The Very Best of Singers‐Songwriters

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1Medium
#TitleArtistRatingLength
1Suzanne
producer:
John Simon (US producer, arranger, composer, songwriter and musician)
lead vocals:
Leonard Cohen (Canadian singer‐songwriter and poet)
conductor:
John Simon (US producer, arranger, composer, songwriter and musician)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 284)
recording of:
Suzanne (English original song by Leonard Cohen) (in 1967)
lyricist:
Leonard Cohen (Canadian singer‐songwriter and poet) (in 1966)
composer:
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Ardmore & Beechwood Music Ltd., Project 7 Music, Sony/ATV Music Publishing LLC (1995–2020), Stranger Music Inc. and Writers Workshop Ltd.
Leonard Cohen4.153:50
2Let It Grow
assistant engineer:
Steve Klein (Engineer)
engineer:
Karl Richardson
producer:
Tom Dowd
drums (drum set):
Jamie Oldaker (from 1974-04-18 until 1974-05-10)
electric bass guitar [Bass]:
Carl Radle (from 1974-04-18 until 1974-05-10)
electronic organ:
Dick Sims (from 1974-04-18 until 1974-05-10)
guitar:
Eric Clapton (from 1974-04-18 until 1974-05-10) and George Terry (guitar player with Clapton in 70's) (from 1974-04-18 until 1974-05-10)
piano and synthesizer:
Albhy Galuten (from 1974-04-18 until 1974-05-10)
resonator guitar [dobro] and lead vocals:
Eric Clapton (from 1974-04-18 until 1974-05-10)
background vocals:
Tom Bernfield (from 1974-04-18 until 1974-05-10), Yvonne Elliman (from 1974-04-18 until 1974-05-10) and George Terry (guitar player with Clapton in 70's) (from 1974-04-18 until 1974-05-10)
phonographic copyright (℗) by:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1974) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1974)
recorded at:
Criteria Studios in Miami, Florida, United States (from 1974-04-18 until 1974-05-10)
recording of:
Let It Grow (from 1974-04-18 until 1974-05-10)
lyricist and composer:
Eric Clapton
publisher:
EC Music Ltd. (UK work publisher for Eric Clapton), Throat Music and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Eric Clapton3.74:59
3Scarborough Fair
producer:
Bob Johnston (US record producer and early rockebilly singer)
vocals:
Art Garfunkel and Paul Simon (of Simon & Garfunkel)
arranger:
Art Garfunkel and Paul Simon (of Simon & Garfunkel)
recording of:
Scarborough Fair / Canticle (on 1966-07-26)
lyricist and previously attributed to:
Simon & Garfunkel
writer:
[traditional] (special purpose artist), Art Garfunkel and Paul Simon (of Simon & Garfunkel)
publisher:
Fanfare (publisher), Pattern Music Ltd (publisher) and Paul Simon Music
version of:
Scarborough Fair
version of:
The Side of a Hill
Simon & Garfunkel4.23:09
4Vincent
engineer:
Tom Flye
producer:
Ed Freeman (producer, arranger, musician, and photographer)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1971-05 until 1971-06)
recording of:
Vincent (Starry Starry Night)
lyricist and composer:
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) and Universal/MCA Music Ltd. (not for release label use!)
translated version of:
Wim
Don McLean4.44:00
5The Riverman
engineer:
John Wood (UK producer)
producer:
Joe Boyd (US producer, founder of Hannibal Records)
acoustic guitar and lead vocals:
Nick Drake (English singer‐songwriter)
arranger:
Harry Robinson (UK composer/arranger/bandleader)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970)
produced for:
Witchseason Productions
recording of:
River Man
lyricist and composer:
Nick Drake (English singer‐songwriter)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Warlock Music Ltd.
