100 Essential: 1980’s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Tainted Love
tecnico:
Paul Hardiman
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
sassofono :
David Tofani
strumenti elettronici e altri strumenti :
Dave Ball (UK electronic musician, part of Soft Cell)
voce:
Marc Almond (English pop singer and songwriter)
voce di accompagnamento:
Vicious Pink
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (London) (for copyrights use only) (nel 1981)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
video musicali:
Tainted Love di Soft Cell (1980s English synth‐pop duo)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 8), New York Post: 100 Greatest Covers (2007) (numero: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 33) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 46)
registrazione cover di:
Tainted Love
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:39
2Get Down on It
registrazione di:
Get Down on It
autore:
Ronald Bell, Kool & the Gang e James “J.T.” Taylor (US R&B vocalist for Kool & the Gang)
editore:
Delightful Music Publishing Ltd., Double F Music Co., Planetary Nom (London) Ltd., Second Decade Music Co., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e WB Music Corp. (1929–2019)
Kool & the Gang43:31
3Running in the Family (single version)
tecnico e tecnico di missaggio:
Julian Mendelsohn (Australian record producer and engineer)
assistente produttore:
Julian Mendelsohn (Australian record producer and engineer)
produttore:
Wally Badarou e Level 42
registrazione di:
Running in the Family
autore:
Wally Badarou, Phil Gould e Mark King (bass guitarist and vocalist)
Level 4233:56
4My Prerogative
assistente tecnico di registrazione e assistente tecnico di missaggio:
Jim Hanneman
tecnico di registrazione:
Dennis Mitchell (engineer)
programmazione degli strumenti:
Markell Riley
produttore:
Gene Griffin
tecnico di missaggio:
Gene Griffin, Dennis Mitchell (engineer) e Teddy Riley (US R&B singer & producer)
sassofono basso , sintetizzatore e sintetizzatore basso :
Teddy Riley (US R&B singer & producer)
schiocchi di dita :
Bobby Brown (R&B singer, New Edition member)
voce di accompagnamento:
Bernard Bill, Lee Drakeford, Aaron Hall (R&B singer) e Teddy Riley (US R&B singer & producer)
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1988)
è stato produttore per:
G.R. Productions
registrata presso:
Axis Studios in Manhattan, New York, New York, Stati Uniti
mixata presso:
Soundworks (New York) in New York, New York, Stati Uniti
video musicali:
My Prerogative di Bobby Brown (R&B singer, New Edition member)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 98) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 460)
registrazione di:
My Prerogative
autore:
Bobby Brown (R&B singer, New Edition member), Gene Griffin e Teddy Riley (US R&B singer & producer)
editore:
Bobby Brown Music, Cal-Gene Music, Donril Music, EMI Virgin Songs, Inc., MCA Music Ltd., Unicity Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music–Z Tunes LLC e Virgin Music (Publishers) Ltd.
Bobby Brown44:50
5Come On Eileen
produttore:
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) e Alan Winstanley (English record producer)
direzione creativa:
Clive Langer e Alan Winstanley (English record producer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982) e Phonogram Ltd. (not for release label use!) (nel 1982)
registrazione di:
Come On Eileen
autore:
Kevin Adams, James Mitchell Paterson e Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) e Kevin Adams Music Ltd.
Dexys Midnight Runners4.154:05
6Don’t Pay the Ferryman
registrazione di:
Don’t Pay the Ferryman
paroliere e compositore:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
Chris de Burgh3:48
7Upside Down
produttore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
voce:
Diana Ross
direttore d'orchestra:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
remixer:
Russ Terrana
arrangiatore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
diritti fonografici (℗) detenuti da:
Motown Records (not for label use; use “Motown” instead) (nel 1980)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 89)
registrazione di:
Upside Down
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Sony/ATV Songs LLC, Tommy Jymi Inc., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross3.754:04
8If I Could Turn Back Time
tecnico di registrazione e tecnico di missaggio:
Frank Wolf (engineer at Skyline Recording)
assistente tecnico:
Ken Allardyce, Mario Luccy, Craig Porteils (producer, engineer) e Duane Seykora
tecnico aggiunto:
Guy Roche
produttore:
Guy Roche e Diane Warren (US songwriter)
batteria e tamburello :
Mark T. Williams
chitarra :
Steve Lukather
chitarra aggiunto:
Gene Black e Glenn Sciurba
chitarra basso :
John Pierce (US session bassist)
tastiera :
Alan Pasqua e Guy Roche
voce di accompagnamento:
Michael Anthony (US bassist, formerly of Van Halen), Robin Beck, Desmond Child, Jimmy Demers, Jean McClain e Maria Vidal (American singer-songwriter)
voce principale:
Cher
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1989), The David Geffen Company (legal rights relating to Geffen Records) (nel 1989), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrata presso:
Bill Schnee Studios in North Hollywood, Los Angeles, California, Stati Uniti e Criterion Studios in Los Angeles, California, Stati Uniti
mixata presso:
The Complex Studios in Los Angeles, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 386)
registrazione di:
If I Could Turn Back Time
paroliere e compositore:
Diane Warren (US songwriter)
editore:
EMI Music Publishing (do not use as a release label!) e Realsongs (nel 1989)
Cher3.753:58
9I Should Have Known Better
basso elettrico :
John McKenzie (English blues bassist)
chitarra acustica :
Graham Lyle
membranofono :
Simon Kirk
percussione :
Martin Ditcham
registrata presso:
Livingston Studios in Wood Green, Haringey, London (Greater London), England, Regno Unito
registrazione di:
I Should Have Known Better (1984 song)
autore:
Jim Diamond (Scottish singer/songwriter/guitarist) e Graham Lyle
editore:
Diamond Brothers Music, Goodsingle Ltd. (publisher), Hornall Music Ltd. (limited company) e Rondor Music (London) Ltd.
Jim Diamond54:05
10The Only Way Is Up
registrazione cover di:
The Only Way Is Up
autore:
Johnny Henderson (southern soul songwriter) e George Jackson (US soul songwriter/vocalist)
editore:
Big Life Music (nel 1988) e Malaco Music (publisher related to Malaco Records) (nel 1988)
Yazz4:28
11Word Up (7″ vocal version)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1986) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1986)
video musicali:
Word Up! di Cameo (American soul-influenced funk group)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 70) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 81)
registrazione di:
Word Up!
autore:
Larry Blackmon e Tomi Jenkins
editore:
All Seeing Eye Music, Better Days Music e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Cameo44:14
12Night Shift (single version)
registrazione di:
Nightshift
autore:
Franne Golde, Dennis Lambert e Walter Orange
arrangiatore:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
editore:
BMG Platinum Songs US, Careers–BMG Music Publishing, Inc., Franne Golde Music, Reservoir Media Music, Rightsong Music Inc., Universal Music Careers, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Zomba Enterprises, Inc.
