Nike Anywhere Anytime: Outdoor Freedom

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1Medium
#TitleArtistRatingLength
1Mr. Tough
Yo La Tengo3:06
2Steam and Sequins for Larry Levan
mixer:
Martin C. Schmidt (US electronic musician, member of Matmos/Disc)
editor:
Drew Daniel (American experimental musician)
analog synthesizer [ARP 2600]:
Matthew Curry (electronic producer, aka MPC, Safety Scissors)
analog synthesizer [ARP 2600], other instruments [steam, sewing machine, sequins] and sampler [sampling]:
Drew Daniel (American experimental musician)
drums (drum set):
Steve Goodfriend
electric guitar, tenor horn / alto horn [peck horn] and trumpet:
Mark Lightcap
electronic instruments [electronics]:
John Talaga
other instruments [sauce pan], shakers [shaker], synthesizer [V-Synth] and tambourine:
Martin C. Schmidt (US electronic musician, member of Matmos/Disc)
vocals:
Kalonica McQuesten
Matmos5:20
3AT&T
Pavement3:33
4Sukie in the Graveyard
assistant recording engineer:
Jason Mott
engineer:
Todd Burke and Tony Hoffer
assistant audio engineer:
Chris Reynolds (engineer)
mixer:
Tony Hoffer
trombone:
Tom Smith (Glaswegian Trombonist)
recorded at:
The Sound Factory (1982–2017) in Hollywood, Los Angeles, California, United States
mixed at:
Sunset Sound in Hollywood, Los Angeles, California, United States
recording of:
Sukie in the Graveyard
writer:
Richard Colburn, Mick Cooke, Chris Geddes, Stevie Jackson, Bobby Kildea, Sarah Martin (UK violinist, member of Belle and Sebastian) and Stuart Murdoch
Belle and Sebastian43:00
5The Number
Pretty Girls Make Graves3:10
62wice
recording of:
2wice
lyricist and composer:
Clint Conley (bassist in Mission of Burma)
Mission of Burma3:37
7The Blues Are Still Blue
assistant recording engineer:
Jason Mott
engineer:
Todd Burke and Tony Hoffer
mixer:
Tony Doogan (Scottish producer)
recorded at:
The Sound Factory (1982–2017) in Hollywood, Los Angeles, California, United States
mixed at:
The Castle of Doom in Glasgow, Scotland, United Kingdom
recording of:
The Blues Are Still Blue
writer:
Richard Colburn, Mick Cooke, Chris Geddes, Stevie Jackson, Bobby Kildea, Sarah Martin (UK violinist, member of Belle and Sebastian) and Stuart Murdoch
Belle and Sebastian4.54:09
8PDAInterpol5:36
9Spider's Web
recording of:
Spider's Web
lyricist and composer:
Roger Miller (co-founder of Mission of Burma)
Mission of Burma53:25
10Slow Hands
assistant recording engineer and assistant mixer:
Greg Giorgio
recording engineer and mixer:
Peter Katis
performer:
Paul Banks (of Interpol), Carlos D, Samuel Fogarino and Daniel Kessler
phonographic copyright (℗) by:
Matador Records (US indie rock) (in 2004)
recorded at and mixed at:
Tarquin Studios in Bridgeport, Connecticut, United States
recording of:
Slow Hands
publisher:
Interpol (NYC rock band) (from 2004 to present)
writer:
Paul Banks (of Interpol), Carlos Dengler, Samuel Fogarino and Daniel Kessler
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (from 2004 to present)
Interpol43:04
11The Greatest
recording engineer:
Stuart Sikes
mixer:
Chan Marshall and Stuart Sikes
bass guitar [bass]:
Leroy Hodges
cello:
Jonathan Kirkscey
drums (drum set) and membranophone:
Steve Potts (Drummer)
guitar:
Doug Easley (Easley McCain Recording) and Mabon "Teenie" Hodges (“Teenie”, soul guitarist)
guitar and piano and lead vocals:
Chan Marshall
keyboard and organ:
Rick Steff
pedal steel guitar [petal steel]:
Doug Easley (Easley McCain Recording)
piano:
Chan Marshall and Rick Steff
saxophone:
Jim Spake (saxophonist)
trumpet:
Scott Thompson (Trumpet player)
viola:
Beth Luscone
violin:
Roy Brewer
vocals:
Chan Marshall
strings [string] arranger and strings arranger:
Chan Marshall, Harlan T. Bobo (US singer-songwriter) and Jonathan Kirkscey
recorded at:
Ardent Studios in Memphis, Tennessee, United States
part of:
Q50 – December 2005 (number: 32)
recording of:
The Greatest
lyricist and composer:
Chan Marshall
Cat Power53:23