Kuschelrock 1

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 8 disponibili)

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1▼CD
#TitoloArtistaValutazioneDurata
1The Power of Love
programmazione:
Harry Baierl
produttore:
Candy de Rouge (aka Candy de Rouge) e Gunther Mende
tastiera :
Harry Baierl
voce principale:
Jennifer Rush
arrangiatore:
Candy de Rouge (aka Candy de Rouge) e Gunther Mende
diritti fonografici (℗) detenuti da:
CBS Schallplatten GmbH (nel 1984) e Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (nel 1984)
registrazione di:
The Power of Love (Jennifer Rush song)
autore:
Mary Applegate, Wolfgang Detmann (aka Candy de Rouge), Gunther Mende e Jennifer Rush
editore:
CBS Songs Ltd., EMI April Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., EMI Songs Musikverlag GmbH, Libra Phone Music Verlag GmbH, フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (fino al 2015-01-01), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Jennifer Rush55:57
2Without You
tecnico:
Robin Geoffrey Cable
produttore:
Richard Perry (producer)
batteria :
Jim Keltner (nel 1971-06)
chitarra acustica :
John Uribe (nel 1971-06)
chitarra basso :
Klaus Voormann (nel 1971-06)
pianoforte :
Gary Wright (US singer/keyboardist) (nel 1971-06)
voce:
Harry Nilsson (US singer-songwriter) (nel 1971-06)
direttore d'orchestra:
Paul Buckmaster (nel 1971-06)
arrangiatore ottoni e archi :
Paul Buckmaster
diritti fonografici (℗) detenuti da:
BMG Music (nel 1971, nel 1991), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1971), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1971), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1972) e RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (nel 1989)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 496)
registrazione cover di:
Without You (nel 1971-06)
autore:
Tom Evans (UK guitarist for Badfinger) e W. Peter Ham
editore:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, dal 1970 a oggi), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) e WB Music Corp. (1929–2019) (fino al 2019-05-28)
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Nilsson4.33:16
3I’ve Been in Love Before
registrazione di:
I've Been in Love Before
paroliere e compositore:
Nick Van Eede
Cutting Crew4:26
4One More Night
assistente tecnico:
Steve Chase
tecnico:
John Jacobs (UK producer/engineer) e Hugh Padgham
produttore:
Phil Collins (of Genesis) e Hugh Padgham
chitarra [guitars] :
Daryl Stuermer
chitarra basso [bass] :
Lee Sklar (bassist, session musician)
drum machine [Roland 808] , tastiera [keyboards] , voce di accompagnamento [backing vocals] e voce principale [vocals]:
Phil Collins (of Genesis)
sassofono [sax] solista :
Don Myrick
arrangiatore archi :
Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1985), Warner Music International Inc. (not for release label use! Warner Music Group's global recorded music division managing over 50 countries) (nel 1985), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985) e Philip Collins Ltd. (nel 2016)
registrata presso:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito, Old Croft in Surrey, England, Regno Unito e The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito
mixata presso:
The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito
video musicali:
One More Night di Phil Collins (of Genesis)
registrazione di:
One More Night
paroliere e compositore:
Phil Collins (of Genesis)
editore:
Hit & Run Music (Publishing) Ltd, Imagem Music, Imagem Music NL e Philip Collins Ltd.