Commodores4:16
13Don’t Push It Don’t Force It
registrazione di:
Don't Push It, Don't Force It (Leon Haywood song)
paroliere e compositore:
Leon Haywood (funk and soul singer, songwriter, record producer)
editore:
Jim-Edd Music
Leon Haywood53:27
14Don’t Stop the Music
registrazione di:
Don’t Stop the Music
autore:
Jonah Ellis, Alisa Peoples e Lonnie Simmons (producer, songwriter)
editore:
BMG Platinum Songs US e BMG Rights Management (UK) Ltd. (not for release label use! see annotation)
Yarbrough & Peoples3:33
15Eloise
tecnico e produttore:
Jon Kelly (engineer at Air London Studios)
diritti fonografici (℗) detenuti da:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (nel 1985), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione cover di:
Eloise
paroliere e compositore:
Paul Ryan (UK singer, songwriter & producer) (nel 1968)
editore:
Carlin Music Corporation e Hill & Range (publisher)
The Damned3.55:09
16Never Knew Love Like This Before (single)
produttore:
Reggie Lucas e James Mtume (jazz/funk musician)
registrazione di:
Never Knew Love Like This Before
autore:
Reggie Lucas e James Mtume (jazz/funk musician)
editore:
Frozen Butterfly Publishing Co.
Stephanie Mills3:25
17Perfect Strangers (single edit)
tecnico:
Nick Blagona (engineer/producer)
produttore:
Roger Glover
basso elettrico :
Roger Glover (nel 1984-08)
batteria :
Ian Paice (nel 1984-08)
chitarra elettrica :
Ritchie Blackmore (nel 1984-08)
organo Hammond e tastiera :
Jon Lord (nel 1984-08)
voce principale:
Ian Gillan (nel 1984-08)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1984)
registrata presso:
Le Mobile in Carlsbad, California, Stati Uniti (nel 1984-08)
mixata presso:
Tennessee Tonstudio in Hamburg, Germania
registrazione di:
Perfect Strangers (nel 1984-08)
autore:
Ritchie Blackmore, Ian Gillan e Roger Glover
editore:
Blackmore Music Ltd., Chappell & Co., Inc. (USA), EMI April Music Inc., EMI Music Publishing (do not use as a release label!), HEC Music, Pussy Music Ltd., Rugged Music, Ltd. e Thames Overtures Ltd.
Deep Purple44:11
18No Sleep Till Brooklyn
tecnico:
Steve Ett
co-produttore:
Beastie Boys
produttore:
Rick Rubin (US record producer, former co‐president of Columbia Records)
chitarra elettrica ospite :
Kerry King (co‐founder of Slayer)
diritti fonografici (℗) detenuti da:
Def Jam Recordings (US) (nel 1986)
registrazione di:
No Sleep Till Brooklyn
paroliere:
Adam Horovitz, Michael Diamond (member of Beastie Boys) e Adam Yauch
compositore:
Adam Horovitz e Rick Rubin (US record producer, former co‐president of Columbia Records)
Beastie Boys4.14:07
19Heat of the Moment
tecnico e produttore:
Mike Stone (producer and engineer, 1960s–80s)
basso elettrico :
John Wetton
batteria e percussione :
Carl Palmer
chitarra :
Steve Howe
tastiera :
Geoff Downes
voce:
Geoff Downes, Steve Howe e John Wetton
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1982), The David Geffen Company (legal rights relating to Geffen Records) (nel 1982) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1982)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito
video musicali:
Heat of the Moment (music video) di Asia (UK progressive rock band)
registrazione di:
Heat of the Moment
autore:
Geoff Downes e John Wetton
editore:
BMG Gold Songs, Crosstown UK (Palan), Island Music Ltd., John Wetton Music Ltd, Kobalt Music Publishing Ltd. (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Palan Music Publishing Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music Co., Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music, Inc., Ackee Music Inc. (dal 1982 a oggi), Almond Legg Music Corp. (dal 1982 a oggi), WB Music Corp. (1929–2019) (dal 1982 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Fujipacific Music, Inc., Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (fino al 2017-03-31) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (dal 2017-04-01 a oggi)
Asia4.53:48
20Happy Talk
registrazione cover di:
Happy Talk (South Pacific)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
Rodgers & Hammerstein Theatrical Europe Ltd.
parte di:
South Pacific (Rodgers & Hammerstein musical)
Captain Sensible33:24
2▼CD
#TitoloArtistaValutazioneDurata
1The Look of Love
tecnico:
Gary Langan
produttore:
Trevor Horn
chitarra basso :
Mark Lickley
tastiera :
Mark White (ABC/Vice Versa)
voce principale:
Martin Fry
arrangiatore archi :
Anne Dudley (English score composer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982), Mercury Records Ltd. (London) (for copyrights use only) (nel 1982), Phonogram Ltd. (not for release label use!) (nel 1982) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1982)
mixata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito (nel 1982)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 4), The Downloader’s Music Source Book (numero: 73) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 43)
registrazione parziale di:
The Look of Love
autore:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton e Mark White (ABC/Vice Versa)
editore:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. e Virgin Music, Inc. (US arm of Virgin’s publishing company)
parte di:
Mantrap (ABC long-form film)
ABC3.93:30
2Addicted to Love
produttore:
Bernard Edwards (American bassist and record producer)
tecnico di missaggio:
Eric Thorngren
diritti fonografici (℗) detenuti da:
Island Records, Inc. (US, Island holding) (nel 1985)
registrazione di:
Addicted to Love
paroliere e compositore:
Robert Palmer (English singer‐songwriter)
editore:
Bungalow Music, Bungalow Music N.V., Heavy Nova Music, Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017), Warner Chappell North America Ltd., Warner/Chappell Music Canada Ltd., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) e WC Music Corp.
Robert Palmer4.53:51
3You Keep Me Hanging
registrata a:
England, Regno Unito
tecnico:
Peter Wade Schwier (producer, mixing and recording engineer)
produttore:
Ricky Wilde
chitarra :
Steve Byrd
tastiera :
Ricky Wilde
voce principale:
Kim Wilde
diritti fonografici (℗) detenuti da:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1986), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1986) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2001)
è stato produttore per:
Big M (Bigbeat, House label) e Big M Productions Ltd. (British record and publishing company)
registrata presso e mixata presso:
Larrabee Sound Studios (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California, Stati Uniti, Select Sound Studios in Knebworth, Hertfordshire, England, Regno Unito e Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti
parte di:
Cachitos Nochevieja 2022 (numero: 108)
registrazione cover di:
You Keep Me Hangin’ On
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division e Jobete Music Co., Inc. (nel 1986)
sub-editore:
EMI Music Publishing Japan C.F. division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
registrazione di:
You Keep Me Hangin’ On
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division e Jobete Music Co., Inc. (nel 1986)
sub-editore:
EMI Music Publishing Japan C.F. division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Kim Wilde3.454:12
4Sweet Little Mystery
chitarra :
Graeme Duffin
video musicali:
Sweet Little Mystery di Wet Wet Wet
registrazione di:
Sweet Little Mystery
autore:
Graeme Clark (founder member of Wet Wet Wet), Tom Cunningham (Scottish musician, drummer for Wet Wet Wet), Neil Mitchell e Marti Pellow
Wet Wet Wet3.653:41
5Breakout
produttore:
Paul Staveley O’Duffy
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1986) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1986)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 72)
registrazione di:
Breakout (nel 1986)
autore:
Andy Connell (nel 1986), Corinne Drewery (nel 1986) e Martin Jackson (nel 1986)
editore:
10 Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishers, Sony Music Publishing (worldwide except Japan, ended 1995) e Virgin 10 Music Ltd.
