Now That’s What I Call Music! 1989

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Label: Virgin/EMI/Polygram

Label: Virgin/EMI/Polygram

Annotation last modified on 2012-02-21 03:47 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1If You Don’t Know Me by Now
assistant engineer:
Clark Germain and Karl Lever
engineer and mixer:
Daren Klein
additional producer:
Mick Hucknall (lead singer of Simply Red)
producer:
Stewart Levine (record producer and saxophonist)
bass:
Tony Bowers
drums (drum set):
Chris Joyce (drummer for Simply Red)
guitar:
Heitor T. P.
keyboard:
Tim Kellett and Fritz McIntyre
percussion:
Lennie Castro
saxophone:
Ian Kirkham
trumpet:
Tim Kellett
background vocals:
Fritz McIntyre and Stephanie Spruell (American soul/disco singer, songwriter, and percussionist)
lead vocals:
Mick Hucknall (lead singer of Simply Red)
performer:
Simply Red (English soul and pop band)
phonographic copyright (℗) by:
Eastwest Records (for copyrights, manufacturing, distributing use only!) (in 1989), Warner Music UK Ltd. (not for release label use!) (in 1989) and WEA Records Ltd. (holding company based in the UK) (in 1989)
produced for:
Oliverea Productions Ltd
cover recording of:
If You Don’t Know Me by Now
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America and Warner/Chappell Music Australia Pty. Ltd.
Simply Red3.43:25
2All Around the World
producer and mixer:
Ian Devaney and Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield)
vocals:
Lisa Stansfield
arranger:
Ian Devaney and Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield)
phonographic copyright (℗) by:
BMG Eurodisc Ltd. (in 1989)
recording of:
All Around the World
writer:
Ian Devaney, Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield) and Lisa Stansfield
publisher:
Block & Gilbert, Block & Gilbert Music Ltd. (UK based music publishing company, now dissolved) and BMG Music Publishing Ltd.
Lisa Stansfield3.754:27
3She Drives Me Crazy
engineer:
David Z. (producer/engineer David Rivkin)
co-producer:
Fine Young Cannibals and David Z. (producer/engineer David Rivkin)
bass, drum machine and keyboard:
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drum machine, guitar and tambourine:
Andy Cox (of The Beat)
vocals:
Roland Gift
phonographic copyright (℗) by:
London Music Stream Ltd. (reissues, 2017–present; a.k.a. London Records or Recordings) (in 1988) and London Records Ltd. (not release label) (in 1989)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 77)
recording of:
She Drives Me Crazy (Fine Young Cannibals song)
writer:
Roland Gift and David Steele (UK musician, member of The Beat and Fine Young Cannibals)
publisher:
Virgin Music (Publishers) Ltd.
Fine Young Cannibals43:32
4The Best
engineer:
Chris Lord‐Alge
producer:
Dan Hartman and Tina Turner
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989)
edit of:
The Best by Tina Turner
music videos:
The Best by Tina Turner
cover recording of:
The Best
writer:
Holly Knight and Michael Chapman (Australian producer and songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner3.94:09
5Loco in Acapulco
recording engineer:
Rick Ruggieri
drums (drum set) and background vocals:
Phil Collins (of Genesis)
electric bass guitar:
Freddie Washington (US session bassist)
guitar:
Michael Landau, Paul Jackson (bassist) and David Williams (folk guitarist)
keyboard:
Aaron Zigman (American score composer)
choir vocals:
Four Tops (Motown)
guitar arranger and horn arranger:
Paul Riser
percussion arranger:
Aaron Zigman (American score composer)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1988)
recording of:
Loco in Acapulco
writer:
Phil Collins (of Genesis) and Lamont Dozier
publisher:
Hit & Run Music (Publ) Ltd, Philip Collins Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Four Tops4.354:30
6This Time I Know It’s for Real
