The Ultimate Collection

~ Veröffentlichung von Bryan Ferry (with Roxy Music) (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

Anmerkung

Barcode (Text): 5 012983 520029
Barcode (Scanned): 5012983520029
SPARS Code: AAD
Label Code: LC3098
Distribution Code: 259 392-222
Matrix / Runout: EGCTV 2 :⋮: :MASTERED BY NIMBUS:

Anmerkung zuletzt geändert am 2019-08-15 04:49 UTC.

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1Let's Stick Together ('88 remix)
Produzent(in):
Bryan Ferry und Chris Thomas (UK record producer / remixer)
remixer:
Rhett Davies und Bruce Lampcov
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1976)
cover recording of:
Let’s Stick Together
Texter und Komponist(in):
Wilbert Harrison
publisher:
ABZ Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI Music Publishing Scandinavia AB, EMI United Partnership Ltd., SBK United Partnership Ltd., United Artists Music Ltd., United Partnership Ltd., Windswept Pacific Entertainment Co. und SBK/U Catalog (in 1969)
Bryan Ferry52:55
2The 'In' Crowd
assistierende(r) Techniker(in):
Rhett Davies, Mark Dobson (engineer), Gary Edwards (producer, engineer) und Sean Milligan
Techniker(in):
John Punter
Produzent(in):
Bryan Ferry und John Punter
E-Bass:
John Wetton (in 1974)
Gitarre:
David O’List (in 1974)
Schlagzeug:
Paul Thompson (Roxy Music drummer) (in 1974)
vocals:
Bryan Ferry (in 1974)
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1974), Virgin EG Records Ltd. (in 1974) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
aufgenommen bei:
Ramport Studios in Battersea, Wandsworth, London (Greater London), England, Vereinigtes Königreich (in 1974)
cover recording of:
The “In” Crowd (in 1974)
Orchestrator(in):
Gene Page
Texter und Komponist(in):
Billy Page (US soul/pop songwriter & producer)
publisher:
Cross Music Ltd., American Music, Inc. (in 1964), Elvis Presley Music Inc. (in 1964) und Unichappell Music, Inc. (in 1964)
recording of:
The “In” Crowd
Orchestrator(in):
Gene Page
Texter und Komponist(in):
Billy Page (US soul/pop songwriter & producer)
publisher:
Cross Music Ltd., American Music, Inc. (in 1964), Elvis Presley Music Inc. (in 1964) und Unichappell Music, Inc. (in 1964)
Bryan Ferry4:34
3Dance Away
Techniker(in):
Phill Brown (UK engineer), Rhett Davies, Jimmy Douglass (engineer) und Randy Mason
Produzent(in):
Roxy Music
Mix:
Bob Clearmountain
Interpret(in):
Paul Carrack, Bryan Ferry, Andy Mackay (of Roxy Music), Phil Manzanera, Alan Spenner, Paul Thompson (Roxy Music drummer) und Gary Tibbs
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1979), Virgin EG Records Ltd. (in 1979) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
aufgenommen bei:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich und Ridge Farm Studios in Dorking, Surrey, England, Vereinigtes Königreich
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten
recording of:
Dance Away (in 1979)
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Music Publishing Ltd., BMG Songs Ltd., E.G. Music Inc. und E.G. Music Ltd. (publisher) (in 1979)
Roxy Music43:45
4Angel Eyes
Techniker(in):
Phill Brown (UK engineer), Rhett Davies, Jimmy Douglass (engineer) und Randy Mason
Produzent(in):
Roxy Music
Interpret(in):
Paul Carrack, Bryan Ferry, Andy Mackay (of Roxy Music), Phil Manzanera, Alan Spenner, Paul Thompson (Roxy Music drummer) und Gary Tibbs
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1979)
aufgenommen bei:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich und Ridge Farm Studios in Dorking, Surrey, England, Vereinigtes Königreich
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten
recording of:
Angel Eyes
Verfasser(in):
Bryan Ferry und Andy Mackay (of Roxy Music)
publisher:
BMG Songs Ltd., E.G. Music Inc. und E.G. Music Ltd. (publisher) (in 1979)
Roxy Music43:06
5He'll Have to Go
Produzent(in):
Bryan Ferry, Rick Marotta (US drummer/percussionist), Steve Nye (producer, engineer and pianist), Simon Puxley und Waddy Wachtel
Mix:
Bob Clearmountain
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1988) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1988)
recording of:
He’ll Have to Go
Verfasser(in):
Audrey Allison und Joe Allison
publisher:
Campbell Connelly & Co. Ltd., Central Songs und Central Songs, Inc.
Bryan Ferry4:03
6Tokyo Joe
assistierende(r) Techniker(in):
Ross Cullum und Nigel Walker (UK producer/engineer/guitarist)
Techniker(in):
Steve Nye (producer, engineer and pianist)
Produzent(in):
Bryan Ferry und Steve Nye (producer, engineer and pianist)
Horn arranger:
Mel Collins und Chris Mercer (British saxophonist)
Saiteninstrumente arranger:
Ann O'Dell
phonographisches Urheberrecht (℗) von:
