Sweet Soul of the ’70s (2020 Version)

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼CD: I Love Music
#TitleArtistRatingLength
1Everybody Plays the Fool
recording of:
Everybody Plays the Fool
writer:
J.R. Bailey, Rudy Clark (US songwriter) and Ken Williams (songwriter)
publisher:
Trio Music Company, Alley Music Corp. (in 1991) and Trio Music Co., Inc. (in 1991)
The Main Ingredient53:25
2Turn Off the Lights
recording of:
Turn Off the Lights
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Teddy Pendergrass3:39
3I Love Music, Part 1
recording of:
I Love Music
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays3:36
4Midnight Train to Georgia
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 74), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 432) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 470)
recording of:
Midnight Train to Georgia
lyricist and composer:
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips4.54:41
5What You Won’t Do for Love
producer:
Ann Holloway (producer/songwriter)
analog synthesizer:
Bobby Caldwell (US singer, songwriter and multi-instrumentalist)
bass guitar:
Bobby Caldwell (US singer, songwriter and multi-instrumentalist), George "Chocolate" Perry (bassist aka "Chocolate") and Richie Valesquez (bassist)
drums (drum set):
Joe Galdo (US drummer & percussionist) and Ed Greene (drummer)
guitar:
Bobby Caldwell (US singer, songwriter and multi-instrumentalist) and Alfons Kettner
keyboard:
Benny Latimore (US blues/R&B singer, songwriter and pianist) and Bobby Caldwell (US singer, songwriter and multi-instrumentalist)
vocals:
Bobby Caldwell (US singer, songwriter and multi-instrumentalist)
brass [horns] arranger and strings arranger:
Mike Lewis (US composer, arranger and producer)
phonographic copyright (℗) by:
Sin‐Drome Records, Ltd. (holding company - file NO releases here!) (in 1978)
recording of:
What You Won’t Do for Love
writer:
Bobby Caldwell (US singer, songwriter and multi-instrumentalist) and Alfons Kettner
publisher:
EMI Longitude Music, Lindseyanne Music, Sherlyn Publishing Co., Inc., The Music Force, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Bobby Caldwell3.44:47
6After the Love Has Gone
producer:
Maurice White (Earth, Wind & Fire)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1979)
samples from:
I Am by Earth, Wind & Fire (in 1979)
recording of:
After the Love Has Gone
writer:
Bill Champlin, David Foster (Canadian music producer, arranger and composer) and Jay Graydon
arranger:
Hank Hehmsoth (American jazz pianist and composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Songs Ltd., Foster Frees Music, Fozbeats Music, Garden Rake Music, Inc., Irving Music (BMI), Irving Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Ninth Music, Noted for the Record and Time Space Fabrics (Record label and interdisciplinary arts organization founded by Hank Hehmsoth)
sub-publisher:
Rondor Music (London) Ltd., Sony/ATV Music Publishing Ltd. and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Earth, Wind & Fire3.24:29
7Best Thing That Ever Happened to Me
cover recording of:
Best Thing That Ever Happened to Me
lyricist and composer:
James D. Weatherly (American singer/songwriter)
recording of:
Best Thing That Ever Happened to Me
lyricist and composer:
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips43:47
8For the Love of Money
edit of:
For the Love of Money by The O’Jays
recording of:
For the Love of Money
writer:
Kenneth Gamble (songwriter for Philadelphia International), Leon Huff (Philly soul producer, of Gamble & Huff) and Anthony Jackson (US bassist)
publisher:
Mighty Three Music (ended), Mijac Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
MJ: The Musical
The O’Jays53:44
9Shining Star
engineer:
George Massenburg
co-producer:
Charles Stepney (musician, producer, arranger and songwriter)
producer:
Maurice White (Earth, Wind & Fire)
arranger:
Earth, Wind & Fire and Charles Stepney (musician, producer, arranger and songwriter)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
recording of:
Shining Star
writer:
Philip Bailey, Lorenzo Dunn and Maurice White (Earth, Wind & Fire)
publisher:
EMI April Music Inc.