recording of:
This Time I Know It's for Real
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman), Donna Summer (soul/disco diva) and Pete Waterman
Donna Summer3.353:35
7Sweet Surrender
recording of:
Sweet Surrender
writer:
Graeme Clark (founder member of Wet Wet Wet), Tom Cunningham (Scottish musician, drummer for Wet Wet Wet), Neil Mitchell and Marti Pellow
publisher:
The Precious Music Company Ltd., Chrysalis Music Ltd. (music publisher, affiliated with PRS) (in 1989) and Precious Music Ltd. (publisher) (in 1989)
Wet Wet Wet4:22
8Stop
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1988)
recording of:
Stop
writer:
Bruce Brody, Sam Brown (UK singer/songwriter) and Gregg Sutton
publisher:
Doolittle Music, Irving Music (BMI), Rondor Music Ltd. (publisher) and WayBlue Ltd. (publisher)
Sam Brown43:59
9Miss You Like Crazy
producer:
Michael Masser
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1991)
recording of:
Miss You Like Crazy
writer:
Preston Glass, Gerry Goffin and Michael Masser
publisher:
Gemia Music, Irving Music, Inc., Lauren Wesley Music (BMI-affiliated) and Prince Street Music (Also known as "Prince St. Music")
Natalie Cole33:51
10Don’t Know Much
recording engineer and mixer:
George Massenburg
co-producer:
Steve Tyrell (American producer and vocalist)
producer:
Peter Asher
bass guitar [bass]:
Leland Sklar (bassist, session musician)
guest vocals:
Aaron Neville
vocals:
Linda Ronstadt
performer:
Aaron Neville and Linda Ronstadt
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
cover recording of:
Don’t Know Much
writer:
Barry Mann, Tom Snow (US keyboardist/songwriter) and Cynthia Weil
publisher:
ATV Music, Brain Tree Music, EMI Blackwood Music Inc., Mann and Weil Songs, Inc., MCA Music Ltd. and Snow Music
Linda Ronstadt & Aaron Neville33:31
11Back to Life (However Do You Want Me)
producer:
Nellee Hooper and Jazzie B
guest lead vocals:
Caron Wheeler (English singer, songwriter, and record producer)
recording of:
Back to Life
writer:
Nellee Hooper, Simon Law (Soul II Soul), Beresford Romeo and Caron Wheeler (English singer, songwriter, and record producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Law Music, Virgin Music (Publishers) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Soul II Soul43:44
12I’m Every Woman
remixer:
Dancin’ Danny D (British DJ, producer, remixer and A&R)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
edit of:
I’m Every Woman (remix version by Dancin’ Danny D) by Chaka Khan
recording of:
I’m Every Woman
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Nick‐O‐Val Music Co., Inc.
Chaka Khan53:32
13Ride on Time
recording of:
Ride on Time
writer:
Daniele Davoli, Dan Hartman, Mirko Limoni and Valerio Semplici (Black Box)
publisher:
Discomagic Records and Lombardoni Edizioni Musicali
quotes lyrics from:
Love Sensation
Black Box54:29
14Pump Up the Jam
producer:
Jo Bogaert (Belgian producer)
vocals:
Ya Kid K (Belgian‐Congolese singer Manuela Kamosi)
performer:
Felly (Felly Kilingi, “frontwoman” for Technotronic in the early ’90s)
phonographic copyright (℗) by:
ARS Productions Benelux (in 1989)
recording of:
Pump Up the Jam
lyricist:
Manuela Kamosi (Belgian‐Congolese singer Manuela Kamosi)
composer:
Patrick de Meyer (Belgian electronic music producer) and Thomas de Quincey (Belgian producer Jo Bogaert [Technotronic])
is based on:
Technotronic
Technotronic feat. Felly3.653:34
15My Prerogative
edit of:
My Prerogative by Bobby Brown (R&B singer, New Edition member)
recording of:
My Prerogative
writer:
Bobby Brown (R&B singer, New Edition member), Gene Griffin and Teddy Riley (US R&B singer & producer)
publisher:
Bobby Brown Music, Cal-Gene Music, Donril Music, EMI Virgin Songs, Inc., MCA Music Ltd., Unicity Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music–Z Tunes LLC and Virgin Music (Publishers) Ltd.
