The Ultimate Movie Album

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Bridget Jones’s Diary: Out of Reach
lead vocals:
Gabrielle (British singer-songwriter)
orchestra:
The London Session Orchestra
phonographic copyright (℗) by:
Go! Beat (subsidiary of Go! Discs; folded into UMG) (in 2001)
music videos:
Out of Reach by Gabrielle (British singer-songwriter)
recording of:
Out of Reach (in 2001)
writer:
Louise Gabrielle Bobb (British singer-songwriter) and Jonathan Shorten
publisher:
Perfect Songs (UK publisher, affiliated with BMI)
Gabrielle3.753:19
2Gladiator: Now We Are Free
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
producer:
Klaus Badelt (German score composer) and Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2000), Dreamworks Productions LLC (in 2000) and Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Now We Are Free (Gladiator)
lyricist:
Lisa Gerrard
composer:
Klaus Badelt (German score composer), Lisa Gerrard and Hans Zimmer (German score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SKG Songs and Universal‐MCA Music Publishing (US)
part of:
Gladiator
medley including a cover recording of:
Now We Are Free (Gladiator)
lyricist:
Niloofar Rafiei
is based on:
Now We Are Free (Gladiator)
medley of:
Now We Are Free (Gladiator)
Hans Zimmer, Lisa Gerrard54:17
3Moulin Rouge: One Day I’ll Fly Away
additional engineer and additional producer:
Simon Franglen (English score composer)
engineer:
Geoff Foster (sound engineer)
producer:
Craig Armstrong (Scottish score composer), BLAM (Baz Luhrmann and Anton Monsted), Josh G. Abrahams (Puretone, aka Puretone) and Marius DeVries
mixer:
Andy Bradfield
vocals:
Nicole Kidman (actress)
orchestra:
London Orchestra
conductor:
Cecilia Weston
arranger and orchestrator:
Craig Armstrong (Scottish score composer)
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 2001)
recording of:
One Day I’ll Fly Away
lyricist:
Will Jennings
composer:
Joe Sample
publisher:
Four Knights Music Co., Irving Music, Inc. and Leeds Music Ltd.
Nicole Kidman43:19
4Notting Hill: When You Say Nothing at All
programming and producer:
Stephen Lipson
engineer and mixer:
Heff Moraes
accordion and whistle:
James McNally
bass:
Stephen Lipson
drums (drum set):
Andy Duncan (UK drummer and producer)
guitar:
Dominic Miller (guitarist)
keyboard:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
background vocals:
Tessa Niles and Miriam Stockley
vocals:
Ronan Keating
phonographic copyright (℗) by:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1999) and Polygram Ireland Ltd. (in 1999)
recorded at:
Metropolis (London) in London (Greater London), England, United Kingdom and The Aquarium (Studio) in London (Greater London), England, United Kingdom
mixed at:
The Aquarium (Studio) in London (Greater London), England, United Kingdom
cover recording of:
When You Say Nothing at All
writer:
Paul Overstreet (country singer and songwriter) and Don Schlitz
Ronan Keating2.754:15
5American Beauty: Dead Already
recording engineer:
Dennis Sands (American sound engineer)
assistant engineer:
Tom Hardisty (film score engineer) and David Marquette
producer:
Bill Bernstein and Thomas Newman (American score composer)
mixer:
Tom Hardisty (film score engineer) and Dennis Sands (American sound engineer)
assistant editor:
Jordan Corngold
editor:
Bill Bernstein
phonographic copyright (℗) by:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (, in 1999)
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Dead Already (American Beauty)
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
part of:
American Beauty (1999)
Thomas Newman43:19
6Braveheart: For the Love of a Princess
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Jonathan Allen (engineer)
producer:
James Horner (American score composer) and Shawn Murphy (producer/engineer)
assistant editor:
Christine Cholvin and Joe E. Rand (editor)
editor:
Jim Henrikson
choir vocals:
Choir of Westminster Abbey
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
chorus master:
Martin Neary (English organist and choral conductor)
orchestrator:
James Horner (American score composer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1995)
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
For the Love of a Princess (Braveheart)
composer:
James Horner (American score composer)
part of:
Braveheart
James Horner4.54:08
7Four Weddings and a Funeral: You’re the First, the Last, My Everything
spoken vocals:
Hugh Grant (actor)
vocals:
Barry White
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1974)
recording of:
You’re the First, the Last, My Everything
writer:
Peter Sterling Radcliffe, Tony Sepe and Barry White
publisher:
Chappell & Co., Inc. (USA), January Music Corp., Little A Music, My Baby’s Music Company, Sa‐Vette Music, Sa‐Vette Music Inc., Unichappell Music, Inc. and World Song Publishing Inc.
