestlove (US drummer, producer and DJ)
tenor saxophone:
Neal Sugarman
trumpet:
Dave Guy
viola:
Rachel Bolt (violist), Peter Lale (violist), Ivo van der Werff and Bruce White (violist)
violin:
Mark Berrow (violinist), Thomas Bowes (violinist), Boguslaw Kostecki (violinist), Julian Leaper (concert master and violinist), Rita Manning (violinist), Everton Nelson (violinist), Jonathan Rees, Jackie Shave, Emlyn Singleton (violinist), Cathy Thompson (violinist), David Woodcock (violinist) and Warren Zielinski (violinist)
guest lead vocals:
Amy Winehouse
conductor:
Chris Elliott (composer and arranger)
strings arranger:
Chris Elliott (composer and arranger)
phonographic copyright (℗) by:
Mark Ronson (British DJ and producer) (in 2007)
recorded at:
Allido Sound (studio for Mark Ronson's Allido label) in New York, New York, United States, Daptone Studios in Bushwick, New York, New York, United States, Metropolis (London) in London (Greater London), England, United Kingdom and SARM West in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
mixed at:
Metropolis (London) in London (Greater London), England, United Kingdom
cover recording of:
Valerie
writer:
Boyan Chowdhury, Dave McCabe (English singer, songwriter and guitarist), Abi Harding, Sean Payne (member of The Big Kids, The Isrites, The Zutons) and Russ Pritchard
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Mark Ronson feat. Amy Winehouse43:40
12The Shoop Shoop Song (It’s in His Kiss)
Cher2:49
13Reach
S Club 74:03
14Tragedy
engineer:
Chris McDonnell (engineer)
producer:
Mark Topham, Karl Twigg and Pete Waterman
mixer:
Dan Frampton (engineer) and Paul Waterman
bass and guitar:
Mark Topham
drums (drum set) [drums]:
Chris McDonnell (engineer)
keyboard:
Karl Twigg
phonographic copyright (℗) by:
Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1998)
recorded at and mixed at:
PWL Studios (Manchester) in Manchester, Greater Manchester, England, United Kingdom and PWL Studios (London) in London (Greater London), England, United Kingdom
cover recording of:
Tragedy
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Music For Unicef, R.S.O. Publishing Ltd., Stigwood Music, Inc., UNICEF (United Nations Children's Fund) and Warner/Chappell (Warner/Chappell Music, Inc.)
Steps3.44:30
15Oops!…I Did It Again
recording engineer, programming, producer and mixer:
Max Martin (Swedish record producer) and Rami (Swedish record producer and songwriter)
engineer:
John Amatiello
electric bass guitar [bass]:
Tomas Lindberg (Swedish bass player) (from 1999-11 until 2000-02)
guitar [guitars]:
Johan Carlberg (from 1999-11 until 2000-02) and Esbjörn Öhrwall (from 1999-11 until 2000-02)
keyboard [keyboards]:
Max Martin (Swedish record producer) (from 1999-11 until 2000-02) and Rami (Swedish record producer and songwriter) (from 1999-11 until 2000-02)
background vocals [backing vocals]:
Nana Hedin (Swedish singer; also known as Na Na and Nana d’Aquini) (from 1999-11 until 2000-02)
background vocals [backing vocals] and spoken vocals [dialog]:
Max Martin (Swedish record producer) (from 1999-11 until 2000-02)
background vocals [backing vocals], lead vocals and spoken vocals [dialog] and lead vocals:
Britney Spears (from 1999-11 until 2000-02)
other vocals [crowd]:
“The Fanchoir” (from 1999-11 until 2000-02)
phonographic copyright (℗) by:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 2000)
produced for:
Cheiron Productions
recorded at:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Sweden (from 1999-11 until 2000-02)
mixed at:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Sweden
music videos:
Oops!… I Did It Again by Britney Spears, Oops!... I Did It Again (Uncut) by Britney Spears and Oops!…I Did It Again (official music video) by Britney Spears
part of:
RuPaul’s Drag Race Lip Sync Performances (season 5) (number: 4) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 268)
recording of:
Oops!…I Did It Again (from 1999-11 until 2000-02)
writer:
Max Martin (Swedish record producer) and Rami (Swedish record producer and songwriter)
publisher:
GV-MXM, Imagem London Ltd., Zomba Enterprises, Inc. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) (in 2000)
