| # | Title | Artist | Rating | Length |
|---|
| 1 | Africa- recording engineer:
- Al Schmitt
- producer:
- Toto
- mixer:
- Greg Ladanyi
- acoustic guitar:
- Timothy B. Schmit
- bass guitar:
- David Hungate
- congas:
- Lenny Castro
- drums (drum set) and gong:
- Jeff Porcaro
- electric guitar and guitar:
- Steve Lukather
- keyboard and piano:
- David Paich
- marimba:
- Joe Porcaro
- percussion:
- Lenny Castro and Joe Porcaro
- recorder:
- Jim Horn
- synthesizer:
- Steve Porcaro
- background vocals:
- Bobby Kimball, Steve Lukather, David Paich and Timothy B. Schmit
- lead vocals:
- Bobby Kimball and David Paich
- phonographic copyright (℗) by:
- CBS, Inc. (in 1982), Columbia Records (in 1982), Sony Music Entertainment (in 1982) and Sony Music Entertainment Inc. (in 1982, in 1983)
- music videos:
- Africa by Toto
- part of:
- Billboard: The 500 Best Pop Songs (number: 105) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 452)
- recording of:
- Africa
- writer:
- Jeffrey Porcaro and David Paich
- publisher:
- Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. , Rising Storm Music, Sony Music Publishing , Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC and Spirit Two Music
- sub-publisher:
- ソニー・ミュージックパブリッシング A事業部
| Toto | 4.15 | 4:55 |
| 2 | Nothing Breaks Like a Heart- recording engineer:
- Beatriz Artola, Joshua Blair, Riccardo Damian , Martin Hollis, Barry McCready and Todd Monfalcone
- assistant engineer:
- Tyler Beans , Rob Bisel, John Hanes , Rowan McIntosh , Dylan Neustadter and Josh Tyrrell
- co-producer:
- The Picard Brothers
- producer:
- Jamie XX and Mark Ronson
- mixer:
- Serban Ghenea
- bass and piano:
- Mark Ronson
- cello:
- Katie Burke, Dave Daniels , Katherine Jenkinson and Jo Knight
- double bass:
- Roger Linley
- drums (drum set):
- Conor Szymanski
- guitar:
- Thomas Brenneck
- viola:
- Nick Barr , Reiad Chibah , Virginia Slater and Katie Wilkinson
- violin:
- Daniel Bhattacharya, Fiona Brice, Chris Clad, Francis Grime, Marianne Haynes , Ian Humphries , Kirsty Mangan, Perry Montague‐Mason , Charles Mutter , Amandla Stenberg, Chris Tombling , Matthew Ward , Honor Watson , Debbie Widdup and Paul Willey
- conductor:
- Chris Elliott
- arranger:
- Chris Elliott
- phonographic copyright (℗) by:
- Mark Ronson (in 2018)
- part of:
- TheNeedleDrop: Top 50 Singles of 2018 (number: 32), Spotify: Top Hits of 2019 (number: 34) and BILLIONS CLUB
- recording of:
- Nothing Breaks Like a Heart
- writer:
- Thomas Brenneck, Miley Cyrus, Ilsey Juber , Clément Picard, Maxime Picard, Mark Ronson and Conor Szymanski
| Mark Ronson feat. Miley Cyrus | 3.9 | 3:37 |
| 3 | Hey, Soul Sister | Train | 4.05 | 3:36 |
| 4 | Human | Rag’n’Bone Man | 4.15 | 3:19 |
| 5 | Another Love | Tom Odell | 3.6 | 4:04 |
| 6 | Dusk Till Dawn (radio edit) | ZAYN feat. Sia | 3.6 | 3:57 |
| 7 | Say You Won’t Let Go | James Arthur | 3.8 | 3:30 |
| 8 | If I Ain’t Got You- recording engineer:
- Tony Black
- programming:
- Kerry "Krucial" Brothers
- producer:
- Alicia Keys
- mixer:
- Manny Marroquin
- bass guitar [bass]:
- Fred Cash, Jr.