Phil Collins3.94:42
5Glory of Love
tecnico e tecnico di missaggio:
Terry Christian (US recording and mixing engineer) e John Guess
produttore:
Michael Omartian
voce di accompagnamento ospite:
Kenny Cetera
voce principale:
Peter Cetera
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1986) e Warner Music International (trademark of Warner Music International the company) (nel 1986)
registrata presso e mixata presso:
Lion Share Studios in Los Angeles, California, Stati Uniti
registrazione di:
Glory of Love
autore:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) e Diane Nini
editore:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30), Air Bear Music (nel 1986), Fall Line Orange Music (nel 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (nel 1986), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
parte di:
The 59th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1986 nominee)
Peter Cetera4.24:18
6Two People
tecnico di registrazione e tecnico di missaggio:
John Hudson (producer, recording and mixing engineer)
tecnico aggiunto:
Mike Ging
produttore:
Terry Britten
basso e chitarra e voce di accompagnamento:
Terry Britten
membranofono :
Jack Bruno (drummer)
tastiera :
Nick Glennie‐Smith e Billy Livsey
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2004)
registrazione di:
Two People
paroliere e compositore:
Terry Britten e Graham Lyle
editore:
Goodsingle Ltd. (publisher)
Tina Turner4:06
7A Whiter Shade of Pale
produttore:
Denny Cordell
batteria ospite :
Bill Eyden
chitarra :
Ray Royer
chitarra basso :
David Knights
organo Hammond :
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
voce:
Gary Brooker
diritti fonografici (℗) detenuti da:
Onward Music Ltd. (nel 1967)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 57) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 271)
registrazione di:
A Whiter Shade of Pale
paroliere:
Keith Reid
compositore:
Gary Brooker e Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
editore:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) e Westminster Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
si basa su:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
si basa su:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:01
8The Great Pretender
tecnico:
Richard Dodd (mastering engineer, producer and engineer) e David Richards (Swiss-based producer and engineer)
produttore:
Freddie Mercury, Mike Moran (keyboardist, songwriter, film and TV composer, producer) e David Richards (Swiss-based producer and engineer)
basso :
Alan Jones (bass player)
batteria :
Harold Fisher
pianoforte e tastiera :
Mike Moran (keyboardist, songwriter, film and TV composer, producer)
voce di accompagnamento:
Peter Straker (Jamaican born singer) e Roger Taylor (Queen drummer)
voce di accompagnamento e voce principale:
Freddie Mercury
diritti fonografici (℗) detenuti da:
Mercury Songs Ltd. (copyright holders, publishing company of Freddie Mercury) (nel 1987, dal 1999 al 2000)
registrata presso:
Ripe Studios in London (Greater London), England, Regno Unito e The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito
registrazione cover di:
The Great Pretender
paroliere e compositore:
Buck Ram
editore:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) e Southern Music Publishing Company Limited
Freddie Mercury3.53:24
9On My Own
produttore:
Burt Bacharach e Carole Bayer Sager
esecutore:
Patti LaBelle
registrazione di:
On My Own (Patti LaBelle and Michael McDonald song) (nel 1986)
paroliere:
Carole Bayer Sager
compositore:
Burt Bacharach
editore:
Carole Bayer Sager Music e New Hidden Valley Music Co.
Patti LaBelle & Michael McDonald4:45
10Human
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1986, nel 2003)
video musicali:
Human di The Human League
registrazione di:
Human
autore:
James Harris III (James Harris of Jam & Lewis) e Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
editore:
EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) e Flyte Tyme Tunes
The Human League3.53:44
11Keep Me in Mind
produttore:
Stewart Levine (record producer and saxophonist)
registrazione di:
Keep Me in Mind
autore:
Jocelyn Brown, George O’Dowd e Glenn Nightingale
Boy George33:57
12Just Around the Corner
produttore:
Don Gehman
registrazione di:
Just Around the Corner
paroliere e compositore:
Peter Kingsbery
editore:
Edwin Ellis Music (publisher) e Nurk Twins Music (publisher)
Cock Robin3.654:08
13Breathless
registrazione di:
Breathless
autore:
Philippe Allaert (Belgian jazz/fusion drummer, producer) e Viktor Lazlo (French-Belgian singer)
Viktor Lazlo3:28
14Sweet Love
registrazione di:
Sweet Love
compositore:
Anita Baker, Gary Bias (jazz saxophonist) e Louis A. Johnson
editore:
EMI Music (do not use as release label! this is a music publisher) e Jobete Music (appears also as: Jobete Msc.)
Anita Baker4:07
15Through the Barricades
assistente tecnico:
Stephen Wissnet
tecnico:
Gary Langan
produttore:
Gary Langan e Spandau Ballet
basso :
Martin Kemp (UK actor, musician, bassist for Spandau Ballet)
batteria :
John Keeble
chitarra :
Gary Kemp
percussione e sassofono :
Steve Norman (UK saxophonist/percussionist for Spandau Ballet)
tastiera :
Toby Chapman
voce di accompagnamento:
Ruby James (L.A-based singer/songwriter), Shirley Lewis e Helena Springs
voce principale:
Tony Hadley
esecutore:
Spandau Ballet
diritti fonografici (℗) detenuti da:
CBS Records (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (nel 1986) e Sony BMG Music Entertainment (UK) Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986)
registrata presso e mixata presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania e Studio Miraval in Le Val, Var, Provence-Alpes-Côte-d'Azur, Francia
registrazione di:
Through the Barricades
paroliere e compositore:
Gary Kemp
editore:
Reformation Publishing Co. Ltd.
