Solid Gold Soul 1967-1968

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1▼CD
#TitoloArtistaValutazioneDurata
1Respect
tecnico di registrazione:
Tom Dowd (il 1967-02-14)
produttore:
Jerry Wexler
batteria :
Roger Hawkins (il 1967-02-14)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-02-14)
chitarra basso :
Tommy Cogbill (il 1967-02-14)
cornetta :
Melvin Lastie (il 1967-02-14)
organo :
Spooner Oldham (il 1967-02-14)
pianoforte :
Aretha Franklin (il 1967-02-14)
sassofono baritono :
Willie Bridges (il 1967-02-14)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-02-14) e King Curtis (saxophonist) (il 1967-02-14)
voce:
Aretha Franklin (il 1967-02-14)
voce di accompagnamento:
Carolyn Franklin (il 1967-02-14) e Erma Franklin (il 1967-02-14)
direttore d'orchestra:
Tom Dowd (il 1967-02-14)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-02-14)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 21), New York Post: 100 Greatest Covers (2007) (numero: 52) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione cover di:
Respect (il 1967-02-14)
paroliere e compositore:
Otis Redding
editore:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell e Warner/Chappell North America
Aretha Franklin3.92:28
2Soul Man
registrata a:
Memphis, Tennessee, Stati Uniti (il 1967-08-10)
produttore:
Isaac Hayes, David Porter (US soul musician, producer & songwriter) e Jim Stewart (US producer, founder for Stax & Volt Records)
strumenti:
Booker T. & the MG’s (nel 1967) e The Mar‐Keys Horns (nel 1967)
voce principale:
Sam Moore (singer, ex "Sam and Dave") (nel 1967) e David Prater (soul artist) (nel 1967)
diritti fonografici (℗) detenuti da:
HHO Recordings Ltd., WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 458)
registrazione di:
Soul Man (il 1967-08-10)
autore:
Isaac Hayes (nel 1967) e David Porter (US soul musician, producer & songwriter) (nel 1967)
editore:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Walden Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (nel 1986) e Walden Music Corp. (publisher) (nel 1986)
Sam & Dave4.52:38
3(Sittin’ on) The Dock of the Bay
produttore:
Jerry Bruckheimer, Steve Cropper e Don Simpson (American film producer, screenwriter, and actor)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (dal 1967-11-22 al 1967-12-07)
chitarra :
Steve Cropper (dal 1967-11-22 al 1967-12-07)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-11-22 al 1967-12-07)
tastiera :
Isaac Hayes (dal 1967-11-22 al 1967-12-07) e Booker T. Jones (dal 1967-11-22 al 1967-12-07)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-11-22 al 1967-12-07)
fischio:
Otis Redding (dal 1967-11-22 al 1967-12-07)
voce:
Otis Redding (dal 1967-11-22 al 1967-12-07)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 44) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 45)
registrazione di:
(Sittin’ on) the Dock of the Bay (dal 1967-11-22 al 1967-12-07)
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Otis Redding4.452:43
4Sweet Soul Music
tecnico:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
produttore:
Otis Redding
chitarra :
Moses Dillard (il 1967-01-20)
voce:
Arthur Conley (il 1967-01-20)
registrata presso:
FAME Studios in Muscle Shoals, Alabama, Stati Uniti (il 1967-01-20)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 351)
registrazione di:
Sweet Soul Music (il 1967-01-20)
autore:
Arthur Conley, Sam Cooke (American singer and songwriter, “King of Soul”) e Otis Redding
editore:
ABKCO Music e Rondor
si basa su:
Yeah Man
Arthur Conley42:20
5If I Were a Carpenter
registrazione di:
If I Were a Carpenter
paroliere e compositore:
Tim Hardin
editore:
Allen Stanton Productions, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Faithful Virtue Music
Four Tops2:49
6It Takes Two
voce:
Kim Weston
registrazione di:
It Takes Two
autore:
Sylvia Moy e William Stevenson (Motown songwriter)
editore:
Jobete Music (UK) Ltd. e Stone Agate Music
Marvin Gaye & Kim Weston52:58
7Hold Me Tight
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1968)
registrazione di:
Hold Me Tight
paroliere e compositore:
Johnny Nash (US reggae/pop singer-songwriter)
editore:
Warner Chappell Music (publisher as Warner/Chappell Music)
Johnny Nash2:44
8La-La Means I Love You
diritti fonografici (℗) detenuti da:
Arista Records (not an imprint, use “Arista” for release labels) (nel 1971)
registrazione di:
La La (Means I Love You) (nel 1968)
autore:
Thom Bell (keyboards, songwriter, producer) e William Hart (of The Delfonics)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Delfonics4.53:21
9Stagger Lee
registrata a:
Memphis, Tennessee, Stati Uniti (dal 1967-07-01 al 1967-07-03)
tecnico di registrazione:
Tom Dowd (dal 1967-07-01 al 1967-07-03)
basso [electric bass] :
Tommy Cogbill (dal 1967-07-01 al 1967-07-03)
batteria :
Gene Chrisman (dal 1967-07-01 al 1967-07-03)
chitarra :
Reggie Young (Guitarist and songwriter) (dal 1967-07-01 al 1967-07-03)
chitarra [lead guitar] :
Bobby Womack (dal 1967-07-01 al 1967-07-03)
organo :
Bobby Emmons (dal 1967-07-01 al 1967-07-03)
pianoforte :
Bobby Wood (American pianist, keyboard player and songwriter) (dal 1967-07-01 al 1967-07-03)
sassofono baritono :
Floyd Newman (dal 1967-07-01 al 1967-07-03)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (dal 1967-07-01 al 1967-07-03) e King Curtis (saxophonist) (dal 1967-07-01 al 1967-07-03)
tromba :
Gene “Bowlegs” Miller (American trumpeter) (dal 1967-07-01 al 1967-07-03)
voce:
Wilson Pickett (dal 1967-07-01 al 1967-07-03)
registrazione di:
Stagger Lee (Lloyd Price version) (il 1967-07-01)
autore:
Harold Logan e Lloyd Price (US R&B/soul singer)
editore:
EMI Catalogue Partnership, Irving Music (BMI) e Travis Music Co.