Barry White3:36
8O Brother Where Art Thou: Down to the River to Pray
recording engineer and mixer:
Mike Piersante (recording engineer & mixer)
assistant engineer:
Matt Andrews and Rail Rogut
producer:
T‐Bone Burnett (musician, songwriter and producer)
assistant mixer:
Ok Hee Kim
additional vocals:
Norman Blake (bluegrass guitarist), Dub Cornett, Pat Enright, Porter McClister, Tim O’Brien (US bluegrass musician), Maura O’Connell, Sam Phillips (Singer-songwriter formerly known as Leslie Phillips), David Rawlings (American guitarist, singer and producer) and Gillian Welch
choir vocals:
The First Baptist Choir of White House, Tennessee
lead vocals:
Alison Krauss
phonographic copyright (℗) by:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 2000)
recorded at:
Sound Emporium Studios in Nashville, Tennessee, United States
recording of:
The Good Old Way
writer:
[traditional] (special purpose artist)
Alison Krauss42:57
9Hannibal: Vide cor meum
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2001)
recording of:
Vide cor meum
orchestrator:
Paul Bateman (conductor)
composer:
Patrick Cassidy (Irish composer)
publisher:
Universal Music Corp. (USA, affiliated with ASCAP)
Hans Zimmer3:57
10The Shawshank Redemption: Courtyard Theme
engineer:
Michael Farrow
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Carter Burwell (American score composer) and Wolfgang Lohse
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
orchestrator:
Carter Burwell (American score composer)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) and Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Sull’aria… che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull’aria) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart3:33
11The Thomas Crown Affair: Windmills of Your Mind
additional programming and additional producer:
John W. Baxter (US‐based UK producer, singer and songwriter) and Nick Trevisick
producer:
Sting (singer, songwriter & member of The Police)
keyboard [keyboards]:
Jason Rebello
vocals:
Sting (singer, songwriter & member of The Police)
arranger:
Sting (singer, songwriter & member of The Police)
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 1999)
cover recording of:
The Windmills of Your Mind
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Michel Legrand
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., SBK United Partnership Ltd. and United Partnership Ltd.
part of:
The 41st Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1968 winner)
part of:
The Thomas Crown Affair (The Thomas Crown Affair (1968))
Sting4:18
12Platoon: Adagio
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1987)
recording of:
Adagio for Strings
orchestrator:
Samuel Barber (American composer) (in 1938)
composer:
Samuel Barber (American composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Samuel Barber37:27
13Ghost: Unchained Melody
orchestra:
Hollywood Bowl
conductor:
John Mauceri (conductor)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1996)
instrumental recording of:
Unchained Melody
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The 28th Academy Award for Best Original Song (number: 2)
Hollywood Bowl Orchestra, John Mauceri3:28
14Fantasia: The Sorcerer’s Apprentice
orchestra:
Montreal Symphony Orchestra
conductor:
Charles Dutoit (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1986)
partial recording of:
L’Apprenti sorcier (The Sorcerer's Apprentice)
composer:
Paul Dukas (French composer) (from 1896 until 1897)
Paul Dukas2:20
15The Big Lebowski: Just Dropped In
producer:
Mike Post
lead vocals:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
arranger:
Mike Post
phonographic copyright (℗) by:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1998)
recording of:
Just Dropped In (to See What Condition My Condition Was In)
lyricist, writer and composer:
Mickey Newbury (American songwriter)
publisher:
Acuff-Rose Publications, Inc. (BMI)
cover recording of:
Just Dropped In (to See What Condition My Condition Was In)
lyricist, writer and composer:
Mickey Newbury (American songwriter)
publisher:
Acuff-Rose Publications, Inc. (BMI)
Kenny Rogers4.353:21
16Philadelphia: La mamma morta
soprano vocals:
Montserrat Caballé (soprano)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Riccardo Chailly (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1984)
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
publisher:
Edoardo Sonzogno Ltd. and MCPS (UK rights society; do not use this as a label or work publisher!)