Earth, Wind & Fire42:54
10I’ll Never Love This Way Again
assistant engineer:
Peter Darmi
engineer:
Michael DeLugg
producer:
Barry Manilow
bass guitar [bass]:
Will Lee (US jazz/rock bassist)
drums (drum set):
Rick Schlosser (drummer)
guitar:
Mitch Holder (guitarist)
keyboard:
Bill Mays
percussion:
Alan Estes
piano:
Barry Manilow
background vocals:
Ron Dante and Barry Manilow
lead vocals:
Dionne Warwick
arranger:
Barry Manilow
orchestrator:
Artie Butler
concertmaster:
Sid Sharp
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1979)
recorded at:
United Western Studios in Hollywood, Los Angeles, California, United States
cover recording of:
I’ll Never Love This Way Again
lyricist:
Will Jennings
composer:
Richard Kerr
publisher:
Irving Music (BMI), Irving Music, Inc., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Dionne Warwick2.53:29
11Dream Merchant
cover recording of:
Mr. Dream Merchant
writer:
Jerry Ross (Philadelphia soul composer/producer) and Larry Weiss (American singer-songwriter)
The New Birth4:27
12When We Get Married
The Intruders3:23
13Ooh Child
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 12) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 392)
recording of:
O‐o‐h Child
lyricist and composer:
Stan Vincent (1960s/70s pop songwriter)
publisher:
Flamingo Music, Kama Sutra Music Inc. (USA branch), Stan Vincent Music, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Five Stairsteps3.83:16
14There’s No Me Without You
The Manhattans53:40
15Best of My Love
producer:
Al McKay
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 334)
recording of:
Best of My Love
writer:
Al McKay and Maurice White (Earth, Wind & Fire)
publisher:
EMI Songs Ltd.
The Emotions4.153:43
2▼CD: I Love Music
#TitleArtistRatingLength
1Bad Luck, Part 1
recording of:
Bad Luck
writer:
Victor Carstarphen (keyboardist, composer and producer), Gene McFadden and John Whitehead
publisher:
Mijac Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Harold Melvin & The Blue Notes3:17
2Always and Forever
producer:
Barry Blue (singer, producer, and songwriter)
phonographic copyright (℗) by:
GTO Records (in 1976)
recording of:
Always and Forever
lyricist and composer:
Rod Temperton
publisher:
Rodsongs (publisher), Rondor Music (London) Ltd., Tincabell Music Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave33:34
3That Lady, Part 1
partial recording of:
That Lady
writer:
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley and Chris Jasper
publisher:
Bovina Music Inc., EMI April Music Inc. and EMI Songs Ltd.
version of:
Who’s That Lady
The Isley Brothers53:19
4Kiss and Say Goodbye
instruments:
MFSB (Mother Father Sister Brother)
background vocals:
Carla Benson, Evette Benton, Barbara Ingram and The Manhattans (New Jersey vocal group, notable for “Kiss and Say Goodbye”)
lead vocals [singing voice on 1st lead]:
Gerald Alston
spoken vocals [spoken voice on 2nd lead]:
Winfred Lovett (Lovett Winfred Lorenzo)
recording of:
Kiss and Say Goodbye
lyricist and composer:
Winfred Lovett (Lovett Winfred Lorenzo)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. and EMI Songs Ltd.
The Manhattans3.54:29
5I’ve Got to Use My Imagination
part of:
RuPaul’s Drag Race Lip Sync Performances (season 4) (number: 9)
recording of:
I’ve Got to Use My Imagination
writer:
Gerry Goffin and Barry Goldberg (blues rock keyboardist and producer)
Gladys Knight & the Pips3.83:31
6Let Me Make Love to You
recording of:
Let Me Make Love to You
writer:
Allan Felder and Bunny Sigler
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays43:39
7The Groove Line
assistant engineer:
Mike Hedges (UK producer/recording engineer) and Andy Jackson (UK recording engineer/prog musician)
engineer and mixer:
James Guthrie
producer:
Barry Blue (singer, producer, and songwriter)
assistant mixer:
Andy Jackson (UK recording engineer/prog musician)
conductor:
John Cameron (British composer, arranger and conductor)
orchestrator:
John Cameron (British composer, arranger and conductor)
concertmaster:
Pat Halling
phonographic copyright (℗) by:
GTO Records Ltd. (holding company - file no releases here!) (in 1978) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
recording of:
The Groove Line
lyricist and composer:
Rod Temperton
publisher:
Rodsongs (publisher), Rondor Music (London) Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave4.654:16
8The Greatest Love of All
recording of:
The Greatest Love of All
lyricist:
Linda Creed
composer:
Michael Masser
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., EMI Music Publishing (do not use as a release label!), EMI Music Publishing (S.E. Asia) Ltd. (EMI Music Publishing (S.E. Asia) Limited), EMI Music Publishing Australia Pty Ltd (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30), Golden Horizon Music Corp. (in 1986), Golden Torch Music Corp. (in 1986) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
George Benson3:35
9Just Don’t Want to Be Lonely
The Main Ingredient3:34
10I’m Doin Fine Now
recording of:
I’m Doin’ Fine Now
writer:
Thom Bell (keyboards, songwriter, producer) and Sherman Marshall
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
New York City2:49
11I Wanna Know Your Name
recording of:
I Wanna Know Your Name
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
The Intruders5:52
12That’s the Way of the World
engineer:
George Massenburg
co-producer:
Charles Stepney (musician, producer, arranger and songwriter)
producer:
Maurice White (Earth, Wind & Fire)
arranger:
Earth, Wind & Fire and Charles Stepney (musician, producer, arranger and songwriter)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 329)
recording of:
That’s the Way of the World
writer:
Charles Stepney (musician, producer, arranger and songwriter), Maurice White (Earth, Wind & Fire) and Verdine White
publisher:
Embassy Music Corporation and EMI April Music Inc.
