Hits of the 50’s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

| |
1▼CD
#TitoloArtistaValutazioneDurata
1C’mon Everybody
basso elettrico :
Connie “Guybo” Smith (bass player) (il 1958-10-10)
batteria :
Earl Palmer (il 1958-10-10)
chitarra :
Eddie Cochran (US rock and roll musician active in 1950s) (il 1958-10-10)
pianoforte :
Ray Johnson (Rhythm 'n' blues - jazz pianist - songwriter - band leader) (il 1958-10-10)
tamburello :
Jerry Capehart (il 1958-10-10)
voce:
Eddie Cochran (US rock and roll musician active in 1950s) (il 1958-10-10)
registrata presso:
Goldstar Studio in Hollywood, Los Angeles, California, Stati Uniti (il 1958-10-10)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 22) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 403)
registrazione di:
C’mon Everybody (il 1958-10-09)
autore:
Jerry Capehart e Eddie Cochran (US rock and roll musician active in 1950s)
editore:
EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., Metric Music Co (publisher) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Eddie Cochran41:56
2Be Bop a Lula
batteria [drums] :
Dickie Harrell (il 1956-05-04)
chitarra [lead guitar] :
Cliff Gallup (lead guitarist for The Blue Caps) (il 1956-05-04)
chitarra [rhythm guitar] :
Willie Williams (50s rock guitarist) (il 1956-05-04)
contrabbasso [upright bass] :
Jack Neal (il 1956-05-04)
voce:
Gene Vincent (il 1956-05-04)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (dal 1956 a oggi)
registrata presso:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, Stati Uniti (il 1956-05-04)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 9) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 102)
registrazione di:
Be‐Bop‐a‐Lula (il 1956-05-04)
autore:
Bill “Tex” Davis e Gene Vincent
editore:
Lowery Music Co. Inc.
Gene Vincent4.352:36
3Red River Rock
registrazione cover di:
Red River Rock
compositore:
Tom King (50s & 60s songwriter), Ira Mack e Fred Mendelsohn
editore:
Burlington Music Co., Ltd. e Mole Hole Music
si basa su:
Red River Valley
Johnny and the Hurricanes32:12
4Tom Hark
Elias & His Zig‐Zag Jive Flutes2:19
5Ma He’s Making Eyes at Me
Johnny Otis Show2:26
6Why Do Fools Fall in Love
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 8) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 307)
registrazione di:
Why Do Fools Fall in Love (nel 1955-11)
autore:
Morris Levy e Frankie Lymon
autore aggiunto:
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) e Herman Santiago (singer for Frankie Lymon & The Teenagers)
editore:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Frankie Lymon4.52:18
7Party Doll
registrazione di:
Party Doll
autore:
Dave Alldred, Jimmy Bowen (producer, rockabilly musician and songwriter), Buddy Knox (US country rocker, of The Rhythm Orchids) e Don Lanier
editore:
EMI Longitude Music, Music of Stage Three e Patricia Music Publ. Corp.
Buddy Knox2:12
8Cumberland Gap
registrazione di:
Cumberland Gap
paroliere e compositore:
[traditional] (special purpose artist)
parte di:
Roud Folk Song Index (numero: 3413)
The Vipers Skiffle Group1:56
9Witch Doctor
registrazione cover di:
Witch Doctor
paroliere e compositore:
Ross Bagdasarian (Sr.; creator of Alvin and the Chipmunks)
editore:
Armen Bagdasarian e Bourne Music Ltd.
Don Lang2:28
10Blueberry Hill
produttore:
Dave Bartholomew
diritti fonografici (℗) detenuti da:
Everest Records (classical), Liberty (a division of UMG Recordings, Inc.) (nel 1957) e EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1991)
registrata presso:
Master Recorders in Hollywood, Los Angeles, California, Stati Uniti
edit di:
Blueberry Hill (Imperial) di Fats Domino
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 81) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 147)
registrazione cover di:
Blueberry Hill (il 1956-06-27)
paroliere:
Al Lewis (Tin Pan Alley era lyricist) e Larry Stock
compositore:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company e Victoria Music Publishing Co. Ltd.
parte di:
12 Monkeys Soundtrack
Fats Domino4.652:22
11A Teenager in Love
esecutore:
Dion & The Belmonts
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 7)
registrazione di:
A Teenager in Love (nel 1959)
paroliere:
Doc Pomus
compositore:
Mort Shuman (US singer, pianist & songwriter)
Dion & The Belmonts52:33
12Poor Little Fool
Ricky Nelson2:33
13This Old House
Billie Anthony2:19
14Only Sixteen
registrazione cover di:
Only Sixteen
autore:
Barbara Campbell (collective songwriter pseudonym for Sam Cooke, Lou Adler and Herb Alpert)
editore:
ABKCO Music e Ardmore and Beechwood Ltd.
