Bach Adagios (BMG club edition)

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▼ CD 1: CD: 1
#TitoloValutazioneDurata
1Orchestral Suite no. 3 in D major, BWV 1068: Air (Air on a G String)
produttore:
Michael Bremner (producer/engineer)
clavicembalo :
Thurston Dart (conductor and keyboard player) (nel 1970-12)
orchestra:
Academy of St Martin in the Fields (nel 1970-12)
direttore d'orchestra:
Sir Neville Marriner (conductor) (nel 1970-12)
tecnico di bilanciamento:
Stanley Goodall (engineer) (nel 1970-12)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (for copyrights use only!) (nel 1971)
registrata presso:
St John’s, Smith Square in London (Greater London), England, Regno Unito (nel 1970-12)
registrazione di:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string) (nel 1970-12)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1730)
parte di:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral suite no. 3 in D major, BWV 1068)
5:16
2Cantata, BWV 140 "Wachet auf, ruft uns die Stimme": "Sleepers Awake"
orchestra:
New Symphony of London (often referred to as just The New Symphony Orchestra) (nel 1958-05)
direttore d'orchestra:
Raymond Agoult (Hungarian, London-based conductor and composer) (nel 1958-05)
arrangiatore:
Sir Granville Bantock (composer)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (for copyrights use only!) (nel 1970)
registrata presso:
Walthamstow Assembly Hall in London (Greater London), England, Regno Unito (nel 1958-05)
registrazione di:
Wachet auf, ruft uns die Stimme, BWV 140: I. Coro "Wachet auf, ruft uns die Stimme" (catch-all for arrangements) (nel 1958-05)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangiamento di:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": I. Coro "Wachet auf, ruft uns die Stimme"
registrazione di:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral (Tenor) “Zion hört die Wächter singen”
eseguita per la prima volta a:
Leipzig, Sachsen (Saxony), Germania (il 1731-11-25)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1731)
si basa su:
Wachet auf, ruft uns die Stimme
parte di:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
2:31
3Concerto for Flute, Harpsichord, Strings, and Basso Continuo in A minor, BWV 1044 "Triple Concerto": Adagio, ma non tanto, e dolce
produttore:
Dr. Gerd Ploebsch
produttore esecutivo:
Dr. Andreas Holschneider e Charlotte Kriesch
clavicembalo :
Trevor Pinnock (conductor / harpsichord) (nel 1984-03)
flauto :
Lisa Beznosiuk (flautist)
flauto a imboccatura laterale :
Lisa Beznosiuk (flautist) (nel 1984-03)
viola d'amore :
Simon Standage (violinist and conductor) (nel 1984-03)
violino :
Simon Standage (violinist and conductor)
orchestra:
The English Concert (nel 1984-03)
direttore d'orchestra:
Trevor Pinnock (conductor / harpsichord) (nel 1984-03)
registrata presso:
Henry Wood Hall (London) in London (Greater London), England, Regno Unito (nel 1984-03)
registrazione di:
Concerto for Flute, Violin, Harpsichord, Strings and Continuo in A minor, BWV 1044 "Triple Concerto": II. Adagio, ma non tanto e dolce (nel 1984-03)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
si basa su:
Triosonate für Orgel Nr. 3 d-Moll, BWV 527: II. Adagio e dolce
parte di:
Concerto for Flute, Violin, Harpsichord, Strings and Continuo in A minor, BWV 1044 "Triple Concerto"
5:42
4Cantata, BWV 156 "Ich steh mit einem Fuss im Grabe": Sinfonia
oboe :
Heinz Holliger (Swiss oboist, composer, and conductor)
orchestra:
Camerata Bern
registrazione di:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": I. Sinfonia ("Arioso", catch-all for arrangements)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1729)
arrangiamento di:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
2:34
5Brandenburg Concerto no. 5 in D major, BWV 1050: Affettuoso
clavicembalo :