Earth, Wind & Fire3.355:45
13The Way We Were, Try to Remember
engineer and producer:
Ralph Moss (engineer)
phonographic copyright (℗) by:
Buddah Records, Inc. (in 1974)
recorded at:
Pine Knob Music Theatre in Clarkston, Michigan, United States (in 1974)
edit of:
The Way We Were / Try to Remember (live, 1974: Pine Knob Music Theatre, Clarkston, MI, USA; ~4:48 single version) by Gladys Knight & the Pips
live medley including a recording of:
The Way We Were (in 1974)
lyricist:
Alan Bergman (American lyricist) (in 1973) and Marilyn Bergman (in 1973)
composer:
Marvin Hamlisch (in 1973)
publisher:
Pathe Publications (Far East) Limited, Screen Gems–EMI Music Ltd. and Colgems-EMI Music Inc. (in 1973)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
The 46th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1973 winner)
part of:
The Way We Were
live medley including a recording of:
Try to Remember (The Fantasticks) (in 1974)
lyricist:
Tom Jones (musical theatre lyricist)
composer:
Harvey Schmidt
publisher:
Chappell & Co., Chappell Music (UK) and Warner/Chappell Music Ltd. (1996–2019)
Gladys Knight & the Pips4:35
14Wildflower
The New Birth4:01
15Look at Me (I’m in Love)
The Moments3:18
3▼CD: Just to Be Close to You
#TitleArtistRatingLength
1Let’s Get It On
engineer:
William McMeekin and Art Stewart
producer:
Marvin Gaye and Ed Townsend
mixer:
Cal Harris
bass guitar:
Wilton Felder (on 1973-03-22)
bongos and congas:
Eddie “Bongo” Brown (on 1973-03-22) and Bobbye Hall (on 1973-03-22)
drums (drum set):
Paul Humphrey (jazz, r&b drummer) (on 1973-03-22)
guitar family:
Don Peake (on 1973-03-22), Louie Shelton (on 1973-03-22), David T. Walker (on 1973-03-22) and Melvin “Wah Wah” Watson (on 1973-03-22)
percussion:
Emil Richards (on 1973-03-22)
piano:
Marvin Gaye (on 1973-03-22), Marvin Jenkins (on 1973-03-22) and Joe Sample (on 1973-03-22)
saxophone:
Plas Johnson (on 1973-03-22) and Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (on 1973-03-22)
vibraphone:
Victor Feldman (jazz musician) (on 1973-03-22) and Emil Richards (on 1973-03-22)
background vocals and lead vocals:
Marvin Gaye (on 1973-03-22)
conductor:
René Hall (on 1973-03-22)
recorded at:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, United States (on 1973-03-22)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 167) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 264)
recording of:
Let’s Get It On (on 1973-03-22)
writer:
Marvin Gaye and Ed Townsend
publisher:
Cherritown Music Co., Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd and Stone Diamond Music Corporation
Marvin Gaye4.14:53
2Ain’t No Woman (Like the One I’ve Got)
producer:
Steve Barri, Dennis Lambert and Brian Potter (US songwriter & producer)
strings arranger:
Don Hockett and Dennis Lambert
recording of:
Ain't No Woman (Like the One I've Got)
writer:
Dennis Lambert and Brian Potter (US songwriter & producer)
publisher:
Songs of Universal, Inc. (BMI)
Four Tops3:07
3Easy
producer:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
arranger:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1977), Motown Record Corporation (company credits only; do NOT use as release label) (in 1977), Motown Records (not for label use; use “Motown” instead) (in 1977) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 2009)
recording of:
Easy
lyricist and composer:
Lionel Richie
publisher:
Brenda Richie Publishing, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc. and Libren Music
Commodores3.754:18
4Papa Was a Rollin’ Stone
cover recording of:
Papa Was a Rollin’ Stone
lyricist and composer:
Barrett Strong and Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Diamond Music Corporation, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Temptations6:59
5Neither One of Us (Wants to Be the First to Say Goodbye)
producer:
Joe Porter (producer)
arranger:
Artie Butler and Michael Omartian
recording of:
Neither One of Us
lyricist:
Jim Weatherly (American singer/songwriter)
composer:
James D. Weatherly (American singer/songwriter)
publisher:
Universal–Songs of PolyGram International, Inc.