Virgin EG Records Ltd (company credits only; do NOT use as release label) (in 1977) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
aufgenommen bei:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (von 1976-06 bis 1977)
recording of:
Tokyo Joe (von 1976-06 bis 1977)
Texter, Verfasser(in) und Komponist(in):
Bryan Ferry
publisher:
BMG Songs Ltd. und E.G. Music Ltd. (publisher) (in 1977)
Bryan Ferry3:54
7All I Want Is You
Produzent(in):
John Punter und Roxy Music
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1974) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recording of:
All I Want Is You
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Music Publishing Ltd. und E.G. Music Ltd. (publisher) (in 1974)
Roxy Music3.52:51
8Jealous Guy
Produzent(in):
Rhett Davies und Bryan Ferry
Mix:
Bob Clearmountain
E-Gitarre:
Phil Manzanera
Keyboard:
David Skinner (Twice As Much)
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1981) und Northern Songs Ltd. (in 1981)
cover recording of:
Jealous Guy
Texter und Komponist(in):
John Lennon (The Beatles)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., Chappell Music Ltd., EMI Blackwood Music (Canada) Ltd., EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Lenono Music, Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
sub-publisher:
Fujipacific Music, Inc. Division 2
Revision von:
Child of Nature
Roxy Music46:12
9The Price of Love
assistierende(r) Techniker(in):
Nigel Walker (UK producer/engineer/guitarist) und Jon Walls
Techniker(in):
Steve Nye (producer, engineer and pianist) und John Punter
Produzent(in):
Bryan Ferry und Chris Thomas (UK record producer / remixer)
Bass:
John Wetton (von 1973 bis 1976)
Geige / Violine und Synthesizer:
Eddie Jobson (von 1973 bis 1976)
Gitarre:
Chris Spedding (von 1973 bis 1976)
Keyboard und Mundharmonika:
Bryan Ferry (von 1973 bis 1976)
Perkussion:
Morris Pert (von 1973 bis 1976)
Schlagzeug:
Paul Thompson (Roxy Music drummer) (von 1973 bis 1976)
Sopransaxophon:
Mel Collins (von 1973 bis 1976)
Tenorsaxophon:
Chris Mercer (British saxophonist) (von 1973 bis 1976)
Trompete:
Martin Drover (von 1973 bis 1976)
Chorgesang:
Vicki Brown (English pop, rock & contemporary classical singer) (von 1973 bis 1976), Doreen Chanter (von 1973 bis 1976), Helen Chappelle (von 1973 bis 1976), Jackie Sullivan (vocals & songwriter) (von 1973 bis 1976), Martha Walker (Vocalist) (von 1973 bis 1976) und Paddie McHugh (UK vocalist, in Kokomo, The Voice Squad, Arrival) (von 1973 bis 1976)
vocals:
Bryan Ferry (von 1973 bis 1976)
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1976), Virgin EG Records Ltd. (in 1976) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich und Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (von 1973 bis 1976)
cover recording of:
The Price of Love (von 1973 bis 1976)
Verfasser(in):
Don Everly und Phil Everly
publisher:
Acuff-Rose Music Limited (UK), Acuff-Rose-Opryland Music Limited (UK), Opryland Music Ltd., Sony/ATV Acuff Rose Music und Acuff-Rose (BMI) (in 1965)
recording of:
The Price of Love
Verfasser(in):
Don Everly und Phil Everly
publisher:
Acuff-Rose Music Limited (UK), Acuff-Rose-Opryland Music Limited (UK), Opryland Music Ltd., Sony/ATV Acuff Rose Music und Acuff-Rose (BMI) (in 1965)
Bryan Ferry3:24
10Don't Stop the Dance
assistierende(r) Techniker(in):
Benji Armbrister, Steve Churchyard, Randy Ezratty (engineer), Dave Greenberg (US engineer Sonopod/Boomtown), Julian Wheatley (Engineer), Carb Kanelle, Kevin Killen, Mike Krowiak, Bruce Lampcov, John Levell, Heff Moraes, Peter Revill, Kendal Stubbs und Nigel Walker (UK producer/engineer/guitarist)
Techniker(in):
Rhett Davies
zusätzliche(r) Techniker(in):
Bob Clearmountain, Neil Dorfsman, Femi Jiya, Andy Lyden, Dominick Maita und Bryan McGee (sound engineer)
Produzent(in):
Rhett Davies und Bryan Ferry
Mix:
Bob Clearmountain
Sologesang:
Bryan Ferry
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985, in 1999)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich, Compass Point Studios in Nassau, Bahamas, Effanel Music in New York, Vereinigte Staaten, RPM Studios in New York, New York, Vereinigte Staaten, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich und The White House in Nashville, Tennessee, Vereinigte Staaten
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
recording of:
Don’t Stop the Dance
Verfasser(in):
Rhett Davies und Bryan Ferry
publisher:
BMG Music Publishing Ltd., EMI Virgin Music Ltd. (do not use this as a release label!), E.G. Music Inc. (in 1985), E.G. Music Ltd. (publisher) (in 1985) und Virgin EG Records Ltd. (in 1985)
Bryan Ferry44:20