Britney Spears3.93:31
16Born This WayLady Gaga4:21
17Never Really Over
programming:
Leah Haywood, Daniel James (Australian record producer) and Zedd (Russian‐German producer)
assistant engineer:
Brian Cruz (engineer)
engineer:
Ryan Shanahan
producer:
Dreamlab and Zedd (Russian‐German producer)
additional mixer:
Ryan Shanahan
mixer:
Zedd (Russian‐German producer)
background vocals:
Gino Barletta, Leah Haywood and Hayley Warner (Australian born singer-songwriter)
lead vocals:
Katy Perry
vocals:
Katy Perry
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2019)
recorded at:
Studios 301 (Sydney, NSW, AU; use this only for mastering in AU since 2006, and for recording/mixing in Sydney since Nov 1999) in Sydney, New South Wales, Australia, UnSub Studios in Los Angeles, California, United States and Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
mixed at:
Zedd 1 Studio in Los Angeles, California, United States
engineered at:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
part of:
Spotify: Top Hits of 2019 (number: 7)
recording of:
Never Really Over
writer:
Anton Zaslavski (Russian‐German producer), Gino Barletta, Dagny Norvoll Sandvik, Jason Gill, Leah Haywood, Daniel James (Australian record producer), Michelle Buzz (American singer-songwriter), Katy Perry and Hayley Warner (Australian born singer-songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Marquise Cut Publishing, Sony/ATV Songs LLC, Spirit B Unique (publisher; do NOT use as release label), Universal Music Corp. (USA, affiliated with ASCAP), WC Music Corp., Buzz Recordings (in 2019), Daniel James Publishing Designee (in 2019), Gino Barletta Music (in 2019), Leah Haywood Publishing Designee (in 2019), Spirit B-Unique JV (in 2019), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 2019), Warner/Chappell Music Scandinavia AB (in 2019), WB Music Corp. (1929–2019) (in 2019), When I’m Rich You’ll Be My Bitch (in 2019) and Zedd Music Empire (in 2019)
Katy Perry2.853:43
18I’m Outta Love
programming:
Louis Biancaniello (in 2000)
producer:
Louis Biancaniello and Sam Watters
mixer:
Louis Biancaniello and David Frazier (engineer)
drums (drum set) [drums]:
Louis Biancaniello (in 2000) and Sam Watters (in 2000)
guitar [guitars]:
Vernon Black (in 2000)
keyboard [all keyboards]:
Louis Biancaniello (in 2000)
background vocals:
Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”) (in 2000) and Sam Watters (in 2000)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1999, in 2000) and Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 2000)
produced for:
Breakthrough Entertainment
recorded at:
Homesite 13 in Novato, California, United States (in 2000)
mixed at:
Homesite 13 in Novato, California, United States
music videos:
I’m Outta Love by Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
a cappella versions:
I'm Outta Love (a cappella) by Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
instrumental versions:
I'm Outta Love (instrumental) by Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
recording of:
I’m Outta Love (in 2000)
lyricist:
Anastacia Newkirk (USA pop singer from Chicago, IL, best known for “I’m Outta Love”), Louis Biancaniello and Sam Watters
composer:
Louis Biancaniello and Sam Watters
publisher:
Breakthrough Creations, EMI April Music Inc., Poho Productions, S. M. Y. Publishing, Sony/ATV Tunes LLC (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
Anastacia3.84:04
19I Drove All NightCéline Dion43:59
20Don’t Be Stupid (You Know I Love You)
Shania Twain3:35
21Kingston Town
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1989)
cover recording of:
Kingston Town
lyricist and composer:
Kenrick Patrick
UB404.53:47
2CD
#TitleArtistRatingLength
1Flashdance… What a Feeling
Irene Cara3:54
2(I’ve Had) The Time of My Life
assistant engineer:
Jeff DeMorris (task: 2nd assistant engineer) and Dan Nebenzal (task: 1st assistant engineer)
engineer:
Carmine Rubino
producer:
Michael Lloyd (US guitarist/singer producer)
vocals:
Bill Medley and Jennifer Warnes
remixer:
Jimmy Ienner (producer), Michael Lloyd (US guitarist/singer producer), Dan Nebenzal and Carmine Rubino