part of:
Andrea Chénier: Atto III
Umberto Giordano5:33
17Snatch: Hernando’s Hideaway
phonographic copyright (℗) by:
Universal Music Ltd. (UK sound recording / publishing company) (in 2000)
cover recording of:
Hernando’s Hideaway (The Pajama Game)
writer:
Richard Adler (musical composer/lyricist) and Jerry Ross (musical composer/lyricist)
publisher:
Frank Music Corp. (from 1954 until 2010), J & J Ross Co. (from 2011 to present) and Lakshmi Puja Music Ltd. (from 2011 to present)
part of:
The Pajama Game (musical)
The Johnston Brothers2:32
18Lock, Stock & Two Smoking Barrels: Eighteen With a Bullet
lead vocals:
Carleen Anderson and Lewis Taylor (British multi-instrumentalist)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1998)
recording of:
Eighteen With a Bullet
lyricist and composer:
Pete Wingfield (keyboardist, singer, producer, songwriter)
Lewis Taylor/Carleen Anderson3:31
19A Room With a View: O mio babbino caro
soprano vocals:
Sylvia McNair (soprano)
orchestra:
Hollywood Bowl Orchestra
conductor:
John Mauceri (conductor)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1996)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Giacomo Puccini2:37
2▼CD
#TitleArtistRatingLength
1Billy Elliot: Cosmic Dancer
engineer:
Roy Thomas Baker (producer), Malcolm Cecil, Rik Pekkonen and Martin Rushent
producer:
Tony Visconti
drums (drum set):
Bill Legend (from 1971-03 until 1971-06)
electric bass guitar:
Steve Currie (from 1971-03 until 1971-06)
electric guitar and lead vocals:
Marc Bolan (from 1971-03 until 1971-06)
percussion:
Mickey Finn (musician and T. Rex member) (from 1971-03 until 1971-06)
background vocals:
Howard Kaylan (from 1971-03 until 1971-06) and Mark Volman (from 1971-03 until 1971-06)
vocals:
Marc Bolan (from 1971-03 until 1971-06)
phonographic copyright (℗) by:
Essex Music International Ltd. (in 1971), Straight Ahead Productions Ltd. (in 1971, in 2001) and Tarantula Productions (in 1971)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 445)
recording of:
Cosmic Dancer (from 1971-03 until 1971-06)
lyricist and composer:
Marc Bolan
Marc Bolan & T-Rex44:30
2Captain Corelli’s Mandolin: Pelagia’s Song
recording engineer and mixer:
Chris Dibble (engineer)
producer:
Stephen Warbeck
editor:
Andy Glen
tenor vocals:
Russell Watson (tenor)
conductor:
Nick Ingman
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2001)
recording of:
Ricordo ancor (Il mandolino del capitano Corelli - “Pelagia’s Song”)
orchestrator and composer:
Stephen Warbeck
lyricist:
Paco Reconti
Stephen Warbeck3:46
3Four Weddings and a Funeral: Love Is All Around
co-producer:
Graeme Duffin
conductor:
Fiachra Trench
strings arranger:
Fiachra Trench
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1994) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1994)
music videos:
Love Is All Around by Wet Wet Wet
cover recording of:
Love Is All Around
lyricist and composer:
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.854:00
4Robin Hood Prince of Thieves: Maid Marian at the Waterfall / Everything I Do
orchestra:
Michael Kamen Symphony Orchestra
conductor:
Michael Kamen (American score composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1998)
recording of:
Maid Marian at the Waterfall / Everything I Do
medley of:
Marian at the Waterfall (Robin Hood: Prince of Thieves)
medley of:
(Everything I Do) I Do It for You
