Sounds of the 70’s

~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1You to Me Are Everything
producer:
Ken Gold
phonographic copyright (℗) by:
Pye Records (in 1976) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1976)
recording of:
You to Me Are Everything
writer:
Michael Denne and Ken Gold
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Screen Gems–EMI Music Ltd.
The Real Thing3.653:27
2Telegram Sam
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) and Wizard Artists Ltd. (Marc Bolan's company, for copyrights and publisher use) (in 1972)
recording of:
Telegram Sam
lyricist and composer:
Marc Bolan
publisher:
SPIRIT CATALOGUE HD(T REX) 301 and フジパシフィックミュージック (Fujipacific Music, Inc.)
T. Rex4.853:47
3Shame, Shame, Shame
recording of:
Shame, Shame, Shame
lyricist and composer:
Sylvia Robinson
publisher:
IQ Music Ltd.
Shirley & Company34:54
4Gonna Make You an Offer You Can’t Refuse
recording of:
Gonna Make You an Offer You Can’t Refuse
writer:
John Worth
Jimmy Helms3:42
5Hold Back the Night
recording of:
Hold Back the Night
writer:
Ron Baker (record producer, bassist, arranger and songwriter), Allan Felder and Norman Harris (American Philly Soul guitarist, producer, and songwriter)
publisher:
Carlin Music Corporation, Golden Fleece Music, Mured Music Co. and Reservoir 416
version of:
Scrub Board
The Trammps3:55
6It’s a Heartache
producer:
Dave Mackay (producer), David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) and Steve Wolfe (producer, songwriter and guitar player)
acoustic guitar and background vocals:
Steve Wolfe (producer, songwriter and guitar player)
bass:
Kevin Dunne
drums (drum set) and percussion:
Micky Gibbins (drummer for Badfinger)
vocals:
Bonnie Tyler
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1977), RCA Ltd. (UK arm of RCA) (in 1977), Sanctuary Copyrights Ltd. (in 1977), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1977), Soundbarrier Ltd. (production company) (in 1977, in 1978), Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1995), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
produced for:
Soundbarrier Ltd. (production company)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 24)
recording of:
It’s a Heartache
writer:
Ronnie Scott (a British pop music promoter, group manager and songwriter) and Steve Wolfe (producer, songwriter and guitar player)
publisher:
BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Lojo Music, Scott/Wolfe Songs Ltd., Universal Music Publishing International Ltd., Universal Music Publishing MGB Ltd., Mighty Music (publisher) (in 1977) and RAK Publishing (in 1977)
Bonnie Tyler3.83:32
7More, More, More
recording of:
More, More, More
lyricist and composer:
Gregg Diamond
publisher:
Buddah Music, MRI Music, Buddah (ffor company credits related to the US label Buddah Records) (in 1976) and Gee Diamond Music (in 1976)
Andrea True Connection43:16
8The Summer of My Life
Simon May4:12
9In My Chair
engineer:
Alan Florence
producer:
John Schroeder (English composer, arranger, orchestra leader, record producer, author and A&R chief)
phonographic copyright (℗) by:
PRT (UK label) (in 1970)
recording of:
In My Chair
writer:
Robert Keith Young (UK musician & author, Young & Moody; Status Quo) and Francis Rossi
publisher:
Valley Music Ltd (publisher)
Status Quo3:17
10What Have They Done to My Song, Ma?
recording of:
What Have They Done to My Song, Ma?
