Sinatra-Basie

~ Veröffentlichung von Frank Sinatra & Count Basie (alle Versionen dieser Veröffentlichung ansehen, 7 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Pennies From Heaven
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-10-03)
Bass:
Buddy Catlett (am 1962-10-03)
Gitarre:
Freddie Green (am 1962-10-03)
Klavier:
Count Basie (pianist) (am 1962-10-03)
Posaune:
Henry Coker (jazz trombonist) (am 1962-10-03) und Benny Powell (jazz trombonist) (am 1962-10-03)
Saxophon:
Eric Dixon (woodwind) (am 1962-10-03), Frank Foster (saxophonist) (am 1962-10-03), Charlie Fowlkes (baritone saxophonist) (am 1962-10-03), Marshall Royal (am 1962-10-03) und Frank Wess (am 1962-10-03)
Schlagzeug:
Sonny Payne (am 1962-10-03)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1962-10-03), Sonny Cohn (am 1962-10-03), Thad Jones (American jazz trumpeter) (am 1962-10-03) und Al Porcino (am 1962-10-03)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1962-10-03)
Orchester:
Count Basie and His Orchestra (am 1962-10-03)
arranger:
Neal Hefti
cover recording of:
Pennies From Heaven (am 1962-10-03)
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
Komponist(in):
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) und Joy Music Inc.
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
recording of:
Pennies From Heaven
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
Komponist(in):
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) und Joy Music Inc.
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Frank Sinatra & Count Basie3:30
2Please Be Kind
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-10-02)
Bass:
Buddy Catlett (am 1962-10-02)
Gitarre:
Freddie Green (am 1962-10-02)
Klavier:
Count Basie (pianist) (am 1962-10-02)
Posaune:
Henry Coker (jazz trombonist) (am 1962-10-02) und Benny Powell (jazz trombonist) (am 1962-10-02)
Saxophon:
Eric Dixon (woodwind) (am 1962-10-02), Frank Foster (saxophonist) (am 1962-10-02), Charlie Fowlkes (baritone saxophonist) (am 1962-10-02), Marshall Royal (am 1962-10-02) und Frank Wess (am 1962-10-02)
Schlagzeug:
Sonny Payne (am 1962-10-02)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1962-10-02), Sonny Cohn (am 1962-10-02), Thad Jones (American jazz trumpeter) (am 1962-10-02) und Al Porcino (am 1962-10-02)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1962-10-02)
Orchester:
Count Basie and His Orchestra (am 1962-10-02)
arranger:
Neal Hefti
cover recording of:
Please Be Kind (am 1962-10-02)
Texter:
Sammy Cahn (in 1938)
Komponist(in):
Saul Chaplin (in 1938)
publisher:
Harms, Inc.
recording of:
Please Be Kind
Texter:
Sammy Cahn (in 1938)
Komponist(in):
Saul Chaplin (in 1938)
publisher:
Harms, Inc.
Frank Sinatra & Count Basie2:43
3(Love Is) The Tender Trap
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-10-03)
Bass:
Buddy Catlett (am 1962-10-03)
Gitarre:
Freddie Green (am 1962-10-03)
Klavier:
Count Basie (pianist) (am 1962-10-03)
Posaune:
Henry Coker (jazz trombonist) (am 1962-10-03) und Benny Powell (jazz trombonist) (am 1962-10-03)
Saxophon:
Eric Dixon (woodwind) (am 1962-10-03), Frank Foster (saxophonist) (am 1962-10-03), Charlie Fowlkes (baritone saxophonist) (am 1962-10-03), Marshall Royal (am 1962-10-03) und Frank Wess (am 1962-10-03)
Schlagzeug:
Sonny Payne (am 1962-10-03)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1962-10-03), Sonny Cohn (am 1962-10-03), Thad Jones (American jazz trumpeter) (am 1962-10-03) und Al Porcino (am 1962-10-03)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1962-10-03)
Orchester:
Count Basie and His Orchestra (am 1962-10-03)
arranger:
Neal Hefti
cover recording of:
(Love Is) The Tender Trap (am 1962-10-03)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Barton Music Corp. und Maraville Music Corp.
