Donna’s Dansfolie 73‒74‒75

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Could It Be I’m Falling in Love
recording engineer:
Joe Tarsia (engineer)
producer:
Thom Bell (keyboards, songwriter, producer)
bass:
Ron Baker (record producer, bassist, arranger and songwriter) (in 1973)
drums (drum set):
Earl Young (in 1973)
percussion [vibraphone, marimba]:
Vince Montana (in 1973)
piano:
Thom Bell (keyboards, songwriter, producer) (in 1973)
background vocals:
Yvette Benson (in 1973), Carla Benton (in 1973) and Barbara Ingram (in 1973)
baritone vocals:
Henry Fambrough (A member of the R&B quintet The Spinners) (in 1973)
bass vocals:
Pervis Jackson (The bass singer for The Spinners) (in 1973)
tenor vocals:
Billy Henderson (founding member of The Spinners) (in 1973), Bobbie Smith (US R&B lead singer for The Spinners) (in 1973) and Philippé Wynne (A lead vocalist of The Spinners) (in 1973)
conductor:
Thom Bell (keyboards, songwriter, producer) (in 1973)
remixer:
Joe Tarsia (engineer)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 221)
recording of:
Could It Be I’m Falling in Love (in 1973)
writer:
Melvin Steals and Mervin Steals
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners54:10
2Love Train
recording engineer:
Joe Tarsia (engineer)
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1972)
recording of:
Love Train (in 1972)
lyricist and composer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Mijac Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.152:56
3Masterpiece
recording of:
Masterpiece
lyricist and composer:
Norman Jesse Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd. and Stone Diamond Music Corporation
The Temptations4:05
4Long Train Runnin’
engineer:
Donn Landee
producer:
Ted Templeman
congas, cymbal and timbales:
Michael Hossack
guest synthesizer:
Malcolm Cecil and Robert Margouleff
guitar:
Jeff “Skunk” Baxter, Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) and Patrick Simmons
harmonica:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
keyboard, organ and piano:
Bill Payne
membranophone:
John Hartman (drummer for the Doobie Brothers) and Michael Hossack
percussion:
John Hartman (drummer for the Doobie Brothers) and Ted Templeman
steel guitar:
Jeff “Skunk” Baxter
synthesizer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) and Patrick Simmons
vocals:
John Hartman (drummer for the Doobie Brothers), Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Tiran Porter and Patrick Simmons
bass arranger:
Tiran Porter
strings arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, in 1973) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
recorded at:
Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California, United States
recording of:
Long Train Runnin’
lyricist and composer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner Bros. Music (publisher; do NOT use as release label) (in 1982) and Warner Chappell Music (publisher as Warner/Chappell Music) (in 1991)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers43:28
5Soul MakossaManu Dibango4:29
6The Love I Lost
producer:
Gamble & Huff
performer:
MFSB (Mother Father Sister Brother) (in 1973)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 470)
recording of:
The Love I Lost (in 1973)
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Harold Melvin & The Blue Notes6:23
7Doin’ It to Death, Parts 1 & 2
Fred Wesley and The J.B.’s10:28
8Dirty Ol’ Man
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
vocals:
Sheila Ferguson, Valerie Holiday and Fayette Pinkney
orchestra:
MFSB (Mother Father Sister Brother)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973)
edit of:
Dirty Ol’ Man (Ferguson, Holiday, Pinkney) by The Three Degrees
recording of:
Dirty Ol’ Man
lyricist and composer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Mighty Three Music (in 1973)
The Three Degrees3:13
9Why Can’t We Live Together
recording of:
Why Can’t We Live Together
lyricist and composer:
Timmy Thomas
publisher:
EMI Longitude Music, Sherlyn Music, Southern Music Publishing Company Limited and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Timmy Thomas3:45
10It May Be Winter Outside (But in My Heart It’s Spring)Love Unlimited53:09
11Thanks for Saving My Life
recording of:
Thanks for Saving My Life
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
Billy Paul52:59
12T.S.O.P.
producer:
Kenneth Gamble (songwriter for Philadelphia International), Leon Huff (Philly soul producer, of Gamble & Huff) and Bobby Martin (US soul/R&B producer/arranger)
mixer:
Tom Moulton
vocals:
Sheila Ferguson, Valerie Holiday and Fayette Pinkney
arranger:
Bobby Martin (US soul/R&B producer/arranger)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
remix of:
TSOP (The Sound of Philadelphia) (Ferguson, Holiday, Pinkney) by MFSB (Mother Father Sister Brother) feat. The Three Degrees
recording of:
TSOP (The Sound of Philadelphia) (in 1973)
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Mighty Three Music, Sony/ATV Songs LLC and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
MFSB feat. The Three Degrees5:48
13Rock the Boat
recording of:
Rock the Boat
lyricist and composer:
Wally Holmes (songwriter)
publisher:
Origin Network Pty Ltd and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Hues Corporation3:07
14Rock Your Baby
vocals:
George McCrae
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recording of:
Rock Your Baby
writer:
Harry Wayne Casey, Richard Finch and KC (Harry Wayne Casey of the Sunshine Band)
publisher:
EMI Longitude Music and Peer Music (UK) Ltd.
George McCrae3.253:14
15Never Can Say Goodbye
arranger:
City Life (arranger for Gloria Gaynor) and Harold Wheeler
cover recording of:
Never Can Say Goodbye
lyricist and composer:
Clifton Davis (musical theatre actor, singer and songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Jobete Music Co., Inc. and Portable Music Co., Inc.