lyricist and composer:
Melanie (US singer‐songwriter Melanie Safka)
Melanie44:06
11Lady Rose
recording of:
Lady Rose
lyricist and composer:
Ray Dorset
publisher:
PolyGram Music Publishing
Mungo Jerry3:12
12Jack in the Box
The Moments4:18
13Pillow Talk
recording of:
Pillow Talk
writer:
Michael Burton (American songwriter and producer) and Sylvia Robinson
Sylvia34:24
14The Dean and I
engineer and mixer:
Eric Stewart
producer:
10cc
acoustic guitar, bass, electric guitar, resonator guitar [dobro] and tambourine:
Graham Gouldman (in 1972)
drums (drum set) and percussion:
Kevin Godley (in 1972)
Moog, acoustic guitar, electric guitar, electric piano, grand piano, mellotron and percussion:
Lol Creme (in 1972)
Moog, electric guitar and slide guitar:
Eric Stewart (in 1972)
vocals:
Lol Creme (in 1972), Kevin Godley (in 1972), Graham Gouldman (in 1972) and Eric Stewart (in 1972)
phonographic copyright (℗) by:
Strawberry Productions (copyright holder for 10cc) (in 1973), Revvolution (in 2006) and Jonathan King Enterprises Ltd. (in 2007)
recorded at:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom (in 1972)
recording of:
The Dean and I (in 1972)
writer:
Lol Creme and Kevin Godley
publisher:
St. Anne’s Music Ltd. (in 1973)
10cc53:06
15Roadrunner
producer:
John Cale (The Velvet Underground founder)
bass:
Ernie Brooks
drums (drum set):
David Robinson (US rock drummer)
guitar and lead vocals:
Jonathan Richman
organ and piano:
Jerry Harrison (Talking Heads & producer)
background vocals:
Ernie Brooks, Jerry Harrison (Talking Heads & producer) and David Robinson (US rock drummer)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 77) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 269)
recording of:
Roadrunner
lyricist and composer:
Jonathan Richman
Jonathan Richman & The Modern Lovers44:07
16Jeepster
engineer:
Roy Thomas Baker (producer), Malcolm Cecil, Rik Pekkonen and Martin Rushent
producer:
Tony Visconti
drums (drum set):
Bill Legend (from 1971-03 until 1971-06)
electric bass guitar:
Steve Currie (from 1971-03 until 1971-06)
electric guitar and lead vocals:
Marc Bolan (from 1971-03 until 1971-06)
percussion:
Mickey Finn (musician and T. Rex member) (from 1971-03 until 1971-06)
background vocals:
Howard Kaylan (from 1971-03 until 1971-06) and Mark Volman (from 1971-03 until 1971-06)
phonographic copyright (℗) by:
Essex Music International Ltd. (in 1971), Straight Ahead Productions Ltd. (in 1971, in 2001) and Tarantula Productions (in 1971)
recording of:
Jeepster (from 1971-03 until 1971-06)
lyricist and composer:
Marc Bolan
publisher:
Westminster Music Ltd.
T. Rex4.54:11
17So Sad the Song
recording of:
So Sad the Song
lyricist:
Gerry Goffin
composer:
Michael Masser
publisher:
Prince St. Music (Also known as "Prince St. Music") and Screen Gems–EMI Music (USA, affiliated with BMI)
Gladys Knight & the Pips3:53
18Purely by Coincidence
Sweet Sensation2:56
2▼CD
#TitleArtistRatingLength
1The Wall Street Shuffle
producer:
10cc
acoustic guitar, bass guitar, electric guitar and percussion and bass guitar, guitar and percussion:
Graham Gouldman (in 1974)
drums (drum set) and percussion:
Kevin Godley (in 1974)
electric guitar and guitar and guitar, keyboard and percussion:
Lol Creme (in 1974)
electric piano, grand piano, guitar, mellotron and organ, guitar and keyboard and lead vocals:
Eric Stewart (in 1974)
vocals:
Lol Creme (in 1974), Kevin Godley (in 1974), Graham Gouldman (in 1974) and Eric Stewart (in 1974)
phonographic copyright (℗) by:
Jonathan King Enterprises (in 2007)
recorded at:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom (in 1974)
recording of:
The Wall Street Shuffle (in 1974)
writer:
Graham Gouldman and Eric Stewart
10cc3.73:56
2Get It On
engineer:
Roy Thomas Baker (producer), Malcolm Cecil, Rik Pekkonen and Martin Rushent