Craig Douglas2:11
15What Do You Want
produttore:
John Barry (English score composer) e John Burgess (British record producer)
voce:
Adam Faith (il 1959-09-25)
direttore d'orchestra e esecutore:
John Barry (English score composer) (il 1959-09-25)
arrangiatore:
John Barry (English score composer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1959-09-25)
registrazione di:
What Do You Want? (il 1959-09-25)
paroliere e compositore:
Les Vandyke
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Mills Music Limited (PRS for Music-affiliated)
Adam Faith1:37
16Lollipop
registrazione di:
Lollipop
autore:
Julius Dixson e Beverly Ross
editore:
Anglo-Pic Music Co. Ltd. e Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Mudlarks1:58
17A White Sports Coat
registrazione cover di:
A White Sport Coat and a Pink Carnation
paroliere e compositore:
Marty Robbins
King Brothers2:19
18Seven Little Girls
The Avons2:14
2▼CD
#TitoloArtistaValutazioneDurata
1On the Sunny Side of the Street
Dorothy Squires?:??
2That’s Amore
produttore:
Lee Gillette
voce:
Dean Martin (American singer/actor) (il 1953-08-13)
orchestra:
Dick Stabile and His Orchestra (il 1953-08-13)
direttore d'orchestra:
Dick Stabile (il 1953-08-13)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1953)
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1953-08-13)
registrazione di:
That’s Amore (il 1953-08-13)
paroliere:
Jack Brooks (English–American lyricist)
compositore:
Harry Warren (US composer and lyricist)
editore:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) e Universal Songs (publisher)
sub-editore:
BMG Ariola Belgium (do not use this as an imprint!) e BMG Unisongs Music Publishers BV
parte di:
The 26th Academy Award for Best Original Song (numero: 2)
parte di:
The Real Book (compilation of jazz standards, Volume I)
Dean Martin4.35?:??
3Softly Softly
registrazione di:
Softly Softly
paroliere:
Pierre Dudan e Paddy Roberts (singer/songwriter)
compositore:
Mark Paul (1950s song composer)
Ruby Murray?:??
4The Folks Who Live on the Hill
registrazione cover di:
The Folks Who Live on the Hill
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Jerome Kern
editore:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
parte di:
High, Wide and Handsome (1937 film)
Peggy Lee?:??
5The Story of My Life
registrazione cover di:
The Story of My Life
paroliere:
Hal David
compositore:
Burt Bacharach
Michael Holliday?:??
6Cry Me a River
tecnico:
John Kraus (1950s US engineer) (nel 1955-08)
produttore:
Bobby Troup
chitarra :
Barney Kessel
contrabbasso [bass] :
Ray Leatherwood
voce:
Julie London (nel 1955-08)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1957)
registrata presso e mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 15)
registrazione di:
Cry Me a River (nel 1955-08)
paroliere e compositore:
Arthur Hamilton
editore:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (nel 1982) e Song and Dance Music Co. (nel 1982)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.65?:??
7My Special Angel
Malcolm Vaughan?:??
8No Other Love
registrazione cover di:
No Other Love
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein) (nel 1953)
compositore:
Richard Rodgers (composer) (dal 1952 al 1953)
versione di:
Beneath the Southern Cross (Victory at Sea)
registrazione di:
No Other Love
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein) (nel 1953)
compositore:
Richard Rodgers (composer) (dal 1952 al 1953)
versione di:
Beneath the Southern Cross (Victory at Sea)
Ronnie Hilton?:??
9I Get So Lonely
Four Knights?:??
10Rose Marie
registrazione di:
Rose-Marie (title song of the 1924 operetta)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein) e Otto Harbach
compositore:
Rudolf Friml
editore:
Chappell & Co.
parte di:
Rose-Marie (1924 operetta-style musical)
Slim Whitman?:??
