Classic FM Music for Babies 2005

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1'Lullaby'
engineer:
Radányi Endre (Endre Radányi, engineer) (from 1988-04 until 1988-05)
producer:
János Mátyás (producer) (from 1988-04 until 1988-05)
piano:
Péter Nagy (Hungarian pianist) (from 1988-04-25 until 1988-05-06)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1988-04-25 until 1988-05-06)
recording of:
5 Lieder, op. 49: Nr. 4. Wiegenlied (catch‐all for arrangements) (from 1988-04-25 until 1988-05-06)
composer:
Johannes Brahms (German composer)
arrangement of:
5 Lieder, op. 49: Nr. 4. Wiegenlied “Guten Abend, gute Nacht” (original for voice and piano)
Johannes Brahms2:12
2Eine kleine Nachtmusik, K. 525: II. Romance. Andante
orchestra:
City of London Sinfonia (chamber orchestra)
conductor:
Andrew Watkinson (violinist/conductor)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:25
3A Gaelic Blessing
recording engineer:
Antony Howell (engineer) (from 1997-01-07 until 1997-01-09) and Julian Millard (engineer) (from 1997-01-07 until 1997-01-09)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
Polyphony (choir) (from 1997-01-07 until 1997-01-09)
orchestra:
Bournemouth Sinfonietta (from 1997-01-07 until 1997-01-09)
conductor:
Stephen Layton (English conductor) (from 1997-01-07 until 1997-01-09)
recording of:
Gaelic Blessing (aka Deep Peace) (from 1997-01-07 until 1997-01-09)
composer:
John Rutter (English choral music composer, conductor, arranger and producer, born 1945) (in 1978)
was commissioned by:
Chancel Choir of First United Methodist Church (Omaha, Nebraska)
publisher:
Oxford University Press and Hinshaw Music (in 1978)
John Rutter1:51
4Piano Concerto in A minor, Op. 16: II. Adagio
piano:
Ewa Pobłocka (pianist)
orchestra:
Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach (Polish National Radio Symphony Orchestra, revived in 1945 in Katowice)
conductor:
Tadeusz Wojciechowski (conductor)
performer:
Polish Radio Symphony Orchestra (Polish National Radio Symphony Orchestra, revived in 1945 in Katowice)
recording of:
Concerto in A minor for Piano and Orchestra, op. 16: II. Adagio
composer:
Edvard Grieg (composer) (in 1868)
part of:
Concerto in A minor for Piano and Orchestra, op. 16
Edvard Grieg6:55
5Goldberg Variations (Aria)
recording engineer:
Kevin Boutote (engineer)
producer:
Peter Serkin (pianist) and Philip Traugott
piano:
Peter Serkin (pianist) (from 1994-06-13 until 1994-06-15)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1994-06-13 until 1994-06-15)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (from 1994-06-13 until 1994-06-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach2:12
6L'Arlesienne Suite No. 1 (3rd Movement)
orchestra:
Симфонический оркестр Москвы «Русская Филармония» (Russian Philharmonic Orchestra)
recording of:
L’Arlésienne Suite no. 1: III. Adagietto (for orchestra)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet2:28
7String Quartet No. 2 (3rd Movement)
instruments:
Chilingirian Quartet
recording of:
String Quartet no. 2 in D major: III. Notturno. Andante
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer) (in 1881)
part of:
String Quartet no. 2 in D major
Александр Порфирьевич Бородин7:56
8Melodie Afticana I
recording engineer:
Gemma Marchegiani (in 2001-10) and Michael Seberich (Italian engineer and producer) (in 2001-10)
editor:
Gemma Marchegiani
piano:
Ludovico Einaudi (Italian composer and pianist) (in 2001-10)
recorded at:
Villa Medici-Giulini in Briosco, Monza e Brianza, Lombardia, Italy (in 2001-10)
recording of:
Melodia africana I (in 2001-10)
composer:
Ludovico Einaudi (Italian composer and pianist)
Ludovico Einaudi2:18
9Fantasia Para un Gentilhombre (2nd Movement)
guitar:
José María Gallardo del Rey
orchestra:
Orquesta Nacional de España (Spanish National Orchestra)
conductor:
Rafael Frühbeck de Burgos (conductor)
partial recording of:
Fantasía para un gentilhombre: II. Españoleta y fanfare de la caballería de Nápoles
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
part of:
Fantasía para un gentilhombre
Joaquín Rodrigo4:36
10String Quintet in C (2nd Movement)
string quartet:
Brandis Quartett (Brandis Quartet)
partial recording of:
String Quintet in C major, D. 956: II. Adagio
composer:
Franz Schubert (composer) (in 1828)
part of:
String Quintet in C major, D. 956
Franz Schubert4:31
11Sospiri
orchestra:
English String Orchestra (aka English String Orchestra)
conductor:
William Boughton (conductor)
recording of:
Sospiri, op. 70 (for strings, harp (or piano) and organ (or harmonium))
composer:
Edward Elgar (composer) (in 1914)
dedicated to:
William Henry Reed
publisher:
Breitkopf & Härtel
part of:
Works of Edward Elgar by opus number (number: op. 70)
Sir Edward Elgar5:02
12Piano Sonata No. 8, Op. 13 "Pathétique": II. Adagio cantabile
engineer:
Mónika Feszler (producer)
producer:
Horváth János (János Horváth, engineer)
piano:
Jenő Jandó (pianist) (from 1987-04-21 until 1987-04-23)
phonographic copyright (℗) by:
Naxos and HNH International Ltd. (not for release label use!) (in 1987)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1987-04-21 until 1987-04-23)
recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile (from 1987-04-21 until 1987-04-23)
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
Ludwig van Beethoven4:43
13Ladies in Lavender (main theme)
recording engineer and mixer:
Toby Wood
producer:
Nigel Hess (British composer)
editor:
Erik Jordan (engineer)
solo violin:
Joshua Bell (violinist) (from 2004-02 until 2004-06)
orchestra:
Royal Philharmonic Orchestra (from 2004-02 until 2004-06)
conductor:
Nigel Hess (British composer) (from 2004-02 until 2004-06)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008)
recorded at and mixed at:
Phoenix Sound Studios (Wembley) in London (Greater London), England, United Kingdom (from 2004-02 until 2004-06)
recording of:
Ladies in Lavender (theme, Ladies in Lavender) (from 2004-02 until 2004-06)
orchestrator:
Nigel Hess (British composer)
composer:
Nigel Hess (British composer) (, in 2004)
Nigel Hess4:05
14The Shepherds' Farewell (From L'Enfance du Christ)
choir vocals:
Corydon Singers
recording of:
L'Enfance du Christ, op. 25 : Deuxième partie no. 8. Adieu des bergers à la sainte famille « Il s'en va loin de la terre » (Les bergers) (“The Shepherds' Farewell”)
lyricist and composer:
Hector Berlioz (French composer)
part of:
L'Enfance du Christ : Deuxième partie « La Fuite en Égypte »
Hector Berlioz4:43
2▼CD
#TitleArtistRatingLength
1Requiem - Pie Jesu
pipe organ:
Daniel Philips (organist)
choir vocals:
Choir of Uppingham School
soprano vocals:
Barbara Bonney (soprano)
treble vocals:
Anthony Way (UK chorister and classical singer)
orchestra:
English Sinfonia
conductor:
Neil Page (conductor, musical director)
recorded at:
Uppingham School Chapel in Uppingham, Rutland, England, United Kingdom (from 1997-01 to ????)
recording of:
Requiem: Pie Jesu
lyricist and composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
MCA Music Ltd., The Really Useful Company Limited and The Really Useful Music Co. Ltd. (not for release label use!)