- drums (drum set) [drums]:
- Steve Jordan
- guitar:
- Hugh McKracken
- horn [horns]:
- "Chops", David Watson , Darryl Dixon and Joe Romano
- organ:
- Arcell Vickers
- piano and lead vocals:
- AK
- background vocals:
- AK, Katreese Barnes, L. Green and Cindy Mizelle
- phonographic copyright (℗) by:
- J Records LLC (in 2003) and Sony BMG Music Entertainment (in 2003)
- produced for:
- Krucial/Keys Enterprise and MBK Entertainment
- recorded at:
- Kampo Studios in Manhattan, New York, New York, United States
- mixed at:
- Plus XXX in Paris, Île-de-France, France
- part of:
- BILLIONS CLUB, Billboard: The 500 Best Pop Songs (number: 422) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 440)
- recording of:
- If I Ain’t Got You
- lyricist and composer:
- Alicia Keys
- publisher:
- EMI Music Publishing, Inc., Lellow Productions, Inc. and Universal Music Corp.
- sub-publisher:
- EMI Music Publishing Australia Pty Ltd , シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Alicia Keys | 3.6 | 3:49 |
| 9 | Come and Get Your Love (single version) | Redbone | 4.45 | 3:32 |
| 10 | Ain’t No Sunshine | Bill Withers | 4.5 | 2:05 |
| 11 | Let Me Love You | Mario | 3.35 | 4:15 |
| 12 | Malibu | Miley Cyrus | 2.5 | 3:50 |
| 13 | Torn | Natalie Imbruglia | 4.1 | 4:04 |
| 14 | Thank You | Dido | 4.25 | 3:39 |
| 15 | 7 Days | Craig David | 4.65 | 3:53 |
| 16 | Walk on the Wild Side- producer:
- David Bowie , Lou Reed and Mick Ronson
- baritone saxophone:
- Ronnie Ross (in 1972-08)
- double bass and electric bass guitar:
- Herbie Flowers (in 1972-08)
- drums (drum set):
- John Halsey (in 1972-08)
- background vocals:
- The Thunder Thighs (in 1972-08)
- lead vocals:
- Lou Reed (in 1972-08)
- brass arranger and strings arranger:
- Mick Ronson
- arranger:
- David Bowie , Lou Reed and Mick Ronson
- phonographic copyright (℗) by:
- BMG Entertainment (in 1972), BMG Music (in 1972), RCA Records (in 1972) and Sony BMG Music Entertainment (in 1972)
- recorded at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom (in 1972-08)
- mixed at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom
- samples from:
- Lexicon Valley #150, “Why Language Can’t Be Tamed” by John McWhorter
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 180) and Rolling Stone: 500 Greatest Songs of All Time (number: 221)
- recording of:
- Walk on the Wild Side (in 1972-08)
- lyricist and composer:
- Lou Reed
- publisher:
- Dunbar Music, EMI Music Publishing Australia Pty. Limited , EMI Music Publishing Ltd. , Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. and Six Continents Music Publishing Inc.
| Lou Reed | 4.25 | 4:14 |
| 17 | Beautiful Girls- producer:
- Jonathan “J.R.” Rotem
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment (in 2007)
- samples:
- Stand by Me by Ben E. King
- recording of:
- Beautiful Girls
- writer:
- Jonathan Reuven Rotem, Sylvester Jordan, Jr., Ben E. King, Kisean Paul Anderson , Jerry Leiber and Mike Stoller
- publisher:
- Almo Music Corp. , BHEIGHTSMUSIC, Eyes above Water Music, FEEDMYBABEEZ, Jonathan Rotem Music, Sony/ATV Songs LLC and Southside Independent Music Publishing
| Sean Kingston | 3.5 | 4:02 |
| 18 | How to Save a Life | The Fray | 4.2 | 4:22 |
| 19 | Knockin’ on Heaven’s Door | Bob Dylan | 4.7 | 2:30 |
| 20 | Unstoppable- programming, engineer and producer:
- Jesse Shatkin
- strings programming:
- Jesse Shatkin
- additional engineer:
- Jamie Wosk
- assistant mixer:
- Chris Galland and Ike Schultz
