Don Quixote / Don Juan / Macbeth / Tod und Verklärung / Der Bürger asl Edelmann / Rosenkavalier Waltzes

~ Release by Richard Strauss; Wiener Philharmoniker, Lorin Maazel (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Don Quixote, op. 35: Einleitung (Mäßiges Zeitmaß): Der Ritter von der traurigen Gestalt
producer:
Erik Smith (British producer, pianist and harpsichordist)
cello:
Emanuel Brabec (Austrian cellist) (from 1968-03-18 until 1968-03-21)
viola:
Josef Staar (violist) (from 1968-03-18 until 1968-03-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1968-03-18 until 1968-03-21)
conductor:
Lorin Maazel (conductor) (from 1968-03-18 until 1968-03-21)
balance engineer:
Gordon Parry (engineer) (from 1968-03-18 until 1968-03-21)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1968-03-18 until 1968-03-21)
recording of:
Don Quixote, op. 35: Thema: Mäßig. "Don Quichotte, der Ritter von der traurigen Gestalt" (Don Quixote, op. 35: 2. Theme: Mäßig. "Don Quixote, the Knight of the Sorrowful Countenance") (from 1968-03-18 until 1968-03-21)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
recording of:
Don Quixote, op. 35: I. Introduction
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote (op 35; TrV 184)
Richard Strauss8:36
2Don Quixote, op. 35: Variation I (Gemächlich): Das Abenteuer mit Windmühlen
producer:
Erik Smith (British producer, pianist and harpsichordist)
cello:
Emanuel Brabec (Austrian cellist) (from 1968-03-18 until 1968-03-21)
viola:
Josef Staar (violist) (from 1968-03-18 until 1968-03-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1968-03-18 until 1968-03-21)
conductor:
Lorin Maazel (conductor) (from 1968-03-18 until 1968-03-21)
balance engineer:
Gordon Parry (engineer) (from 1968-03-18 until 1968-03-21)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1968-03-18 until 1968-03-21)
recording of:
Don Quixote, op. 35: Variation I: Departure. The Adventure of the Windmills (from 1968-03-18 until 1968-03-21)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss2:33
3Don Quixote, op. 35: Variation II (Kriegerisch): Der Kampf gegen die Hammelherde
producer:
Erik Smith (British producer, pianist and harpsichordist)
cello:
Emanuel Brabec (Austrian cellist) (from 1968-03-18 until 1968-03-21)
viola:
Josef Staar (violist) (from 1968-03-18 until 1968-03-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1968-03-18 until 1968-03-21)
conductor:
Lorin Maazel (conductor) (from 1968-03-18 until 1968-03-21)
balance engineer:
Gordon Parry (engineer) (from 1968-03-18 until 1968-03-21)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1968-03-18 until 1968-03-21)
recording of:
Don Quixote, op. 35: Variation II: The Battle With the Sheep (from 1968-03-18 until 1968-03-21)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:39
4Don Quixote, op. 35: Variation III (Mäßiges Zeitmaß): Gespräche zwischen Ritter und Knappe
producer:
Erik Smith (British producer, pianist and harpsichordist)
cello:
Emanuel Brabec (Austrian cellist) (from 1968-03-18 until 1968-03-21)
viola:
Josef Staar (violist) (from 1968-03-18 until 1968-03-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1968-03-18 until 1968-03-21)
conductor:
Lorin Maazel (conductor) (from 1968-03-18 until 1968-03-21)
balance engineer:
Gordon Parry (engineer) (from 1968-03-18 until 1968-03-21)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1968-03-18 until 1968-03-21)
recording of:
Don Quixote, op. 35: Variation III: Sancho's Wishes, Peculiarities of Speech and Maxims (from 1968-03-18 until 1968-03-21)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss7:39