Swing Out Sister3.83:45
6Lullaby
assistente tecnico:
Roy Spong e Richard Sullivan (engineer)
tecnico:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) e Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
produttore:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth), Chris Parry, Mark Saunders (UK record producer) e Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
tecnico di missaggio:
Chris Parry, Mark Saunders (UK record producer) e Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
batteria :
Boris Williams (dal 1988-11 al 1989-02)
chitarra :
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) (dal 1988-11 al 1989-02) e Porl Thompson (dal 1988-11 al 1989-02)
chitarra basso :
Simon Gallup (dal 1988-11 al 1989-02)
chitarra basso [six string bass guitar] :
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
strumenti:
Lol Tolhurst (dal 1988-11 al 1989-02)
tastiera :
Roger O’Donnell (dal 1988-11 al 1989-02) e Robert Smith (UK guitarist, vocalist and songwriter for The Cure) (dal 1988-11 al 1989-02)
voce principale:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) (dal 1988-11 al 1989-02)
remixer:
Chris Parry, Mark Saunders (UK record producer) e Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1989) e Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead) (nel 1989)
registrata presso:
Outside Studios (Sarm Hook End) in Checkendon, Oxfordshire, England, Regno Unito (dal 1988-11 al 1989-02)
mixata presso:
RAK Studio Three in London (Greater London), England, Regno Unito (nel 1989)
video musicali:
Lullaby di The Cure
registrazione di:
Lullaby (dal 1988-11 al 1989-02)
paroliere:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
compositore:
Simon Gallup, Roger O’Donnell, Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson, Lol Tolhurst e Boris Williams
editore:
APB Music Co. e Fiction Songs Ltd. (nel 1989)
The Cure4.14:10
7Steppin’ Out
registrazione di:
Steppin’ Out
dedicata a:
New York, New York, Stati Uniti
paroliere e compositore:
Joe Jackson (English musician)
editore:
Albion Music
Joe Jackson4:12
8Labelled With Love
produttore:
Roger Bechirian e Elvis Costello
basso :
John Bentley (UK bassist, member of Squeeze)
batteria :
Gilson Lavis
chitarra :
Chris Difford e Glenn Tilbrook
tastiera :
Paul Carrack
voce principale:
Glenn Tilbrook
registrazione di:
Labelled With Love
paroliere:
Chris Difford
compositore:
Glenn Tilbrook
Squeeze3.54:31
9Eighth Day
produttore:
Tony Visconti
voce:
Hazel O’Connor
arrangiatore:
Tony Visconti
registrata presso e mixata presso:
Good Earth Studios (recording studio in Soho, London, UK, 1977–1989) in Soho, Westminster, London (Greater London), England, Regno Unito
registrazione di:
Eighth Day
paroliere, autore e compositore:
Hazel O’Connor
Hazel O’Connor3:10
10Look Away
tecnico:
Will Gosling
produttore:
Robin Millar
tecnico di missaggio:
Walter Turbitt (UK engineer, producer, songwriter, and guitarist.)
voce:
Stuart Adamson
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1986)
video musicali:
Look Away di Big Country
registrazione di:
Look Away
paroliere e compositore:
Stuart Adamson
editore:
Big Country Music Ltd. e Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (nel 1986)
Big Country3.54:26
11Fight for Your Right
tecnico:
Steve Ett
co-produttore:
Beastie Boys
produttore:
Rick Rubin (US record producer, former co‐president of Columbia Records)
chitarra elettrica :
Kerry King (co‐founder of Slayer)
diritti fonografici (℗) detenuti da:
Def Jam Recordings (US) (nel 1986)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 49) e Indie 88: Top 500 Indie Rock Songs (numero: 269)
registrazione di:
Fight for Your Right (to Party)
paroliere:
Adam Horovitz, Rick Rubin (US record producer, former co‐president of Columbia Records) e Adam Yauch
compositore:
Rick Rubin (US record producer, former co‐president of Columbia Records)
editore:
Brooklyn Dust Music e Def Jam Music
Beastie Boys4.13:30
12I Am the Law
registrazione di:
I Am the Law (dal 1986-10 al 1986-12)
autore:
Joey Belladonna, Frank Bello (US bassist for Anthrax), Charlie Benante, Scott Ian e Dan Lilker
editore:
Anthrax Music, NFP Music, Universal Music–Z Tunes LLC e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Anthrax4:16
13I Surrender
registrazione cover di:
I Surrender (nel 1980-11)
paroliere e compositore:
Russ Ballard
editore:
April Music Publishing Inc., Complete Music Ltd., Island Music Ltd., Russell Ballard Ltd, フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Rainbow4:24
14Ain’t Nothing Goin’ on but the Rent
registrazione di:
Ain’t Nothin’ Goin’ On but the Rent
paroliere e compositore:
Gwen Guthrie (US singer, songwriter & pianist)
Gwen Guthrie3:34
15My One Temptation
registrazione di:
My One Temptation
autore:
Michael Leeson, Peter Vale (writer/arranger) e Miles Waters (songwriter)
editore:
Abacus Publishing e Chappell Music Co. Inc.
