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Tracklist

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1CD: Love and Romance
#TitleArtistRatingLength
1Morning from Peer Gynt
orchestra:
Polish Radio Symphony Orchestra (Radio Symphony Orchestra of Cracow)
conductor:
Tadeusz Wojciechowski (conductor)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg3:27
2CanonJohann Pachelbel4:55
3Gymnopedie no. 1 (Lent et douloureux)
piano:
Peter Dickinson (composer, musicologist and pianist)
recording of:
Gymnopédies: I. Lent et grave (Satie’s Gymnopédie no. 3 orchestrated by Debussy)
orchestrator:
Claude Debussy (French composer) (in 1897)
composer:
Erik Satie (French composer) (in 1888)
orchestration of:
Troisième Gymnopédie : Lent et grave (Gymnopédie no. 3)
part of:
Gymnopédies (orchestrated by Debussy)
recording of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
composer:
Erik Satie (French composer) (from 1888-02 until 1888-04)
part of:
Classic 100: Piano (2004) (number: 4)
part of:
Gymnopédies
Erik Satie3:11
4Autumn from The Four Seasons
orchestra:
London Symphony Orchestra
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: III. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi3:28
5Largo from the New World Symphony
orchestra:
Vienna Festival Opera Orchestra
partial recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 “From the New World”: II. Largo)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák5:15
6Air on a G String
orchestra:
The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym) and Philharmonic Orchestra London (Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:17
7Intermezzo from Cavalleria Rusticana
orchestra:
London Symphony Orchestra
recording of:
Cavalleria rusticana: Intermezzo
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni4:21
8Impromptu, op. posth
piano:
Dubravka Tomšič (pianist)
recording of:
Fantaisie‐impromptu in C‐sharp minor, op. 66
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1834)
part of:
Classic 100: Piano (2004) (number: 13) and Works of Fryderyk Chopin by opus number (number: op. 66)
Frédéric Chopin5:14
9Moonlight Sonata: AdagioLudwig van Beethoven5:29
10Rhapsody on a Theme of Paganini
piano:
Horacio Gutiérrez (pianist)
orchestra:
Baltimore Symphony Orchestra
recording of:
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile
composer:
Sergei Rachmaninoff (Russian composer) (from 1934-07-03 until 1934-08-18)
part of:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
Sergei Rachmaninov3:07
11Blue Danube Waltz
orchestra:
Orchester der Wiener Volksoper
recording of:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314)
premiered in:
Wien (Vienna), Austria (on 1867-02-15)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
Johann Strauss II4:51
12Barcarolle from The Tales of HoffmanJacques Offenbach4:27
13The Girl With the Flaxen Hair
piano:
Andrew Wilde (pianist)
recording of:
Préludes, Livre I, L. 117, CD 125: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (The Girl with the Flaxen Hair)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-06-02)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy2:53
14Jesu, Joy of Man’s Desire
orchestra:
Royal Philharmonic Orchestra
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:32
15The Young Prince and the Princess from Scheherazade
orchestra:
Vienna Festival Orchestra
recording of:
Scheherazade, op. 35: III. The Young Prince and the Young Princess (Andantino quasi allegretto)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1888)
part of:
Scheherazade, op. 35
Nikolai Rimsky-Korsakov4:11
16Sleeping Beauty: Waltz
producer:
Günter Appenheimer (producer/engineer)
orchestra:
CSR Symphony Orchestra (Bratislava) (Slovak Radio Symphony Orchestra) (from 1987-10-13 until 1987-10-20)
conductor:
Ondrej Lenárd (conductor) (from 1987-10-13 until 1987-10-20)
phonographic copyright (℗) by:
Pacific Music Co., Ltd. (in 1988)
recorded at:
Concert Hall of the Czecho‐Slovak Radio (Concert Hall of the Slovak Radio) in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1987-10-13 until 1987-10-20)
recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse (from 1987-10-13 until 1987-10-20)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Pyotr Ilyich Tchaikovsky4:31
2CD: The Power and the Glory
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1Nessun dorma from Turandot
tenor vocals:
Ermanno Mauro (tenor)
orchestra:
Edmonton Symphony Orchestra
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher)
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini3:01
2O Fortuna from Carmina Burana
choir vocals:
Russian State Chorus, Salzburg Boys Choir and Salzburg Mozarteum Chorus
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Russian State Symphony Orchestra (“New Russia” State Symphony Orchestra) and Государственный академический симфонический оркестр России (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
conductor:
Kurt Prestel (conductor, chorus master) and Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related)
phonographic copyright (℗) by:
Selcor Ltd. (for copyrights use only) (in 1989)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:48
3Bolero
orchestra:
Orchester der Wiener Volksoper
partial recording of:
Boléro
composer:
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Classic 100: Music of France (2012) (number: 9) and Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel3:04
4William Tell: Overture
orchestra:
Orchestra of the Royal Opera House, Covent Garden