George Malcolm (English harpsichordist, conductor) (nel 1980-05)
flauto :
Jean‐Pierre Rampal (flautist) (nel 1980-05)
violino :
Henryk Szeryng (violinist) (nel 1980-05)
orchestra:
The Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (nel 1980-05)
direttore d'orchestra:
Neville Marriner (conductor) (nel 1980-05)
arrangiatore:
Jacques Loussier
registrata presso:
St John’s, Smith Square in London (Greater London), England, Regno Unito (nel 1980-05)
registrazione di:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso (nel 1980-05)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
versione di:
Concerto D-Dur, BWV 1050a: II. Adagio
parte di:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
5:44
6Goldberg Variations, BWV 988: Aria
tecnico:
Simon Eadon (classical music engineer)
produttore:
Michael Haas (classical music producer)
pianoforte :
András Schiff (pianist) (dal 1982-04-13 al 1982-04-15)
diritti fonografici (℗) detenuti da:
Universal Music Operations Ltd. (Universal Music Operations Limited, not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 1983)
registrata presso:
Kingsway Hall in London (Greater London), England, Regno Unito (dal 1982-04-13 al 1982-04-15)
registrazione di:
Goldberg-Variationen, BWV 988: Aria (dal 1982-04-13 al 1982-04-15)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Notebook for Anna Magdalena Bach (1725) (numero: 26)
parte di:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
3:53
7Italian Concerto in F major, BWV 971: Andante
produttore:
Volker Straus (producer/engineer)
pianoforte :
Alfred Brendel (Austrian pianist) (nel 1976-05)
registrata presso:
Walthamstow Assembly Hall in London (Greater London), England, Regno Unito (nel 1976-05)
registrazione di:
Italienisches Konzert F-Dur, BWV 971: II. Andante (nel 1976-05)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1735)
parte di:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
5:45
8Concerto for Violin, Strings and Basso Continuo in A minor, BWV 1041: Andante
registrata a:
La Chaux-de-Fonds, Neuchâtel (Canton Neuchâtel), Svizzera (dal 1978-11-06 al 1978-11-11)
produttore:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
violino :
Arthur Grumiaux (Belgian violinist) (dal 1978-11-06 al 1978-11-11)
violino solista :
Arthur Grumiaux (Belgian violinist)
orchestra:
Les Solistes Romands (dal 1978-11-06 al 1978-11-11)
direttore d'orchestra:
Arpad Gérecz (violinist/conductor) (dal 1978-11-06 al 1978-11-11)
registrazione di:
Violin Concerto in A minor, BWV 1041: II. Andante (dal 1978-11-06 al 1978-11-11)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Violin Concerto in A minor, BWV 1041
6:08
9Keyboard Concerto no. 5 in F minor, BWV 1056: Largo
clavicembalo :
Raymond Leppard (conductor and harpsichordist) (nel 1974-04)
orchestra:
English Chamber Orchestra (nel 1974-04)
direttore d'orchestra:
Raymond Leppard (conductor and harpsichordist) (nel 1974-04)
registrazione di:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (nel 1974-04)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
2:57
10Suite in D: Sarabande
registrata a:
London (Greater London), England, Regno Unito (nel 1981-08)
chitarra :
Pepe Romero (classical and flamenco guitarist)
chitarra classica :
Pepe Romero (classical and flamenco guitarist) (nel 1981-08)
registrazione di:
Suite no. 3 C-Dur, BWV 1009: IV. Sarabande (catch-all for arrangements) (nel 1981-08)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangiamento di:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: IV. Sarabande
parte di:
Suite no. 3 in C major, BWV 1009 (catch-all for arrangements)
registrazione di:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: IV. Sarabande
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009 (Cello Suite No. 3 in C major, BWV 1009)
4:07