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
recording of:
(Love Is) The Tender Trap
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Barton Music Corp. und Maraville Music Corp.
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
Frank Sinatra & Count Basie2:37
4Looking at the World Through Rose Colored Glasses
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-10-03)
Bass:
Buddy Catlett (am 1962-10-03)
Gitarre:
Freddie Green (am 1962-10-03)
Klavier:
Count Basie (pianist) (am 1962-10-03)
Posaune:
Henry Coker (jazz trombonist) (am 1962-10-03) und Benny Powell (jazz trombonist) (am 1962-10-03)
Saxophon:
Eric Dixon (woodwind) (am 1962-10-03), Frank Foster (saxophonist) (am 1962-10-03), Charlie Fowlkes (baritone saxophonist) (am 1962-10-03), Marshall Royal (am 1962-10-03) und Frank Wess (am 1962-10-03)
Schlagzeug:
Sonny Payne (am 1962-10-03)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1962-10-03), Sonny Cohn (am 1962-10-03), Thad Jones (American jazz trumpeter) (am 1962-10-03) und Al Porcino (am 1962-10-03)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1962-10-03)
Orchester:
Count Basie and His Orchestra (am 1962-10-03)
arranger:
Neal Hefti
recording of:
Looking at the World Thru Rose Colored Glasses (am 1962-10-03)
Verfasser(in):
Jimmy Steiger und Tommy Mailie
publisher:
MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996) und Venus Music Corp.
Frank Sinatra & Count Basie2:32
5My Kind of Girl
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-10-03)
Bass:
Buddy Catlett (am 1962-10-03)
Gitarre:
Freddie Green (am 1962-10-03)
Klavier:
Count Basie (pianist) (am 1962-10-03)
Posaune:
Henry Coker (jazz trombonist) (am 1962-10-03) und Benny Powell (jazz trombonist) (am 1962-10-03)
Saxophon:
Eric Dixon (woodwind) (am 1962-10-03), Frank Foster (saxophonist) (am 1962-10-03), Charlie Fowlkes (baritone saxophonist) (am 1962-10-03), Marshall Royal (am 1962-10-03) und Frank Wess (am 1962-10-03)
Schlagzeug:
Sonny Payne (am 1962-10-03)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1962-10-03), Sonny Cohn (am 1962-10-03), Thad Jones (American jazz trumpeter) (am 1962-10-03) und Al Porcino (am 1962-10-03)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1962-10-03)
Orchester:
Count Basie and His Orchestra (am 1962-10-03)
arranger:
Neal Hefti
cover recording of:
My Kind of Girl (am 1962-10-03)
Texter und Komponist(in):
Leslie Bricusse
publisher:
Hollis Music, Inc.
recording of:
My Kind of Girl
Texter und Komponist(in):
Leslie Bricusse
publisher:
Hollis Music, Inc.
Frank Sinatra & Count Basie4:37
6I Only Have Eyes for You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-10-03)
Bass:
Buddy Catlett (am 1962-10-03)
Gitarre:
Freddie Green (am 1962-10-03)
Klavier:
Count Basie (pianist) (am 1962-10-03)
Posaune:
Henry Coker (jazz trombonist) (am 1962-10-03) und Benny Powell (jazz trombonist) (am 1962-10-03)
Saxophon:
Eric Dixon (woodwind) (am 1962-10-03), Frank Foster (saxophonist) (am 1962-10-03), Charlie Fowlkes (baritone saxophonist) (am 1962-10-03), Marshall Royal (am 1962-10-03) und Frank Wess (am 1962-10-03)
Schlagzeug:
Sonny Payne (am 1962-10-03)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1962-10-03), Sonny Cohn (am 1962-10-03), Thad Jones (American jazz trumpeter) (am 1962-10-03) und Al Porcino (am 1962-10-03)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1962-10-03)
Orchester:
Count Basie and His Orchestra (am 1962-10-03)
arranger:
Neal Hefti
cover recording of:
I Only Have Eyes for You (am 1962-10-03)
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp., Warner Bros. Inc. (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
42nd Street (full musical)
Teil von:
Dames (film)
Teil von:
Twins (1988)
recording of:
I Only Have Eyes for You