Nick Drake4.34:20
6Fields of Gold
acoustic guitar:
Eva Cassidy
electric guitar:
Keith Grimes
vocals:
Eva Cassidy
remaster of:
Fields of Gold by Eva Cassidy
cover recording of:
Fields of Gold
lyricist and composer:
Sting (singer, songwriter & member of The Police)
publisher:
EMI Music Publishing Germany (GmbH & Co. KG), EMI Music Publishing Ltd. (PRS‐affiliated) and Steerpike Ltd. (PRS-affiliated)
Eva Cassidy4.154:44
7Leavin’
Shelby Lynne3:14
8Small Blue Thing
recording of:
Small Blue Thing
lyricist and composer:
Suzanne Vega (American singer-songwriter)
Suzanne Vega3:57
9One of Us
assistant recording engineer:
Mark Mason (sound engineer)
recording engineer and mixer:
William Wittman
producer:
Rick Chertoff
assistant mixer:
Rob Polhemus
bass:
Mark Egan (US jazz bassist & trumpeter)
drums (drum set) and mellotron:
Rob Hyman
electric piano and guitar:
Eric Bazilian
background vocals:
Eric Bazilian and Rob Hyman
lead vocals:
Joan Osborne
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1995)
recorded at:
Big Blue in Katonah, Bedford (CDP), New York, United States
mixed at:
Pie Studios in Glen Cove, New York, United States
samples:
The Airplane Ride by Nell Hampton
recording of:
One of Us
lyricist and composer:
Eric Bazilian
Joan Osborne45:23
10Love and Affection
recording of:
Love and Affection
lyricist and composer:
Joan Armatrading
publisher:
Irving Music (BMI)
Joan Armatrading4:29
11What I Am
engineer:
Pat Moran (UK male singer, keyboardist sound engineer and producer)
producer:
Pat Moran (UK male singer, keyboardist sound engineer and producer) (in 1988)
lead vocals:
Edie Brickell (American singer-songwriter) (in 1988)
phonographic copyright (℗) by:
The David Geffen Company (legal rights relating to Geffen Records)
recorded at:
Rockfield Studios in Monmouth, Monmouthshire, Wales, United Kingdom (in 1988)
recording of:
What I Am (in 1988)
lyricist:
Edie Brickell (American singer-songwriter)
composer:
Edie Brickell (American singer-songwriter) and Kenny Withrow
publisher:
MCA Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Edie Brickell & New Bohemians4.854:58
12After Midnight
bass guitar:
Norbert Putnam (on 1971-06-09)
drums (drum set):
Chuck Browning (on 1971-06-09)
guitar:
J.J. Cale (on 1971-06-09)
piano:
Jerry Whitehurst (session pianist) (on 1971-06-09)
vocals:
J.J. Cale (on 1971-06-09)
recorded at:
Bradley’s Barn in Mt. Juliet, Tennessee, United States (on 1971-06-09)
recording of:
After Midnight (on 1971-06-09)
lyricist and composer:
J.J. Cale
publisher:
Mijac Music, Robert Stigwood Organisation Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Australia Pty. Ltd., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
J.J. Cale3.62:24
13New York, New York
recording of:
New York, New York
lyricist and composer:
Ryan Adams (US singer-songwriter, multi-instrumentalist, producer & poet)
Ryan Adams3:49
14Copperhead Road
recording engineer and mixer:
Joe Hardy (US producer, engineer and musician, notably associated with ZZ Top among others)
producer:
Tony Brown (US producer, pianist and keyboardist) and Steve Earle (US folk/rock singer/songwriter)
recording of:
Copperhead Road
anthem of:
Tennessee, United States
lyricist and composer:
Steve Earle (US folk/rock singer/songwriter)
Steve Earle4.24:31
15Fisherman’s Blues
The Waterboys4:26
16Grace
engineer, producer and mixer:
Andy Wallace (engineer)
bass guitar:
Mick Grondahl (bass guitarist)
drums (drum set) and percussion:
Matt Johnson (drummer for Jeff Buckley)
guitar:
Jeff Buckley (American singer, guitarist and songwriter) and Gary Lucas (US guitarist/songwriter)
lead vocals:
Jeff Buckley (American singer, guitarist and songwriter)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1994)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 394)
recording of:
Grace
lyricist:
Jeff Buckley (American singer, guitarist and songwriter)
composer:
Gary Lucas (US guitarist/songwriter)
publisher:
Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing and Universal/MCA Music Ltd. (not for release label use!)