11Oboe Concerto in F major, BWV 1053: Siciliano
produttore e tecnico di bilanciamento:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
oboe :
Heinz Holliger (Swiss oboist, composer, and conductor) (nel 1982-05, dal 1982-05 al 1982-07)
orchestra:
The Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (nel 1982-05) e Academy of St Martin in the Fields (dal 1982-05 al 1982-07)
direttore d'orchestra:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (nel 1982-05, dal 1982-05 al 1982-07)
diritti fonografici (℗) detenuti da:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (nel 1983)
registrata presso:
St John’s, Smith Square in London (Greater London), England, Regno Unito (nel 1982-05, dal 1982-05 al 1982-07)
registrazione di:
Oboe Concerto in F major, BWV 1053R: II. Siciliano (nel 1982-05)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Oboe Concerto in F major, BWV 1053R
4:20
12Christmas Oratorio, BWV 248: Sinfonia
tecnico di registrazione:
Hans‐Peter Schweigmann
produttore:
Hans Weber (producer/engineer)
produttore esecutivo:
Gerd Ploebsch e Prof. Dr. Hans Hickmann
contrabbasso :
Herbert Duft (double bass player) (dal 1965-02 al 1965-06) e Ludwig Kiblböck (double bass player) (dal 1965-02 al 1965-06)
corno [corno da caccia I] :
Kurt Richter (German horn player) (dal 1965-02 al 1965-06)
corno [corno da caccia II] :
Willy Beck (classical horn player) (dal 1965-02 al 1965-06)
fagotto :
Karl Kolbinger (bassoonist) (dal 1965-02 al 1965-06) e Detlev Kühl (bassoonist) (dal 1965-02 al 1965-06)
flauto a imboccatura laterale :
Paul Meisen (flautist) (dal 1965-02 al 1965-06)
oboe [oboe I] , oboe d'amore [oboe d'amore I] e oboe da caccia [oboe da caccia I] :
Edgar Shann (oboist) (dal 1965-02 al 1965-06)
oboe [oboe II] e oboe d'amore [oboe d'amore II] :
Kurt Hausmann (oboist) (dal 1965-02 al 1965-06)
oboe da caccia [oboe da caccia II] :
Gustav Meyer (oboist) (dal 1965-02 al 1965-06)
organo :
Hedwig Bilgram (harpsichordist and organist) (dal 1965-02 al 1965-06)
tromba [trumpet I] :
Maurice André (French trumpeter) (dal 1965-02 al 1965-06)
tromba [trumpet II] :
Bernhard Gediga (trumpeter) (dal 1965-02 al 1965-06)
tromba [trumpet III] :
Wilhelm Oppermann (trumpeter) (dal 1965-02 al 1965-06)
violino :
Otto Büchner (violinist) (dal 1965-02 al 1965-06)
violoncello :
Kurt Engert (cellist) (dal 1965-02 al 1965-06) e Oswald Uhl (cellist) (dal 1965-02 al 1965-06)
orchestra:
Munich Bach Orchestra (dal 1965-02 al 1965-06)
direttore d'orchestra:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (dal 1965-02 al 1965-06)
tecnico di bilanciamento:
Hans‐Peter Schweigmann (dal 1965-02 al 1965-06)
diritti fonografici (℗) detenuti da:
Polydor International GmbH (not for release label use!) (nel 1966)
registrata presso:
Herkulessaal (Hercules Hall) in München (Munich), Bayern (Baviera), Germania (dal 1965-02 al 1965-06)
registrazione di:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (dal 1965-02 al 1965-06)
eseguita per la prima volta a:
Leipzig, Sachsen (Saxony), Germania (il 1734-12-26)
ha composto a:
Leipzig, Sachsen (Saxony), Germania (dal 1734 al 1735)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
7:17
13Sonata for Flute no. 3 in A minor, BWV 1032: Largo
clavicembalo :
Henk Bouman
flauto :
Wilbert Hazelzet (flautist)
registrazione di:
Sonata for Flute and Harpsichord in A major, BWV 1032: II. Largo e dolce
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Sonata for Flute and Harpsichord in A major, BWV 1032
3:28
14Lute Suite in G minor, BWV 995: Gavotte I/II en Rondeau
liuto :
Narciso Yepes (classical guitarist)
registrazione di:
Suite for Lute in G minor, BWV 995: V. Gavotte I (Lute Suite in G Minor, BWV 995: Gavotte I)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (dal 1727 al 1731)
parte di:
Suite for Lute in G minor, BWV 995 (original for lute)