5Don Quixote, op. 35: Variation IV (Etwas breiter): Das Abenteuer mit der Prozession von Bußern
producer:
Erik Smith (British producer, pianist and harpsichordist)
cello:
Emanuel Brabec (Austrian cellist) (from 1968-03-18 until 1968-03-21)
viola:
Josef Staar (violist) (from 1968-03-18 until 1968-03-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1968-03-18 until 1968-03-21)
conductor:
Lorin Maazel (conductor) (from 1968-03-18 until 1968-03-21)
balance engineer:
Gordon Parry (engineer) (from 1968-03-18 until 1968-03-21)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1968-03-18 until 1968-03-21)
recording of:
Don Quixote, op. 35: Variation IV: The Adventure With the Procession of Penitents (from 1968-03-18 until 1968-03-21)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:56
6Don Quixote, op. 35: Variation V (Sehr langsam): Don Quixotes Waffenwache und Herzensergrüsse
producer:
Erik Smith (British producer, pianist and harpsichordist)
cello:
Emanuel Brabec (Austrian cellist) (from 1968-03-18 until 1968-03-21)
viola:
Josef Staar (violist) (from 1968-03-18 until 1968-03-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1968-03-18 until 1968-03-21)
conductor:
Lorin Maazel (conductor) (from 1968-03-18 until 1968-03-21)
balance engineer:
Gordon Parry (engineer) (from 1968-03-18 until 1968-03-21)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1968-03-18 until 1968-03-21)
recording of:
Don Quixote, op. 35: Variation V: Don Quixote's Vigil During the Summer Night (from 1968-03-18 until 1968-03-21)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss4:34
7Don Quixote, op. 35: Variation VI (Schnell): Die verzauberte Dulcinea
producer:
Erik Smith (British producer, pianist and harpsichordist)
cello:
Emanuel Brabec (Austrian cellist) (from 1968-03-18 until 1968-03-21)
viola:
Josef Staar (violist) (from 1968-03-18 until 1968-03-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1968-03-18 until 1968-03-21)
conductor:
Lorin Maazel (conductor) (from 1968-03-18 until 1968-03-21)
balance engineer:
Gordon Parry (engineer) (from 1968-03-18 until 1968-03-21)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1968-03-18 until 1968-03-21)
recording of:
Don Quixote, op. 35: Variation VI: Dulcinea (from 1968-03-18 until 1968-03-21)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:05
8Don Quixote, op. 35: Variation VII (Ein wenig ruhiger als vorher): Der Ritt durch die Luft
producer:
Erik Smith (British producer, pianist and harpsichordist)
cello:
Emanuel Brabec (Austrian cellist) (from 1968-03-18 until 1968-03-21)
viola:
Josef Staar (violist) (from 1968-03-18 until 1968-03-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1968-03-18 until 1968-03-21)
conductor:
Lorin Maazel (conductor) (from 1968-03-18 until 1968-03-21)
balance engineer:
Gordon Parry (engineer) (from 1968-03-18 until 1968-03-21)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1968-03-18 until 1968-03-21)
recording of:
Don Quixote, op. 35: Variation VII: Don Quixote's Ride Through the Air (from 1968-03-18 until 1968-03-21)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:10
9Don Quixote, op. 35: Variation VIII (Gemächlich): Die Fahrt auf dem verzauberten Nachen
producer:
Erik Smith (British producer, pianist and harpsichordist)
cello:
Emanuel Brabec (Austrian cellist) (from 1968-03-18 until 1968-03-21)
viola:
Josef Staar (violist) (from 1968-03-18 until 1968-03-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1968-03-18 until 1968-03-21)
conductor:
Lorin Maazel (conductor) (from 1968-03-18 until 1968-03-21)
balance engineer:
Gordon Parry (engineer) (from 1968-03-18 until 1968-03-21)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1968-03-18 until 1968-03-21)