Mica Paris4:20
16Happy Hour
tecnico:
Phil Bodger (engineer)
produttore:
John Williams (English A&R executive, producer, songwriter...)
batteria :
Hugh Whitaker (nel 1986)
chimes :
P.d. Heaton (nel 1986)
chitarra :
Stan Cullimore (nel 1986)
chitarra basso :
Norman Cook (nel 1986)
voce di accompagnamento:
Norman Cook (nel 1986), Stan Cullimore (nel 1986), P.d. Heaton (nel 1986) e Hugh Whitaker (nel 1986)
voce principale:
Paul Heaton (nel 1986)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!)
registrata presso:
Strongroom in Shoreditch, Hackney, London (Greater London), England, Regno Unito (nel 1986)
mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Happy Hour (nel 1986)
paroliere:
Paul Heaton
compositore:
Stan Cullimore
editore:
Go! Discs Music (publisher)
The Housemartins4.52:22
17New Beginnings (Mamba Seyra)
registrazione di:
New Beginning
autore:
Tony Gibber e Mike Myers (UK producer/songwriter)
Bucks Fizz4:07
18Under the Boardwalk
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1987)
registrazione cover di:
Under the Boardwalk
autore:
Arthur Resnick (songwriter, producer) e Kenny Young
editore:
Alley Music Corp., Intersong (publisher), TM Music Ltd. e Trio Music Company
Bruce Willis2.353:01
19Say You Say Me
produttore:
James Anthony Carmichael e Lionel Richie
arrangiatore archi [string] e arrangiatore ottoni [horn] :
James Anthony Carmichael
arrangiatore:
James Anthony Carmichael e Lionel Richie
arrangiatore voci:
Lionel Richie
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1985), Universal Motown Records (not for release label use; use “Universal Motown” instead) (nel 2003) e Motown Records (not for label use; use “Motown” instead) (nel 2015)
registrazione di:
Say You, Say Me
paroliere e compositore:
Lionel Richie
editore:
Brockman Music
parte di:
The 58th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1985 winner)
Lionel Richie4.154:01
20The Music of the Night (single version)
tecnico di registrazione:
Martin Levan
produttore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
voce:
Michael Crawford (UK actor and singer)
direttore d'orchestra:
Michael Reed (UK conductor/arranger for musicals)
orchestratore:
David Cullen (composer, arranger, orchestrator) e Andrew Lloyd Webber (English composer and impresario of musical theatre)
diritti fonografici (℗) detenuti da:
The Really Useful Group PLC (fka The Really Useful Record Company Ltd., renamed as The Really Useful Group Ltd. on 17 July 1991) (nel 1987)
registrazione di:
The Music of the Night (The Phantom of the Opera)
paroliere:
Charles Hart (British lyricist)
paroliere aggiunto:
Richard Stilgoe
compositore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
editore:
The Really Useful Group Ltd (not for release label use!) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
parte di:
The Phantom of the Opera (Andrew Lloyd Webber musical)
parte di:
The Phantom of the Opera (2004 film soundtrack)
Michael Crawford5:14
3▼CD
#TitoloArtistaValutazioneDurata
1Shout
produttore:
Chris Hughes (producer, aka “Merrick”)
registrazione di:
Shout
autore:
Roland Orzabal (UK musician, songwriter and producer) e Ian Stanley
editore:
10 Music Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Roland Orzabal Ltd. e Virgin Music (Publishers) Ltd.
Tears for Fears56:04
2Teardrops
produttore:
Chris Blackwell (Island Records), Lee Hamblin e The Gypsy Wave Power Co.
diritti fonografici (℗) detenuti da:
The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1988)
registrazione di:
Teardrops
autore:
Cecil Womack e Linda Womack
editore:
Zomba Music Publishing Ltd. e Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (nel 1988)
Womack & Womack33:51
3Song for Whoever
tecnico:
Ian Grimble
produttore:
Mike Hedges (UK producer/recording engineer)
batteria :
David Stead
chitarra acustica e chitarra elettrica :
Dave Rotheray
chitarra basso :
Sean Welch
pianoforte :
Pete Wingfield (keyboardist, singer, producer, songwriter)
voce:
Paul Heaton e Dave Hemingway
diritti fonografici (℗) detenuti da:
Go! Discs Ltd. (company credits only; do NOT use as release label) (nel 1989)
registrazione di:
Song for Whoever
paroliere:
Paul Heaton
compositore:
Paul Heaton e Dave Rotheray
editore:
Go! Discs Music Ltd. (publisher) e Island Music Ltd.
The Beautiful South2.654:06
4Pull Up to the Bumper
produttore:
Chris Blackwell (Island Records) e Alex Sadkin
remixer:
Steven Stanley (audio engineer, record producer and keyboardist from Jamaica)
registrazione di:
Pull Up to the Bumper
autore:
Lowell “Sly” Dunbar, Grace Jones, Dana Manno e Robert “Robbie” Shakespeare
editore:
Ackee Music Inc., Chenana Music Publishing, Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG) e Ixat Music
Grace Jones3:42
5I Think We’re Alone Now
tecnico di registrazione aggiunto:
John Kerns (US engineer)
programmazione degli strumenti:
John Duarte
tecnico:
Bill Smith (US recording engineer)
produttore:
George E. Tobin
chitarra :
Chuck Yamek
sintetizzatore :
John Duarte
voce di accompagnamento e voce principale:
Tiffany (US 1980s pop star, "I Think We’re Alone Now")
remixer:
George E. Tobin e Bill Smith (US recording engineer)
arrangiatore:
John Duarte
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1987)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 7) (numero: 7)
registrazione cover di:
I Think We’re Alone Now
paroliere e compositore:
Ritchie Cordell
editore:
EMI Longitude Music
registrazione di:
I Think We’re Alone Now
paroliere e compositore:
Ritchie Cordell
editore:
EMI Longitude Music
Tiffany3.83:46
6Just Like Heaven
assistente produttore:
Sean Burrows, Michel Dierickx (Belgian producer & engineer, aka ‘Shelle’) e Jacques Hermet
produttore:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) e Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
tecnico di missaggio:
Bob Clearmountain
basso elettrico :
Simon Gallup
batteria e percussione :
Boris Williams
chitarra elettrica :
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) e Porl Thompson
tastiera :
Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson e Lol Tolhurst
voce principale:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
remixer:
Bob Clearmountain
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1987)
registrata presso:
Compass Point Studios in Nassau, Bahamas, ICP Recording Studios in Brussels (Brussels-Capital Region), Belgio e Studio Miraval in Le Val, Var, Provence-Alpes-Côte-d'Azur, Francia
video musicali:
Just Like Heaven di The Cure
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 11), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 22), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 108), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 231) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 483)
registrazione di:
Just Like Heaven
paroliere:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
compositore:
Simon Gallup, Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson, Lol Tolhurst e Boris Williams
editore:
APB Music Co.