additional arranger:
John D’Andrea and Michael Lloyd (US guitarist/singer producer)
arranger:
Gene Page
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead), BMG Music (in 1987) and Vestron Music Inc. (in 1987)
produced for:
Mike Curb Productions
recorded at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
(I’ve Had) The Time of My Life
lyricist:
Franke Previte
composer:
John DeNicola and Donald Markowitz
publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) (ended), Calspen Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Marcu Music Company, Inc., R U Cyrius Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Tunes LLC (ASCAP), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィックミュージック (Fujipacific Music, Inc.), Donald Jay Music, Ltd. (publisher) (in 1987), Jemava Music Corp. (in 1987), Knockout Music Inc. (in 1987) and R.U. Cyrius Publishing (in 1987)
part of:
The 60th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1987 winner)
Bill Medley & Jennifer Warnes3.754:49
3Don’t You Want Me
assistant programming:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (in 1981)
programming:
Martin Rushent (in 1981)
assistant engineer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
producer:
The Human League and Martin Rushent
synthesizer:
Ian Burden (in 1981), Jo Callis (in 1981) and Philip Oakey (in 1981)
background vocals:
Joanne Catherall (in 1981) and Susan Ann Sulley (in 1981)
lead vocals:
Philip Oakey (in 1981) and Susan Ann Sulley (in 1981)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only)
recorded at:
Genetic Studios in West Berkshire, England, United Kingdom (in 1981)
music videos:
Don’t You Want Me by The Human League
part of:
TV Cream: Real 100 Best Singles Ever (number: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 79) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 82)
recording of:
Don’t You Want Me (Human League song) (in 1981)
lyricist:
Philip Oakey
composer:
Jo Callis, Philip Oakey and Philip Adrian Wright (Human League)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.853:57
4Do You Really Want to Hurt Me
recording of:
Do You Really Want to Hurt Me
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. and Virgin Music (Publishers) Ltd.
Culture Club4:23
5Come On Eileen
producer:
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) and Alan Winstanley (English record producer)
creative direction:
Clive Langer and Alan Winstanley (English record producer)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1982) and Phonogram Ltd. (not for release label use!) (in 1982)
recording of:
Come On Eileen
writer:
Kevin Adams, James Mitchell Paterson and Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and Kevin Adams Music Ltd.
Dexys Midnight Runners4.154:07
6Temptation
Heaven 173:33
7The Look of Love, Pt. 1
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1982)
partial recording of:
The Look of Love
writer:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton and Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. and Virgin Music, Inc. (US arm of Virgin’s publishing company)
part of:
Mantrap (ABC long-form film)
ABC3:29
8Walk Like an Egyptian
producer:
David Kahne
mixer:
David Leonard (US producer and engineer)
bass guitar:
Michael Steele (American bassist, guitarist, songwriter, and singer)
drums (drum set):
Debbi Peterson (drummer for The Bangles)
guitar:
Susanna Hoffs and Vicki Peterson
lead vocals:
Susanna Hoffs, Vicki Peterson and Michael Steele (American bassist, guitarist, songwriter, and singer)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1985) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 14)
recording of:
Walk Like an Egyptian
lyricist and composer:
Liam Sternberg (until 1984-01)
publisher:
Peer International Corporation (BMI)
part of:
ジョジョの奇妙な冒険 Part3 スターダストクルセイダース (JoJo’s Bizarre Adventure Part 3: Stardust Crusaders, 2014 anime soundtrack)
The Bangles4.23:22
9When the Going Gets Tough, the Tough Get Going
executive producer:
Robert John “Mutt” Lange (Robert John Lange)
producer:
Barry J. Eastmond and Wayne Brathwaite
mixer:
Nigel Green (engineer)