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp., Warner Bros. Inc. (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
42nd Street (full musical)
Teil von:
Dames (film)
Teil von:
Twins (1988)
Frank Sinatra & Count Basie3:31
7Nice Work If You Can Get It
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-10-02)
Bass:
Buddy Catlett (am 1962-10-02)
Gitarre:
Freddie Green (am 1962-10-02)
Klavier:
Count Basie (pianist) (am 1962-10-02)
Posaune:
Henry Coker (jazz trombonist) (am 1962-10-02) und Benny Powell (jazz trombonist) (am 1962-10-02)
Saxophon:
Eric Dixon (woodwind) (am 1962-10-02), Frank Foster (saxophonist) (am 1962-10-02), Charlie Fowlkes (baritone saxophonist) (am 1962-10-02), Marshall Royal (am 1962-10-02) und Frank Wess (am 1962-10-02)
Schlagzeug:
Sonny Payne (am 1962-10-02)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1962-10-02), Sonny Cohn (am 1962-10-02), Thad Jones (American jazz trumpeter) (am 1962-10-02) und Al Porcino (am 1962-10-02)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1962-10-02)
Orchester:
Count Basie and His Orchestra (am 1962-10-02)
arranger:
Neal Hefti
cover recording of:
Nice Work If You Can Get It (am 1962-10-02)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Gershwin Publishing Corp (in 1937)
Teil von:
A Damsel in Distress (1937 film score)
Teil von:
Crazy for You (1992 musical)
Teil von:
My One and Only (1983 Broadway musical)
Frank Sinatra & Count Basie2:38
8Learnin’ the Blues
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-10-02)
Bass:
Buddy Catlett (am 1962-10-02)
Gitarre:
Freddie Green (am 1962-10-02)
Klavier:
Count Basie (pianist) (am 1962-10-02)
Posaune:
Henry Coker (jazz trombonist) (am 1962-10-02) und Benny Powell (jazz trombonist) (am 1962-10-02)
Saxophon:
Eric Dixon (woodwind) (am 1962-10-02), Frank Foster (saxophonist) (am 1962-10-02), Charlie Fowlkes (baritone saxophonist) (am 1962-10-02), Marshall Royal (am 1962-10-02) und Frank Wess (am 1962-10-02)
Schlagzeug:
Sonny Payne (am 1962-10-02)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1962-10-02), Sonny Cohn (am 1962-10-02), Thad Jones (American jazz trumpeter) (am 1962-10-02) und Al Porcino (am 1962-10-02)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1962-10-02)
Orchester:
Count Basie and His Orchestra (am 1962-10-02)
arranger:
Neal Hefti
cover recording of:
Learnin’ the Blues (am 1962-10-02)
Texter und Komponist(in):
Dolores Vicki Silvers
publisher:
Barton Music Corp.
recording of:
Learnin’ the Blues
Texter und Komponist(in):
Dolores Vicki Silvers
publisher:
Barton Music Corp.
Frank Sinatra & Count Basie4:25
9I’m Gonna Sit Right Down and Write Myself a Letter
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-10-03)
Bass:
Buddy Catlett (am 1962-10-03)
Gitarre:
Freddie Green (am 1962-10-03)
Klavier:
Count Basie (pianist) (am 1962-10-03)
Posaune:
Henry Coker (jazz trombonist) (am 1962-10-03) und Benny Powell (jazz trombonist) (am 1962-10-03)
Saxophon:
Eric Dixon (woodwind) (am 1962-10-03), Frank Foster (saxophonist) (am 1962-10-03), Charlie Fowlkes (baritone saxophonist) (am 1962-10-03), Marshall Royal (am 1962-10-03) und Frank Wess (am 1962-10-03)
Schlagzeug:
Sonny Payne (am 1962-10-03)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1962-10-03), Sonny Cohn (am 1962-10-03), Thad Jones (American jazz trumpeter) (am 1962-10-03) und Al Porcino (am 1962-10-03)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1962-10-03)
Orchester:
Count Basie and His Orchestra (am 1962-10-03)
arranger:
Neal Hefti
cover recording of:
I’m Gonna Sit Right Down and Write Myself a Letter (am 1962-10-03)
Texter:
Joe Young (US lyricist)
Komponist(in):
Fred Ahlert und Joe Young (US lyricist)
publisher:
Anglo-Pic Music Co. Ltd., Azure Pearl Music, Beeping Good Music Publishing, Bluewater Music UK, David Ahlert Music, DeSylva, Brown and Henderson, Inc., Downtown Music Publishing LLC (PRS-affiliated), Fred Ahlert Mus. Corp., MCA Music Ltd., Memory Lane Music Ltd., MPL UK Publishing, Pencil Mark Music (ASCAP) und Rytvoc, Inc. (ASCAP)