The Cure4.353:34
7Stop
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1988)
registrazione di:
Stop
autore:
Bruce Brody, Sam Brown (UK singer/songwriter) e Gregg Sutton
editore:
Doolittle Music, Irving Music (BMI), Rondor Music Ltd. (publisher) e WayBlue Ltd. (publisher)
Sam Brown44:00
8In My House
registrazione di:
In My House
paroliere e compositore:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
parte di:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (numero: 13)
Mary Jane Girls4:01
9Wouldn’t It Be Good
tecnico di registrazione:
Julian Mendelsohn (Australian record producer and engineer) (nel 1983)
assistente tecnico:
Roger Howorth
produttore:
Peter Collins (producer)
tecnico di missaggio:
Julian Mendelsohn (Australian record producer and engineer)
voce principale:
Nik Kershaw (nel 1983)
arrangiatore corno :
Jerry Hey e Nik Kershaw
arrangiatore:
Nik Kershaw
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1983, nel 1984) e MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1984)
mixata presso:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 88)
registrazione di:
Wouldn’t It Be Good (nel 1983)
paroliere e compositore:
Nik Kershaw
editore:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
parte di:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:36
10Follow the Leader
produttore:
Eric B. e Rakim (William Michael Griffin Jr., American rapper)
diritti fonografici (℗) detenuti da:
UNI Records, Inc. (nel 1988)
campionamenti:
I Know You Got Soul di Eric B. & Rakim, I Wouldn’t Change a Thing di Coke Escovedo, Listen to Me di Baby Huey (US rock/soul singer James Ramey) e Nautilus di Bob James (US jazz keyboardist, arranger and producer)
registrazione di:
Follow the Leader
paroliere:
William Griffin (William Michael Griffin Jr., American rapper)
autore:
Eric Barrier e William Griffin (William Michael Griffin Jr., American rapper)
Eric B. & Rakim45:36
11I Can Dream About You
tecnico di registrazione:
Dan Hartman
tecnico di registrazione aggiunto:
Shelly Yakus
tecnico aggiunto:
Gabe Veltri
assistente tecnico di missaggio:
Steve Krause (Steven A Krause)
tecnico di missaggio:
Humberto Gatica
basso elettrico :
Eddie N. Watkins Jr.
batteria aggiunto:
Art Wood (US session drummer/percussionist)
chitarra aggiunto:
Richie Zito
percussione :
Bobbye Hall
pianoforte :
Bill Payne
voce di accompagnamento:
Winston Ford, Dan Hartman e Joe Pizzullo
voce principale:
Dan Hartman
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1984), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1984) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1984)
registrazione di:
I Can Dream About You
paroliere e compositore:
Dan Hartman
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!) e Multi-Level Music, Inc. (BMI affiliated)
Dan Hartman4.24:09
12(Do) The Hucklebuck
registrazione cover di:
The Hucklebuck
paroliere:
Roy Alfred (Tin Pan Alley lyricist and composer)
autore aggiunto:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
compositore:
Andy Gibson (trumpet, arranger, composer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Universal/MCA Music Publishing Pty Ltd
Coast to Coast2:33
13Secret Lovers
registrazione di:
Secret Lovers
autore:
David Lewis (member of Atlantic Starr) e Wayne Lewis (member of Atlantic Starr)
editore:
Almo Music Corp. (USA, affiliated with ASCAP) e Jodaway Music (ASCAP)
Atlantic Starr33:38
14Too Good to Be Forgotten
registrazione cover di:
Too Good to Be Forgotten
autore:
Barbara Acklin e Eugene Record
Amazulu3:07
15Harvest for the World
produttore:
S. & M. Young (Martyn Young & Steven Young)
diritti fonografici (℗) detenuti da:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1988)
video musicali:
Harvest for the World di The Christians
registrazione cover di:
Harvest for the World
autore:
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley e Chris Jasper
editore:
Bovina Music Inc., EMI April Music Inc. e EMI Songs Ltd.
The Christians3:56
16Town Called Malice
produttore:
The Jam (late 70s/early 80s UK punk/mod revival band) e Peter Wilson (UK Producer)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1982)
registrata presso:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Regno Unito (nel 1981-12)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 151)
registrazione di:
Town Called Malice
paroliere e compositore:
Paul Weller (English singer‐songwriter and musician)
editore:
Notting Hill Music (UK) Ltd., Stylist Music Ltd. e Universal Music Publishing MGB Australia
The Jam4.82:54
17Marlene on the Wall
assistente tecnico:
Kurt Upper
tecnico:
Steve Addabbo
produttore:
Steve Addabbo e Lenny Kaye
produttore esecutivo:
Ronald K. Fierstein
editor:
Rhonda Schoen
basso :
Frank Gravis (dal 1985-01 al 1985-03)
batteria :
Sue Evans (dal 1985-01 al 1985-03)
chitarra acustica :
Suzanne Vega (American singer-songwriter) (dal 1985-01 al 1985-03)
chitarra elettrica :
Jon Gordon (guitarist, music director, producer, composer) (dal 1985-01 al 1985-03)
sintetizzatore :
C. P. Roth (dal 1985-01 al 1985-03)
voce:
Suzanne Vega (American singer-songwriter) (dal 1985-01 al 1985-03)
registrata presso:
Celestial Sound Studios in New York, New York, Stati Uniti (dal 1985-01 al 1985-03)
mixata presso:
Sterling Sound (original NYC studio; split/relocated to Nashville and Edgewater in 2018) in Chelsea, New York, New York, Stati Uniti
video musicali:
Marlene on the Wall di Suzanne Vega (American singer-songwriter)
registrazione di:
Marlene on the Wall (dal 1985-01 al 1985-03)
paroliere e compositore:
Suzanne Vega (American singer-songwriter)
editore:
WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Suzanne Vega4.23:42
18There She Goes
tecnico:
Dave Charles (British drummer as well as producer & engineer)
produttore:
Bob Andrews (keyboardist and producer)
tecnico di missaggio:
Steve Lillywhite
batteria :
Chris Sharrock
chitarra basso e voce di accompagnamento:
John Power (of The La’s and Cast)
chitarra elettrica :
John Byrne (John 'Boo' Byrne, electric guitarist)
voce principale:
Lee Mavers
diritti fonografici (℗) detenuti da:
Go! Discs Ltd. (company credits only; do NOT use as release label) (nel 1988)
parte di:
NME: Greatest “Indie” Anthems Ever: 2007 (numero: 45), TV Cream: Real 100 Best Singles Ever (numero: 62) e Indie 88: Top 500 Indie Rock Songs (numero: 418)
registrazione di:
There She Goes (The La’s)
paroliere e compositore:
Lee Mavers
editore:
Go! Discs Music Ltd. (publisher) e Kobalt Music Publishing Ltd. (UK)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The La’s42:44
19The Wanderer
tecnico:
Steve Churchyard, Greg Jackman e Tim Summerhayes
produttore:
Status Quo (UK boogie rock band) e Pip Williams (producer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1984), Mercury Records Ltd. (London) (for copyrights use only) (nel 1984), Mercury Records Ltd. (UK) (nel 1984) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1984)
registrazione cover di:
The Wanderer
paroliere e compositore:
Ernie Maresca
editore:
Mijac Music, Schwartz Music Ltd., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America Ltd., Warner/Chappell Music, Inc. e Warner/Chappell North America
Status Quo33:28
20Pass the Dutchie
produttore:
Peter Collins (producer)
batteria :
Junior
chitarra :
Kelvin
chitarra basso :
Patrick
tastiera :
Michael (Keyboard player for Musical Youth)
voce:
Dennis
diritti fonografici (℗) detenuti da:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1982)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 25)
registrazione cover di:
Pass the Kouchie
autore:
“Deadly” Headley Bennett, Lloyd “Judge” Ferguson, Huford Brown (Jamaican reggae deejay), Robbie Lyn, Jackie Mittoo, Leroy Sibbles (Jamaican reggae) e Fitzroy “Bunny” Simpson