phonographic copyright (℗) by:
Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
music videos:
When the Going Gets Tough, the Tough Get Going by Billy Ocean
recording of:
When the Going Gets Tough, the Tough Get Going
writer:
Wayne Brathwaite, Barry Eastmond, Robert John “Mutt” Lange (Robert John Lange) and Billy Ocean
publisher:
Aqua Music (Billy Ocean's recording & publishing label), Aqua Music Ltd., BMG Music Publishing Ltd., Imagem London Ltd., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Zomba Enterprises, Inc. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Billy Ocean34:09
10Waiting for a Star to Fall
drum machine programming:
George Merrill
producer:
Arif Mardin
assistant mixer:
Jim Dineen
mixer:
David Leonard (US producer and engineer)
alto saxophone:
Andy Snitzer
bass guitar, piano and synthesizer:
George Merrill
drums (drum set):
Denny Fongheiser and Michael Jochum
guitar:
John Goux
synthesizer [Crowning touch]:
Joe Mardin
additional vocals:
Susan Boyd
vocals:
George Merrill and Shannon Rubicam
phonographic copyright (℗) by:
BMG Music (in 1988) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
mixed at:
The Grey Room in Hollywood, Los Angeles, California, United States
recording of:
Waiting for a Star to Fall
writer:
George Merrill and Shannon Rubicam
publisher:
Irving Music, Inc., Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Boy Meets Girl Music (from 1987 to present) and Irving Music (BMI) (from 1987 to present)
Boy Meets Girl3.254:30
11Bette Davis EyesKim Carnes3:39
12Total Eclipse of the Heart
vocals:
Bonnie Tyler (in 1983)
performer:
Rory Dodd (in 1983)
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!) (in 1983), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1983) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983)
recording of:
Total Eclipse of the Heart (in 1983)
lyricist and composer:
Jim Steinman
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Lost Boys (BMI affiliated) and Virgin Music (Publishers) Ltd.
Bonnie Tyler4.154:29
13Bat out of Hell
bass guitar:
Kasim Sulton
drums (drum set):
Max Weinberg
guitar and guitar [Motorcycle guitar]:
Todd Rundgren
keyboard:
Roy Bittan, Todd Rundgren and Jim Steinman
percussion:
Jim Steinman
piano:
Roy Bittan
synthesizer:
Roger Powell (US musician, programmer, and columnist, band "Utopia")
additional background vocals:
Rory Dodd and Ellen Foley
background vocals:
Todd Rundgren and Kasim Sulton
lead vocals:
Meat Loaf
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
edit of:
Bat Out of Hell by Meat Loaf
recording of:
Bat out of Hell
lyricist and composer:
Jim Steinman
publisher:
BMG AM Pty Limited, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son Pty. Ltd., Neverland Music and Peg Music Co.
Meat Loaf4.654:53
14More Than a Feeling
recording of:
More Than a Feeling
lyricist and composer:
Tom Scholz
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) and Pure Songs (in 1976)
Boston3:27
15Keep On Loving You
assistant engineer:
Tom Cummings (engineer) and Jeff Eccles
engineer:
Kevin Beamish
co-producer:
Alan Gratzer
producer:
Kevin Beamish, Kevin Cronin and Gary Richrath
acoustic guitar:
Kevin Cronin
bass:
Bruce Hall (US bassist for REO Speedwagon)
drums (drum set):
Alan Gratzer
guitar:
Gary Richrath
Hammond organ:
Neal Doughty
background vocals:
Kevin Cronin, Tom Kelly (songwriter) and Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
arranger:
Kevin Cronin
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1980), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1980), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1980, in 1981) and CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 67)
recording of:
Keep On Loving You (on 1980-09-03)
lyricist and composer:
Kevin Cronin
publisher:
Bucks Music Group Ltd. (Bucks Music Group), Bug Music Ltd., Fate Music, HoriPro Entertainment Group, Hornall Brothers Music Ltd. (limited company), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., The International Music Network and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Taiyō Music
REO Speedwagon3.73:21
16Jessie’s Girl
producer:
Keith Olsen (US producer and engineer)
arranger:
Neil Geraldo, Keith Olsen (US producer and engineer) and Rick Springfield
phonographic copyright (℗) by:
BMG Entertainment (in 1981), BMG Music (in 1981), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1981), RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981, in 2001) and Wizard Records (in 1981)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 20) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 55)
recording of:
Jessie’s Girl
lyricist and composer:
Rick Springfield
publisher:
BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Muscleman Music, PolyGram Music Publishing Ltd., Portal Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. and Wizard Music
Rick Springfield4.453:13
17The Power of Love
recording engineer:
Jim Gaines and Robert Missbach
additional engineer:
Michael Christopher (engineer), Phil Kaffel and Malcolm Pollack
assistant engineer:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) and Jim “Watts” Vereecke
producer:
Bob Clearmountain, Jellybean (US producer John Benitez) and Huey Lewis and the News (American pop rock band)
mixer:
Robert Missbach
bass guitar:
Mario Cipollina
drums (drum set) and percussion:
Bill Gibson (US drummer for Huey Lews & the News)
guitar:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) and Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
harmonica:
Huey Lewis
keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
saxophone:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) and Huey Lewis
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1984, in 1985, in 1986) and Chrysalis (in 1985)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios (1981–2008) in Sausalito, California, United States
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
music videos:
The Power of Love (full length) by Huey Lewis and the News (American pop rock band)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 108)
recording of:
The Power of Love (Back to the Future)
writer:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) and Huey Lewis
publisher:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) and WB Music Corp. (1929–2019)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
part of:
The 58th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1985 nominee)
part of:
Back to the Future: the Musical
Huey Lewis and the News43:55
18Mony Mony (live)
Billy Idol4:09
19Walk This Way
producer:
Rick Rubin (US record producer, former co‐president of Columbia Records) and Russell Simmons
guest guitar:
Joe Perry (guitarist for Aerosmith)
guest vocals:
Steven Tyler
phonographic copyright (℗) by:
Profile Records, Inc. (distributor / holding / manufacturer) (in 1986) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1986)
recording of:
Walk This Way
writer:
Joe Perry (guitarist for Aerosmith) and Steven Tyler
publisher:
Daksel LLC, Daksel Music Corp., Music of Stage Three, Music of Stage Three Aerosmith Account, Song and Dance Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Ltd., Stage Three Music Ltd., Stage Three Music Publishing Limited and Vindaloo Productions, Inc.
Run DMC feat. Aerosmith3.653:38
20Rockin’ All Over the World
Status Quo3:31
3CD
#TitleArtistRatingLength
1I’m Every Woman
programming:
James T. Alfano and Chauncey Mahan
additional engineer:
Richard Joseph (recording engineer and musician) and Acar Key
engineer:
Marc Reyburn and Matt Rohr (Recording Engineer)
additional producer:
Robert Clivillés (record producer, songwriter, arranger, music video director) and David Cole (US musician/producer, member of C+C Music Factory)
producer:
Narada Michael Walden
mixer:
Bob Rosa
additional vocals arranger:
Robert Clivillés (record producer, songwriter, arranger, music video director) and David Cole (US musician/producer, member of C+C Music Factory)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1992)
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States and Tarpan Studios in San Rafael, California, United States
cover recording of:
I’m Every Woman (in 1992)
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Nick‐O‐Val Music Co., Inc.