Bobby Brown3.53:27
16Buffalo Stance
recording of:
Buffalo Stance
writer:
Neneh Cherry, Cameron McVey, Jamie J. Morgan (Director, Photographer, Musician) and Phil Ramacon (soul/R&B/reggae songwriter)
is based on:
Looking Good Diving With The Wild Bunch
Neneh Cherry3.54:05
17Good Life
engineer:
Ben Grosse (American producer and engineer)
producer:
Kevin Saunderson
mixer:
Ben Grosse (American producer and engineer) and Kevin "Master Reese" Saunderson
phonographic copyright (℗) by:
10 Records Ltd. (company and copyright holder for 10 Records) (in 1989)
recording of:
Good Life
writer:
Paris Grey, Roy Holmon, Jackson, Ann Saunderson and Kevin Saunderson
publisher:
Drive On Music and Virgin Songs
Inner City33:59
18Straight Up
producer:
Keith Cohen and Elliot Wolff
recording of:
Straight Up
lyricist and composer:
Elliot Wolff
publisher:
Elliot Wolff Music and Virgin Music, Inc. (US arm of Virgin’s publishing company)
Paula Abdul43:49
19Waiting for a Star to Fall
drum machine programming:
George Merrill
producer:
Arif Mardin
assistant mixer:
Jim Dineen
mixer:
David Leonard (US producer and engineer)
alto saxophone:
Andy Snitzer
bass guitar, piano and synthesizer:
George Merrill
drums (drum set):
Denny Fongheiser and Michael Jochum
guitar:
John Goux
synthesizer [Crowning touch]:
Joe Mardin
additional vocals:
Susan Boyd
vocals:
George Merrill and Shannon Rubicam
phonographic copyright (℗) by:
BMG Music (in 1988) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
mixed at:
The Grey Room in Hollywood, Los Angeles, California, United States
recording of:
Waiting for a Star to Fall
writer:
George Merrill and Shannon Rubicam
publisher:
Irving Music, Inc., Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Boy Meets Girl Music (from 1987 to present) and Irving Music (BMI) (from 1987 to present)
Boy Meets Girl3.254:28
20If Only I Could
recording of:
If Only I Could
writer:
Ralf Hamm, Markus Staab, Sydney Youngblood and Claus Zundel
Sydney Youngblood33:29
2▼CD
#TitleArtistRatingLength
1Another Day in Paradise
recording of:
Another Day in Paradise
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Concord Music GmbH, Concord Sounds, Hit & Run Music (in 1989) and Philip Collins Ltd. (in 1989)
Phil Collins4:49
2Eternal Flame
recording engineer:
John Beverly Jones
additional engineer:
Ken Felton
producer:
Davitt Sigerson
mixer:
Frank Filipetti
drums (drum set):
Debbi Peterson (drummer for The Bangles)
electric bass guitar [bass]:
Michael Steele (American bassist, guitarist, songwriter, and singer)
guitar [lead guitar]:
Vicki Peterson
guitar [rhythm guitar]:
Susanna Hoffs
phonographic copyright (℗) by:
The Bangles (in 1988)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1988), Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1988), Sony BMG Music Entertainment Inc. (in 1988) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
mixed at:
Studio 55 in Los Angeles, California, United States
music videos:
Eternal Flame by Bangles
recording of:
Eternal Flame
writer:
Susanna Hoffs, Tom Kelly (songwriter) and Billy Steinberg
publisher:
Bangophile Music, Billy Steinberg Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Denise Barry Music, EMI Songs, Mushroom Music (Mushroom label’s publishing company), SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Tunes LLC (ASCAP) and Universal/MCA Music Ltd. (not for release label use!)
sub-publisher:
EMI Songs Ltd., Shinko Music Entertainment Co., Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bangles3.753:55
3The Living Years
recording of:
The Living Years
writer:
B.A. Robertson and Mike Rutherford
publisher:
Bug Music (music publishing), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Hidden Pun Music, Inc., Michael Rutherford Ltd., R & BA Music Ltd. and R and B. A. Music Ltd.