is based on:
Rise Up to Be
Jeff Buckley3.755:22
17You Were Meant for Me
edit of:
You Were Meant for Me by Jewel (singer-songwriter Jewel Kilcher)
music videos:
You Were Meant for Me (music video) by Jewel (singer-songwriter Jewel Kilcher)
recording of:
You Were Meant for Me
writer:
Jewel (singer-songwriter Jewel Kilcher) and Steve Poltz
Jewel33:50
18Society’s Child (Baby I’ve Been Thinking)
recording of:
Society's Child
lyricist and composer:
Janis Ian
publisher:
Dialogue Music, Inc and Taosongs Two
Janis Ian3:14
19As Tears Go By
producer:
Andrew Loog Oldham
vocals:
Marianne Faithfull
conductor:
Mike Leander
phonographic copyright (℗) by:
London Records (UK, 1947–1999, re-launched 2011–present) (in 1964)
recording of:
As Tears Go By
writer:
Mick Jagger, Andrew Loog Oldham and Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Westminster Music Ltd.
Marianne Faithfull42:36
20California Dreamin’
engineer:
Bones Howe
producer:
Lou Adler
guitar:
P.F. Sloan (in 1965)
solo alto flute:
Bud Shank (in 1965)
phonographic copyright (℗) by:
Geffen Records and Dunhill Records (in 1966)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 89) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 420)
recording of:
California Dreamin’ (in 1965)
writer:
John Phillips (The Mamas & The Papas) and Michelle Phillips
publisher:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) and Universal/MCA Music Publishing GmbH
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.352:40
2Medium
#TitleArtistRatingLength
1Jokerman
recording of:
Jokerman
lyricist and composer:
Bob Dylan (from 1982 until 1983-05)
publisher:
Special Rider Music (from 1983 to present)
Bob Dylan6:18
2Lady d’Arbanville
engineer:
Michael Bobak (Engineer, guitarist, songwriter)
producer:
Paul Samwell-Smith
arranger:
Cat Stevens (now known as Yusuf Islam)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1970-01 until 1970-02)
recording of:
Lady D’Arbanville (from 1970-01 until 1970-02)
lyricist and composer:
Cat Stevens (now known as Yusuf Islam)
publisher:
Irving Music, Inc., Island Music Ltd. and Salafa Ltd.
Cat Stevens3.53:44
3San Quentin (live)
live recording of:
San Quentin
lyricist and composer:
Johnny Cash (country music legend)
Johnny Cash3:01
4Redemption Song
assistant engineer:
Chiao Ng (engineer)
engineer:
Errol Brown (Jamaican engineer and dub producer)
executive producer:
Chris Blackwell (Island Records)
producer:
Chris Blackwell (Island Records) and Bob Marley & The Wailers
mixer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
acoustic guitar and lead vocals:
Bob Marley (Jamaican reggae artist)
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1980)
recorded at and mixed at:
Tuff Gong Studios in Kingston (Kingston Parish), Jamaica
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 42) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 66)
recording of:
Redemption Song
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Gallo Music Publishers, Rondor Music (London) Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Blue Mountain Music (in 1980), Bob Marley Music Inc. (in 1980), Fifty Six Hope Road Music Limited (in 1980) and Odnil Music Ltd. (in 1980)
Bob Marley4.053:49
5Wild Wood
bass guitar:
Marco Nelson
drums (drum set):
Steve White (Style Council drummer)
guitar and lead vocals:
Paul Weller (English singer‐songwriter and musician)
mellotron and Minimoog:
Brendan Lynch (London producer)
organ:
Helen Turner
recording of:
Wild Wood
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
Paul Weller4.153:24
6If I Were a Carpenter
engineer:
Doc Siegel and Val Valentin (task: director of engineering)
producer:
Charles Koppelman (American businessman and musician) and Don Rubin
arranger:
Donald Peake
recording of:
If I Were a Carpenter (in 1967)
lyricist and composer:
Tim Hardin
publisher:
Allen Stanton Productions, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Faithful Virtue Music
live recording of:
If I Were a Carpenter
lyricist and composer:
Tim Hardin
publisher:
Allen Stanton Productions, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Faithful Virtue Music
Tim Hardin12:43
7Time in a Bottle
producer:
Terry Cashman and Tommy West
vocals:
Jim Croce (on 1971-10-11)
phonographic copyright (℗) by:
R2M Music (BMI) (in 1972), BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint) (in 1973), Lastrada Entertainment Co., Ltd. (in 1973) and LeFrak-Moelis Records (in 1973)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (on 1971-10-11)
recording of:
Time in a Bottle (on 1971-10-11)
lyricist and composer:
Jim Croce
publisher:
American Broadcasting Music, Inc., Blendingwell Music, Inc., DenJac Music Company and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Jim Croce4.52:26
8Mandolin Wind
recording of:
Mandolin Wind
lyricist and composer:
Rod Stewart
publisher:
MRC Music, Inc.