parte di:
My Kind of People
Musical Youth43:23
4▼CD
#TitoloArtistaValutazioneDurata
1The Lady in Red
produttore:
Paul Hardiman
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1986)
registrata presso:
RDS Arena in Dublin, County Dublin, Leinster, Irlanda (il 1988-12-07) e Westfalenhalle in Dortmund, Nordrhein-Westfalen (North Rhine-Westphalia), Germania (il 2004-11-06)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 54)
registrazione di:
The Lady in Red (nel 1986)
paroliere e compositore:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
editore:
Hornall Brothers Music (limited company) e Rondor Music (London) Ltd. (, nel 1986)
registrazione dal vivo di:
The Lady in Red (il 1988-12-07)
paroliere e compositore:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
editore:
Hornall Brothers Music (limited company) e Rondor Music (London) Ltd. (, nel 1986)
registrazione dal vivo di:
The Lady in Red (il 2004-11-06)
paroliere e compositore:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
editore:
Hornall Brothers Music (limited company) e Rondor Music (London) Ltd. (, nel 1986)
Chris de Burgh3.354:18
2Rhythm of the Night
produttore:
Richard Perry (producer)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1985), Motown Records (not for label use; use “Motown” instead) (nel 1985, nel 2009), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1985) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (dal 2016 a oggi)
video musicali:
Rhythm of the Night di DeBarge
registrazione di:
Rhythm of the Night
paroliere e compositore:
Diane Warren (US songwriter)
editore:
Edition Sunset Publishing Ltd. e Realsongs
DeBarge3.63:51
3Licence to Kill
produttore:
Narada Michael Walden
produttore associato:
Walter "Babylove" Afanasieff*
esecutore:
Gladys Knight
arrangiatore:
Narada Michael Walden
co-arrangiatore:
Walter "Babylove" Afanasieff*
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1989)
edit di:
Licence to Kill (extended version) di Gladys Knight
registrazione di:
Licence to Kill
autore:
Walter Afanasieff, Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) e Narada Michael Walden
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) e SBK Songs Ltd. (nel 1989)
parte di:
James Bond themes
cita la musica di:
Goldfinger
Gladys Knight44:13
4(They Long to Be) Close to You
registrazione di:
(They Long to Be) Close to You
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Albert Music Publishing, Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Carlin Music Corporation, Casa David LP, J. Albert & Son Pty. Ltd., Jac Music, Inc., New Hidden Valley Music Co., U.S. Songs, Inc., Universal/MCA Music Ltd. (not for release label use!), Windswept Music (London) Ltd. e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Gwen Guthrie3:46
5Lessons in Love
tecnico e tecnico di missaggio:
Julian Mendelsohn (Australian record producer and engineer)
assistente produttore:
Julian Mendelsohn (Australian record producer and engineer)
produttore:
Wally Badarou e Level 42
sassofono ospite :
Gary Barnacle
diritti fonografici (℗) detenuti da:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (nel 1986) e Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1986)
registrazione di:
Lessons in Love
paroliere:
Boon Gould
autore:
Wally Badarou e Mark King (bass guitarist and vocalist)
editore:
BMG Music Publishing Ltd., Chappell Music Ltd., Findhaven Ltd., Hornall Brothers Music Ltd. (limited company), Island Visual Arts Ltd., Level 42 Music Ltd., Ruby Ruby Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Level 423.64:04
6Love Changes Everything
Michael Ball3:33
7Every Little Step
registrazione di:
Every Little Step
autore:
Antonio “L.A.” Reid e Babyface (R&B musician Kenny Edmonds)
editore:
Chappell Music Ltd., Hip Trip Music (publisher) e Kear Music (publisher)
Bobby Brown4:37
8Luka
tecnico audio:
Robin Danar
tecnico:
Steve Addabbo e Rod O’Brien
produttore:
Steve Addabbo e Lenny Kaye
tecnico di missaggio:
Shelly Yakus
chitarra solista :
Jon Gordon (guitarist, music director, producer, composer)
voce:
Suzanne Vega (American singer-songwriter)
voce di accompagnamento:
Shawn Colvin
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1987)
registrata presso:
duo Music Exchange in Dōgenzaka, Shibuya (Shibuya-ku), Tokyo, Giappone
registrazione di:
Luka
paroliere e compositore:
Suzanne Vega (American singer-songwriter)
editore:
WB Music Corp. (1929–2019)
Suzanne Vega4.53:52
9Wasteland
registrazione di:
Wasteland
paroliere:
Wayne Hussey
compositore:
Craig Adams (bass player for Sisters of Mercy/The Mission), Mick Brown (British drummer of the gothic rock band The Mission), Simon Hinkler e Wayne Hussey
The Mission43:59
10Drop the Pilot
assistente tecnico:
Niko Bolas
tecnico e produttore:
Val Garay
basso :
Bryan Garofalo
batteria :
Craig Krampf
chitarra :
Joan Armatrading, Craig Hull e Tim Pierce (US session guitarist)
percussione :
M. L. Benoit
tastiera :
Steve Goldstein
voce:
Joan Armatrading
diritti fonografici (℗) detenuti da:
A&M Records (nel 1983) e A&M Records, Ltd. (nel 1983)
registrazione di:
Drop the Pilot
compositore:
Joan Armatrading
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music Pty. Ltd. e Polygram Music
Joan Armatrading43:42
11A Love Supreme
registrazione di:
A Love Supreme
paroliere:
David Cole (US musician/producer, member of C+C Music Factory) e Will Downing (American soul, house singer, songwriter and producer)
compositore:
John Coltrane
si basa su:
A Love Supreme (entire suite)
Will Downing3:51
12All I Ask of You
registrazione di:
All I Ask of You (The Phantom of the Opera)
paroliere:
Charles Hart (British lyricist)
paroliere aggiunto:
Richard Stilgoe
compositore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
editore:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) e The Really Useful Group PLC (not for release label use!) (nel 1986)
sub-editore:
Colgems-EMI Music Inc. (conclusa)
parte di:
The Phantom of the Opera (Andrew Lloyd Webber musical)
parte di:
The Phantom of the Opera (2004 film soundtrack)
Sarah Brightman & Cliff Richard4:12
13Somewhere Down the Crazy River
tecnico:
Jim Scott (US recording engineer and producer)
produttore:
Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter) e Robbie Robertson
produttore associato:
Jim Scott (US recording engineer and producer)
tecnico di missaggio:
Bob Clearmountain
batteria [drums] :
Manu Katché
chitarra :
Bill Dillon e Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
chitarra basso [bass] :
Tony Levin (US rock bassist/Chapman Stick)
omnichord :
Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
voce di accompagnamento:
Robbie Robertson e Sammy BoDean
voce principale [vocal]:
Robbie Robertson
diritti fonografici (℗) detenuti da:
The David Geffen Company (legal rights relating to Geffen Records) (nel 1987)
registrazione di:
Somewhere Down the Crazy River
paroliere e compositore:
Robbie Robertson
editore:
Medicine Hat Music e SBK Songs (publisher)
Robbie Robertson4.54:57
14Lost Weekend
produttore:
Clive Langer e Alan Winstanley (English record producer)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1985)
registrazione di:
Lost Weekend
paroliere:
Lloyd Cole
compositore:
Neil Clark (Scottish guitarist, The Commotions), Lloyd Cole e Lawrence Donegan (Scottish musician and journalist)
Lloyd Cole and the Commotions43:15
15Obsession
registrazione cover di:
Obsession
autore:
Michael Des Barres e Holly Knight
editore:
Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07) e The Makiki Publishing Co. Ltd.
registrazione di:
Obsession
autore:
Michael Des Barres e Holly Knight
editore:
Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07) e The Makiki Publishing Co. Ltd.