registrazione di:
Suite for Lute in G minor, BWV 995: VI. Gavotte II en Rondeau (catch all for arrangements)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangiamento di:
Suite for Lute in G minor, BWV 995: VI. Gavotte II en Rondeau
parte di:
Suite in G minor, BWV 995 [trans. A minor]
5:06
15Motet, BWV 227 "Jesu, meine Freude": "Jesu, Priceless Treasure"
organo :
Simon Preston (organist, conductor, composer)
cori:
Choir of King’s College, Cambridge
direttore d'orchestra:
Sir David Willcocks (UK composer, organist, choral conductor)
registrazione di:
Jesu, meine Freude, BWV 227: I. Corale „Jesu, meine Freude“
paroliere:
Johann Franck (German poet of the 17th century)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Breitkopf 389 Choralgesänge (numero: 196)
si basa su:
Jesu, meine Freude
parte di:
Jesu, meine Freude, BWV 227
1:51
▼ CD 2: CD: 2
#TitoloValutazioneDurata
1Concerto for Two Violins in D minor, BWV 1043: Largo, ma non tanto
archi :
Lucerne Festival Strings
violino :
Zino Francescatti (violinist) (nel 1971-06) e Régis Pasquier (violinist) (nel 1971-06)
violino solista :
Zino Francescatti (violinist) e Régis Pasquier (violinist)
orchestra:
Festival Strings Lucerne (nel 1971-06)
direttore d'orchestra:
Rudolf Baumgartner (conductor) (nel 1971-06)
tecnico di bilanciamento:
Hans‐Peter Schweigmann (nel 1971-06)
diritti fonografici (℗) detenuti da:
Polydor International GmbH (not for release label use!) (nel 1972)
registrata presso:
Lukaskirche (Lucerne) in Lucerne (Lucerna), Luzern (Canton Lucerna), Svizzera (nel 1971-06)
registrazione di:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto (nel 1971-06)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (dal 1730 al 1731)
parte di:
Concerto for 2 Violins in D minor, BWV 1043
7:16
2Sonata for Flute and Harp in E-flat major, BWV 1031: Siciliano
registrata a:
La Chaux-de-Fonds, Neuchâtel (Canton Neuchâtel), Svizzera (nel 1987-08)
tecnico di registrazione:
Ko Witteveen (engineer) (nel 1987-08)
produttore:
Martha de Francisco (classical producer and engineer)
arpa :
Maria Graf (harpist) (nel 1987-08)
flauto :
Irena Grafenauer (flautist) (nel 1987-08)
tecnico di bilanciamento:
Martha de Francisco (classical producer and engineer) (nel 1987-08)
diritti fonografici (℗) detenuti da:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (nel 1988)
registrazione di:
Flute Sonata in E-flat major, BWV 1031: II. Siciliano (catch-all for arrangements) (nel 1987-08)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangiamento di:
Flute Sonata in E-flat major, BWV 1031: II. Siciliano
parte di:
Flute Sonata in E-flat major, BWV 1031 (catch-all for arrangements)
registrazione di:
Flute Sonata in E-flat major, BWV 1031: II. Siciliano
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Flute Sonata in E-flat major, BWV 1031
2:18
3Concerto for Violin, Strings and Continuo in E major, BWV 1042: Adagio
registrata a:
London (Greater London), England, Regno Unito (nel 1976-06)
produttore:
Vittorio Negri (conductor)
violino :
Henryk Szeryng (violinist) (nel 1976-06)
violino solista :
Henryk Szeryng (violinist)
orchestra:
The Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (nel 1976-06)
direttore d'orchestra:
Neville Marriner (conductor) (nel 1976-06)
registrata presso:
Walthamstow Assembly Hall in London (Greater London), England, Regno Unito (nel 1976-06)
registrazione di:
Konzert für Violine und Orchester E-Dur, BWV 1042: II. Adagio (nel 1976-06)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)
6:44
4Brandenburg Concerto no. 2 in F major, BWV 1047: Andante
orchestra:
Münchener Bach‐Orchestra (Munich Bach Orchestra)
direttore d'orchestra:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
registrazione di:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
3:48