Gladys Knight & the Pips3.754:24
6What’s Going On
recording of:
What’s Going On
lyricist and composer:
Renaldo Benson, Al Cleveland (songwriter 1930-1996) and Marvin Gaye
publisher:
EMI Songs Australia, FCG Music, Jobete Music Co., Inc., MG III Music, NMG Music, Sony/ATV Music Publishing Ltd. and Stone Agate Music Corp.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Marvin Gaye3:52
7Signed, Sealed, Delivered I’m Yours
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 203)
recording of:
Signed, Sealed, Delivered I’m Yours
writer:
Lee Garrett, Lula Mae Hardaway (songwriter), Syreeta (US singer‐songwriter active 1970s–80s) and Stevie Wonder
publisher:
Black Bull Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music, Stone Agate Music and 大洋音楽 (Taiyō Music)
Stevie Wonder2:48
8Walk Away From Love
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1975)
cover recording of:
I’m Gonna Walk Away From Love
lyricist and composer:
Charles H. Kipps Jr
David Ruffin3:18
9It’s Ecstasy When You Lay Down Next to Me
recording of:
It's Ecstasy When You Lay Down Next to Me
writer:
Ekundayo Paris and Nelson Pigford
Barry White53:34
10Nothing From Nothing
recording of:
Nothing From Nothing
writer:
Bruce Fisher and Billy Preston
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Billy Preston52:39
11Touch Me in the Morning
producer:
Tom Baird (Motown producer) and Michael Masser
arranger:
Tom Baird (Motown producer) and Gene Page
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1973)
recording of:
Touch Me in the Morning
writer:
Michael Masser and Ron Miller (Motown songwriter Ronald Norman Miller)
publisher:
Jobete Music (appears also as: Jobete Msc.) and Jobete Music Co., Inc.
Diana Ross3.353:53
12Just to Be Close to You
producer:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
arranger:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
recording of:
Just to Be Close to You
writer:
Lionel Richie
publisher:
Jobete Music Co., Inc. (in 1976) and Libren Music (in 1976)
Commodores53:28
13I’ll Be There
producer:
Nickolas Ashford, Hal Davis and Valerie Simpson
arranger:
Bob West (US session bassist, producer & songwriter)
recording of:
I’ll Be There (in 1970-06)
writer:
Bob West (US session bassist, producer & songwriter), Hal Davis, Berry Gordy and Willie Hutch
publisher:
EMI April Music Inc., EMI Songs Australia, Jobete Music Co., Inc. and Stone Diamond Music Corporation
part of:
MJ: The Musical
The Jackson 54.353:55
14Just My Imagination (Running Away With Me)
producer:
Norman Whitfield
lead vocals:
Eddie Kendricks (from 1970-01-24 until 1970-12-03)
vocals:
The Temptations (Motown soul vocal group) (from 1970-11-24 until 1970-12-03)
phonographic copyright (℗) by:
Motown Record Company (company credits only; do NOT use as release label) (in 1971), Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1971), Motown Record Corporation (company credits only; do NOT use as release label) (in 1971) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1971)
recorded at:
Golden World in Detroit, Michigan, United States (from 1970-11-24 until 1970-12-03)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 233) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 389)
recording of:
Just My Imagination (Running Away With Me) (from 1970-11-24 until 1970-12-03)
lyricist:
Barrett Strong
composer:
Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. and Stone Agate Music
The Temptations53:47
15Dancing Machine
producer:
Hal Davis
arranger:
Arthur Wright (guitar)
recording of:
Dancing Machine (in 1974)
writer:
Hal Davis, Donald E. Fletcher and Dean Parks (American session guitarist)
part of:
MJ: The Musical
The Jackson 542:37
4▼CD: Just to Be Close to You
#TitleArtistRatingLength
1I Want You Back
producer:
The Corporation (Motown songwriters)
bass guitar:
Wilton Felder (in 1969-07)
drums (drum set):
Gene Pello and Johnny Jackson (drummer for Jackson 5) (in 1969-07)
guitar:
Donald Peake, David T. Walker and Tito Jackson (in 1969-07)
guitar [lead guitar]:
Louis Shelton (in 1969-07)
keyboard:
Clarence McDonald and Ronnie Rancifer (in 1969-07)
percussion:
Sandra Crouch and Marlon Jackson (in 1969-07)
piano:
Fonce Mizell, Freddie Perren, Joe Sample and Ronnie Rancifer (in 1969-07)
background vocals:
Jackie Jackson (member of the Jackson 5), Michael Jackson (“King of Pop”), Keith Washington, Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1969-07), Marlon Jackson (in 1969-07) and Tito Jackson (in 1969-07)
lead vocals:
Michael Jackson (“King of Pop”) (in 1969-07)
vocals:
Jackie Jackson (member of the Jackson 5) (in 1969-07)
arranger:
The Corporation (Motown songwriters)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
recorded at:
The Sound Factory West in West Hollywood, California, United States (in 1969-07, from 1969-07 until 1969-09)
music videos:
I Want You Back by The Jackson 5 (The Jacksons, formerly “The Jackson 5”)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 23), Billboard Year-End Hot 100 singles of 1970 (number: 28), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 104) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 120)
recording of:
I Want You Back (in 1969-07)
lyricist and composer:
The Corporation (Motown songwriters)
publisher:
EMI April Music Inc., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
MJ: The Musical
The Jackson 54.152:58
2Three Times a Lady
producer:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
lead vocals:
Lionel Richie
arranger:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1978), Motown Record Corporation (company credits only; do NOT use as release label) (in 1978, in 1979) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1978)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 10)
recording of:
Three Times a Lady
lyricist and composer:
Lionel Richie
publisher:
Brenda Richie Publishing, Brockman Enterprises, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. and Libren Music
Commodores3.653:39
3I Want You
executive producer:
Berry Gordy, Jr. and Marvin Gaye
producer:
T-Boy Ross and Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
vocals:
Marvin Gaye (in 1975)
arranger:
Coleridge-Taylor Perkinson
recorded at:
Marvin’s Room in Hollywood, Los Angeles, California, United States (in 1975)
recording of:
I Want You (in 1975)
lyricist:
Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
composer:
Arthur “T‐Boy” Ross and Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Jobete Music Co., Inc., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Marvin Gaye3:58
4Still Water (Love)
recording of:
Still Water (Love)
writer:
Smokey Robinson and Frank Wilson (Motown singer/songwriter)
publisher:
Jobete Music (appears also as: Jobete Msc.)
Four Tops3:14
5Can’t Get Enough of Your Love, Babe
recording of:
Can’t Get Enough of Your Love Babe
lyricist and composer:
Barry White
publisher:
January Music Corp., Sa‐Vette Music Co., Warner Chappell Music (publisher as Warner/Chappell Music) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Barry White3:46
6Tell Me Something Good
performer:
Chaka Khan
recording of:
Tell Me Something Good
lyricist and composer:
Stevie Wonder
publisher:
EMI Music Publishing (do not use as a release label!)
Rufus3:34
7Love Hangover
producer:
Hal Davis
arranger:
Dave Blumberg and Clay Drayton
recording of:
Love Hangover
writer:
Marilyn McLeod (soul/jazz singer and songwriter) and Pam Sawyer (British‐born American lyricist and songwriter)
publisher:
Jobete Music (appears also as: Jobete Msc.) and Jobete Music Co., Inc.
Diana Ross3.253:50
8Ball of Confusion (That’s What the World Is Today)
producer:
Norman Whitfield
lead vocals:
Dennis Edwards (US soul & R’n’B singer), Eddie Kendricks and Paul Williams (member of The Temptations)
phonographic copyright (℗) by:
Motown Record Company (company credits only; do NOT use as release label) (in 1970), Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1970) and Motown Record Corporation (company credits only; do NOT use as release label) (in 1970)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 24)
recording of:
Ball of Confusion (That’s What the World Is Today)
composer:
Barrett Strong and Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd. and Stone Agate Music
The Temptations54:08
9Love Ballad
recording of:
Love Ballad
lyricist and composer:
Skip Scarborough
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
L.T.D.3:45
10Hang On in There Baby
recording of:
Hang on in There Baby
lyricist and composer:
Johnny W. Bristol
publisher:
Bushka Music (publishing) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Johnny Bristol3:56
11Got to Be There
producer:
Hal Davis
lead vocals:
Michael Jackson (“King of Pop”) (from 1970-06 until 1970-07)
arranger:
Dave Blumberg
recording of:
Got to Be There (from 1971-06 until 1971-07)
lyricist and composer:
Elliot Willensky
vocals arranger:
Willie Hutch
Michael Jackson33:24
12Car Wash
recording of:
Car Wash
lyricist and composer:
Norman Whitfield
publisher:
Universal/MCA Music Ltd. (not for release label use!) and USI B Music Publishing
Rose Royce4.63:17
13Got to Give It Up, Part 1
producer:
Art Stewart
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1967)
recording of:
Got to Give It Up
lyricist and composer:
Marvin Gaye
publisher:
Jobete Music (UK) Ltd. and Jobete Music Publishing
Marvin Gaye4.154:14
14The World Is a Ghetto
recording of:
The World Is a Ghetto
writer:
Papa Dee Allen, Harold Brown, B.B. Dickerson, Lonnie Jordan, Charles Miller (US saxophonist & flutist, member of War), Lee Oskar and Howard E. Scott (US funk/rock guitarist, member of War)
publisher:
Carlin Music Corp. and Far Out Music
War4:03
15Theme from Mahogany (Do You Know Where You’re Going To)
producer:
Michael Masser
vocals:
Diana Ross
conductor:
Lee Holdridge
arranger:
Lee Holdridge and Michael Masser
recording of:
Theme From Mahogany (Do You Know Where You’re Going To?)
