les voix de l'Extase : Le chant à l'infini

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Air du froid
assistant recording engineer:
Robert Saccomanno
recording engineer:
Michael Frondelli
producer:
Ron Johnsen
keyboard:
Jon Cobert
countertenor vocals [haute-contre]:
Klaus Nomi
phonographic copyright (℗) by:
RCA S.A. (in 1981)
recorded at and mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
recording of:
The Cold Song
lyricist:
John Dryden (English poet)
composer:
Henry Purcell (Baroque composer)
arranger:
Jon Cobert
publisher:
Spindizzy Music
arrangement of:
King Arthur, Z. 628: Act III, 20. “What power art thou, who from below…” (Cold Genius)
Henry Purcell4:05
2En Aranjuez, con tu amor
guitar:
Manuel Cubedo (guitarist)
soprano vocals:
Montserrat Caballé (soprano)
orchestra:
English Chamber Orchestra
conductor:
José Collado (conductor)
recording of:
En Aranjuez con tu amor (spanish lyrics)
lyricist:
Alfredo García Segura
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1968)
is based on:
Concierto de Aranjuez: II. Adagio
Joaquín Rodrigo5:51
3Chœur russe
vocals:
Chorovaya Akademia
conductor:
Alexander Sedov
recording of:
Ныне силы небесныя (Now Ye Heavenly Powers)
composer:
Александр Шереметев (Alexandr Sheremetev)
Alexander Sheremetiev3:46
4Ave Maria de Caccini
soprano vocals:
Lesley Garrett (soprano)
orchestra:
Britten Sinfonia
conductor:
Ivor Bolton (conductor and harpsichordist)
arranger:
Nick Ingman
recording of:
Ave Maria (Vavilov, often misattributed to Caccini)
composer:
Владимир Вавилов (Vladimir Vavilov)
previously attributed to:
Giulio Caccini (Italian renaissance composer, 1551-1618)
Vladimir Vavilov34:01
5Romance de Nadir
tenor vocals:
Plácido Domingo (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Nello Santi (conductor)
recording of:
Les Pêcheurs de perles : Acte I. No. 4 Romance « Je crois entendre encore » (Nadir)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte I
Georges Bizet3:59
6Passion selon Saint-Matthieu
contralto vocals:
Marian Anderson (classical contralto singer)
orchestra:
Victor Sinfonietta
conductor:
Robert Shaw (conductor)
partial recording of:
Matthäus-Passion, BWV 244 (St Matthew Passion, BWV 244)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (until 1727)
librettist:
Picander
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1727-04-11)
part of:
Bach-Werke-Verzeichnis (number: BWV 244)
Johann Sebastian Bach7:51
7Chœur à bouches fermées
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Giuseppe Patanè (conductor)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini2:20
8Pavane
countertenor vocals [haute-contre]:
Brian Asawa (countertenor)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Pavane, op. 50 (catch-all for arrangements and unknown versions)
composer:
Gabriel Fauré (French composer)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré5:19
9Duo des fleurs
mezzo-soprano vocals [Mallika]:
Ruby Philogene (mezzo-soprano)
soprano vocals [Lakmé]:
Janice Watson (soprano)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Carl Davis (conductor and composer)
partial recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika)
composer:
Léo Delibes (French composer)
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
Léo Delibes1:32
10Ave Maria
choir vocals:
Chœur régional Vittoria d’Île‐de‐France (Regional Île‐de‐France Vittoria Choir)
soprano vocals:
Françoise Pollet (soprano)
orchestra:
Orchestre national d’Île‐de‐France
conductor:
Jacques Mercier (conductor)
recording of:
Ave Maria (Bach/Gounod)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Johann Sebastian Bach / Charles-François Gounod2:43
11Miserere
assistant engineer:
Mike Cox (engineer)
engineer:
Andrew Hallifax
executive producer:
John Kehoe
producer:
Morten Winding
bass vocals:
James Elias (choir vocalist)
choir vocals:
Choir of Trinity College, Cambridge (from 1993-03-15 until 1993-03-17)
countertenor vocals:
Reiner Schneider-Waterberg
soprano vocals:
Rebecca Daldorph and Louisa Keily (British soprano)
conductor:
Richard Marlow (English choral conductor and organist) (from 1993-03-15 until 1993-03-17)
chorus master:
Richard Marlow (English choral conductor and organist)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 1993-03-15 until 1993-03-17)
recording of:
Miserere mei, Deus (from 1993-03-15 until 1993-03-17)
composer:
Gregorio Allegri (composer)
quotes lyrics from:
Miserere mei (words from Psalm 51)
Gregorio Allegri8:21
12Casta Diva
soprano vocals:
Montserrat Caballé (soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Carlo Felice Cillario (conductor)
edit of:
Norma: “Casta Diva” by The Ambrosion Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Montserrat Caballé (soprano), London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Carlo Felice Cillario (conductor)
partial recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini5:29
13Bachianas brasileiras n°5
recording engineer:
Robert Simpson (engineer) (in 1964-04)
producer:
Peter Dellheim (producer for RCA) (in 1964-04)
soprano vocals:
Anna Moffo (soprano) (in 1964-04)
vocals:
Anna Moffo (soprano)
orchestra:
American Symphony Orchestra (in 1964-04)
conductor:
Leopold Stokowski (conductor) (in 1964-04)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1964-04)
recording of:
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (for voice and cellos)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
part of:
Bachianas Brasileiras nº 5, W389 (for voice and cellos)
recording of:
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (catch-all for arrangements)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1936)
arrangement of:
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (for voice and cellos)
Heitor Villa‐Lobos7:03
14Vocalise
recording engineer:
Robert Simpson (engineer) (in 1964-04)
producer:
Peter Dellheim (producer for RCA) (in 1964-04)
soprano vocals:
Anna Moffo (soprano) (in 1964-04)
orchestra:
American Symphony Orchestra (in 1964-04)
conductor:
Leopold Stokowski (conductor) (in 1964-04)
arranger:
Arcady Dubensky
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1964-04)
recording of:
Vocalise, op. 34 no. 14 (arr. by composer for soprano and orchestra)
orchestrator:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1916)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1912)
orchestration of:
14 Romances, op. 34 no. 14: Vocalise (Vocalise, for voice and piano, original version)
Sergei Rachmaninov7:06
15O vis aeternitatis
recording engineer:
Martin Andrae (from 1993-06-16 until 1993-06-21)
producer:
Klaus L. Neumann
editor:
Barbara Göbel
fiddle:
Elizabeth Gaver (from 1993-06-16 until 1993-06-21) and Elisabetta de Mircovich (from 1993-06-16 until 1993-06-21)
hurdy gurdy [organistrum]:
Benjamin Bagby (from 1993-06-16 until 1993-06-21)
instruments:
Sequentia (early music ensemble)
choir vocals:
Sequentia (early music ensemble)
vocals:
Laurie Monahan (classical mezzo-soprano vocalist) (from 1993-06-16 until 1993-06-21)
performer:
Sequentia (early music ensemble) (from 1993-06-16 until 1993-06-21)
phonographic copyright (℗) by:
BMG Entertainment (in 1994)
recorded at:
St. Pantaleon (Köln) in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1993-06-16 until 1993-06-21)
recording of:
Symphonia armonie celestium revelationem: O vis eternitatis (from 1993-06-16 until 1993-06-21)
composer:
Hildegard von Bingen (German medieval saint)
part of:
Symphonia armonie celestium revelationum
Hildegard von Bingen7:56