Across the Stars (deluxe edition)

~ Veröffentlichung von Anne‐Sophie Mutter, Recording Arts Orchestra of Los Angeles & John Williams (alle Versionen dieser Veröffentlichung ansehen, 6 vorhanden)

Titelliste

1Digitales Medium
Nr.TitelBewertungLänge
1Rey’s Theme (from “Star Wars: The Force Awakens”)
Assistent recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
leitende(r) Produzent(in):
Ute Fesquet
Produzent(in):
Bernhard Güttler (engineer)
Mix:
Wolfgang Schiefermair
Geige / Violine:
Anne‐Sophie Mutter (violinist) (in 2019-04)
Orchester:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer) (in 2019-04)
aufgenommen bei:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California (Kalifornien), Vereinigte Staaten (in 2019-04)
recording of:
Rey’s Theme (Star Wars: The Force Awakens) (in 2019-04)
Komponist(in):
John Williams (American score composer) (von 2014-12 bis 2015-11)
publisher:
Utapau Music
Teil von:
Star Wars, Episode VII: The Force Awakens (2015 film score)
Teil von:
Star Wars: The Force Awakens (Suite for Orchestra)
3:17
2Yoda’s Theme (from “Star Wars: The Empire Strikes Back”)
Assistent recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
leitende(r) Produzent(in):
Ute Fesquet
Produzent(in):
Bernhard Güttler (engineer)
Mix:
Bernhard Güttler (engineer) und Tobias Lehmann
Geige / Violine:
Anne‐Sophie Mutter (violinist) (in 2019-04)
Orchester:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer) (in 2019-04)
aufgenommen bei:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California (Kalifornien), Vereinigte Staaten (in 2019-04)
recording of:
Yoda's Theme (Star Wars, Episode V: The Empire Strikes Back) (in 2019-04)
Orchestrator(in):
Herbert W. Spencer (composer and orchestrator)
Komponist(in):
John Williams (American score composer)
Teil von:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
3:35
3Hedwig’s Theme (from “Harry Potter and the Philosopher’s Stone”)
Assistent recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
leitende(r) Produzent(in):
Ute Fesquet
Produzent(in):
Bernhard Güttler (engineer)
Mix:
Wolfgang Schiefermair
Geige / Violine:
Anne‐Sophie Mutter (violinist) (in 2019-04)
Orchester:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer) (in 2019-04)
aufgenommen bei:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California (Kalifornien), Vereinigte Staaten (in 2019-04)
recording of:
Hedwig’s Theme (Harry Potter and the Philosopher’s Stone) (in 2019-04)
Komponist(in):
John Williams (American score composer)
publisher:
Warner-Barham Music LLC
Teil von:
Harry Potter and the Philosopher’s Stone (Harry Potter und der Stein der Weisen, 2001 film score)
6:04
4Across the Stars (Love Theme) (from “Star Wars: Attack of the Clones”)
Assistent recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
leitende(r) Produzent(in):
Ute Fesquet
Produzent(in):
Bernhard Güttler (engineer)
Mix:
Wolfgang Schiefermair
Geige / Violine:
Anne‐Sophie Mutter (violinist) (in 2019-04)
Orchester:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer) (in 2019-04)
aufgenommen bei:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California (Kalifornien), Vereinigte Staaten (in 2019-04)
recording of:
Across the Stars (Star Wars, Episode II: Attack of the Clones; love theme) (in 2019-04)
Komponist(in):
John Williams (American score composer)
publisher:
Bantha Music
Teil von:
Star Wars, Episode II: Attack of the Clones (2002 film score)
5:18
5Donnybrook Fair (Based on “Blowing Off Steam” from “Far and Away”)
Assistent recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
leitende(r) Produzent(in):
Ute Fesquet
Produzent(in):
Bernhard Güttler (engineer)
Mix:
Bernhard Güttler (engineer) und Tobias Lehmann
Geige / Violine:
Anne‐Sophie Mutter (violinist) (in 2019-04)
Orchester:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer) (in 2019-04)
aufgenommen bei:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California (Kalifornien), Vereinigte Staaten (in 2019-04)
recording of:
Donnybrook Fair (Based On "Blowing Off Steam" from "Far And Away") (in 2019-04)
Komponist(in):
John Williams (American score composer)
basiert auf:
Blowing Off Steam
3:53
6Sayuri’s Theme (from “Memoirs of a Geisha”)