recording of:
I’m Gonna Sit Right Down and Write Myself a Letter
Texter:
Joe Young (US lyricist)
Komponist(in):
Fred Ahlert und Joe Young (US lyricist)
publisher:
Anglo-Pic Music Co. Ltd., Azure Pearl Music, Beeping Good Music Publishing, Bluewater Music UK, David Ahlert Music, DeSylva, Brown and Henderson, Inc., Downtown Music Publishing LLC (PRS-affiliated), Fred Ahlert Mus. Corp., MCA Music Ltd., Memory Lane Music Ltd., MPL UK Publishing, Pencil Mark Music (ASCAP) und Rytvoc, Inc. (ASCAP)
Frank Sinatra & Count Basie2:36
10I Won’t Dance
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-10-02)
Bass:
Buddy Catlett (am 1962-10-02)
Gitarre:
Freddie Green (am 1962-10-02)
Klavier:
Count Basie (pianist) (am 1962-10-02)
Posaune:
Henry Coker (jazz trombonist) (am 1962-10-02) und Benny Powell (jazz trombonist) (am 1962-10-02)
Saxophon:
Eric Dixon (woodwind) (am 1962-10-02), Frank Foster (saxophonist) (am 1962-10-02), Charlie Fowlkes (baritone saxophonist) (am 1962-10-02), Marshall Royal (am 1962-10-02) und Frank Wess (am 1962-10-02)
Schlagzeug:
Sonny Payne (am 1962-10-02)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1962-10-02), Sonny Cohn (am 1962-10-02), Thad Jones (American jazz trumpeter) (am 1962-10-02) und Al Porcino (am 1962-10-02)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1962-10-02)
Orchester:
Count Basie and His Orchestra (am 1962-10-02)
arranger:
Neal Hefti
cover recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) (am 1962-10-02)
Texter:
Jimmy McHugh (songwriter) und Dorothy Fields (American librettist and lyricist) (in 1935)
Komponist(in):
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
basiert auf:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”)
Texter:
Jimmy McHugh (songwriter) und Dorothy Fields (American librettist and lyricist) (in 1935)
Komponist(in):
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
basiert auf:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
Frank Sinatra & Count Basie4:07
11Goody Goody
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-04-11)
Bass:
Al McKibbon (double bassist)
Bassposaune:
George Roberts (american bass trombone)
Gitarre:
Al Viola
Holzblasinstrumente und Saxophon:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini und Ben Webster
Instrumente:
Conte Candoli
Klavier:
Bill Miller (pianist)
Posaune:
Lew McCreary, Dick Nash, Dick Noel (trombone) und Frank Rosolino
Schlagzeug:
Earl Palmer
Trompete:
Pete Candoli, Don Fagerquist, Al Porcino und Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, am 1962-04-11)
conductor:
Neal Hefti
arranger:
Neal Hefti
cover recording of:
Goody Goody (am 1962-04-11)
Texter:
Johnny Mercer
Komponist(in):
Matty Malneck
publisher:
Chappell & Co., Inc. (USA), Malneck Music, The Johnny Mercer Foundation, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Frank Sinatra1:50
12They Can't Take That Away From Me
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-04-10)
Bass:
Al McKibbon (double bassist)
Bassposaune:
George Roberts (american bass trombone)
Gitarre:
Al Viola
Holzblasinstrumente und Saxophon:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini und Ben Webster
Instrumente:
Conte Candoli
Klavier:
Bill Miller (pianist)
Posaune:
Lew McCreary, Dick Nash, Dick Noel (trombone) und Frank Rosolino
Schlagzeug:
Earl Palmer
Trompete:
Pete Candoli, Don Fagerquist, Al Porcino und Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, am 1962-04-10)
conductor:
Neal Hefti
arranger:
Neal Hefti
cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (am 1962-04-10)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
Frank Sinatra42:45
13At Long Last Love