versione di:
Stagger Lee (“Stackolee” etc., traditional)
Wilson Pickett2:23
10(Your Love Keeps Lifting Me) Higher and Higher
produttore:
Carl Davis (record producer)
basso :
James Jamerson (il 1967-07-06)
batteria :
Richard "Pistol" Allen (il 1967-07-06)
chitarra :
Robert White (US funk/soul guitarist) (il 1967-07-06)
tastiera :
Johnny Griffith (il 1967-07-06)
voce principale:
Jackie Wilson (soul singer) (il 1967-07-06)
esecutore:
Jackie Wilson (soul singer)
arrangiatore:
Sonny Sanders
diritti fonografici (℗) detenuti da:
Brunswick Recording Corporation (nel 1967)
registrata presso:
Columbia Recording Studios (Chicago) in Chicago, Illinois, Stati Uniti (il 1967-07-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 246) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 301)
registrazione di:
(Your Love Keeps Lifting Me) Higher and Higher (il 1967-07-06)
autore:
Gary Jackson, Raynard Miner e Carl Smith (US country music singer)
editore:
Chevis Publishing Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Mijac Music, Unichappell Music, Inc., Warner Chappell, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
parte di:
MJ: The Musical
Jackie Wilson4.83:01
11Ain’t Got No, I Got Life
tecnico di registrazione:
Ed Begley (sound engineer in RCA Victor) (il 1968-05-13)
produttore:
Joe René
pianoforte e voce principale:
Nina Simone (il 1968-05-13)
diritti fonografici (℗) detenuti da:
BMG Ariola (company mostly named as distributor in Europe) (nel 1968) e BMG Music (nel 1968)
è stato produttore per:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
registrata presso:
RCA Studio B (New York) in New York, New York, Stati Uniti (il 1968-05-13)
registrazione di:
Ain’t Got No, I Got Life (il 1968-05-13)
paroliere:
James Rado (US actor, playwright, director, writer & composer) e Gerome Ragni
compositore:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
editore:
EMI U Catalog (publisher; do NOT use as release label) e EMI United Partnership Ltd.