Rod Stewart5:34
9Everybody’s Talkin’
phonographic copyright (℗) by:
BMG Music (in 1967)
earliest release:
Everybody’s Talkin’ by Nilsson (US singer-songwriter)
part of:
New York Post: 100 Greatest Covers (2007) (number: 51)
cover recording of:
Everybody’s Talkin’
lyricist and composer:
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music and Third Story Music, Inc.
recording of:
Everybody’s Talkin’
lyricist and composer:
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music and Third Story Music, Inc.
Nilsson3.92:45
10Brown Eyed Girl
recording engineer:
Brooks Arthur (on 1967-03-28)
producer:
Bert Russell Berns
bass guitar:
Eric Gale (on 1967-03-28)
drums (drum set):
Gary Chester (studio drummer and educator) (on 1967-03-28)
guitar:
Al Gorgoni (on 1967-03-28), Hugh McCracken (on 1967-03-28) and Van Morrison (on 1967-03-28)
organ:
Garry Sherman (mid-20th century composer, arranger & conductor) (on 1967-03-28)
background vocals:
The Sweet Inspirations (on 1967-03-28)
lead vocals:
Van Morrison (on 1967-03-28)
performer:
Van Morrison (on 1967-03-28)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) and Exile Productions Ltd. (not for Label Release) (in 1973)
recorded at:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, United States (on 1967-03-28) and A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (on 1967-04-07)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 71) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 109)
recording of:
Brown Eyed Girl (from 1967-03-28 until 1967-04-07)
lyricist and composer:
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) and Polygram Publishing AB (in 1992)
Van Morrison3.253:05
11Constant Craving
producer:
k.d. lang, Ben Mink and Greg Penny
accordion and piano:
Teddy Borowiecki
drums (drum set):
Randall Stoll (drummer)
electric bass guitar:
David Piltch
guitar family and violin:
Ben Mink
percussion:
Graham Boyle (drummer)
vibraphone:
Gary Burton (jazz vibraphonist and composer)
additional vocals:
Sue Leonard
vocals:
k.d. lang
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992) and Warner Music H.K. Ltd. (in 1997)
recorded at:
Vancouver Studios in Vancouver, British Columbia, Canada
mixed at:
Saylor Recording in Hollywood, Los Angeles, California, United States
music videos:
Constant Craving (music video) by k.d. lang
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 14)
recording of:
Constant Craving
lyricist and composer:
k.d. lang and Ben Mink
publisher:
Bumstead Publishing and Zavion Music
k.d. lang3.84:39
12Longer
engineer:
Jeff Guercio and Marty Lewis (engineer)
producer:
Dan Fogelberg, Marty Lewis (engineer) and Norbert Putnam
mixer:
Marty Lewis (engineer)
acoustic guitar:
Dan Fogelberg
harp:
Gayle Levant (American studio musician, harpist)
solo flugelhorn:
Jerry Hey
vocals:
Dan Fogelberg
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) and Sony Music (global brand, excluding JP, owned by Sony Music Entertainment) (in 1980)
mixed at:
Quadrafonic Sound Studios in Nashville, Tennessee, United States
recording of:
Longer
lyricist and composer:
Dan Fogelberg
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Hickory Grove Music
Dan Fogelberg3.153:17
13Mr. Tambourine Man
recorded in:
Hollywood, Los Angeles, California, United States (on 1965-01-20)
producer:
Terry Melcher
12 string guitar:
Jim McGuinn (on 1965-01-20)
bass guitar:
Chris Hillman (on 1965-01-20)
drums (drum set):
Michael Clarke (drummer for the 1960s rock group The Byrds) (on 1965-01-20)
guitar:
David Crosby (on 1965-01-20)
tambourine:
Gene Clark (US singer-songwriter; founder of The Byrds) (on 1965-01-20)
vocals:
Gene Clark (US singer-songwriter; founder of The Byrds) (on 1965-01-20), David Crosby (on 1965-01-20), Chris Hillman (on 1965-01-20) and Jim McGuinn (on 1965-01-20)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1965) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1965)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 79) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 230)
cover recording of:
Mr. Tambourine Man (on 1965-01-20)
lyricist and composer:
Bob Dylan (from 1964-02 until 1964-04)
publisher:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1964 until 1992) and Special Rider Music (from 1992 to present)
The Byrds4.152:21
14Sunny Came HomeShawn Colvin44:26
15A New England
producer:
Steve Lillywhite
phonographic copyright (℗) by:
Stiff Records Ltd. (in 1985)
music videos:
A New England by Kirsty MacColl
cover recording of:
A New England
lyricist and composer:
Billy Bragg
publisher:
BMG Music Publishing Ltd. and Chappell Music Ltd.
Kirsty MacColl43:50
16Catch the Wind
recording of:
Catch the Wind
lyricist and composer:
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan Music, Peer Music UK Ltd and Southern Music (publisher)
Donovan2:17
17Me and Bobby McGee
engineer:
Phil Macy (50s-70s engineer)
producer:
Paul Rothchild
acoustic guitar and lead vocals:
Janis Joplin (on 1970-09-25)
bass guitar:
Brad Campbell (bassist, member of Full Tilt Boogie) (on 1970-09-25)
drums (drum set):
Clark Pierson (on 1970-09-25)
guest bongos and guest congas:
Bobbye Hall
guest bongos and congas:
Bobbye Hall (on 1970-09-25)
guest tambourine:
Sandra Crouch (on 1970-09-25)
guitar:
John Till (rock guitarist) (on 1970-09-25)
organ:
Ken Pearson (on 1970-09-25)
piano:
Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (on 1970-09-25)
background vocals:
Phil Badella (on 1970-09-25), Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (on 1970-09-25), Brad Campbell (bassist, member of Full Tilt Boogie) (on 1970-09-25), John Cooke (on 1970-09-25), Janis Joplin (on 1970-09-25), Vince Mitchell (on 1970-09-25), Ken Pearson (on 1970-09-25), Clark Pierson (on 1970-09-25) and John Till (rock guitarist) (on 1970-09-25)
performer:
Full Tilt Boogie (on 1970-09-25)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (on 1970-09-25)
part of:
New York Post: 100 Greatest Covers (2007) (number: 31) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 148)
cover recording of:
Me and Bobby McGee (on 1970-09-25)
lyricist and composer:
Fred Foster and Kris Kristofferson
publisher:
Combine Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Keith Prowse Music Publishing Co. Ltd.
Janis Joplin4.34:32
18Help Me Make It Through the NightKris Kristofferson4.52:17
19Rag Mama RagThe Band3:04
20This Land Is Your Land
guitar:
Woody Guthrie (American singer-songwriter) (in 1946)
vocals:
Woody Guthrie (American singer-songwriter) (in 1946)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 229)
recording of:
This Land Is Your Land (in 1946)
lyricist and composer:
Woody Guthrie (American singer-songwriter) (in 1940)
part of:
Roud Folk Song Index (number: 16378)
is based on:
When the World's on Fire
Woody Guthrie3.652:19