Animotion3.353:55
16Let’s Get Serious
Jermaine Jackson3:31
17I Found Someone
produttore:
Michael Bolton
basso :
Will Lee (US jazz/rock bassist)
batteria [drums] :
Chris Parker (American drummer)
chitarra :
Steve Lukather e John McCurry
diritti fonografici (℗) detenuti da:
MBO Productions, Inc.
registrazione cover di:
I Found Someone
autore:
Michael Bolton e Mark Mangold
editore:
EMI Blackwood Music Inc. e Is Hot Music Ltd.
Cher3.853:42
18Don’t Turn Around
registrazione cover di:
Don’t Turn Around
paroliere e compositore:
Albert Hammond e Diane Warren (US songwriter)
editore:
Albert Hammond Music, BMG Music, Edition Sunset Publishing, EMI Music (do not use as release label! this is a music publisher), Empire Music Ltd., Intersong Music Ltd., Realsongs e Warner Chappell
Aswad2.53:21
19Fade to Grey
tecnico:
John Hudson (producer, recording and mixing engineer)
produttore:
Midge Ure e Visage (new romantic band from London)
esecutore:
Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange (Welsh pop singer, Visage) e Midge Ure
arrangiatore:
Visage (new romantic band from London)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1980) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1980)
registrata presso:
Genetic Studios in West Berkshire, England, Regno Unito
mixata presso:
Mayfair Sound (England) in London (Greater London), England, Regno Unito
registrazione di:
Fade to Grey
autore:
Billy Currie, Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis) e Midge Ure
editore:
Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. (publisher) e Performance Music Ltd
Visage4.13:51
20Funkytown
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1979) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1980)
edit di:
Funkytown (12″ version) di Lipps, Inc.
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 37)
registrazione di:
Funkytown
paroliere e compositore:
Steven Greenberg
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, Red Sea Songs, Rick S. Music (publishing company associated with Casablanca), Steven Greenberg Music, Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Lipps, Inc.4.14:00
5▼CD
#TitoloArtistaValutazioneDurata
1The Lovecats
produttore:
Steve Nye (producer, engineer and pianist), Chris Parry, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) e Phil Thornalley
tecnico di missaggio:
Chris Parry, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) e Phil Thornalley
batteria :
Andy Anderson (drummer for The Cure)
chitarra basso :
Phil Thornalley
chitarra e tastiera e voce principale:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
vibrafono :
Lol Tolhurst
diritti fonografici (℗) detenuti da:
Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 448)
registrazione di:
The Lovecats
paroliere e compositore:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
editore:
APB Music Co.
The Cure3.93:41
2Don’t Walk Away
registrazione di:
Don't Walk Away
paroliere e compositore:
Jerry Knight
Four Tops4:07
3Fresh
registrazione di:
Fresh
autore:
Ronald Bell, George Brown (US percussionist of Kool & the Gang), Curtis Williams (keyboardist/percussionist of Kool & The Gang), James Bonnefond, Sandy Linzer, Robert Bell, Claydes Smith e James “J.T.” Taylor (US R&B vocalist for Kool & the Gang)
Kool & the Gang44:23
4Fool If You Think It’s Over
voce:
Elkie Brooks
registrazione cover di:
Fool (If You Think It’s Over)
paroliere e compositore:
Chris Rea
editore:
Magnet Music Ltd. (publisher)
Elkie Brooks4:49
5Maniac
produttore:
Phil Ramone e Michael Sembello
voce:
Michael Sembello (nel 1983)
diritti fonografici (℗) detenuti da:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (nel 1983) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1983)
registrazione di:
Maniac (nel 1983)
autore:
Dennis Matkosky e Michael Sembello
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Intersong Music, Intersong Music Ltd., Intersong USA, Inc. (publisher), Riva Music Ltd., Rondor Music (London) Ltd., Sony/ATV Harmony, Warner Bros. Music Co. Inc., Warner Bros. Music Corp. e WB Music Corp. (1929–2019)
parte di:
The 56th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1983 nominee)
Michael Sembello4.154:05
6Higher Love
registrazione di:
Higher Love
autore:
Will Jennings e Steve Winwood
editore:
Blue Sky Rider (BMI-affiliated; associated with Will Jennings), CBS Songs Ltd., F.S. Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell North America e Willin' David Music
Steve Winwood54:05
7On Our Own
registrazione di:
On Our Own
autore:
Babyface (R&B musician Kenny Edmonds), L.A. Reid e Daryl Simmons
editore:
Chappell Music Ltd.