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-04-11)
Bass:
Al McKibbon (double bassist)
Bassposaune:
George Roberts (american bass trombone)
Gitarre:
Al Viola
Holzblasinstrumente und Saxophon:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini und Ben Webster
Instrumente:
Conte Candoli
Klavier:
Bill Miller (pianist)
Posaune:
Lew McCreary, Dick Nash, Dick Noel (trombone) und Frank Rosolino
Schlagzeug:
Earl Palmer
Trompete:
Pete Candoli, Don Fagerquist, Al Porcino und Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, am 1962-04-11)
conductor:
Neal Hefti
arranger:
Neal Hefti
cover recording of:
At Long Last Love (am 1962-04-11)
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
You Never Know
Frank Sinatra2:17
14I'm Beginning To See The Light
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-04-10)
Bass:
Al McKibbon (double bassist)
Bassposaune:
George Roberts (american bass trombone)
Gitarre:
Al Viola
Holzblasinstrumente und Saxophon:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini und Ben Webster
Instrumente:
Conte Candoli
Klavier:
Bill Miller (pianist)
Posaune:
Lew McCreary, Dick Nash, Dick Noel (trombone) und Frank Rosolino
Schlagzeug:
Earl Palmer
Trompete:
Pete Candoli, Don Fagerquist, Al Porcino und Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, am 1962-04-10)
conductor:
Neal Hefti
arranger:
Neal Hefti
cover recording of:
I’m Beginning to See the Light (am 1962-04-10)
Texter:
Don George (US songwriter/composer, 1909–1987) (in 1944)
Verfasser(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944), Johnny Hodges (in 1944) und Harry James (US big band leader, trumpeter & actor) (in 1944)
publisher:
Anne-Rachel Music Corp.
Frank Sinatra2:38
15Don't Cha Go 'Way Mad
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-04-11)
Bass:
Al McKibbon (double bassist)
Bassposaune:
George Roberts (american bass trombone)
Gitarre:
Al Viola
Holzblasinstrumente und Saxophon:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini und Ben Webster
Instrumente:
Conte Candoli
Klavier:
Bill Miller (pianist)
Posaune:
Lew McCreary, Dick Nash, Dick Noel (trombone) und Frank Rosolino
Schlagzeug:
Earl Palmer
Trompete:
Pete Candoli, Don Fagerquist, Al Porcino und Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, am 1962-04-11)
conductor:
Neal Hefti
arranger:
Neal Hefti
cover recording of:
Don’cha Go ’Way Mad (am 1962-04-11)
Texter:
Al Stillman
Komponist(in):
Illinois Jacquet und Jimmy Mundy
publisher:
Advanced Music corp. und Rytvoc, Inc. (ASCAP)
Version von:
Black Velvet
Frank Sinatra3:16
16I Get A Kick Out Of You
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1963-04-10)
Bass:
Al McKibbon (double bassist)
Bassposaune:
George Roberts (american bass trombone)
Gitarre:
Al Viola
Holzblasinstrumente und Saxophon:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini und Ben Webster
Instrumente:
Conte Candoli
Klavier:
Bill Miller (pianist)
Posaune:
Lew McCreary, Dick Nash, Dick Noel (trombone) und Frank Rosolino
Schlagzeug:
Earl Palmer
Trompete:
Pete Candoli, Don Fagerquist, Al Porcino und Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, am 1963-04-10)
conductor:
Neal Hefti
arranger:
Neal Hefti
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1962)
cover recording of:
I Get a Kick Out of You (am 1962-04-10)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
Frank Sinatra43:18
17Tangerine
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-04-11)
Bass:
Al McKibbon (double bassist)
Bassposaune:
George Roberts (american bass trombone)
Gitarre:
Al Viola
Holzblasinstrumente und Saxophon:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini und Ben Webster
Instrumente:
Conte Candoli
Klavier:
Bill Miller (pianist)
Posaune:
Lew McCreary, Dick Nash, Dick Noel (trombone) und Frank Rosolino
Schlagzeug:
Earl Palmer
Trompete:
Pete Candoli, Don Fagerquist, Al Porcino und Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, am 1962-04-11)
conductor:
Neal Hefti
arranger:
Neal Hefti
cover recording of:
Tangerine (1941 song) (am 1962-04-11)
Texter:
Johnny Mercer
Komponist(in):
Victor Schertzinger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Frank Sinatra2:07
18Love Is Just Around The Corner
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-04-10)
Bass:
Al McKibbon (double bassist)
Bassposaune:
George Roberts (american bass trombone)
Gitarre:
Al Viola
Holzblasinstrumente und Saxophon:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini und Ben Webster
Instrumente:
Conte Candoli
Klavier:
Bill Miller (pianist)
Posaune:
Lew McCreary, Dick Nash, Dick Noel (trombone) und Frank Rosolino
Schlagzeug:
Earl Palmer
Trompete:
Pete Candoli, Don Fagerquist, Al Porcino und Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, am 1962-04-10)
conductor:
Neal Hefti
arranger:
Neal Hefti
cover recording of:
Love Is Just Around the Corner (am 1962-04-10)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Lewis E. Gensler
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (bis 2007-05) und Sony/ATV Harmony (vom 2007-05 bis heute)
Frank Sinatra2:32
19Ain't She Sweet
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-04-10)
Bass:
Al McKibbon (double bassist)
Bassposaune:
George Roberts (american bass trombone)
Gitarre:
Al Viola
Holzblasinstrumente und Saxophon:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini und Ben Webster
Instrumente:
Conte Candoli
Klavier:
Bill Miller (pianist)
Posaune:
Lew McCreary, Dick Nash, Dick Noel (trombone) und Frank Rosolino
Schlagzeug:
Earl Palmer
Trompete:
Pete Candoli, Don Fagerquist, Al Porcino und Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, am 1962-04-10)
conductor:
Neal Hefti
arranger:
Neal Hefti
cover recording of:
Ain’t She Sweet (am 1962-04-10)
Texter:
Jack Yellen
Komponist(in):
Milton Ager
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), EMI Music (do not use as release label! this is a music publisher), Lawrence Wright Music Co., Ltd., Warner Bros., Inc. (not for release label use!) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Frank Sinatra2:11
20Serenade In Blue
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-04-11)
Bass:
Al McKibbon (double bassist)
Bassposaune:
George Roberts (american bass trombone)
Gitarre:
Al Viola
Holzblasinstrumente und Saxophon:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini und Ben Webster
Instrumente:
Conte Candoli
Klavier:
Bill Miller (pianist)
Posaune:
Lew McCreary, Dick Nash, Dick Noel (trombone) und Frank Rosolino
Schlagzeug:
Earl Palmer
Trompete:
Pete Candoli, Don Fagerquist, Al Porcino und Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, am 1962-04-11)
conductor:
Neal Hefti
arranger:
Neal Hefti
cover recording of:
Serenade in Blue (am 1962-04-11)
Texter:
Mack Gordon
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Bregman, Vocco & Conn, Inc.
Frank Sinatra3:03
21I Love You
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-04-10)
Bass:
Al McKibbon (double bassist)
Bassposaune:
George Roberts (american bass trombone)
Gitarre:
Al Viola
Holzblasinstrumente und Saxophon:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini und Ben Webster
Instrumente:
Conte Candoli
Klavier:
Bill Miller (pianist)
Posaune:
Lew McCreary, Dick Nash, Dick Noel (trombone) und Frank Rosolino
Schlagzeug:
Earl Palmer
Trompete:
Pete Candoli, Don Fagerquist, Al Porcino und Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, am 1962-04-10)
conductor:
Neal Hefti
arranger:
Neal Hefti
cover recording of:
I Love You (am 1962-04-10)
Texter:
Harlan Thompson
Verfasser(in) und Komponist(in):
Harry Archer und Harlan Thompson
publisher:
Chappell & Co., Inc. (USA) und SBK Feist Catalog, Inc.