Mike + the Mechanics5:12
4Sowing the Seeds of Love
recording of:
Sowing the Seeds of Love
writer:
Roland Orzabal (UK musician, songwriter and producer) and Curt Smith
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tears for Fears5:06
5Getting Away With It
music videos:
Getting Away With It (US version, 1990) by Electronic and Getting Away With It (European version, 1989) by Electronic
part of:
TV Cream: Real 100 Best Singles Ever (number: 34)
recording of:
Getting Away With It
composer:
Johnny Marr, Bernard Sumner and Neil Tennant
Electronic4:15
6Song for Whoever
engineer:
Ian Grimble
producer:
Mike Hedges (UK producer/recording engineer)
acoustic guitar and electric guitar:
Dave Rotheray
bass guitar:
Sean Welch
drums (drum set):
David Stead
piano:
Pete Wingfield (keyboardist, singer, producer, songwriter)
vocals:
Paul Heaton and Dave Hemingway
phonographic copyright (℗) by:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1989)
recording of:
Song for Whoever
lyricist:
Paul Heaton
composer:
Paul Heaton and Dave Rotheray
publisher:
Go! Discs Music Ltd. (publisher) and Island Music Ltd.
The Beautiful South2.654:02
7I Don’t Want a Lover
recording of:
I Don’t Want a Lover
lyricist and composer:
Johnny McElhone and Sharleen Spiteri
publisher:
BMG 10 Music Ltd.
Texas4:05
8You Got It
engineer:
Richard Dodd (mastering engineer, producer and engineer), Phil McDonald (engineer and producer) and Don Smith (producer, engineer and mixer)
producer:
Jeff Lynne
acoustic guitar:
Roy Orbison (in 1988-04) and Tom Petty (in 1988-04)
bass guitar, electric guitar, keyboard and piano:
Jeff Lynne (in 1988-04)
drums (drum set) and percussion:
Phil Jones (Percussionist) (in 1988-04)
background vocals:
Jeff Lynne (in 1988-04), Roy Orbison (in 1988-04) and Tom Petty (in 1988-04)
lead vocals:
Roy Orbison (in 1988-04)
phonographic copyright (℗) by:
Roys Boy’s, LLC (in 1989, in 2014) and Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1989)
recorded at:
F.P.S.H.O.T. (Friar Park Studio) in Henley-on-Thames, Oxfordshire, England, United Kingdom (in 1988-04), M.C. Studios in Los Angeles, California, United States (in 1988-04) and Rumbo Recorders in Canoga Park, Los Angeles, California, United States (in 1988-04)
recording of:
You Got It (in 1988-04)
writer:
Jeff Lynne, Roy Orbison and Tom Petty
publisher:
EMI Songs, Gone Gator Music (ASCAP affiliated), Island Music Ltd., MCA Gilbey, Mushroom Music (Mushroom label’s publishing company) and SBK Songs Ltd.
Roy Orbison4.553:30
9The Road to Hell, Part 2
recording of:
The Road to Hell, Part 2
lyricist and composer:
Chris Rea
publisher:
Magnet Music Ltd. (publisher) (in 1989)
part of:
The Road to Hell
Chris Rea4:20
10Right Here Waiting
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1989)
recording of:
Right Here Waiting
lyricist:
Richard Marx
composer:
Bruce Gaitsch (American guitarist, producer, engineer and arranger) and Richard Marx
publisher:
BMG Monarch, Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), Chi‐Boy Music, EMI Music Ltd. and EMI Songs Ltd.