Bobby Brown4:32
8There’s a Guy Works Down the Chip Shop Swears He’s Elvis
produttore:
Bazza
tecnico di missaggio:
Bazza e Kirsty MacColl
è stato produttore per:
Loose End Productions
registrazione di:
There’s a Guy Works Down the Chip Shop Swears He’s Elvis
autore:
Kirsty MacColl e Philip Rambow
editore:
Blackhill Music Ltd. e Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Kirsty MacColl43:08
9The Riddle
assistente tecnico:
Dave Meegan (producer)
tecnico:
Julian Mendelsohn (Australian record producer and engineer)
produttore:
Peter Collins (producer)
voce principale:
Nik Kershaw
diritti fonografici (℗) detenuti da:
MCA Records (1967–2003; name as in imprint during 1972–1990) (nel 1984) e MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1984, nel 1985)
video musicali:
The Riddle di Nik Kershaw
registrazione di:
The Riddle
paroliere e compositore:
Nik Kershaw
editore:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Rondor Music (London) Ltd. e Rondor Musikverlag GmbH
Nik Kershaw3.253:54
10Piano in the Dark
registrazione di:
Piano in the Dark
autore:
Scott Cutler, Jeff Hull (songwriter and producer) e Brenda Russell (US singer-songwriter & keyboardist)
editore:
Dwarf Village Music
Brenda Russell4:19
11Reward Me
produttore:
Clive Langer e Alan Winstanley (English record producer)
registrazione di:
Reward
compositore:
Julian Cope e Alan Gill
The Teardrop Explodes4.52:43
12Me, Myself, I
assistente tecnico:
Gregg Caruso
tecnico:
Thom Panunzio
produttore:
Richard Gottehrer (American songwriter and music executive)
basso :
Marcus Miller (jazz musician) (nel 1980-03)
batteria :
Anton Fig (nel 1980-03)
chitarra :
Hiram Bullock (nel 1980-03) e Chris Spedding (nel 1980-03)
organo :
Danny Federici (nel 1980-03)
pianoforte :
Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick) (nel 1980-03)
sassofono :
Clarence Clemons (nel 1980-03)
voce:
Joan Armatrading (nel 1980-03)
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1980)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (nel 1980-03)
registrazione di:
Me Myself I (nel 1980-03)
paroliere e compositore:
Joan Armatrading
editore:
Irving Music, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) e Rondor Music (London) Ltd. (nel 1980)
Joan Armatrading3.653:20
13Wonderland
produttore:
Steve Lillywhite
editore:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (nel 1984)
video musicali:
Wonderland di Big Country
registrazione di:
Wonderland
autore:
Stuart Adamson, Mark Brzezicki, Tony Butler (English rock bassist with Big Country) e Bruce Watson (member of Big Country)
editore:
BMG VM Music Ltd. e Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (nel 1984)
Big Country23:56
14Somebody’s Watching Me
produttore:
Curtis Anthony Nolen e Rockwell (R & B – “Somebody’s Watching Me”)
voce di accompagnamento:
Jermaine Jackson (soul/pop singer, of Jackson 5)
voce ospite:
Michael Jackson (“King of Pop”)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1983)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 20)
registrazione di:
Somebody’s Watching Me
paroliere e compositore:
Rockwell (R & B – “Somebody’s Watching Me”)
editore:
EMI Music (do not use as release label! this is a music publisher) e Jobete Music (appears also as: Jobete Msc.)
Rockwell3.853:50
15Under Your Thumb
registrazione di:
Under Your Thumb
autore:
Lol Creme e Kevin Godley
Godley & Creme53:49
16When Smokey Sings
assistente tecnico di registrazione e assistente tecnico di missaggio:
Tim Burrell
tecnico di registrazione e tecnico:
Martyn Webster (engineer)
co-produttore:
Bernard Edwards (American bassist and record producer)
produttore:
Bernard Edwards (American bassist and record producer), Martin Fry e Mark White (ABC/Vice Versa)
tecnico di missaggio:
Julian Mendelsohn (Australian record producer and engineer)
armonica (a bocca) :
Judd Lander
basso :
Brad Lang
batteria :
Graham Broad
contrabbasso :
Danny Thompson (English double bass player)
percussione :
Pandit Dinesh e Louis Jardim
sassofono :
Howie Casey
tastiera :
David Clayton
arrangiatore archi :
Richard Niles
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1987) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1987)
registrata presso e mixata presso:
Marcus Studios in Bayswater, Westminster, London (Greater London), England, Regno Unito
video musicali:
When Smokey Sings di ABC (English 80s pop group)
parte di:
The Downloader’s Music Source Book (numero: 70)
registrazione di:
When Smokey Sings
autore:
Martin Fry e Mark White (ABC/Vice Versa)
dedicata a:
Smokey Robinson
editore:
Neutron Music, Neutron Music Ltd. e 10 Music Ltd. (nel 1987)
ABC4.254:21
17It’s Different for the Girls
Joe Jackson3:45
18I Want Your Love
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 99)
registrazione di:
I Want Your Love
paroliere e compositore:
Nick Christian Sayer
Transvision Vamp2.53:31
19Shout to the Top
produttore:
Paul Weller (English singer‐songwriter and musician) e Peter Wilson (UK Producer)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1984)
registrazione di:
Shout to the Top
paroliere e compositore:
Paul Weller (English singer‐songwriter and musician)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Stylist Music Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Style Council34:17
20Do They Know It’s Christmas
programmazione:
Midge Ure (il 1984-11-25)
produttore:
Trevor Horn e Midge Ure
basso elettrico :
John Taylor (UK bassist for Duran Duran) (il 1984-11-25)
batteria :
Phil Collins (of Genesis) (il 1984-11-25)
chitarra :
Andy Taylor (of Duran Duran) (il 1984-11-25)
tastiera :
Midge Ure (il 1984-11-25)
altra voce [chorus]:
Paul Weller (English singer‐songwriter and musician) (il 1984-11-24), Robert “Kool” Bell (il 1984-11-25), Pete Briquette (il 1984-11-25), Adam Clayton (il 1984-11-25), Phil Collins (of Genesis) (il 1984-11-25), Chris Cross (UK bassist for Ultravox) (il 1984-11-25), Simon Crowe (il 1984-11-25), Sara Dallin (il 1984-11-25), Siobhan Fahey (il 1984-11-25), Johnnie Fingers (il 1984-11-25), Bob Geldof (il 1984-11-25), Tony Hadley (il 1984-11-25), John Keeble (il 1984-11-25), Gary Kemp (il 1984-11-25), Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (il 1984-11-25), Jon Moss (il 1984-11-25), Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (il 1984-11-25), Rick Parfitt (UK guitarist for Status Quo) (il 1984-11-25), Nick Rhodes (il 1984-11-25), Francis Rossi (il 1984-11-25), Andy Taylor (of Duran Duran) (il 1984-11-25), James “J.T.” Taylor (US R&B vocalist for Kool & the Gang) (il 1984-11-25), John Taylor (UK bassist for Duran Duran) (il 1984-11-25), Roger Taylor (Duran Duran drummer) (il 1984-11-25), Dennis “D.T.” Thomas (Kool & The Gang) (il 1984-11-25), Midge Ure (il 1984-11-25), Martyn Ware (il 1984-11-25), Jody Watley (il 1984-11-25) e Keren Woodward (il 1984-11-25)
voce:
Glenn Gregory (il 1984-11-25), Marilyn (British pop singer) (il 1984-11-25) e Sting (singer, songwriter & member of The Police) (il 1984-11-25)
voce principale:
Bono (singer of U2) (il 1984-11-25), Boy George (il 1984-11-25), George Michael (il 1984-11-25), Simon Lebon (singer for Duran Duran) (il 1984-11-25) e Paul Young (English pop singer and musician) (il 1984-11-25)
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (London) (company name, NOT a label!) (nel 1984) e The Band Aid Trust (nel 2004)
registrata presso:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito (il 1984-11-25)
video musicali:
Do They Know It's Christmas? (music video) di Band Aid (UK charity supergroup)
registrazione di:
Do They Know It’s Christmas? (dal 1984-11-24 al 1984-11-25)
autore:
Bob Geldof e Midge Ure
editore:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (publisher as Warner/Chappell Music), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Band Aid3.63:46