Michael Kamen4:31
5Dances With Wolves: John Dunbar Theme
recorded in:
Culver City, California, United States (in 1991-02)
engineer:
Joel Moss (in 1991-02)
producer:
Michael Gore (producer)
orchestra:
Hollywood Bowl Orchestra (in 1991-02)
conductor:
John Mauceri (conductor) (in 1991-02)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1991) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1991)
recording of:
John Dunbar Theme (Dances With Wolves) (in 1991-02)
composer:
John Barry (English score composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!) and EMI Virgin Music Publishing
part of:
Dances With Wolves
John Barry2:29
6American Beauty: Any Other Name
recording engineer:
Dennis Sands (American sound engineer)
assistant engineer:
Tom Hardisty (film score engineer) and David Marquette
producer:
Bill Bernstein, Nikolaj Bloch, Sally Herbert (violinist, composer, and conductor) and Thomas Newman (American score composer)
mixer:
Tom Hardisty (film score engineer) and Dennis Sands (American sound engineer)
assistant editor:
Jordan Corngold
editor:
Bill Bernstein
performer:
Nikolaj Bloch and Sally Herbert (violinist, composer, and conductor)
phonographic copyright (℗) by:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (, in 1999, in 2000)
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Any Other Name
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
publisher:
Cherry Lane Music and Cherry Lane Music Publishing Company Inc.
part of:
American Beauty (1999)
Thomas Newman3.44:10
7Gladiator: The Battle
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2000)
partial recording of:
The Battle (Gladiator)
composer:
Hans Zimmer (German score composer)
part of:
Gladiator
Hans Zimmer, Lisa Gerrard8:50
8The Silence of the Lambs: Goldberg Variations
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) and Stefan Flock
sound engineer:
Andrew Wedman (producer and engineer)
producer:
Dr. Peter Czornyj and Werner Mayer (classical producer)
editor:
Mark Buecker (engineer of classical recordings)
piano:
Андрей Гаврилов (Andrei Gavrilov, pianist) (in 1992-09)
solo piano:
Andrei Gavrilov (pianist) (in 1992-09)
balance engineer:
Andrew Wedman (producer and engineer) (in 1992-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Friedrich-von-Thiersch-Saal in Wiesbaden, Hessen (Hesse), Germany (in 1992-09)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (in 1992-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
recording of:
Goldberg-Variationen, BWV 988: Aria da capo (closing) (in 1992-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach4:49
9Notting Hill: She
recording engineer:
Gareth Cousins and Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Paul Hicks
producer:
Trevor Jones (South African score composer)
mixer:
Gareth Cousins
bass guitar:
Trevor Barry
drums (drum set):
Paul Clarvis (percussionist)
instruments:
Clem Clempson
piano:
Dave Hartley (pianist)
vibraphone:
Frank Ricotti (percussionist)
vocals:
Elvis Costello
orchestra:
London Symphony Orchestra
conductor:
Geoffrey Alexander
arranger:
Julian Kershaw
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1999)
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
cover recording of:
She (Seven Faces of Woman)
lyricist:
Herbert Kretzmer
composer:
Charles Aznavour
publisher:
Essex Music International, Inc. and Standard Music Publishing Ltd.