Assistent recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
leitende(r) Produzent(in):
Ute Fesquet
Produzent(in):
Bernhard Güttler (engineer)
Mix:
Bernhard Güttler (engineer) und Tobias Lehmann
Geige / Violine:
Anne‐Sophie Mutter (violinist) (in 2019-04)
Orchester:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer) (in 2019-04)
aufgenommen bei:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California (Kalifornien), Vereinigte Staaten (in 2019-04)
recording of:
Sayuri's Theme (Memoirs of a Geisha) (in 2019-04)
Komponist(in):
John Williams (American score composer)
Teil von:
Memoirs of a Geisha (2005 film score)
4:44
7Remembrances (from “Schindler’s List”)
Assistent recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
leitende(r) Produzent(in):
Ute Fesquet
Produzent(in):
Bernhard Güttler (engineer)
Mix:
Bernhard Güttler (engineer) und Tobias Lehmann
Geige / Violine:
Anne‐Sophie Mutter (violinist) (in 2019-04)
Orchester:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer) (in 2019-04)
aufgenommen bei:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California (Kalifornien), Vereinigte Staaten (in 2019-04)
recording of:
Remembrances (Schindler’s List) (in 2019-04)
Komponist(in):
John Williams (American score composer)
Teil von:
Schindler's List
Teil von:
Three Pieces from Schindler’s List
6:17
8Night Journeys (from “Dracula”)
Assistent recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
leitende(r) Produzent(in):
Ute Fesquet
Produzent(in):
Bernhard Güttler (engineer)
Mix:
Bernhard Güttler (engineer) und Tobias Lehmann
Geige / Violine:
Anne‐Sophie Mutter (violinist) (in 2019-04)
Orchester:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer) (in 2019-04)
aufgenommen bei:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California (Kalifornien), Vereinigte Staaten (in 2019-04)
recording of:
Night Journeys (Dracula) (in 2019-04)
Komponist(in):
John Williams (American score composer)
Teil von:
Dracula (1979 film score)
5:38
9Theme (from “Sabrina”)
Assistent recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
leitende(r) Produzent(in):
Ute Fesquet
Produzent(in):
Bernhard Güttler (engineer)
Mix:
Bernhard Güttler (engineer) und Tobias Lehmann
Geige / Violine:
Anne‐Sophie Mutter (violinist) (in 2019-04)
Orchester:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer) (in 2019-04)
aufgenommen bei:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California (Kalifornien), Vereinigte Staaten (in 2019-04)
recording of:
Theme From Sabrina (in 2019-04)
Komponist(in):
John Williams (American score composer)
Teil von:
Sabrina (1995 film score)
4:59
10The Duel (from “The Adventures of Tintin”)
Assistent recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
leitende(r) Produzent(in):
Ute Fesquet
Produzent(in):
Bernhard Güttler (engineer)
Mix:
Bernhard Güttler (engineer) und Tobias Lehmann
Geige / Violine:
Anne‐Sophie Mutter (violinist) (in 2019-04)
Orchester:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer) (in 2019-04)
aufgenommen bei:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California (Kalifornien), Vereinigte Staaten (in 2019-04)
recording of:
The Duel (from "The Adventures Of Tintin") (in 2019-04)
Komponist(in):
John Williams (American score composer)
Teil von:
The Adventures of Tintin: The Secret of the Unicorn
4:24
11Princess Leia’s Theme (from “Star Wars: A New Hope”)
Assistent recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
leitende(r) Produzent(in):
Ute Fesquet
Produzent(in):
Bernhard Güttler (engineer)
Mix:
Bernhard Güttler (engineer) und Tobias Lehmann
Geige / Violine:
Anne‐Sophie Mutter (violinist) (in 2019-04)
Orchester:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer) (in 2019-04)
aufgenommen bei:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California (Kalifornien), Vereinigte Staaten (in 2019-04)
recording of:
Princess Leia's Theme (Star Wars, Episode IV: A New Hope) (in 2019-04)
Komponist(in):
John Williams (American score composer)
Teil von:
Star Wars, Episode IV: A New Hope (film soundtrack)
5:19
12The Chairman’s Waltz (from “Memoirs of a Geisha”)
Assistent recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