Gloria Gaynor3:01
16You’re the First, the Last, My EverythingBarry White3.753:26
17Girls
producer:
Al Goodman (US 70s R&B singer/producer) and Harry Ray
recording of:
Girls
writer:
Venus Dodson (Jazz singer), Al Goodman (US 70s R&B singer/producer) and Harry Ray
Moments and Whatnauts23:10
2CD
#TitleArtistRatingLength
1Machine Gun
recording of:
Machine Gun
composer:
Milan Williams
publisher:
Jobete Music Co., Inc.
Commodores2:40
2Hang on in There Baby
recording of:
Hang on in There Baby
lyricist and composer:
Johnny W. Bristol
publisher:
Bushka Music (publishing) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Johnny Bristol3:51
3You Little Trustmaker
recording of:
You Little Trustmaker
lyricist and composer:
Christopher Mark Jackson (funk/soul songwriter, active in the ’60s and ’70s)
The Tymes2:49
4Do It (’til You’re Satisfied)
producer:
Jeff Lane (soul funk singer, songwriter, arranger, producer)
strings arranger:
Randy Muller
phonographic copyright (℗) by:
Roadshow (70s/80s US) (in 1974)
recording of:
Do It (’Til You’re Satisfied)
writer:
Billy Nichols (US soul/disco singer/songwriter)
publisher:
Bravo and Encore Music and Music in Three
B.T. Express45:54
5Docter’s Orders
cover recording of:
Doctor’s Orders
writer:
Roger Cook (US‐based British singer, songwriter and producer), Roger Greenaway and Geoff Stephens
publisher:
Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Carol Douglas3:31
6Shame, Shame, Shame
recording of:
Shame, Shame, Shame
lyricist and composer:
Sylvia Robinson
publisher:
IQ Music Ltd.
Shirley & Company4:54
7The Hustle
recording of:
The Hustle
lyricist and composer:
Van McCoy
publisher:
Van McCoy Music, Warner Bros. Music Co. Ltd. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Van McCoy4:02
8It Only Takes a Minute
recording of:
It Only Takes a Minute
writer:
Dennis Lambert and Brian Potter (US songwriter & producer)
publisher:
MCA Music Limited and Songs of Universal, Inc. (BMI)
Tavares3:59
9Do It Any Way You Wanna
recording of:
Do It Any Way You Wanna
lyricist and composer:
Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), MDW (publisher) (in 1988) and Mighty Three Music (in 1988)
People's Choice3:14
10That’s the Way
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1976) and T.K. Records (Miami‐based disco label) (in 1975)
edit of:
That’s the Way (I Like It) by KC and the Sunshine Band (US funk, R&B & disco band)
recording of:
That’s the Way (I Like It)
writer:
Harry Wayne Casey and Richard Finch
publisher:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) and Mushroom Music (Mushroom label’s publishing company)
KC and the Sunshine Band4.33:04
11Love to Love You Baby
recording of:
Love to Love You Baby
writer:
Pete Bellotte (English lyricist and producer), Giorgio Moroder and Donna Summer (soul/disco diva)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sweet Summer Night Music, Warner Chappell and WB Music Corp. (1929–2019)
Donna Summer3:55
12Can’t Give You Anything (But My Love)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1975)
recording of:
I Can’t Give You Anything (But My Love)
writer:
Luigi Creatore, Hugo Peretti and George David Weiss
publisher:
Abilene Music Inc. and Music Sales Corporation (American copyright holder in both popular and classical music)
The Stylistics23:16
13Sex Machine
bass:
Bootsy Collins (US funk musician & songwriter) (on 1970-04-25)
guitar:
Catfish Collins (on 1970-04-25)
membranophone:
John Starks (on 1970-04-25)
organ and background vocals:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) (on 1970-04-25)
piano and lead vocals:
James Brown (The Godfather of Soul) (on 1970-04-25)
tenor saxophone:
Robert McCollough (on 1970-04-25)
trumpet:
Clayton Gunnells (on 1970-04-25) and Darryl Hassan Jamison (on 1970-04-25)
recorded at:
Starday Sound Studios in Nashville, Tennessee, United States (on 1970-04-25)
partial recording of:
Get Up (I Feel Like Being Like a) Sex Machine (on 1970-04-25)
writer:
James Brown (The Godfather of Soul), Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) and Ron Lenhoff
publisher:
Dynatone Publishing Co. and Intersong Music Ltd.
James Brown42:52
14This Will Be
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 4) (number: 3) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 316)
recording of:
This Will Be (an Everlasting Love)
writer:
Chuck Jackson (songwriter/producer) and Marvin Yancy (R&B/soul singer and pastor)
publisher:
Chappell & Co., Inc. (USA) and Jay’s Enterprises Inc.
Natalie Cole3.52:52
15Foot Stompin’ Music
recording of:
Foot Stompin Music
lyricist and composer:
Hamilton Bohannon
Hamilton Bohannon3:29
16Sing a Song
producer:
Charles Stepney (musician, producer, arranger and songwriter) and Maurice White (Earth, Wind & Fire)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
samples from:
Gratitude by Earth, Wind & Fire (in 1975)
recording of:
Sing a Song
writer:
Al McKay and Maurice White (Earth, Wind & Fire)
Earth, Wind & Fire33:25
17What a Difference a Day Makes
engineer:
Rudy van Gelder (on 1975-04-24)
producer:
Creed Taylor
vocals:
Esther Phillips (Little Esther) (on 1975-04-24)
cover recording of:
What a Diff’rence a Day Made (on 1975-04-24)
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
Esther Phillips34:32