translated version of:
Tous les visages de l’amour
Elvis Costello2.53:08
10Pulp Fiction: Son of a Preacher Man
engineer:
Ed Kollis
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass guitar:
Tommy Cogbill (in 1968-09)
drums (drum set):
Gene Chrisman (in 1968-09)
electric piano and organ:
Bobby Emmons (in 1968-09)
guitar and sitar:
Reggie Young (guitarist and songwriter) (in 1968-09)
background vocals:
The Sweet Inspirations (in 1968-09)
vocals:
Dusty Springfield (in 1968-09)
conductor:
Gene Orloff (in 1968-09)
brass and strings arranger:
Arif Mardin
brass arranger:
Tom Dowd
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1968)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 168) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 240)
recording of:
Son of a Preacher Man (in 1968-09)
writer:
John Hurley and Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Songs LLC
Dusty Springfield4.452:28
11Mission Impossible: Main Theme
performer:
Artie Kane
phonographic copyright (℗) by:
Philips Classics (See annotation to check it's really this label.) (in 1996)
recording of:
Mission: Impossible
composer:
Lalo Schifrin (pianist & composer)
publisher:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
Mission: Impossible III (2006 film soundtrack)
Lalo Schifrin1:05
12Waking Ned: Let the Draw Begin
conductor:
Fiachra Trench
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1998)
Shaun Davey4:01
13Out of Africa: Love Theme
producer:
Job Maarse
orchestra:
Boston Pops Orchestra (in 1988-05, on 1988-06-04)
conductor:
John Williams (American score composer) (in 1988-05, on 1988-06-04)
arranger:
Joseph Reisman
balance engineer:
John McClure (recording engineer and record producer) (in 1988-05)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1988-05-18, on 1988-06-04)
instrumental recording of:
The Music of Goodbye (Love Theme from “Out of Africa” introduced in 1987) (from 1988-05-18 until 1988-06-04)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
John Barry (English score composer)
part of:
Out of Africa (soundtrack of the 1985 film)
John Barry2:57
14Shine: Piano Concerto no. 3
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
orchestra:
Concertgebouw Orchestra (Royal Concertgebouw Orchestra)
conductor:
Bernard Haitink (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1987)
partial recording of:
Piano Concerto no. 3 in D minor, op. 30
composed in:
Dresden, Sachsen (Saxony), Germany (until 1909-09-23)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (from 1909 until 1909-09-23)
dedicated to:
Józef Hofmann
premiered at:
[concert] (1909-11-28)
publisher:
A. Gutheil (in 1910)
part of:
Classic 100: Piano (2025) (number: 21) and Works of Sergei Rachmaninoff by opus number (number: op. 30)
Sergei Rachmaninov3:27
15The Godfather Part III: Intermezzo from Cavalleria rusticana
recording engineer:
Colin Moorfoot (engineer)
producer:
Michael Woolcock (producer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1976-06-10 until 1976-06-16)
conductor:
Gianandrea Gavazzeni (conductor) (from 1976-06-10 until 1976-06-16)
balance engineer:
Kenneth Wilkinson (engineer) (in 1976-06)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-06-10 until 1976-06-16)
recording of:
Cavalleria rusticana: Intermezzo (from 1976-06-10 until 1976-06-16)
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:12
16The Mexican: End Credits Medley
performer:
Hollywood Film Chorale
phonographic copyright (℗) by:
Universal Classics (in 2001)
Alan Silvestri5:03
17Body Heat: Main Theme
orchestra:
Hollywood Bowl Orchestra
conductor:
John Mauceri (conductor)
phonographic copyright (℗) by:
Philips Classics (See annotation to check it's really this label.) (in 1994)
recording of:
Main Title (Body Heat)
composer:
John Barry (English score composer)
part of:
Body Heat
John Barry4:09
18Apocalypse Now: Ride of the Valkyries
orchestra:
Chicago Symphony Orchestra
conductor:
Sir Georg Solti (conductor)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986)
partial recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner3:04
19Star Trek: The Final Frontier
orchestra:
Hollywood Bowl Orchestra (in 1994-09)
conductor:
John Mauceri (conductor) (in 1994-09)
phonographic copyright (℗) by:
Philips Classics (See annotation to check it's really this label.) (in 1995)
recording of:
Main Theme (Star Trek V: The Final Frontier) (in 1994-09)
composer:
Jerry Goldsmith (American score composer)
part of:
Star Trek V: The Final Frontier
recording of:
March of the Klingons (Star Trek V: The Final Frontier) (in 1994-09)
composer:
Jerry Goldsmith (American score composer)
part of:
Star Trek V: The Final Frontier
Jerry Goldsmith4:09