leitende(r) Produzent(in):
Ute Fesquet
Produzent(in):
Bernhard Güttler (engineer)
Mix:
Bernhard Güttler (engineer) und Tobias Lehmann
Cello:
Lynn Harrell (cellist) (in 2019-04)
Geige / Violine:
Anne‐Sophie Mutter (violinist) (in 2019-04)
Orchester:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer) (in 2019-04)
aufgenommen bei:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California (Kalifornien), Vereinigte Staaten (in 2019-04)
recording of:
The Chairman's Waltz (Memoirs of a Geisha) (in 2019-04)
Komponist(in):
John Williams (American score composer)
Teil von:
Memoirs of a Geisha (2005 film score)
4:00
13Luke and Leia (from “Star Wars: Return of the Jedi”)
Assistent recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
leitende(r) Produzent(in):
Ute Fesquet
Produzent(in):
Bernhard Güttler (engineer)
Mix:
Bernhard Güttler (engineer) und Tobias Lehmann
Geige / Violine:
Anne‐Sophie Mutter (violinist) (in 2019-04)
Orchester:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer) (in 2019-04)
aufgenommen bei:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California (Kalifornien), Vereinigte Staaten (in 2019-04)
recording of:
Luke and Leia (Star Wars, Episode VI: Return of the Jedi) (in 2019-04)
Komponist(in):
John Williams (American score composer)
publisher:
Fox Fanfare Music Inc.
Teil von:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
5:01
14Nice to Be Around (from “Cinderella Liberty”)
Assistent recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
leitende(r) Produzent(in):
Ute Fesquet
Produzent(in):
Bernhard Güttler (engineer)
Mix:
Bernhard Güttler (engineer) und Tobias Lehmann
Geige / Violine:
Anne‐Sophie Mutter (violinist) (in 2019-04)
Orchester:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer) (in 2019-04)
aufgenommen bei:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California (Kalifornien), Vereinigte Staaten (in 2019-04)
recording of:
Nice to Be Around (in 2019-04)
Texter:
Paul Williams (US songwriter/soft rock vocalist)
Komponist(in):
John Williams (American score composer)
Teil von:
The 46th Academy Award for Best Original Song (Nummer: 2)
4:02
15Theme (from “Schindler’s List”)
Assistent recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
leitende(r) Produzent(in):
Ute Fesquet
Produzent(in):
Bernhard Güttler (engineer)
Mix:
Bernhard Güttler (engineer) und Tobias Lehmann
Geige / Violine:
Anne‐Sophie Mutter (violinist) (in 2019-04)
Orchester:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer) (in 2019-04)
aufgenommen bei:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California (Kalifornien), Vereinigte Staaten (in 2019-04)
recording of:
Main Theme (Schindler’s List) (in 2019-04)
Komponist(in):
John Williams (American score composer) (in 1993)
publisher:
Chester Music Ltd., MCA Music Ltd. und Universal/MCA Music (music publisher; do not use as release label!)
Teil von:
Schindler's List
Teil von:
Three Pieces from Schindler’s List
4:12
16Markings
Assistent recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
leitende(r) Produzent(in):
Ute Fesquet
Produzent(in):
Bernhard Güttler (engineer)
Mix:
Bernhard Güttler (engineer) und Tobias Lehmann
Geige / Violine:
Anne‐Sophie Mutter (violinist) (in 2019-04)
Orchester:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer) (in 2019-04)
aufgenommen bei:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California (Kalifornien), Vereinigte Staaten (in 2019-04)
recording of:
Markings (in 2019-04)
Komponist(in):
John Williams (American score composer) (bis 2017)
8:32
17A Prayer for Peace (from “Munich”)
Assistent recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
leitende(r) Produzent(in):
Ute Fesquet
Produzent(in):
Bernhard Güttler (engineer)
Mix:
Bernhard Güttler (engineer) und Tobias Lehmann
Geige / Violine:
Anne‐Sophie Mutter (violinist) (in 2019-04)
Orchester:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer) (in 2019-04)
aufgenommen bei:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California (Kalifornien), Vereinigte Staaten (in 2019-04)
recording of:
A Prayer for Peace (Munich) (in 2019-04)
Komponist(in):
John Williams (American score composer)
Teil von:
Munich (2005 film score)
3:14