Spandau Ballet35:35
16Following
registrazione di:
Following
paroliere e compositore:
Michael Steele (American bassist, guitarist, songwriter, and singer)
Bangles2:56
17My First Love
Bonnie Bianco4:13
18Tonight, Tonight, Tonight
registrazione di:
Tonight, Tonight, Tonight
paroliere:
Phil Collins (of Genesis)
compositore:
Tony Banks (Genesis), Phil Collins (of Genesis) e Mike Rutherford
editore:
Anthony Banks Ltd., Hit & Run Music (Publishing) Ltd, Imagem CV, Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Michael Rutherford Ltd. e Philip Collins Ltd.
scritta presso:
The Farm (of Genesis fame) in Surrey, England, Regno Unito
Genesis4:25
2▼CD
#TitoloArtistaValutazioneDurata
1Don’t Give Up
esecutore:
Kate Bush
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1986)
registrazione di:
Don’t Give Up
paroliere e compositore:
Peter Gabriel (formerly of Genesis)
editore:
Cliofine Limited, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) e Real World Music, Ltd.
Peter Gabriel & Kate Bush5:31
2Hold Me Now
diritti fonografici (℗) detenuti da:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1987) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1987)
parte di:
Ireland in the Eurovision Song Contest (Irlanda all'Eurovision Song Contest) (numero: 1987) e Winners of the Eurovision Song Contest (Vincitori dell'Eurovision Song Contest) (numero: 1987)
registrazione di:
Hold Me Now (nel 1987)
editore:
Johnny Logan
compositore:
Johnny Logan
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. e Warner Chappell Music (publisher as Warner/Chappell Music)
Johnny Logan43:01
3Caravan of Love
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1985)
registrazione di:
Caravan of Love
autore:
Ernie Isley, Marvin Isley e Chris Jasper
editore:
April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), IJI Publishing e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Isley Jasper Isley3.55:44
4Hard to Say I’m Sorry
produttore:
David Foster (Canadian music producer, arranger and composer)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1982) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1982)
registrazione cover di:
Hard to Say I’m Sorry (Chicago song)
autore:
Peter Cetera (nel 1982) e David Foster (Canadian music producer, arranger and composer) (nel 1982)
editore:
Peermusic III, Ltd. (BMI), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Double Virgo Music (nel 1982) e Foster Frees Music Inc. (nel 1982)
Chicago53:46
5Carpet Crawl
registrazione di:
The Carpet Crawlers
paroliere e compositore:
Tony Banks (Genesis), Phil Collins (of Genesis), Peter Gabriel (formerly of Genesis), Steve Hackett e Mike Rutherford
editore:
Carlin Music Corporation, Genesis Music Ltd, Imagem CV, Imagem Sounds Banks, Imagem Sounds Collins e Imagem Sounds Rutherford
Genesis5:25
6Under the Boardwalk
registrata a:
New York, New York, Stati Uniti (il 1964-05-21)
produttore:
Bert Berns e Mike Leander
archi [nine strings] :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1964-05-21)
batteria [drums] :
Gary Chester (studio drummer and educator) (il 1964-05-21)
chitarra :
Everett Barksdale (il 1964-05-21), Bill Suyker (il 1964-05-21), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (il 1964-05-21) e Bob Bushnell (il 1964-05-21)
contrabbasso [bass] :
Milt Hinton (il 1964-05-21)
pianoforte :
Ernie Hayes (American pianist, organist and arranger) (il 1964-05-21)
vibrafono [vibes] :
George Devens (il 1964-05-21)
voce di baritono:
Gene Pearson (vocals, Drifters) (il 1964-05-21)
voce di basso:
Winifred Terry (il 1964-05-21)
voce di tenore:
Charlie Thomas (The Drifters) (il 1964-05-21)
voce principale:
Johnny Moore (soul/rnb vocalist for The Drifters) (il 1964-05-21)
direttore d'orchestra:
Gary Sherman (mid-20th century composer, arranger & conductor) (il 1964-05-21)
arrangiatore:
Gary Sherman (mid-20th century composer, arranger & conductor) e Teacho Wiltshire
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 304) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 487)
registrazione di:
Under the Boardwalk (il 1964-05-21)
autore:
Arthur Resnick (songwriter, producer) e Kenny Young
editore:
Alley Music Corp., Intersong (publisher), TM Music Ltd. e Trio Music Company
The Drifters4.352:39
7Sebastian
registrazione di:
Sebastian
paroliere e compositore:
Steve Harley
editore:
Finchley Music Corp. e RAK Publishing Ltd.