lyricist:
Gerry Goffin
composer:
Michael Masser
publisher:
Jobete Music Co., Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
The 48th Academy Award for Best Original Song (number: 2)
Diana Ross53:25
5▼CD: Stone in Love With You
#TitleArtistRatingLength
1Mighty Love
The Spinners3:17
2You Are Everything
recording of:
You Are Everything
writer:
Linda Creed and Thom Bell (keyboards, songwriter, producer)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Stylistics4.52:56
3Rock Steady
recording engineer:
Ron Albert (on 1971-02-16)
engineer:
Howard Albert, Ron Albert and Chuck Kirkpatrick
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Chuck Rainey (American bassist) (on 1971-02-16)
drums (drum set):
Bernard “Pretty” Purdie (on 1971-02-16)
guitar:
Cornell Dupree (on 1971-02-16)
organ:
Donny Hathaway (on 1971-02-16)
percussion:
Mac Rebennack (New Orleans blues pianist, singer and songwriter) (on 1971-02-16) and Robert Popwell (on 1971-02-16)
piano and lead vocals:
Aretha Franklin (on 1971-02-16)
tenor saxophone:
Andrew Love (on 1971-02-16)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1971-02-16)
background vocals:
Margaret Branch (on 1971-02-16), Ann S. Clark (on 1971-02-16), Carolyn Franklin (on 1971-02-16), Erma Franklin (on 1971-02-16) and Pat Smith (soul vocalist) (on 1971-02-16)
horn arranger:
Tom Dowd
strings and woodwind arranger:
Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971, in 1972) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1971-02-16)
recording of:
Rock Steady (on 1971-02-16)
lyricist and composer:
Aretha Franklin (from 1970 until 1971)
publisher:
Carlin Music Corporation, Pundit Music, Inc and Springtime Music, Inc.
Aretha Franklin3.753:13
4This Masquerade
cover recording of:
This Masquerade
lyricist and composer:
Leon Russell
publisher:
Chrysalis One Music Publishing Group Ireland, Embassy Music Corporation, Reservoir 416, Reservoir One America, Rondor Music (London) Ltd., Skyhill Pub. Co., Inc., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
George Benson3:19
5Sadie
The Spinners5:26
6Never Can Say Goodbye
cover recording of:
Never Can Say Goodbye
lyricist and composer:
Clifton Davis (musical theatre actor, singer and songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Jobete Music Co., Inc. and Portable Music Co., Inc.
Isaac Hayes5:10
7One Less Bell to Answer
sound engineer, engineer and producer:
Bones Howe
assistant engineer:
Johnny Golden (mastering engineer), Larry Cox (US engineer/producer) and Rik Pekkonen
bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone:
Hal Blaine (U.S. studio drummer and percussionist)
solo vocals:
Marilyn McCoo Davis (in 1970)
performer:
Billy Davis, Jr., Florence LaRue Gordon, Lamonte McLemore, Marilyn McCoo Davis and Ron Townson
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
cover recording of:
One Less Bell to Answer (in 1970)
lyricist:
Hal David (in 1967)
composer:
Burt Bacharach (in 1967)
publisher:
Blue Seas Music, Inc. (ended), JAC Music Co., Inc. (ended), BMG Rights Management (UK) Ltd. (Hal David), New Hidden Valley Music Co., PW Arrangements and Universal Music Corp. (USA, affiliated with ASCAP)
The 5th Dimension3:32
8I’ll Take You There
edit of:
I’ll Take You There by The Staple Singers
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 186) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 276)
recording of:
I’ll Take You There
lyricist and composer:
Alvertis Isbell
publisher:
Music for Africa (South Africa)
The Staple Singers53:17
9On Broadway
producer:
Tommy LiPuma
bass:
Stanley Banks (bassist)
drums (drum set):
Harvey Mason (jazz drummer)
guitar:
George Benson (jazz guitarist/singer)
guitar [rhythm guitar]:
Phil Upchurch
keyboard:
Jorge Dalto and Ronnie Foster
percussion:
Ralph MacDonald
piano:
Jorge Dalto
vocals:
George Benson (jazz guitarist/singer)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 55)
live cover recording of:
On Broadway (Mann/Weil/Leiber/Stoller version for The Drifters)
additional writer:
Jerry Leiber and Mike Stoller
writer:
Barry Mann and Cynthia Weil
publisher:
Colgems-EMI Music Inc., Screen Gems‐Col, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
version of:
On Broadway (original Mann/Weil version)
cover recording of:
On Broadway (Mann/Weil/Leiber/Stoller version for The Drifters)
additional writer:
Jerry Leiber and Mike Stoller
writer:
Barry Mann and Cynthia Weil
publisher:
Colgems-EMI Music Inc., Screen Gems‐Col, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