partial recording of:
Guillaume Tell : Ouverture (William Tell: Overture)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guglielmo Tell (italian version by Calisto Bassi)
part of:
Guillaume Tell
Gioachino Rossini4:30
5Jupiter from The Planets
recording engineer:
Nicholas Parker (classical violinist, producer, engineer) (from 1987-07-13 until 1987-07-16)
producer:
Tim Handley (engineer/editor/producer)
orchestra:
London Symphony Orchestra (from 1987-07-13 until 1987-07-16)
conductor:
Geoffrey Simon (conductor) (from 1987-07-13 until 1987-07-16)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1987-07-13 until 1987-07-16)
recording of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (from 1987-07-13 until 1987-07-16)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst7:51
61812 Overture
orchestra:
Leipzig Symphony Orchestra
partial recording of:
The Year 1812, Festival Overture in E-flat major, op. 49
premiered in:
Moscow, Russia (on 1882-08-20)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1880-09 until 1880-11)
part of:
The Tchaikovsky Handbook (number: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 46) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 49)
is based on:
Боже, Царя храни! (God Save the Tsar!)
quotes music from:
Troparion of the Holy Cross
quotes music from:
La Marseillaise (national anthem of France)
quotes music from:
Боже, Царя храни! (God Save the Tsar!)
Pyotr Ilyich Tchaikovsky3:39
7Dance of the Knights from Romeo & Juliet
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 13. Dance of the Knights (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev5:43
8Eine kleine Nachtmusik
sound engineer:
Bernhard Mahne (Classical music producer) (from 1986-04-22 until 1986-04-24) and Lutz Wildner (from 1986-04-22 until 1986-04-24)
orchestra:
Camerata Academica (Austrian chamber orchestra), Camerata Academica Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (name used by Alfred Scholz, may be incorrect), Mainz Chamber Orchestra, Mozart Festival Orchestra (an Alfred Scholz pseudonym), The Northstar Orchestra, Philharmonia Slavonica (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) and Camerata Labacensis (Slovenian chamber orchestra) (from 1986-04-22 until 1986-04-24)
conductor:
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Alfred Scholz and Alexander von Pitamic (Alfred Scholz pseudonym) (from 1986-04-22 until 1986-04-24)
recorded at:
Slovenian Philharmonic in Ljubljana, Ljubljana (City Municipality of Ljubljana), Slovenia (from 1986-04-22 until 1986-04-24)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (from 1986-04-22 until 1986-04-24)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart6:28
9Radetzky March
orchestra:
London Symphony Orchestra
recording of:
Radetzky‐Marsch, op. 228 (Radetzky March, op. 228)
composer:
Johann Strauss (Johann Strauss I, Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (in 1848)
dedicated to:
Joseph Radetzky von Radetz
premiered at:
Wasserglacis in Wien (Vienna), Austria (on 1848-08-31)
part of:
Works of Johann Strauss Sr. by opus number (number: op. 228)
Johann Strauss3:01
10Allegro con brio from Symphony no. 5
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven7:15
11Brandenburg Concerto no. 3: 1st movement
orchestra:
Vienna Festival Orchestra
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach5:35
12La donna è mobile from Rigoletto
tenor vocals [Duca]:
Dénes Gulyás (tenor)
orchestra:
Hungarian State Opera Orchestra (Hungarian State Opera Orchestra)
conductor:
János Ferencsik (conductor)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi2:11
13Danse macabre
orchestra:
London Symphony Orchestra
recording of:
Danse macabre, op. 40 (symphonic poem for orchestra)
composer:
Camille Saint‐Saëns (composer) (in 1874)
part of:
Classic 100: Music of France (2012) (number: 16) and Works of Camille Saint-Saëns by opus number (number: op. 40)
is based on:
Danse macabre (song for voice and piano)
quotes music from:
Dies Irae (plainchant)
Camille Saint‐Saëns7:28
14Hungarian Dance in G minorJohannes Brahms3:09
15Overture from The Marriage of Figaro
orchestra:
London Symphony Orchestra
recording of:
Le nozze di Figaro, K. 492: Sinfonia
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart4:29
16La Réjouissance from Fireworks Music
orchestra:
Bamberg Philharmonic Orchestra (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker), Český národní symfonický orchestr (Czech National Symphony Orchestra), London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra, Musici di San Marco (an Alfred Scholz pseudonym), Radio Symphony Orchestra (SWR Baden-Baden and Freiburg Symphony Orchestra), Slovak Philharmonic Chamber Orchestra (Slovak Chamber Orchestra) and Slovak Philharmonic Orchestra (Slovak Philharmonic)
conductor:
Oliver von Dohnányi (conductor), Sidney Lark (conductor, possibly an Alfred Scholtz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Rolf Reinhardt (German conductor 1927-2006), Bernhard Stopler (conductor) and Bohdan Warchal (violinist, conductor)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia
recording of:
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel3:47

Credits

Release

manufactured in:England, United Kingdom
distributed by:BMG Records (UK) Limited (1987–1996)
Sony Music Ltd. (distributor, publisher; do NOT use as release label)
copyrighted (©) by and phonographic copyright (℗) by:Telstar Records Plc (in 1994)
Discogs:https://www.discogs.com/release/895027 [info]