Steve Harley & Cockney Rebel5:33
8When a Man Loves a Woman
produttore:
Marlin Greene (’60s teen artist, writer & engineer) e Quin Ivy
batteria :
Roger Hawkins (il 1966-02-17)
chitarra :
Marlin Greene (’60s teen artist, writer & engineer) (il 1966-02-17)
contrabbasso :
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (il 1966-02-17)
farfisa [farfisa organ] :
Spooner Oldham (il 1966-02-17)
voce:
Percy Sledge (il 1966-02-17)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1966)
registrata presso:
Norala Studio in Sheffield, Alabama, Stati Uniti (il 1966-02-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 54) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
When a Man Loves a Woman (il 1966-02-17)
autore:
Calvin Lewis, Percy Sledge e Andrew Wright (US keyboardist)
editore:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (dal 1966 a oggi), Quinvy Music Publishing Company, Inc. (dal 1966 a oggi), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (dal 1966 a oggi), Pronto (BMI‐affiliated publishing company) (nel 1972) e Quinvy (record company and publisher) (nel 1972)
Percy Sledge4.352:49
9Bye Bye Love
registrazione di:
Bye Bye Love
autore:
Boudleaux Bryant e Felice Bryant
editore:
House of Bryant Publications (publisher; do NOT use as release label), Sony ATV Acuff Rose Ltd., Sony/ATV Music Publishing (UK) Ltd. e Sony/ATV Music Publishing LLC (1995–2020)
The Everly Brothers2:16
10Honesty
assistente tecnico:
Dave Martone (US engineer)
tecnico:
Jim Boyer (producer/engineer)
produttore:
Phil Ramone
tecnico di missaggio:
Jim Boyer (producer/engineer) e Phil Ramone
chitarra acustica :
David Spinozza (nel 1978)
arrangiatore ottoni [horns] e archi :
Robert Freedman
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1978) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1978)
registrata presso:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, Stati Uniti (nel 1978)
mixata presso:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, Stati Uniti
video musicali:
Honesty di Billy Joel (American singer‐songwriter and pianist)
registrazione di:
Honesty (nel 1978)
paroliere e compositore:
Billy Joel (American singer‐songwriter and pianist)
editore:
April Music Inc., EMI Songs Australia Pty. Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), CBS Songs Ltd. (nel 1978), EMI April Music Inc. (nel 1978) e Impulsive Music (nel 1978)
Billy Joel3.653:45
11City Lights
registrazione di:
City Lights
paroliere e compositore:
Pascal Pilet Desjardins (producer), Phil Trainer e Pascal Wuthrich
William Pitt3:50
12Stand by Me
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
voce:
Ben E. King (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1960, nel 1961) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1986)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 131) e BILLIONS CLUB
registrazione di:
Stand by Me (il 1960-10-27)
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:54
13Don’t Dream It’s Over
tecnico di registrazione:
Tchad Blake e Dennis Kirk
assistente tecnico:
Glen Holguin (engineer)
produttore:
Mitchell Froom
tecnico di missaggio:
Michael Frondelli
basso :
Nick Seymour (Nicholas More Seymour)
batteria :
Paul Hester (Australian drummer for Crowded House/Split Enz)
chitarra elettrica [Gibson Les Paul Goldtop] e voce principale:
Neil Finn
chitarra elettrica [Tom Anderson “S” Style] :
Tim Pierce (US session guitarist)
congas , mbira [kalimba] e shaker :
Jorge Bermudez
organo e tastiera :
Mitchell Froom
voce di accompagnamento:
Noel Crombie, Jim Gilstrap, Andy Milton e Joe Satriani
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1986)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti e Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Studio 55 in Los Angeles, California, Stati Uniti