medley di:
I Got Life (from “Hair”)
medley di:
Ain’t Got No (from “Hair”)
Nina Simone42:20
12Groovin’
registrazione di:
Groovin’
autore:
Eddie Brigati e Felix Cavaliere (American singer, songwriter, record producer, and musician)
editore:
Slacsar
The Young Rascals2:32
13Gimme Little Sign
Brenton Wood2:22
14The Happening
tecnico di registrazione:
Russ Terrana
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
basso :
James Jamerson (il 1967-03-02)
strumenti:
The Funk Brothers (il 1967-03-02)
voce di accompagnamento:
Florence Ballard (il 1967-03-02) e Mary Wilson (il 1967-03-02)
voce principale:
Diana Ross (il 1967-03-02)
registrata presso:
Hitsville (Motown Records) in Detroit, Michigan, Stati Uniti (il 1967-03-02)
registrazione di:
The Happening (il 1967-03-08)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Frank De Vol, Lamont Dozier e Brian Holland (Motown producer & songwriter)
The Supremes52:49
15Soul Limbo
Booker T. & the MG’s2:23
2▼CD
#TitoloArtistaValutazioneDurata
1I Heard It Through the Grapevine
produttore:
Norman Whitfield
basso [1962 Fender Precision Bass] :
James Jamerson (dal 1967-02-03 al 1967-04-10)
batteria :
Uriel Jones (dal 1967-02-03 al 1967-04-10)
chitarra [1964 Gibson Firebird III] :
Eddie Willis (dal 1967-02-03 al 1967-04-10)
chitarra [Fender Telecaster with Jazzmaster Neck] :
Joe Messina (dal 1967-02-03 al 1967-04-10)
congas e tamburello :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (dal 1967-02-03 al 1967-04-10)
corno francese :
Don Ozga (dal 1967-02-03 al 1967-04-10) e Edwin Jones (dal 1967-02-03 al 1967-04-10)
organo Hammond [B-3] :
Earl Van Dyke (dal 1967-02-03 al 1967-04-10)
piano elettrico Wurlitzer :
Johnny Griffith (dal 1967-02-03 al 1967-04-10)
strumenti:
The Funk Brothers (dal 1967-02-03 al 1967-04-10)
tom-tom :
Richard "Pistol" Allen (dal 1967-02-03 al 1967-04-10)
voce di accompagnamento:
The Andantes (dal 1967-02-03 al 1967-04-10), Marlene Barrow (dal 1967-02-03 al 1967-04-10), Louvain Demps (dal 1967-02-03 al 1967-04-10) e Jackie Hicks (dal 1967-02-03 al 1967-04-10)
voce principale:
Marvin Gaye (dal 1967-02-03 al 1967-04-10)
orchestra:
Detroit Symphony Orchestra (dal 1967-02-03 al 1967-04-10)
arrangiatore archi :
Paul Riser (dal 1967-02-03 al 1967-04-10)
orchestratore:
Paul Riser (dal 1967-02-03 al 1967-04-10)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1968)
registrata presso e mixata presso:
Hitsville (Motown Records) in Detroit, Michigan, Stati Uniti (dal 1967-02-03 al 1967-04-10)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 80), Billboard: Greatest of All Time Hot 100 Songs (numero: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 119) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 307)
registrazione cover di:
I Heard It Through the Grapevine (dal 1967-02-03 al 1967-04-10)
autore:
Barrett Strong e Norman Whitfield
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye4.053:14
2I Was Made to Love Her
produttore:
Henry Cosby
armonica (a bocca) e voce principale:
Stevie Wonder (il 1967-03-31)
basso :
James Jamerson (il 1967-03-31)
sitar elettrico :
Eddie Willis (il 1967-03-31)
strumenti:
The Funk Brothers (il 1967-03-31)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1966) e Motown Record Corporation (company credits only; do NOT use as release label) (nel 1967)
registrata presso:
Hitsville (Motown Records) in Detroit, Michigan, Stati Uniti (il 1967-03-31)
registrazione di:
I Was Made to Love Her (il 1967-03-31)
autore:
Henry Cosby, Lula Mae Hardaway (songwriter), Sylvia Moy e Stevie Wonder
editore:
Black Bull Music, Inc., EMI Blackwood Music Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Sawandi Music, Stone Agate Music e 大洋音楽 (Taiyō Music)
Stevie Wonder4.652:37
3Dance to the Music
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 223)
registrazione di:
Dance to the Music
paroliere, autore e compositore:
Sylvester Stewart
editore:
Mijac Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sly & the Family Stone4.153:01
4Walk Away Renee
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1967)
registrazione cover di:
Walk Away Renée
autore:
Michael Brown (American singer-songwriter), Bob Calilli e Tony Sansone
editore:
Alley Music Corp., Trio Music Company, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e Twin Tone (publisher) (nel 1967)
Four Tops2:46
5I Say a Little Prayer for You
tecnico di registrazione:
Tom Dowd (il 1968-04-17)
produttore:
Jerry Wexler
basso :
Jerry Jemmott (il 1968-04-17)
batteria :
Roger Hawkins (il 1968-04-17)
chitarra :
Tommy Cogbill (il 1968-04-17)
pianoforte e voce principale:
Aretha Franklin (il 1968-04-17)
voce di accompagnamento:
The Sweet Inspirations (il 1968-04-17)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1968-04-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 117)
registrazione cover di:
I Say a Little Prayer (il 1968-04-17)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) e Windswept Pacific Music Ltd.
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin4.353:33
6Tell It Like It Is
produttore:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) e Alvin “Red” Tyler (American jazz saxophonist)
registrata presso:
Jazz City Studios in New Orleans, Louisiana, Stati Uniti (nel 1966)
registrazione di:
Tell It Like It Is (nel 1966)
autore:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) e Lee Diamond
editore:
Conrad Music (publisher; do NOT use as release label) e Olrap Publishing Co., Inc.