Whitney Houston4.24:46
2I Will Survive
Gloria Gaynor3:10
3If I Can’t Have You
producer:
Freddie Perren
bass:
Scott Edwards (bassist)
drums (drum set):
James Gadson (American drummer)
guitar:
Bob Bowles
keyboard and synthesizer:
Freddie Perren
percussion:
Bob Zimmitti, Paulinho da Costa (Brazilian percussionist) and Freddie Perren
piano:
Sonny Burke (soul/jazz/funk keyboardist)
background vocals [additional background vocals] and lead vocals:
Yvonne Elliman
background vocals [girl-group background vocals]:
Marti McCall (session vocalist), Julia Waters and Maxine Waters
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1977)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 19) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 343)
recording of:
If I Can’t Have You
written in:
France
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music, Careers Music, Inc., Crompton Songs, Gibb Brothers Music, Universal Music Publishing International MGB Ltd., Stigwood Music, Inc. (in 1978) and Unichappell Music (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Yvonne Elliman4.252:57
4More Than a Woman
Tavares3:28
5Rivers of Babylon
Boney M.4:17
6Heart of Glass
Blondie4:09
7Sweet Talkin’ Woman
engineer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Jeff Lynne
bass:
Kelly Groucutt (in 1977)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (in 1977)
guitar, synthesizer and lead vocals:
Jeff Lynne (in 1977)
keyboard:
Richard Tandy (keyboardist for Electric Light Orchestra) (in 1977)
violin:
Mik Kaminski (in 1977)
conductor:
Louis Clark (in 1977)
arranger:
Louis Clark, Jeff Lynne and Richard Tandy (keyboardist for Electric Light Orchestra)
phonographic copyright (℗) by:
Jet Records (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977, in 2005) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recorded at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (in 1977)
mixed at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 86)
recording of:
Sweet Talkin’ Woman (in 1977)
lyricist and composer:
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., Polygon Publishing Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), Jet Music Inc. (in 1977) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Electric Light Orchestra4.53:45
8The Devil Went Down to Georgia
recording of:
The Devil Went Down to Georgia
writer:
Charlie Daniels, Joel "Taz" DiGregorio, Fred Edwards (drummer and songwriter), Charlie Hayward (Member of The Charlie Daniels Band), John Crain and James W. Marshall
publisher:
Songs of Universal, Inc. (BMI) and Hat Band Music (in 1979)
The Charlie Daniels Band3:37
9Take Me Home, Country Roads
recording engineer:
Ray Hall (engineer)
assistant producer:
Jean Kaplow
producer:
Milt Okun
acoustic guitar [6-string guitar] and lead vocals:
John Denver
banjo and pedal steel guitar:
Eric Weissberg
double bass:
Dick Kniss
guitar:
Bill Danoff and Michael Taylor (Guitarist & former member of the John Denver Band)
membranophone:
Gary Chester (studio drummer and educator)
piano:
Frank Owens (American pianist)
background vocals:
Bill Danoff, Taffy Nivert and Starland Vocal Band
vocals:
John Denver
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 94) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 358)
recording of:
Take Me Home, Country Roads (on 1971-02-04)
anthem of:
West Virginia, United States
writer:
Bill Danoff, John Denver and Taffy Nivert
publisher:
BMG Ruby Songs, Dino Park Publishing, JD Legacy Publishing, My Pop’s Songs, Reservoir Media Music and Cherry Lane Music Publishing Company Inc. (in 1971)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
John Denver4.33:13
10Can’t Smile Without You
assistant engineer:
Derek Dunan
engineer:
Michael DeLugg
producer:
Ron Dante and Barry Manilow
bass guitar:
Will Lee (US jazz/rock bassist) (from 1977-07 until 1977-11)
drums (drum set):
Ronnie Zito (from 1977-07 until 1977-11)
guitar:
Mitch Holder (guitarist) (from 1977-07 until 1977-11)
keyboard:
Bill Mays (from 1977-07 until 1977-11)
percussion:
Allan Estes (from 1977-07 until 1977-11)
piano and background vocals and lead vocals:
Barry Manilow (from 1977-07 until 1977-11)
background vocals:
Ron Dante (from 1977-07 until 1977-11)
orchestrator:
Artie Butler
phonographic copyright (℗) by:
Arista Records (not an imprint, use “Arista” for release labels) (in 1978), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1978) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1978)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States (from 1977-07 until 1977-11)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 27)
cover recording of:
Can’t Smile Without You (from 1977-07 until 1977-11)
lyricist and composer:
Chris Arnold (songwriter with Butterscotch/The Stream of Consciousness), David Martin (UK songwriter and Butterscotch member) and Geoff Morrow (Butterscotch/Ammo)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Barry Manilow4.653:07
11Make Your Own Kind of Music
Mama Cass2:24
12Sandy
producer:
John Farrar
mixer:
David J. Holman
arranger:
John Farrar, Michael Gibson (trombone) and Louis St. Louis (American songwriter, music arranger and singer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978), Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1978) and RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978)
recording of:
Sandy (Grease, 1978 film)
lyricist:
Scott Simon
composer:
Louis St. Louis (American songwriter, music arranger and singer)
publisher:
Ensign Music Corp. (in 1978) and Unichappell Music (in 1978)
part of:
Grease (1978 film)
John Travolta3.752:33
13You’ve Lost That Lovin’ Feelin’
The Righteous Brothers3:42
14It’s Not Unusual
recording engineer:
Bill Price (UK producer/engineer)
producer:
Peter Sullivan (UK producer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1965) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 393)
recording of:
It’s Not Unusual
writer:
Gordon Mills (60s/70s UK producer and songwriter) and Les Reed
publisher:
Leeds Music (ended), BMG Platinum Songs US, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Valley Music Ltd (publisher) and Universal Duchess Music Corp. (in 1964)
Tom Jones4.52:00
15Shout
cover recording of:
Shout
writer:
O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs) and Rudolph Isley
publisher:
Campbell Connelly, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Longitude Music Co., Nightlight Music (US work publisher, affiliated with BMI), Nightlight Music Pty Ltd. and Windswept Pacific Music Ltd.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
part of:
MJ: The Musical
Lulu & the Luvvers2:51
16Be My Baby
miscellaneous support:
Phil Spector (task: under license of)
engineer:
Larry Levine
producer:
Phil Spector
vocals:
Ronnie Spector (in 1963-07)
performer:
The Ronettes
arranger:
Jack Nitzsche (American musician and score composer)
phonographic copyright (℗) by:
Phil Spector Records (in 1963)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-07)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 19), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 22) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 22)
recording of:
Be My Baby (in 1963-07)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music, Inc., Universal–Songs of PolyGram International, Inc. and Trio Music Co., Inc. (in 1963)
sub-publisher:
ABKCO Japan Publishing, Shinko Music Entertainment Co., Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Fujipacific Music inc. (until 2014-12-31), EMI Music Publishing Japan C.F. division (until 2021-06-30), Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1963), Fujipacific Music, Inc. (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Ronettes4.152:39
17Da Doo Ron Ron (When He Walked Me Home)
engineer:
Larry Levine
producer:
Phil Spector
lead vocals:
LaLa Brooks (in 1963-03)
arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-03)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 114) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 366)
recording of:
Da Doo Ron Ron (in 1963-03)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) (ended), ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Intersong (publisher), Mother Bertha Music Inc., Trio Music Co., Inc., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), 日本アブコ音楽出版 (ABKCO Japan Publishing), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), イーエムアイ音楽出版 C・F事業部 (EMI Music Publishing Japan C.F. division) (until 2021-06-30), フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Crystals52:18
18Baby Love
recording of:
Baby Love
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. and Stone Agate Music Division
The Supremes2:36
19Dancing in the Street
Martha Reeves & the Vandellas2:38
20The Love You Save
recorded in:
Los Angeles, California, United States (in 1970-01)
producer:
The Corporation (Motown songwriters)
bass guitar:
Wilton Felder (in 1970-01)
drums (drum set):
Gene Pello (in 1970-01)
guitar:
Don Peake (in 1970-01), Louis Shelton (in 1970-01) and David T. Walker (in 1970-01)
keyboard:
Freddie Perren (in 1970-01)
background vocals:
Jackie Jackson (member of the Jackson 5) (in 1970-01), Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1970-01), Marlon Jackson (in 1970-01) and Tito Jackson (in 1970-01)
background vocals and lead vocals:
Michael Jackson (“King of Pop”) (in 1970-01)
lead vocals:
Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1970-01)
arranger:
The Corporation (Motown songwriters)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1970)
recorded at:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, United States (in 1970-01)
music videos:
The Love You Save by The Jackson 5 (The Jacksons, formerly “The Jackson 5”)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 16)
recording of:
The Love You Save (in 1970-01)
writer:
Berry Gordy, Fonce Mizell, Freddie Perren and Deke Richards (American songwriter and record producer)
publisher:
Jobete Music Co., Inc.
part of:
MJ: The Musical
Jackson 54.353:04
21Yester‐Me, Yester‐You, Yesterday
Stevie Wonder3:05

Credits

Release

ASIN:UK: B08YQCP6NC [info]