cover recording of:
I Love You (Mexican Hayride musical) (am 1962-04-10)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Frank Sinatra2:20
22Pick Yourself Up
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-04-11)
Bass:
Al McKibbon (double bassist)
Bassposaune:
George Roberts (american bass trombone)
Gitarre:
Al Viola
Holzblasinstrumente und Saxophon:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini und Ben Webster
Instrumente:
Conte Candoli
Klavier:
Bill Miller (pianist)
Posaune:
Lew McCreary, Dick Nash, Dick Noel (trombone) und Frank Rosolino
Schlagzeug:
Earl Palmer
Trompete:
Pete Candoli, Don Fagerquist, Al Porcino und Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, am 1962-04-11)
conductor:
Neal Hefti
arranger:
Neal Hefti
cover recording of:
Pick Yourself Up (from “Swing Time”) (am 1962-04-11)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jerome Kern
Teil von:
Swing Time (film)
Frank Sinatra2:36
23Pennies From Heaven
alto saxophone:
Caughey Roberts (am 1937-01-21)
alto saxophone und baritone saxophone:
Jack Washington (am 1937-01-21)
Gitarre:
Claude Williams (jazz violinist and guitarist) (am 1937-01-21)
Klarinette und Tenorsaxophon:
Herschel Evans (am 1937-01-21) und Lester Young (saxophonist) (am 1937-01-21)
Klavier:
Count Basie (pianist) (am 1937-01-21)
Kontrabass:
Walter Page (am 1937-01-21)
Posaune:
George Hunt (am 1937-01-21) und Dan Minor (am 1937-01-21)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1937-01-21)
Trompete:
Carl "Tatti" Smith (trumpeter) (am 1937-01-21), Buck Clayton (am 1937-01-21) und Joe Keyes (am 1937-01-21)
vocals:
Jimmy Rushing (am 1937-01-21)
arranger:
Don Redman (in 1937-01)
Teil von:
Decca (by matrix number) (Nummer: 61543-A)
recording of:
Pennies From Heaven (am 1937-01-21)
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
Komponist(in):
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) und Joy Music Inc.
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Count Basie2:36
24I'm Beginning To See The Light
Produzent(in):
Norman Granz
alto saxophone:
Bill Graham (US jazz saxophonist) (am 1956-04-28)
Bass:
Eddie Jones (US jazz double bassist) (am 1956-04-28)
Gitarre:
Freddie Green (am 1956-04-28)
Holzblasinstrumente:
Frank Wess (am 1956-04-28)
Klavier:
Count Basie (pianist) (am 1956-04-28)
Posaune:
Henry Coker (jazz trombonist) (am 1956-04-28), Bill Hughes (jazz trombonist) (am 1956-04-28) und Benny Powell (jazz trombonist) (am 1956-04-28)
Rohrblattinstrumente:
Charlie Fowlkes (baritone saxophonist) (am 1956-04-28), Frank Foster (saxophonist) (am 1956-04-28) und Marshall Royal (am 1956-04-28)
Schlagzeug:
Sonny Payne (am 1956-04-28)
Trompete:
Wendell Culley (jazz trumpeter) (am 1956-04-28), Reunald Jones (am 1956-04-28), Thad Jones (American jazz trumpeter) (am 1956-04-28) und Joe Newman (US jazz trumpeter) (am 1956-04-28)
vocals:
Joe Williams (US jazz vocalist) (am 1956-04-28)
conductor:
Buddy Bregman (am 1956-04-28)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-04-28)
recording of:
I’m Beginning to See the Light (am 1956-04-28)
Texter:
Don George (US songwriter/composer, 1909–1987) (in 1944)
Verfasser(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944), Johnny Hodges (in 1944) und Harry James (US big band leader, trumpeter & actor) (in 1944)
publisher:
Anne-Rachel Music Corp.
Count Basie3:09

Nennungen

Veröffentlichungsgruppe

enthalten in:Frank Sinatra Vol. 2: Nine Classic Albums von Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
Wikipedia:en: Sinatra–Basie: An Historic Musical First [Info]
Discogs:https://www.discogs.com/master/144095 [Info]
Allmusic:https://www.allmusic.com/album/mw0000195377 [Info]
Wikidata:Q2898043 [Info]