version of:
On Broadway (original Mann/Weil version)
George Benson5:09
10Something He Can Feel
recording of:
Something He Can Feel
lyricist and composer:
Curtis Mayfield
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1975 to present)
Aretha Franklin3:27
11Whatcha See Is Whatcha Get
edit of:
Whatcha See Is Whatcha Get (album version) by The Dramatics (US soul music vocal group)
recording of:
Whatcha See Is Whatcha Get (in 1971)
lyricist and composer:
Tony Hester
publisher:
Groovesville Music (publishing) (ended), EMI Longitude Music, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Dramatics53:33
12I’m Stone in Love With You
phonographic copyright (℗) by:
Avco Records Corp. (in 1974)
recording of:
I’m Stone in Love With You
composer:
Thom Bell (keyboards, songwriter, producer), Tony Bell (American 1970s musician, songwriter & engineer) and Linda Creed
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell North America
The Stylistics3:20
13One of a Kind (Love Affair)
The Spinners53:20
14Pillow Talk
recording of:
Pillow Talk
writer:
Michael Burton (American songwriter and producer) and Sylvia Robinson
Sylvia4:07
15Stop to Start
Blue Magic3:23
6▼CD: Stone in Love With You
#TitleArtistRatingLength
1Until You Come Back to Me (That’s What I’m Gonna Do)
engineer:
Lew Hahn
producer:
Aretha Franklin, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Chuck Rainey (American bassist) (on 1973-09-07)
drums (drum set):
Bernard “Pretty” Purdie (on 1973-09-07)
electric piano:
Donny Hathaway (on 1973-09-07)
guitar:
Hugh McCracken (on 1973-09-07)
organ:
Richard Tee (on 1973-09-07)
piano and lead vocals:
Aretha Franklin (on 1973-09-07)
solo flute:
Joe Farrell (on 1973-09-07)
synthesizer:
Ken Bichel (keyboardist) (on 1973-09-07)
background vocals:
Margaret Branch (on 1973-09-07), Ann S. Clark (on 1973-09-07) and Pat Smith (soul vocalist) (on 1973-09-07)
arranger:
Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1973-09-07)
recording of:
Until You Come Back to Me (That’s What I’m Gonna Do) (on 1973-09-07)
writer:
Morris Broadnax (Soul and R&B music songwriter), Clarence Paul and Stevie Wonder
publisher:
Blackbull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau and Stone Agate Music
Aretha Franklin4.353:26
2Love on a Two‐Way Street
The Moments53:46
3Give Your Baby a Standing Ovation
The Dells3:31
4In the Rain
recording of:
In the Rain
writer:
Tony Hester
publisher:
Groovesville Music (publishing) (ended) and EMI Longitude Music
The Dramatics4.55:09
5Love Ballad
producer:
Tommy LiPuma
bass:
Robert Popwell
clavinet, piano [acoustic piano] and Wurlitzer electric piano:
Jorge Dalto
drums (drum set):
Steve Gadd (drummer)
electric piano [Yamaha CP 30] and Moog [mini-moog, polymoog]:
Ronnie Foster
guitar:
George Benson (jazz guitarist/singer)
guitar [rhythm guitar]:
Phil Upchurch
percussion:
Ralph MacDonald
Rhodes piano [Fender Rhodes]:
Jorge Dalto and Ronnie Foster
vocals:
George Benson (jazz guitarist/singer)
conductor:
Mike Mainieri
orchestrator:
Mike Mainieri
cover recording of:
Love Ballad
lyricist and composer:
Skip Scarborough
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
George Benson4:18
6How Could I Let You Get Away
recording engineer:
Joe Tarsia (engineer)
producer:
Thom Bell (keyboards, songwriter, producer)
bass:
Ron Baker (record producer, bassist, arranger and songwriter) (in 1973)
drums (drum set):
Earl Young (in 1973)
percussion [vibraphone, marimba]:
Vince Montana (in 1973)
piano:
Thom Bell (keyboards, songwriter, producer) (in 1973)
background vocals:
Yvette Benson (in 1973), Carla Benton (in 1973) and Barbara Ingram (in 1973)
baritone vocals:
Henry Fambrough (A member of the R&B quintet The Spinners) (in 1973)
bass vocals:
Pervis Jackson (The bass singer for The Spinners) (in 1973)
tenor vocals:
Billy Henderson (founding member of The Spinners) (in 1973), Bobbie Smith (US R&B lead singer for The Spinners) (in 1973) and Philippé Wynne (A lead vocalist of The Spinners) (in 1973)
conductor:
Thom Bell (keyboards, songwriter, producer) (in 1973)
remixer:
Joe Tarsia (engineer)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
recording of:
How Could I Let You Get Away (in 1973)
lyricist and composer:
Yvette Davis
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners33:48
7Theme from Shaft
edit of:
Theme From ‘Shaft’ by Isaac Hayes
recording of:
Theme From Shaft (Shaft, 1971)
lyricist and composer:
Isaac Hayes
publisher:
Irving Music, Inc.