part of:
Requiem
Julian Lloyd Webber3:00
2Piano Concerto No. 2: II
piano:
Michael Houstoun (New Zealand pianist)
orchestra:
New Zealand Symphony Orchestra
recording of:
Piano Concerto no. 2 in F major, op. 102: II. Andante
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1957)
part of:
Piano Concerto no. 2 in F major, op. 102
Дмитрий Дмитриевич Шостакович6:06
3Barcarolle (From The Tales of Hoffman)
producer:
Günter Appenheimer (producer/engineer) (in 1988-06), Teije van Geest (engineer/producer) (in 1988-06) and Martin Sauer (engineer/producer) (in 1988-06)
orchestra:
CSR Symphony Orchestra (Bratislava) (Slovak Radio Symphony Orchestra) (in 1988-06)
conductor:
Keith Clark (American conductor) (in 1988-06)
performer:
Slovak Radio Symphony Orchestra
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1988-06)
recording of:
Les Contes d’Hoffmann: Barcarolle (The Tales of Hoffmann: Barcarolle, catch-all for arrangements)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
arrangement of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
Jacques Offenbach43:20
4Symphony No. 1: II
orchestra:
NDR Elbphilharmonie Orchester (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester)
recording of:
Sinfonie Nr. 1 c-Moll, op. 68: II. Andante sostenuto
composer:
Johannes Brahms (German composer) (from 1855 until 1876)
part of:
Sinfonie Nr. 1 c-Moll, op. 68 (Symphony no. 1 in C minor, op. 68)
Johannes Brahms9:27
5Murmuration
recording of:
July: Murmuration
composer:
Joby Talbot (English score composer)
Joby Talbot3:18
6Brandenburg Concerto No. 6: II
orchestra:
La Petite Bande (Belgian chamber orchestra)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: II. Adagio ma non tanto
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
Johann Sebastian Bach5:07
7Requiem - in Paradisum
choir vocals:
The Choir Of Trinity College Of Cambridge
orchestra:
London Musici
conductor:
Richard Marlow (English choral conductor and organist)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
included in:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:39
8Sense & Sensibility -my Father's Favourite
recording engineer:
Paul Hulme
assistant engineer:
Jon Bailey (engineer), Ben Georgiades and Steve Orchard (producer and engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Roy Prendergast
piano:
Tony Hymas
orchestra:
Orchester Robert Ziegler
conductor:
Robert Ziegler (conductor)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Sense and Sensibility: My Father’s Favourite
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator)
composer:
Patrick Doyle (Scottish score composer)
part of:
Sense and Sensibility
Patrick Doyle5:30
9Serenade for Strings: III. Elegie
orchestra:
Moscow Soloists
recording of:
Serenade for Strings in C major, op. 48: III. Élégie. Larghetto elegiaco
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1880)
part of:
Serenade for Strings in C major, op. 48
Пётр Ильич Чайковский8:35
10Raindrop Prelude in D-flat major, Op. 28 No. 15
piano:
Andrei Nikolsky (Russian/Belgian pianist)
recording of:
Prélude no. 15 in D‐flat major, op. 28 “Raindrop”: Sostenuto
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin5:34
11The Beyondness of Things
recording engineer:
John Richards (engineer) (in 1997-10)
producer:
John Barry (English score composer)
orchestra:
English Chamber Orchestra (in 1997-10)
conductor:
John Barry (English score composer) (in 1997-10)
performer:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recorded at:
EMI Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-10)
recording of:
The Beyondness Of Things (in 1997-10)
composer:
John Barry (English score composer)
John Barry4:16
12Ave Verum Corpus
assistant engineer:
Mike Cox (engineer)
engineer:
Andrew Hallifax
executive producer:
John Kehoe
producer:
Morten Winding
organ:
Silas Standage (composer/harpsichordist/organist (né Silas Standage))
choir vocals:
The Choir of Trinity College, Cambridge (from 1993-03-15 until 1993-03-17)
conductor:
Richard Marlow (English choral conductor and organist) (from 1993-03-15 until 1993-03-17)
chorus master:
Richard Marlow (English choral conductor and organist)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 1993-03-15 until 1993-03-17)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ) (from 1993-03-15 until 1993-03-17)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 618)
Wolfgang Amadeus Mozart2:54
13Home Away From Home
recording of:
Home Away From Home
composer:
Phil Coulter
Phil Coulter3:59