11Around the World
Gracie Fields?:??
12Dark Moon
Tony Brent?:??
13Comes Along a Love
registrazione di:
Comes A‐Long A‐Love
paroliere:
Al Sherman (Tin Pan Alley songwriter)
compositore:
Al Sherman (Tin Pan Alley songwriter) (nel 1952)
Kay Starr?:??
14Dreamboat
voce:
Alma Cogan
registrazione di:
Dreamboat (1955 song)
paroliere e compositore:
Jack Hoffman (U.S. songwriter/producer/label head)
Alma Cogan?:??
15Be My Girl
registrazione di:
Be My Girl
autore:
Artie Singer (US songwriter, producer and bandleader)
Jim Dale?:??
16Come Softly to Me
arrangiatore:
Bonnie Guitar
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1959)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 14)
registrazione di:
Come Softly to Me
autore:
Gretchen Christopher, Barbara Ellis e Gary Troxel
editore:
Chappell Morris, EMI Unart Catalog Inc. e Unart Music Corp. (nel 1958, nel 1959)
Fleetwoods3?:??
17Sixteen Tons
batteria [drums] :
Roy Harte (drummer and Pacific Jazz founder) (il 1955-09-20)
chitarra acustica :
Bobby Gibbons (il 1955-09-20)
clarinetto :
Red Mandel (il 1955-09-20)
clarinetto basso :
Darol Rice (il 1955-09-20)
contrabbasso [bass] :
Rolly Bundock (il 1955-09-20)
schiocchi di dita e voce principale:
Tennessee Ernie Ford (il 1955-09-20)
tromba :
Charlie Parlato (il 1955-09-20)
trombone :
George Bruns (il 1955-09-20)
direttore d'orchestra:
Jack Fascinato (il 1955-09-20)
arrangiatore:
Jack Fascinato
diritti fonografici (℗) detenuti da:
Bacci Bros Records (nel 2010) e Lucky Vintage (nel 2014)
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1955-09-20)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 12)
registrazione cover di:
Sixteen Tons (il 1955-09-20)
paroliere e compositore:
Merle Travis
editore:
American Music, Inc. e Campbell Connelly & Co. Ltd.
Tennessee Ernie Ford4.65?:??
18Wanted
registrazione cover di:
Wanted
autore:
Jack Fulton (US jazz trombonist, composer & vocalist) e Lois Steele
Al Martino?:??
3▼CD
#TitoloArtistaValutazioneDurata
1Cherry Pink and Apple Blossom White
registrazione di:
Cherry Pink and Apple Blossom White (1951 song, version of “Cerisier rose et pommier blanc”)
compositore:
Louiguy (French composer Louis Guglielmi)
traduttore:
Mack David (American lyricist and songwriter)
si basa su:
Cerisier rose et pommier blanc (1950 song)
Eddie Calvert?:??
2Side Saddle
Russ Conway?:??
3Dragnet
Ray Anthony?:??
4Big Man
Four Preps?:??
5Zambesi
Lou Busch?:??
6Do It Again
registrazione di:
Do It Again
paroliere:
Buddy DeSylva
compositore:
George Gershwin (composer)
editore:
Harms, Inc. (nel 1922)
Judy Garland?:??
7Isn’t This a Lovely Day
Dick Haymes?:??
8Kisses Sweeter Than Wine
Jimmie Rodgers?:??
9Theme From ‘Man With the Golden Arm’
Billy May?:??
10Robin Hood
registrazione di:
Robin Hood (1956 TV theme song)
autore:
Carl Sigman
Dick James?:??
11Tom Dooley
Kingston Trio?:??
12Our Love Is Here to Stay
Dinah Shore?:??
13Anything Goes
registrazione di:
Anything Goes
paroliere e compositore:
Cole Porter (composer) (nel 1934)
editore:
Chappell Music (UK), Chappell Music Ltd. e Warner Bros., Inc. (not for release label use!)
parte di:
Anything Goes
Tony Bennett & The Count Basie Orchestra?:??
14Terry’s Theme From ‘Limelight’
Ron Goodwin?:??
15Unchained Melody
Les Baxter?:??
16I’ve Got You Under My Skin
Shirley Bassey?:??
17Happiness Street
Jill Day?:??
18Look at That Girl
Frankie Vaughan?:??

Accreditamenti