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Richard Marx4:05
11Need You Tonight
assistant engineer:
Paula Jones (Australian audio engineer, producer)
engineer:
David Nicholas (Australian recording engineer and producer)
producer:
Chris Thomas (UK record producer / remixer)
mixer:
Bob Clearmountain and Chris Thomas (UK record producer / remixer)
phonographic copyright (℗) by:
INXS (label and copyrights holder for INXS) (in 1987, in 1997), PolyGram International Music B.V. (not for release label use!) (in 1987) and Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1999)
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
music videos:
Need You Tonight (music video) by INXS
part of:
triple j’s Hottest 100 of Australian Songs (number: 59), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 16) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 114)
recording of:
Need You Tonight
lyricist and composer:
Andrew Farriss (in band INXS) and Michael Hutchence
publisher:
Muziekuitgeverij Artemis B. V., Tol Muziek, WB Music Corp. (1929–2019), XL Publishing Pty. Ltd., 101 Muziek (publisher) (in 1987) and Chardonnay Investments Ltd. (in 1987)
INXS4.153:00
12Leave a Light On
recording of:
Leave a Light On
writer:
Rick Nowels and Ellen Shipley
publisher:
Bug Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishing Australia P/L, Spirit Music Publishing Limited, Future Furniture Music (in 1989), Shipwreck Music (publisher) (in 1989) and Virgin Songs, Inc. (in 1989)
Belinda Carlisle4:00
13I Want That Man
recording of:
I Want That Man
lyricist and composer:
Tom Bailey (Thompson Twins) and Alannah Currie
publisher:
BMG Music, Point Music Ltd. and Point Music America Inc. (in 1989)
Deborah Harry3:23
14Baby I Don’t Care
recording of:
Baby I Don’t Care (Transvision Vamp)
lyricist and composer:
Nick Christian Sayer
publisher:
Notting Hill Music (publisher)
Transvision Vamp3:41
15The Look
programming:
Anders Herrlin (in 1988-08) and Clarence Öfwerman (in 1988-08)
engineer:
Anders Herrlin and Alar Suurna
producer:
Clarence Öfwerman
mixer:
Marie Fredriksson, Per Gessle (Swedish singer and guitarist), Clarence Öfwerman and Alar Suurna
bass guitar:
Anders Herrlin (in 1988-08)
classical guitar:
Erik Borelius (in 1988-08)
drums (drum set) and hi-hat:
Pelle Alsing (in 1988-08)
electric guitar:
Jonas Isacsson (in 1988-08)
keyboard:
Clarence Öfwerman (in 1988-08)
saxophone:
Erik Häusler (in 1988-08)
slide guitar:
Janne Oldaeus (in 1988-08)
background vocals:
Marie Fredriksson (in 1988-08), Per Gessle (Swedish singer and guitarist) (in 1988-08) and Clarence Öfwerman (in 1988-08)
lead vocals:
Marie Fredriksson (in 1988-08) and Per Gessle (Swedish singer and guitarist) (in 1988-08)
phonographic copyright (℗) by:
EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) and EMI Svenska AB (not for release label use!)
recorded at:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Sweden (in 1988-08)
mixed at:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Sweden
recording of:
The Look (in 1988-08)
lyricist and composer:
Per Gessle (Swedish singer and guitarist)
publisher:
Jimmy Fun Music
Roxette3.63:50
16You’re History
recording of:
You’re History
writer:
Marcella Detroit, Siobhan Fahey and Richard Feldman
Shakespears Sister4:06
17Stop!
assistant mixer:
Cameron Jenkins (UK engineer) and Jock Loveband
mixer:
Phil Legg, Alan Moulder (producer and engineer) and Mark Saunders (UK record producer)
recording of:
Stop!
writer:
Andy Bell (singer / songwriter for Erasure) and Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
Erasure52:47
18Hand on Your Heart
recording of:
Hand on Your Heart
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
publisher:
All Boys USA Music (in 1989)
Kylie Minogue3:39
19Too Many Broken Hearts
recording of:
Too Many Broken Hearts
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
Jason Donovan3:11
20Especially for You
recording of:
Especially for You
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
publisher:
All Boys Music Ltd., Mike Stock Publishing Limited, Sid’s Songs Limited, Sony/ATV Songs LLC, Universal Music Careers, Universal–Songs of PolyGram International, Inc. and All Boys USA Music (in 1988)
Kylie Minogue & Jason Donovan3:34