5Cello Sonata no. 1 in G major, BWV 1027: Andante
pianoforte :
György Sebak
violoncello :
János Starker (Hungarian-American cellist)
registrazione di:
Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027: III. Andante
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027
2:27
6Concerto for Oboe and Violin in C minor, BWV 1060: Adagio
produttore:
Dr. Gerd Ploebsch
produttore esecutivo:
Dr. Andreas Holschneider e Charlotte Kriesch
clavicembalo :
Trevor Pinnock (conductor / harpsichord) (nel 1984-03)
oboe :
David Reichenberg (oboist) (nel 1984-03)
violino :
Simon Standage (violinist and conductor) (nel 1984-03)
orchestra:
The English Concert (nel 1984-03)
direttore d'orchestra:
Trevor Pinnock (conductor / harpsichord) (nel 1984-03)
tecnico di bilanciamento:
Hans‐Peter Schweigmann
registrata presso:
Henry Wood Hall (London) in London (Greater London), England, Regno Unito (nel 1984-03)
registrazione di:
Concerto for Violin & Oboe in C minor, BWV 1060R: II. Adagio (reconstructed arrangement for violin & oboe of BWV 1060) (nel 1984-03)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangiamento di:
Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio
si basa su:
Concerto Pour Deux Clavecins, BWV 1060: II. Adagio (Arr. Pour Flutes) (Recorder consort arrangements)
parte di:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
5:08
7Concerto for Oboe d'amore in A major, BWV 1055: Larghetto
oboe :
Heinz Holliger (Swiss oboist, composer, and conductor)
oboe d'amore :
Heinz Holliger (Swiss oboist, composer, and conductor) (nel 1982-05)
orchestra:
The Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (nel 1982-05)
direttore d'orchestra:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (nel 1982-05)
diritti fonografici (℗) detenuti da:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (nel 1983)
registrata presso:
St John’s, Smith Square in London (Greater London), England, Regno Unito (nel 1982-05)
registrazione di:
Oboe d’Amore Concerto in A major, BWV 1055R: II. Larghetto (nel 1982-05)
compositore e arrangiatore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Oboe d'Amore Concerto in A major, BWV 1055R
5:10
8Partita no. 1 in B-flat major, BWV 825: Andante
pianoforte :
András Schiff (pianist)
registrazione di:
Partita no. 1 in B-flat major, BWV 825: I. Prelude
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Partita no. 1 in B-flat major, BWV 825
2:07
9Brandenburg Concerto no. 4 in G major, BWV 1049: Andante
produttore:
Volker Straus (producer/engineer)
flauto dolce :
Michala Petri (recorder player) (nel 1980-05) e Elisabeth Selin (classical recorder player) (nel 1980-05)
violino :
Henryk Szeryng (violinist) (nel 1980-05)
orchestra:
The Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (nel 1980-05)
direttore d'orchestra:
Neville Marriner (conductor) (nel 1980-05)
registrata presso:
St John’s, Smith Square in London (Greater London), England, Regno Unito (nel 1980-05)
registrazione di:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: II. Andante (nel 1980-05)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
3:47
10Partita in D minor, BWV 828: Andante
chitarra :
Pepe Romero (classical and flamenco guitarist)
arrangiatore:
Pepe Romero (classical and flamenco guitarist)
registrazione di:
Partita no. 4 in D major, BWV 828: V. Sarabande
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Partita no. 4 in D major, BWV 828
4:16
11Concerto for Violin, Oboe and Strings in D minor, BWV 1060: Adagio
clavicembalo :
Christopher Hogwood (conductor, harpsichordist) (nel 1974-08) e Nicholas Kraemer (harpsichordist and conductor) (nel 1974-08)
oboe :
Tess Miller (oboist) (nel 1974-08)
violino :
Carmel Kaine (violinist) (nel 1974-08)
orchestra:
The Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (nel 1974-08)
direttore d'orchestra:
Sir Neville Marriner (conductor) (nel 1974-08)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (for copyrights use only!) (nel 1975)
registrata presso:
St John’s, Smith Square in London (Greater London), England, Regno Unito (dal 1973 al 1974, nel 1974-08)
registrazione di:
Concerto for Violin & Oboe in C minor, BWV 1060R: II. Adagio (reconstructed arrangement for violin & oboe of BWV 1060) (nel 1974-08)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangiamento di:
Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio
si basa su:
Concerto Pour Deux Clavecins, BWV 1060: II. Adagio (Arr. Pour Flutes) (Recorder consort arrangements)
parte di:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
5:19
12Well Tempered Clavier, Book I, BWV 846: Prelude no. 1
pianoforte :
Friedrich Gulda (pianist) (nel 1972-04)
registrata presso:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germania (nel 1972-04)
registrazione di:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (nel 1972-04)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1722)
parte di:
Notebook for Anna Magdalena Bach (1725) (numero: 29)
parte di:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revisione di:
Prelude and Fugue no. 1 in C major, BWV 846a: I. Prelude
registrazione di:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1722)
parte di:
Bach Compendium (numero: BC L 80) e Bach-Werke-Verzeichnis (numero: BWV 846)
parte di:
The Well-Tempered Clavier, Book I
2:11
13Minuet in D minor, BWV Anh. 132
chitarra :
Celedonio Romero
registrazione di:
Menuett in d-Moll, BWV Anh. 132
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1725)
parte di:
Bach-Werke-Verzeichnis (numero: BWV Anh. 132)
2:19
14Suite for Harp in E-flat major: Gavotte en rondeu
registrata a:
La Chaux-de-Fonds, Neuchâtel (Canton Neuchâtel), Svizzera (nel 1987-08)
tecnico di registrazione:
Ko Witteveen (engineer) (nel 1987-08)
produttore:
Martha de Francisco (classical producer and engineer)
arpa :
Maria Graf (harpist) (nel 1987-08)
tecnico di bilanciamento:
Martha de Francisco (classical producer and engineer) (nel 1987-08)
diritti fonografici (℗) detenuti da:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (nel 1988)
registrazione di:
Suite E-Dur, BWV 1006a: III. Gavotte en Rondeau (catch all for arrangements) (nel 1987-08)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangiamento di:
Suite E-Dur, BWV 1006a: III. Gavotte en Rondeau
parte di:
Suite E-Dur, BWV 1006a (catch all for arrangements)
registrazione di:
Französische Suite no. 4 Es-Dur, BWV 815: IV. Gavotte
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Französische Suite Nr. 4 Es-Dur, BWV 815 (French Suite No. 4 in E-flat major, BWV 815)
3:18
15Canata, BWV 147 "Herz und Mund und Tat und Leben": "Jesu, Joy of Man's Desiring"
produttore:
Harley Usill
organo :
Peter White (English organist) (nel 1958-10)
cori:
Choir of St John’s College, Cambridge (nel 1958-10)
direttore d'orchestra:
George Guest (organist and conductor) (nel 1958-10)
maestro del coro:
George Guest (organist and conductor)
registrata presso:
Chapel of St John's College, Cambridge in Cambridge, Cambridgeshire, England, Regno Unito (nel 1958-10)
registrazione di:
Jesu, Joy of Man’s Desiring (orch. Stokowski) (nel 1958-10)
orchestratore:
Leopold Stokowski (conductor)
paroliere:
Robert Bridges (poet)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
versione tradotta di:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
registrazione di:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
eseguita per la prima volta a:
Leipzig, Sachsen (Saxony), Germania (il 1723-07-02)
paroliere:
Martin Janus (German Protestant minister, c. 1620–1682) (nel 1665)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1723)
parte di:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
7:24