11Love Is the Drug
Produzent(in):
Chris Thomas (UK record producer / remixer)
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1975), Virgin EG Records Ltd. (in 1975) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1975, in 1999)
recording of:
Love Is the Drug
Texter:
Bryan Ferry
Komponist(in):
Andy Mackay (of Roxy Music)
publisher:
BMG Music Publishing Ltd., BMG Songs, BMG Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), E.G. Music Inc., Universal Music Careers, Universal Music Publishing Group, Universal Music Publishing MGB Australia, Universal Music–MGB Songs und E.G. Music Ltd. (publisher) (in 1975)
Roxy Music4.24:04
12This Is Tomorrow
assistierende(r) Techniker(in):
Ross Cullum und Nigel Walker (UK producer/engineer/guitarist)
Techniker(in):
Steve Nye (producer, engineer and pianist)
Produzent(in):
Bryan Ferry und Steve Nye (producer, engineer and pianist)
Horn arranger:
Mel Collins und Chris Mercer (British saxophonist)
Saiteninstrumente arranger:
Ann O'Dell
phonographisches Urheberrecht (℗) von:
Virgin EG Records Ltd (company credits only; do NOT use as release label) (in 1977) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
aufgenommen bei:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (von 1976-06 bis 1977)
recording of:
This Is Tomorrow (von 1976-06 bis 1977)
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Songs Ltd. und E.G. Music Ltd. (publisher) (in 1977)
Bryan Ferry3:35
13Slave to Love
assistierende(r) Techniker(in):
Benji Armbrister, Steve Churchyard, Randy Ezratty (engineer), Dave Greenberg (US engineer Sonopod/Boomtown), Julian Wheatley (Engineer), Carb Kanelle, Kevin Killen, Mike Krowiak, Bruce Lampcov, John Levell, Heff Moraes, Peter Revill, Kendal Stubbs und Nigel Walker (UK producer/engineer/guitarist)
Techniker(in):
Rhett Davies
zusätzliche(r) Techniker(in):
Bob Clearmountain, Neil Dorfsman, Femi Jiya, Andy Lyden, Dominick Maita und Bryan McGee (sound engineer)
Produzent(in):
Rhett Davies und Bryan Ferry
Mix:
Bob Clearmountain
Sologesang:
Bryan Ferry
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985, in 1999, in 2004)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich, Compass Point Studios in Nassau, Bahamas, Effanel Music in New York, Vereinigte Staaten, RPM Studios in New York, New York, Vereinigte Staaten, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich und The White House in Nashville, Tennessee, Vereinigte Staaten
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
recording of:
Slave to Love
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Mushroom Music Pty. Ltd., Virgin Songs, Inc., E.G. Music Inc. (in 1985), E.G. Music Ltd. (publisher) (in 1985), E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) und Virgin EG Records Ltd. (in 1985)
Bryan Ferry3.854:27
14Help Me
Produzent(in):
Bryan Ferry und Nile Rodgers
Mix:
Nile Rodgers
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1986)
recording of:
Help Me
Verfasser(in):
Bryan Ferry und Nile Rodgers
publisher:
Martin Page Music, Warner Bros. Music Corp., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), E.G. Music Ltd. (publisher) (in 1986) und Plan 9 Music (in 1986)
Bryan Ferry4:37
15Avalon
Produzent(in):
Rhett Davies und Roxy Music
Mix:
Bob Clearmountain
Bassgitarre:
Alan Spenner (von 1981 bis 1982)
Gitarre:
Neil Hubbard (von 1981 bis 1982) und Phil Manzanera (von 1981 bis 1982)
Keyboard und Sologesang:
Bryan Ferry (von 1981 bis 1982)
Perkussion:
Jimmy Maelen (percussion) (von 1981 bis 1982)
Saxophon:
Andy Mackay (of Roxy Music) (von 1981 bis 1982)
Schlagzeug:
Andy Newmark (von 1981 bis 1982)
Hintergrundgesang:
Yannick Etienne (von 1981 bis 1982) und Fonzi Thornton (von 1981 bis 1982)
Interpret(in):
Roxy Music (von 1981 bis 1982)
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (vom 1982 bis heute, in 1982), Virgin EG Records Ltd. (in 1982) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1999)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1981 bis 1982)
recording of:
Avalon (von 1981 bis 1982)
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. und E.G. Music Ltd. (publisher) (in 1982)
Roxy Music4.154:14

Nennungen

Veröffentlichung

remastering:Rhett Davies
design:Michael-Nash Associates (Design)
vertrieben von:Virgin Records Ltd. (not for release label use! for company relationships only)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1988)
Discogs:https://www.discogs.com/release/2509568 [Info]
ASIN:UK: B000092AHO [Info]
andere Datenbanken:https://rateyourmusic.com/release/comp/bryan_ferry_roxy_music/the_ultimate_collection_f2/ [Info]
Allmusic:https://www.allmusic.com/album/release/mr0003117336 [Info]