- mixer:
- Manny Marroquin
- bass, drums (drum set) [drums], keyboard and piano:
- Jesse Shatkin
- lead vocals:
- Sia
- mixed at:
- Larrabee Studios in North Hollywood, Los Angeles, California, United States
- engineered at:
- Hot Closet Studios in Los Angeles, California, United States and The Rib Cage in Los Angeles, California, United States
- music videos:
- Unstoppable by Sia
- recording of:
- Unstoppable
- writer:
- Christopher Braide and Sia Furler
- publisher:
- BMG Sapphire Songs, Christopher Braide Publishing, Mushroom Music and Pineapple Lasagne
| Sia | 4.55 | 3:38 |
| 21 | I Want It That Way- producer:
- Kristian Lundin (in 1999) and Max Martin (in 1999)
- mixer:
- Kristian Lundin and Max Martin
- electric bass guitar [bass]:
- Tomas Lindberg
- guitar:
- Esbjörn Öhrwall
- vocals:
- Alexander James “A.J.” McLean , Brian “B-Rok” Littrell , Nick Carter , Howard “Howie D.” Dorough and Kevin Richardson
- phonographic copyright (℗) by:
- RCA Records (in 1998, in 2025) and Zomba Recording Corporation (in 1999)
- produced for:
- Cheiron Productions (in 1999)
- recorded at:
- Cheiron Studios in Stockholm, Stockholms län , Sweden
- mixed at:
- Cheiron Studios in Stockholm, Stockholms län , Sweden (in 1999)
- part of:
- Billboard: The 500 Best Pop Songs (number: 4), BILLIONS CLUB and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 240)
- recording of:
- I Want It That Way
- lyricist, writer and composer:
- Andreas Carlsson and Max Martin
- publisher:
- Grantsville Publishing Ltd., Zomba Enterprises, Inc. and Zomba Music Publishers Ltd.
| Backstreet Boys | 3.75 | 3:33 |
| 22 | Dust in the Wind- additional engineer:
- Terry Diane Becker
- engineer:
- Jeff Glixman (from 1977-06 until 1977-07)
- producer:
- Jeff Glixman (in 1977-06)
- acoustic guitar and electric guitar:
- Kerry Livgren (from 1977-06 until 1977-07) and Rich Williams (from 1977-06 until 1977-07)
- bass guitar:
- Dave Hope (from 1977-06 until 1977-07)
- celesta, organ, synthesizer, vibraphone and lead vocals:
- Steve Walsh (from 1977-06 until 1977-07)
- cello, viola and violin [violins]:
- Robby Steinhardt (from 1977-06 until 1977-07)
- chimes, drums (drum set), gong and timpani:
- Phil Ehart (from 1977-06 until 1977-07)
- clavinet and synthesizer [synthesizers]:
- Kerry Livgren (from 1977-06 until 1977-07)
- percussion [additional percussion]:
- Phil Ehart (from 1977-06 until 1977-07), Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (from 1977-06 until 1977-07)
- piano:
- Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (from 1977-06 until 1977-07)
- background vocals:
- Robby Steinhardt (from 1977-06 until 1977-07) and Steve Walsh (from 1977-06 until 1977-07)
- arranger:
- Kansas
- phonographic copyright (℗) by:
- Sony Music (in 1976), CBS, Inc. (in 1977), Epic Records (in 1977), Sony Music Entertainment Inc. (in 1977) and CBS Records Inc. (in 1978)
- recorded at:
- Studio in the Country in Bogalusa, Louisiana, United States (from 1977-06 until 1977-07) and Woodland Studios in Nashville, Tennessee, United States (from 1977-06 until 1977-07)
- mixed at:
- The Village in Los Angeles, California, United States (in 1977-08)
- part of:
- Billboard Year-End Hot 100 singles of 1978 (number: 39)
- recording of:
- Dust in the Wind (from 1977-06 until 1977-07)
- lyricist and composer:
- Kerry Livgren
- publisher:
- Blackwood Music Publishing, Don Kirshner Music Inc., Kirshner CBS Music Publishing and Kirshner-Warner Bros Music Ltd.