recording of:
Don Quixote, op. 35: Variation VIII: The Trip on the Enchanted Boat (from 1968-03-18 until 1968-03-21)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:46
10Don Quixote, op. 35: Variation IX (Schnell und stürmisch): Der Kampf gegen die vermeintlichen Zauberer
producer:
Erik Smith (British producer, pianist and harpsichordist)
cello:
Emanuel Brabec (Austrian cellist) (from 1968-03-18 until 1968-03-21)
viola:
Josef Staar (violist) (from 1968-03-18 until 1968-03-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1968-03-18 until 1968-03-21)
conductor:
Lorin Maazel (conductor) (from 1968-03-18 until 1968-03-21)
balance engineer:
Gordon Parry (engineer) (from 1968-03-18 until 1968-03-21)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1968-03-18 until 1968-03-21)
recording of:
Don Quixote, op. 35: Variation IX: The Attack on the Mendicant Friars (from 1968-03-18 until 1968-03-21)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:05
11Don Quixote, op. 35: Variation X (Viel breiter): Zweikampf mit dem Ritter vom blanken Monde; Heimkehr des geschlagenen Don Quixote
producer:
Erik Smith (British producer, pianist and harpsichordist)
cello:
Emanuel Brabec (Austrian cellist) (from 1968-03-18 until 1968-03-21)
viola:
Josef Staar (violist) (from 1968-03-18 until 1968-03-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1968-03-18 until 1968-03-21)
conductor:
Lorin Maazel (conductor) (from 1968-03-18 until 1968-03-21)
balance engineer:
Gordon Parry (engineer) (from 1968-03-18 until 1968-03-21)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1968-03-18 until 1968-03-21)
recording of:
Don Quixote, op. 35: Variation X: The Duel and Return Home (from 1968-03-18 until 1968-03-21)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss3:59
12Don Quixote, op. 35: Finale (Sehr ruhig): Don Quixotes Tod
producer:
Erik Smith (British producer, pianist and harpsichordist)
cello:
Emanuel Brabec (Austrian cellist) (from 1968-03-18 until 1968-03-21)
viola:
Josef Staar (violist) (from 1968-03-18 until 1968-03-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1968-03-18 until 1968-03-21)
conductor:
Lorin Maazel (conductor) (from 1968-03-18 until 1968-03-21)
balance engineer:
Gordon Parry (engineer) (from 1968-03-18 until 1968-03-21)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1968-03-18 until 1968-03-21)
recording of:
Don Quixote, op. 35: III. Epilogue: Don Quixote's Mind Clears. Death of Don Quixote (Don Quixote, op. 35: Epilogue: Don Quixote's Mind Clears. Death of Don Quixote) (from 1968-03-18 until 1968-03-21)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote (op 35; TrV 184)
Richard Strauss5:40
13Don Juan, op. 20
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1964-04 to present, in 1964, from 1964-05-04 until 1964-05-06)
conductor:
Lorin Maazel (conductor) (from 1964-04 to present, in 1964, from 1964-05-04 until 1964-05-06)
balance engineer:
Gordon Parry (engineer) (from 1964-05-04 until 1964-05-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1964-04 to present, in 1964, from 1964-05-04 until 1964-05-06)
recording of:
Don Juan (op. 20; TrV 156) (from 1964-05-04 until 1964-05-06)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1889-11-11)
composer:
Richard Strauss (German composer) (in 1888)
part of:
Works of Richard Strauss by opus number (number: op. 20) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 156)
recording of:
Don Juan (op. 20; TrV 156) (in 1964)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1889-11-11)
composer:
Richard Strauss (German composer) (in 1888)
part of:
Works of Richard Strauss by opus number (number: op. 20) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 156)
Richard Strauss16:51
14Macbeth, op. 23
producer:
Hanno Rinke and Wolfgang Stengel
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1983-02)
conductor:
Lorin Maazel (conductor) (in 1983-02)
balance engineer:
Wolfgang Mitlehner (in 1983-02)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1983-02)
recording of:
Macbeth (op. 23; TrV 163) (in 1983-02)
composer:
Richard Strauss (German composer) (from 1886 until 1888)
premiered at:
Hoftheater Weimar (reopened 1825 - replaced 1906) in Weimar, Thüringen (Thuringia), Germany (on 1890-10-13)
part of:
Works of Richard Strauss by opus number (number: op. 23) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 163)
Richard Strauss18:50
2▼CD
#TitleArtistRatingLength
1Tod und Verklärung, op. 24
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1964-05-04 until 1964-05-06)
conductor:
Lorin Maazel (conductor) (from 1964-05-04 until 1964-05-06)
balance engineer:
Gordon Parry (engineer) (from 1964-05-04 until 1964-05-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1964-05-04 until 1964-05-06)
recording of:
Tod und Verklärung, op. 24 (TrV 158) (from 1964-05-04 until 1964-05-06)
composer:
Richard Strauss (German composer) (from 1888 until 1889-11-18)
dedicated to:
Friedrich Rösch
premiered at:
[Convention of the General German Music Association] (1890-06-21)
publisher:
Joseph Aibl (in 1891)
premiered at:
Thüringer Landestheater Eisenach in Eisenach, Thüringen (Thuringia), Germany (on 1890-06-21)
part of:
Works of Richard Strauss by opus number (number: op. 24) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 158)
Richard Strauss23:16
2Der Bürger als Edelmann - Orchestersuite, op. 60: Overture to Act I
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
cello:
Emanuel Brabec (Austrian cellist) (in 1966, from 1966-10-06 until 1966-10-10)
piano:
Friedrich Gulda (pianist) (in 1966, from 1966-10-06 until 1966-10-10)
violin:
Willi Boskovsky (violinist and conductor) (in 1966, from 1966-10-06 until 1966-10-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1966-10-06 until 1966-10-10)
conductor:
Lorin Maazel (conductor) (from 1966-10-06 until 1966-10-10)
balance engineer:
Gordon Parry (engineer) (from 1966-10-06 until 1966-10-10)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-10-06 until 1966-10-10)
recording of:
Le Bourgeois gentilhomme, op. 60: I. Overtüre (from 1966-10-06 until 1966-10-10)
composer:
Richard Strauss (German composer) (in 1920)
part of:
Der Bürger als Edelmann (The Bourgeois Gentleman, suite from the ballet; op. 60-IIIa; TrV 228c)
Richard Strauss4:00
3Der Bürger als Edelmann - Orchestersuite, op. 60: Menuett
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
cello:
Emanuel Brabec (Austrian cellist) (in 1966, from 1966-10-06 until 1966-10-10)
piano:
Friedrich Gulda (pianist) (in 1966, from 1966-10-06 until 1966-10-10)
violin:
Willi Boskovsky (violinist and conductor) (in 1966, from 1966-10-06 until 1966-10-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1966-10-06 until 1966-10-10)
conductor:
Lorin Maazel (conductor) (from 1966-10-06 until 1966-10-10)
balance engineer:
Gordon Parry (engineer) (from 1966-10-06 until 1966-10-10)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-10-06 until 1966-10-10)
recording of:
Le Bourgeois gentilhomme, op. 60: II. Menuett (from 1966-10-06 until 1966-10-10)
composer:
Richard Strauss (German composer) (in 1920)
part of:
Der Bürger als Edelmann (The Bourgeois Gentleman, suite from the ballet; op. 60-IIIa; TrV 228c)
Richard Strauss1:33