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 5)
registrazione di:
Don’t Dream It’s Over
paroliere e compositore:
Neil Finn
editore:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing e Roundhead Music (Neil Finn)
parte di:
APRA Top 100 New Zealand Songs of All Time (numero: 2)
Crowded House3.93:48
14Everlasting Love
registrazione cover di:
Everlasting Love
autore:
James “Buzz” Cason e Mac Gayden
editore:
Alberts, J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd. e Rising Sons Music Inc. (nel 1967)
Love Affair43:00
15I’m Not in Love
tecnico di registrazione:
10cc (nel 1974)
tecnico e tecnico di missaggio:
Eric Stewart
produttore:
10cc
basso e chitarra :
Graham Gouldman (nel 1974)
effetti [musical effects] , pianoforte elettrico e voce principale:
Eric Stewart (nel 1974)
moog :
Kevin (nel 1974)
pianoforte :
Lol (nel 1974)
synclavier [control desk] :
Graham Gouldman (nel 1974), Kevin (nel 1974), Lol (nel 1974) e Eric Stewart (nel 1974)
altra voce [whisper vocals]:
Kathy Redfern (nel 1974)
voce di accompagnamento:
Graham Gouldman (nel 1974), Kevin (nel 1974) e Lol (nel 1974)
diritti fonografici (℗) detenuti da:
Mercury Records Limited (not for release label use!) (nel 1975), Mercury Records Ltd. (London) (for copyrights use only) (nel 1975), Phonogram, Inc. (nel 1975), Phonogram Ltd. (not for release label use!) (nel 1979) e Mercury Records Ltd. (not for release label use!) (nel 1996)
registrata presso:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Regno Unito (nel 1974)
video musicali:
I’m Not in Love di 10cc
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 319)
registrazione di:
I’m Not in Love (nel 1974)
autore:
Graham Gouldman e Eric Stewart
editore:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, nel 1975), Schubert Music Publishing, St. Anne's Music e St. Anne’s Music Ltd.
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
10cc3.85:56
16Donna
tecnico di registrazione:
Larry Levine e Stan Ross (recording engineer, mixer & producer)
produttore:
Bob Keane
diritti fonografici (℗) detenuti da:
Del-Fi Records Inc. (nel 1958)
registrazione di:
Donna
paroliere e compositore:
Ritchie Valens
editore:
Aberbach Musikverlag (German publisher) e Carlin Music Corporation
Ritchie Valens4.82:23
17Don’t You Love Me Anymore
registrazione di:
Don’t You Love Me Anymore
autore:
Albert Hammond e Diane Warren (US songwriter)
Joe Cocker3:53
18Carrie
tecnico di registrazione e tecnico di missaggio:
Wally Buck e Kevin Elson
produttore:
Kevin Elson
batteria [drums] :
Ian Haugland
chitarra :
John Norum
chitarra basso [bass] :
John Levén
tastiera :
Mic Michaeli
voce di accompagnamento:
Ian Haugland, Mic Michaeli e John Norum
voce principale:
Joey Tempest (Swedish singer)
diritti fonografici (℗) detenuti da:
CBS Records AB (SE subsidiary of CBS Records, renamed Sony Music Entertainment (Sweden) AB in 1991) (nel 1986), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1986) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1986)
è stato produttore per:
Elson Music Vision, Inc.
registrata presso e mixata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti, Powerplay Studios in Maur, Zürich (Canton Zurigo), Svizzera e Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Svezia
registrazione di:
Carrie (Europe song)
autore:
Mic Michaeli e Joey Tempest (Swedish singer)
editore:
EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Seven Doors Music
Europe3.94:31

Accreditamenti

Gruppo di pubblicazioni

parte di:Kuschelrock (numero: 1) (ordine: 27)
Discogs:https://www.discogs.com/master/148661 [info]
Allmusic:https://www.allmusic.com/album/mw0000722122 [info]