- sub-publisher:
- フジパシフィックミュージック SBK事業部
- adaptations:
- As the Sun Rises
| Kansas | 4.05 | 3:26 |
| 23 | Wherever You Will Go- assistant recording engineer:
- Tiago Becker and Valente Torres
- recording engineer:
- Marc Greene and David Thoener
- producer:
- Marc Tanner
- mixer:
- Chris Lord‐Alge
- additional keyboard:
- Paul Mirkovich
- bass:
- Bob Glaub
- drums (drum set):
- Matt Laug
- guitar, mandolin, sampler [loops] and sitar:
- Aaron Kamin
- percussion:
- Aaron Kamin, Matt Laug and Satnam Ramgotra
- synthesizer [synth strings]:
- Ron Fair
- tabla:
- Satnam Ramgotra
- phonographic copyright (℗) by:
- BMG Entertainment (in 2001) and RCA Records (in 2001)
- recorded at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States
- mixed at:
- Image Recording in Los Angeles, California, United States
- part of:
- Billboard Year-End Hot 100 singles of 2002 (number: 5)
- recording of:
- Wherever You Will Go
- writer:
- Alex Band and Aaron Kamin
- publisher:
- Alex Band Music, Amedeo Music, BMG Music Publishing, Inc., BMG Platinum Songs US, BMG Rights Management (UK) Ltd. , Copyright Control , Universal Music Careers and Universal Music Publishing MGB Ltd.
| The Calling | 3.95 | 3:28 |
| 24 | Can’t Help Falling in Love- bass:
- Bob Moore (on 1961-03-23)
- celesta [celeste]:
- Dudley Brooks (on 1961-03-23)
- drums (drum set):
- Hal Blaine (on 1961-03-23), D.J. Fontana (on 1961-03-23) and Bernie Mattinson (on 1961-03-23)
- guitar:
- Hank Garland (on 1961-03-23), Scotty Moore (on 1961-03-23) and Tiny Timbrell (on 1961-03-23)
- harmonica:
- George Fields (on 1961-03-23)
- piano:
- Dudley Brooks (on 1961-03-23) and Floyd Cramer (on 1961-03-23)
- saxophone:
- Boots Randolph (on 1961-03-23)
- steel guitar:
- Alvino Rey (on 1961-03-23)
- ukulele:
- Bernie Lewis (on 1961-03-23) and Fred Tavares (on 1961-03-23)
- lead vocals:
- Elvis Presley (on 1961-03-23)
- vocals:
- The Jordanaires (on 1961-03-23) and The Surfers (on 1961-03-23)
- additional performer:
- The Jordanaires (on 1961-03-23)
- phonographic copyright (℗) by:
- BMG Entertainment (in 1961), BMG Music (in 1961), RCA Corporation (in 1961) and Sony BMG Music Entertainment (in 2002)
- part of:
- Billboard: The 500 Best Pop Songs (number: 137)
- recording of:
- Can’t Help Falling in Love (on 1961-03-23)
- writer:
- Luigi Creatore, Hugo Peretti and George David Weiss
- publisher:
- Aberbach Musikverlag , ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music , Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. , Luigi Creatore Music and The Manor Music Co. Ltd.
- sub-publisher:
- 日音 (ended), フジパシフィックミュージック , ヤマハミュージックEH(CM) and 日音 Synch事業部
- is based on:
- Plaisir d’amour
| Elvis Presley | 4.1 | 2:59 |
| 25 | All I Want | Kodaline | 5 | 5:06 |
| 26 | Complicated- recording engineer and producer:
- The Matrix
- executive producer:
- Antonio M. Reid
- assistant mixer:
- Femio Hernandez
- mixer:
- Tom Lord‐Alge
- guitar:
- Corky James
- additional vocals:
- The Matrix
- vocals:
- Avril Lavigne
- arranger:
- The Matrix
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 2002) and Arista Records, LLC (in 2002, in 2022)
- recorded at:
- Decoy Studios in Studio City, Los Angeles, California, United States
- mixed at:
- South Beach Studios in Miami Beach, Florida, United States
- music videos:
- Complicated (Video) by Avril Lavigne
- part of:
- Billboard Year-End Hot 100 singles of 2002 (number: 11) and BILLIONS CLUB
- recording of:
- Complicated
- writer:
- Avril Lavigne and The Matrix
- publisher:
- Avril Lavigne Publishing LLC, Ferry Hill Songs, Hollylodge Music, Mr. Spock Music, Tix Music, Universal Music Publishing Ltd. , Warner–Tamerlane Publishing Corp. and WB Music Corp.