4Der Bürger als Edelmann - Orchestersuite, op. 60: Der Fechtmeister
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
cello:
Emanuel Brabec (Austrian cellist) (in 1966, from 1966-10-06 until 1966-10-10)
piano:
Friedrich Gulda (pianist) (in 1966, from 1966-10-06 until 1966-10-10)
violin:
Willi Boskovsky (violinist and conductor) (in 1966, from 1966-10-06 until 1966-10-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1966-10-06 until 1966-10-10)
conductor:
Lorin Maazel (conductor) (from 1966-10-06 until 1966-10-10)
balance engineer:
Gordon Parry (engineer) (from 1966-10-06 until 1966-10-10)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-10-06 until 1966-10-10)
recording of:
Le Bourgeois gentilhomme, op. 60: III. Der Fechtmeister (from 1966-10-06 until 1966-10-10)
composer:
Richard Strauss (German composer) (in 1920)
part of:
Der Bürger als Edelmann (The Bourgeois Gentleman, suite from the ballet; op. 60-IIIa; TrV 228c)
Richard Strauss1:49
5Der Bürger als Edelmann - Orchestersuite, op. 60: Auftritt und Tanz der Schneider
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
cello:
Emanuel Brabec (Austrian cellist) (in 1966, from 1966-10-06 until 1966-10-10)
piano:
Friedrich Gulda (pianist) (in 1966, from 1966-10-06 until 1966-10-10)
violin:
Willi Boskovsky (violinist and conductor) (in 1966, from 1966-10-06 until 1966-10-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1966-10-06 until 1966-10-10)
conductor:
Lorin Maazel (conductor) (from 1966-10-06 until 1966-10-10)
balance engineer:
Gordon Parry (engineer) (from 1966-10-06 until 1966-10-10)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-10-06 until 1966-10-10)
recording of:
Le bourgeois gentilhomme, op. 60: IV. Auftritt und Tanz der Schneider (from 1966-10-06 until 1966-10-10)
composer:
Richard Strauss (German composer) (in 1920)
part of:
Der Bürger als Edelmann (The Bourgeois Gentleman, suite from the ballet; op. 60-IIIa; TrV 228c)
Richard Strauss5:27
6Der Bürger als Edelmann - Orchestersuite, op. 60: Das Menuett des Lully
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
cello:
Emanuel Brabec (Austrian cellist) (in 1966, from 1966-10-06 until 1966-10-10)
piano:
Friedrich Gulda (pianist) (in 1966, from 1966-10-06 until 1966-10-10)
violin:
Willi Boskovsky (violinist and conductor) (in 1966, from 1966-10-06 until 1966-10-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1966-10-06 until 1966-10-10)
conductor:
Lorin Maazel (conductor) (from 1966-10-06 until 1966-10-10)
balance engineer:
Gordon Parry (engineer) (from 1966-10-06 until 1966-10-10)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-10-06 until 1966-10-10)
recording of:
Le bourgeois gentilhomme, op. 60: V. Menuett des Lully (from 1966-10-06 until 1966-10-10)
composer:
Richard Strauss (German composer) (in 1920)
part of:
Der Bürger als Edelmann (The Bourgeois Gentleman, suite from the ballet; op. 60-IIIa; TrV 228c)
Richard Strauss2:08
7Der Bürger als Edelmann - Orchestersuite, op. 60: Courante
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
cello:
Emanuel Brabec (Austrian cellist) (in 1966, from 1966-10-06 until 1966-10-10)
piano:
Friedrich Gulda (pianist) (in 1966, from 1966-10-06 until 1966-10-10)
violin:
Willi Boskovsky (violinist and conductor) (in 1966, from 1966-10-06 until 1966-10-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1966-10-06 until 1966-10-10)
conductor:
Lorin Maazel (conductor) (from 1966-10-06 until 1966-10-10)
balance engineer:
Gordon Parry (engineer) (from 1966-10-06 until 1966-10-10)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-10-06 until 1966-10-10)
recording of:
Le bourgeois gentilhomme, op. 60: VI. Courante (from 1966-10-06 until 1966-10-10)
composer:
Richard Strauss (German composer) (in 1920)
part of:
Der Bürger als Edelmann (The Bourgeois Gentleman, suite from the ballet; op. 60-IIIa; TrV 228c)
Richard Strauss3:04
8Der Bürger als Edelmann - Orchestersuite, op. 60: Auftritt des Cleonte
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
cello:
Emanuel Brabec (Austrian cellist) (in 1966, from 1966-10-06 until 1966-10-10)
piano:
Friedrich Gulda (pianist) (in 1966, from 1966-10-06 until 1966-10-10)
violin:
Willi Boskovsky (violinist and conductor) (in 1966, from 1966-10-06 until 1966-10-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1966-10-06 until 1966-10-10)
conductor:
Lorin Maazel (conductor) (from 1966-10-06 until 1966-10-10)
balance engineer:
Gordon Parry (engineer) (from 1966-10-06 until 1966-10-10)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-10-06 until 1966-10-10)
recording of:
Le bourgeois gentilhomme, op. 60: VII. Auftritt des Cléonte (from 1966-10-06 until 1966-10-10)
composer:
Richard Strauss (German composer) (in 1920)
part of:
Der Bürger als Edelmann (The Bourgeois Gentleman, suite from the ballet; op. 60-IIIa; TrV 228c)
Richard Strauss4:16
9Der Bürger als Edelmann - Orchestersuite, op. 60: Prelude to Act II
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
cello:
Emanuel Brabec (Austrian cellist) (in 1966, from 1966-10-06 until 1966-10-10)
piano:
Friedrich Gulda (pianist) (in 1966, from 1966-10-06 until 1966-10-10)
violin:
Willi Boskovsky (violinist and conductor) (in 1966, from 1966-10-06 until 1966-10-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1966-10-06 until 1966-10-10)
conductor:
Lorin Maazel (conductor) (from 1966-10-06 until 1966-10-10)
balance engineer:
Gordon Parry (engineer) (from 1966-10-06 until 1966-10-10)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-10-06 until 1966-10-10)
recording of:
Le bourgeois gentilhomme, op. 60: VIII. Vorspiel zum 2. Aufzug (from 1966-10-06 until 1966-10-10)
composer:
Richard Strauss (German composer) (in 1920)
part of:
Der Bürger als Edelmann (The Bourgeois Gentleman, suite from the ballet; op. 60-IIIa; TrV 228c)
Richard Strauss3:10
10Der Bürger als Edelmann - Orchestersuite, op. 60: Das Diner
producer:
Erik Smith (British producer, pianist and harpsichordist)
cello:
Emanuel Brabec (Austrian cellist) (in 1966)
piano:
Friedrich Gulda (pianist) (in 1966)
violin:
Willi Boskovsky (violinist and conductor) (in 1966)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1966-10-06 until 1966-10-10)
conductor:
Lorin Maazel (conductor) (from 1966-10-06 until 1966-10-10)
balance engineer:
Gordon Parry (engineer) (from 1966-10-06 until 1966-10-10)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-10-06 until 1966-10-10)
recording of:
Le bourgeois gentilhomme, op. 60: IX. Das Diner (from 1966-10-06 until 1966-10-10)
composer:
Richard Strauss (German composer) (in 1920)
part of:
Der Bürger als Edelmann (The Bourgeois Gentleman, suite from the ballet; op. 60-IIIa; TrV 228c)
Richard Strauss10:06
11Der Rosenkavalier: First Waltz Sequence
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1966-10-06 until 1966-10-10)
conductor:
Lorin Maazel (conductor) (from 1966-10-06 until 1966-10-10)
balance engineer:
Gordon Parry (engineer) (from 1966-10-06 until 1966-10-10)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-10-06 until 1966-10-10)
recording of:
Der Rosenkavalier: erste Walzerfolge, TrV 227c, AV 139 (from act 1/2) (from 1966-10-06 until 1966-10-10)
composer:
Richard Strauss (German composer)
is based on:
Der Rosenkavalier (The Rose-knight, op. 59, op 59; TrV 227)
Richard Strauss12:36