Aaron Neville4.352:41
7Tighten Up
tecnico di registrazione:
Bert Frilot
produttore:
Skipper Lee Frazier
voce:
Billy Buttier (nel 1967-10), Joe Cross (nel 1967-10) e James Wise (singer in Archie Bell & The Drells) (nel 1967-10)
voce principale:
Archie Bell (vocals, of Archie Bell & the Drells) (nel 1967-10)
esecutore:
The TSU Toronadoes (nel 1967-10)
registrata presso:
Jones Town Studio in Houston, Texas, Stati Uniti (nel 1967-10)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Tighten Up (nel 1967-10)
paroliere:
Billy Butler (60-70s R&B singer)
compositore:
Archie Bell (vocals, of Archie Bell & the Drells)
Archie Bell & the Drells3:11
8When You’re Young and in Love
registrazione cover di:
When You’re Young and in Love
paroliere e compositore:
Van McCoy
editore:
Campbell Connelly & Co.
The Marvelettes2:37
9The Happy Song
registrazione di:
The Happy Song (Dum‐Dum)
paroliere, autore e compositore:
Steve Cropper e Otis Redding
editore:
Irving Music, Inc.
Otis Redding2:44
10You’re My Everything
registrazione di:
You're My Everything
autore:
Cornelius Grant (soul, funk and disco producer and songwriter), Roger Penzabene (songwriter, who worked mainly at Motown) e Norman Whitfield
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc. e Stone Agate Music
The Temptations3:13
11Jimmy Mack
Martha and the Vandellas2:53
12I Get the Sweetest Feeling
diritti fonografici (℗) detenuti da:
Brunswick Recordings (nel 1968)
registrazione di:
I Get the Sweetest Feeling (nel 1968)
autore:
Alicia Evelyn (songwriter and performer) e Van McCoy
editore:
Alley Music, TM Music Ltd., Trio Music (publisher) e Van McCoy Music
Jackie Wilson4.52:57
13Take Time to Know Her
produttore:
Marlin Greene (’60s teen artist, writer & engineer) e Quin Ivy
registrazione di:
Take Time to Know Her (il 1968-02-01)
paroliere e compositore:
Stephen Allen Davis (American singer-songwriter, born October 4, 1949 in Hendersonville, Tennessee)
autore:
Stephen Allen Davis (American singer-songwriter, born October 4, 1949 in Hendersonville, Tennessee) e Al Gallico
Percy Sledge2:55
14Tramp
registrata a:
Memphis, Tennessee, Stati Uniti (dal 1967-01 al 1967-02)
produttore:
Steve Cropper e Jim Stewart (US producer, founder for Stax & Volt Records)
basso elettrico [electric bass] :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-01 al 1967-02)
batteria :
Al Jackson (Booker T & The MGs drummer) (dal 1967-01 al 1967-02)
chitarra :
Steve Cropper (dal 1967-01 al 1967-02)
pianoforte :
Booker T. Jones (dal 1967-01 al 1967-02)
sassofono tenore :
Joe Arnold (dal 1967-01 al 1967-02) e Andrew Love (dal 1967-01 al 1967-02)
tastiera :
Isaac Hayes (dal 1967-01 al 1967-02) e Booker T. Jones (dal 1967-01 al 1967-02)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-01 al 1967-02)
voce:
Otis Redding (dal 1967-01 al 1967-02) e Carla Thomas (dal 1967-01 al 1967-02)
voce di accompagnamento:
Carla Thomas (dal 1967-01 al 1967-02)
esecutore:
Carla Thomas (dal 1967-01 al 1967-02)
registrazione cover di:
Tramp (dal 1967-01 al 1967-02)
autore:
Lowell Fulson e Jimmy McCracklin (blues singer, songwriter)
editore:
Budget Music, Careers–BMG Music Publishing, Inc. e Powerforce Music
Carla Thomas4.43:01
15Soul Finger
registrata a:
Memphis, Tennessee, Stati Uniti (nel 1967)
produttore:
The Stax Staff
basso elettrico [electric bass] :
James Alexander (US soul bassist, singer and songwriter) (nel 1967)
batteria :
Carl Cunningham (drummer for The Bar‐Kays) (nel 1967)
chitarra :
Jimmy King (US guitarist for The Bar‐Kays) (nel 1967)
organo :
Ronnie Caldwell (nel 1967)
sassofono tenore :
Phalon Jones (nel 1967)
tromba :
Ben Cauley (nel 1967)
registrazione di:
Soul Finger (nel 1967)
autore:
Ronnie Caldwell, Ben Cauley, Carl Cunningham (drummer for The Bar‐Kays), James Alexander (US soul bassist, singer and songwriter), Phalon Jones e Jimmy King (US guitarist for The Bar‐Kays)
The Bar‐Kays4.52:20

Accreditamenti

Gruppo di pubblicazioni

parte di:Solid Gold Soul (Time-Life Music) (numero: TL642/01) (ordine: 19)