| Avril Lavigne | 4.1 | 4:05 |
| 27 | Shotgun- programming:
- Cam Blackwood, Matthew Racher and Liam Thorne
- engineer:
- Liam Thorne
- producer:
- Cam Blackwood
- assistant mixer:
- Joel Davies and Charles Haydon Hicks
- mixer:
- Dan Grech‐Marguerat
- additional percussion:
- Liam Thorne
- bass guitar [bass]:
- George Ezra and FRED
- brass:
- The Atlantic Horns
- drums (drum set) [drums]:
- FRED , Jaleesa Gemerts and Matthew Racher
- guitar:
- Cam Blackwood and George Ezra
- keyboard and lead vocals:
- George Ezra
- keyboard [keys]:
- FRED
- organ:
- James Wyatt
- percussion:
- Matthew Racher
- saxophone [sax]:
- Mark Brown
- synthesizer [synths]:
- Cam Blackwood
- trombone:
- Mike Kearsey
- trumpet:
- Ben Edwards
- background vocals [backing vocals]:
- Cam Blackwood, Florrie Arnold , Ollie Hodge and Joel Pott
- additional brass arranger:
- Emma Corby
- phonographic copyright (℗) by:
- Sony Music Entertainment UK Limited (in 2018)
- recorded at:
- Voltaire Road Studios in Clapham, Lambeth, London , England, United Kingdom
- mixed at:
- Studio 3, Strongroom Studios in Shoreditch, Hackney, London , England, United Kingdom
- recording of:
- Shotgun
- writer:
- George Ezra and Joel Pott
| George Ezra | 3 | 3:19 |
| 28 | Bleeding Love | Leona Lewis | 4.15 | 4:23 |
| 29 | Somebody to Love- recording engineer:
- David Hassinger (on 1966-11-03)
- producer:
- Rick Jarrard (from 1966-10-31 until 1966-11-22)
- bass:
- Jack Casady (from 1966-10-31 until 1966-11-22)
- drums (drum set):
- Spencer Dryden (from 1966-10-31 until 1966-11-22)
- guitar [lead guitar]:
- Jorma Kaukonen (from 1966-10-31 until 1966-11-22)
- guitar [rhythm guitar]:
- Paul Kantner (from 1966-10-31 until 1966-11-22)
- lead vocals:
- Grace Slick (from 1966-10-31 until 1966-11-22)
- vocals:
- Marty Balin (from 1966-10-31 until 1966-11-22) and Paul Kantner (from 1966-10-31 until 1966-11-22)
- phonographic copyright (℗) by:
- BMG Music (in 1967) and RCA (in 1967)
- recorded at:
- RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (from 1966-10-31 until 1966-11-22)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (number: 274)
- recording of:
- Somebody to Love (from 1966-10-31 until 1966-11-22)
- lyricist and composer:
- Darby Slick
- publisher:
- Copperpenny Music, Copyright Control , Irving Music , Irving Music, Inc., Knockout Music Company, Rondor Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC , Sony/ATV Tunes LLC , Universal Music Publishing, Synch Division and Yamaha Music Entertainment Holdings, Inc.
| Jefferson Airplane | 4.55 | 2:55 |
| 30 | Lovely Day- producer:
- Clarence McDonald and Bill Withers
- bass guitar:
- Jerry Knight (in 1977)
- drums (drum set) and shakers:
- Russell Kunkel (in 1977)
- guitar:
- Ray Parker (in 1977)
- keyboard:
- Clarence McDonald (in 1977)
- percussion:
- Ralph MacDonald (in 1977)
- lead vocals:
- Bill Withers (in 1977)
- arranger:
- Clarence McDonald
- concertmaster:
- Charles Veal (in 1977)
- phonographic copyright (℗) by:
- CBS Records Ltd. (in 1977), CBS, Inc. (in 1977) and Columbia Records (in 1977)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 402)
- recording of:
- Lovely Day (in 1977)
- writer:
- Skip Scarborough and Bill Withers
- publisher:
- Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. , フジパシフィックミュージック , ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| Bill Withers | 4.6 | 4:06 |
| 31 | Girl on Fire | Alicia Keys | 4 | 3:45 |
| 32 | Pillowtalk- recording engineer:
- Zeke Mishanec
- engineer:
- John Hanes (task: engineered for mix)
- additional producer:
- MakeYouKnowLove
- executive producer:
- Zayn Malik
- producer:
- Levi Lennox
- mixer:
- Serban Ghenea
- guitar:
- Joe Garrett
- piano:
- Levi Lennox
- background vocals:
- Anthony Hannides and Michael Hannides
- vocals arranger:
- MakeYouKnowLove
- phonographic copyright (℗) by:
- RCA
- recorded at:
- F/H Block in Ealing, London , England, United Kingdom and Jungle City Studios in New York, New York, United States
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- edit of:
- PILLOWTALK (acoustic) by ZAYN
- music videos:
- PILLOWTALK by ZAYN
- part of:
- Billboard Year-End Hot 100 singles of 2016 (number: 22) and BILLIONS CLUB
- recording of:
- Pillowtalk
- writer:
- Joe Garrett, Anthony Hannides, Michael Hannides, Levi Lennox and Zayn Malik
- publisher:
- BMG Rights Management (UK) Ltd. , Drop Zed Publishing Ltd. , Joe Garrett Publishing Designee, Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Tunes LLC
| ZAYN | 3.65 | 3:24 |
| 33 | What About Us- assistant engineer:
- Gabe Burch and Matt Dyson
- engineer:
- Dann Pursey , John Hanes and Chris Laws
- producer:
- Steve Mac
- mixer:
- Serban Ghenea
- drums (drum set) [drums]:
- Chris Laws
- guitar [guitars]:
- Johnny McDaid
- keyboard [keyboards]:
- Steve Mac
- vocals:
- P!nk
- phonographic copyright (℗) by:
- RCA Records (in 2017)
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- engineered at:
- Rokstone Studios in Parsons Green, Hammersmith and Fulham, London , England, United Kingdom and The Village in Los Angeles, California, United States
- part of:
- Billboard Decade End Chart: Adult Contemporary Songs (number: 28) and Billboard Year-End Hot 100 singles of 2017 (number: 84)
- recording of:
- What About Us
- writer:
- Johnny McDaid, P!nk and Steve Mac
- publisher:
- EMI Blackwood Music Inc., P!nk Inside Publishing, Rokstone Music Limited and Spirit B-Unique Polar Patrol Songs
| P!nk | 3.5 | 4:30 |
| 34 | The Man Who Can’t Be Moved | The Script | 3.6 | 4:01 |
| 35 | Drive By | Train | 3.5 | 3:15 |
| 36 | Your Body Is a Wonderland | John Mayer | 3.45 | 4:08 |
| 37 | Hold My Girl | George Ezra | 3 | 3:31 |
| 38 | All Along the Watchtower- engineer:
- Eddie Kramer (from 1968-01-21 until 1968-05)
- producer:
- Jimi Hendrix
- 12 string guitar:
- Dave Mason (from 1968-01-21 until 1968-05)
- drums (drum set):
- Mitch Mitchell (from 1968-01-21 until 1968-05)
- electric bass guitar and electric guitar:
- Jimi Hendrix (from 1968-01-21 until 1968-05)
- percussion:
- Brian Jones and Mitch Mitchell (from 1968-01-21 until 1968-05)
- background vocals:
- Dave Mason
- vocals:
- Jimi Hendrix (from 1968-01-21 until 1968-05)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1968) and Experience Hendrix, L.L.C. (in 1999)
- recorded at:
- Olympic Studios in Barnes, Richmond upon Thames, London , England, United Kingdom (on 1968-01-21) and The Record Plant in Midtown Manhattan, New York, New York, United States (in 1968-04, in 1968-05)
- produced at:
- Olympic Studios in Barnes, Richmond upon Thames, London , England, United Kingdom (on 1968-01-21)
- part of:
- New York Post: 100 Greatest Covers (2007) (number: 24), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 40), Helsingin Sanomat: 100 maailman parasta laulua (number: 47) and Rolling Stone: 500 Greatest Songs of All Time (number: 48)
- cover recording of:
- All Along the Watchtower (from 1968-01-21 until 1968-05)
- lyricist and composer:
- Bob Dylan (from 1967-10 until 1967-11)
- publisher:
- B. Feldman & Co. Ltd. , EMI Music , Sony Music Publishing and Dwarf Music (from 1968 to present)
| Jimi Hendrix | 4.55 | 4:00 |
| 39 | Love Lies | Khalid & Normani | 2.75 | 3:21 |
| 40 | Runaway Train | Soul Asylum | 4.4 | 4:26 |
| 41 | Sundress | A$AP Rocky | | 2:38 |
| 42 | Like a Rolling Stone | Bob Dylan | 4.45 | 6:10 |
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