part of:
The 44th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1971 winner)
part of:
Shaft (1971 film soundtrack)
Isaac Hayes4.53:18
8Stop, Look, Listen (to Your Heart)
recording of:
Stop, Look, Listen (to Your Heart)
writer:
Thom Bell (keyboards, songwriter, producer) and Linda Creed
publisher:
Assorted Music, Bellboy Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Stylistics52:55
9Spanish Harlem
recording engineer:
Ron Albert (on 1971-02-16) and Chuck Kirkpatrick (on 1971-02-16)
engineer:
Ron Albert and Chuck Kirkpatrick
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Chuck Rainey (American bassist) (on 1971-02-16)
drums (drum set):
Bernard Purdie (on 1971-02-16)
electric piano and organ:
Donny Hathaway (on 1971-02-16)
guitar:
Cornell Dupree (on 1971-02-16)
piano:
Aretha Franklin (on 1971-02-16)
background vocals:
Carolyn Franklin (on 1971-02-16), Erma Franklin (on 1971-02-16) and The Sweethearts of Soul (on 1971-02-16)
vocals:
Aretha Franklin (on 1971-02-16)
flute arranger, horn arranger, strings arranger and background vocals arranger:
Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1971-02-16)
cover recording of:
Spanish Harlem (on 1971-02-16)
lyricist:
Jerry Leiber
composer:
Phil Spector
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. and Unichappell Music
Aretha Franklin23:32
10Three Ring Circus
Blue Magic5:16
11Superfly
recording of:
Superfly
lyricist and composer:
Curtis Mayfield
publisher:
Todd Mayfield Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Curtom Publishing Co Inc (from 1972 to ????)
Curtis Mayfield3:56
12Day Dreaming
recording engineer:
Ron Albert (on 1971-02-16)
engineer:
Howard Albert, Ron Albert and Chuck Kirkpatrick
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
acoustic guitar:
Don Arnone (on 1971-02-16)
alto flute:
Hubert Laws (on 1971-02-16)
bass:
Chuck Rainey (American bassist) (on 1971-02-16)
drums (drum set):
Bernard “Pretty” Purdie (on 1971-02-16)
electric piano:
Donny Hathaway (on 1971-02-16)
guitar:
Cornell Dupree (on 1971-02-16)
piano and lead vocals:
Aretha Franklin (on 1971-02-16)
background vocals:
Margaret Branch (on 1971-02-16), Ann S. Clark (on 1971-02-16), Carolyn Franklin (on 1971-02-16), Erma Franklin (on 1971-02-16) and Pat Smith (soul vocalist) (on 1971-02-16)
horn arranger:
Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1972)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1971-02-16)
recording of:
Day Dreaming (Aretha Franklin song) (on 1971-02-16)
lyricist and composer:
Aretha Franklin (from 1970 until 1971)
publisher:
Carlin Music Corporation and Pundit Music, Inc
Aretha Franklin4.53:57
13Walking in Rhythm
recording of:
Walking in Rhythm
writer:
Barney Perry
The Blackbyrds52:55
14Why Can’t We Live Together
Timmy Thomas3:54
15My Love
cover recording of:
My Love
writer:
Linda McCartney and Paul McCartney (The Beatles)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Margie Joseph4:03
7▶CD: Distant Lover
8▶CD: Distant Lover
9▶CD: The Sound of Philadelphia
10▶CD: The Sound of Philadelphia
11▶CD: Reunited