producer:
Tony Visconti
drums (drum set):
Bill Legend (from 1971-03 until 1971-06)
electric bass guitar:
Steve Currie (from 1971-03 until 1971-06)
electric guitar and lead vocals:
Marc Bolan (from 1971-03 until 1971-06)
keyboard:
Rick Wakeman (from 1971-03 until 1971-06)
percussion:
Mickey Finn (musician and T. Rex member) (from 1971-03 until 1971-06)
background vocals:
Howard Kaylan (from 1971-03 until 1971-06) and Mark Volman (from 1971-03 until 1971-06)
phonographic copyright (℗) by:
Essex Music International Ltd. (in 1971), Straight Ahead Productions Ltd. (in 1971, in 2001) and Tarantula Productions (in 1971)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 22), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 41)
recording of:
Get It On (Bang a Gong) (from 1971-03 until 1971-06)
lyricist and composer:
Marc Bolan
publisher:
Essex Music International, Essex Music International, Inc., Essex Musikförlaget, Essex Musikvertrieb GmbH, The Richmond Organization, TRO Essex Music International, Inc. and Westminster Music Ltd.
T. Rex4.654:27
3Midnight Train to Georgia
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 74), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 432) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 470)
recording of:
Midnight Train to Georgia
lyricist and composer:
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips4.54:41
4Matchstalk Men & Matchstalk Cats & Dogs
recording of:
Matchstalk Men and Matchstalk Cats and Dogs
writer:
Brian Burke and Michael Coleman (Chicago blues guitarist)
Brian and Michael4:35
5Alright Alright Alright
recording of:
Alright Alright Alright
lyricist:
Ray Dorset and Jacques Lanzmann
composer:
Jacques Dutronc
translated version of:
Et moi, et moi, et moi...
Mungo Jerry2:48
6Lost In France
producer:
David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) and Steve Wolfe (producer, songwriter and guitar player)
arranger:
David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) and Steve Wolfe (producer, songwriter and guitar player)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead), Soundbarrier Ltd. (production company) (in 1976) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1995)
recording of:
Lost in France
writer:
Ronnie Scott (a British pop music promoter, group manager and songwriter) and Steve Wolfe (producer, songwriter and guitar player)
publisher:
BMG Music Publishing Ltd. and Lojo Music
Bonnie Tyler2.353:56
7Girls
producer:
Al Goodman (US 70s R&B singer/producer) and Harry Ray
recording of:
Girls
writer:
Venus Dodson (Jazz singer), Al Goodman (US 70s R&B singer/producer) and Harry Ray
Moments and Whatnauts23:12
8Egyptian Reggae
recording of:
Egyptian Reggae
writer:
Earl Anthony Johnson (reggae singer Earl Zero) and Jonathan Richman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
is based on:
None Shall Escape the Judgement
Jonathan Richman42:39
9Just When I Needed You Most
producer:
Del Newman (British conductor, orchestrator, arranger)
phonographic copyright (℗) by:
Bearsville Records Inc. (in 1979) and Rhino Records, Inc. (company credits only; not for release label use!) (in 1979)
recording of:
Just When I Needed You Most
lyricist and composer:
Randy VanWarmer
publisher:
Fourth Floor Music Inc. (US publisher), Terraform Music (publisher), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Randy VanWarmer4:02
10Paranoid
engineer:
Tom Allom and Brian Humphries
producer:
Rodger Bain (from 1970-06 until 1970-07)
drums (drum set) and percussion:
Bill Ward (from 1970-06-16 until 1970-06-21)
electric bass guitar:
Geezer Butler (from 1970-06-16 until 1970-06-21)
electric guitar:
Tony Iommi (from 1970-06-16 until 1970-06-21)
lead vocals:
Ozzy Osbourne (in 1970)
phonographic copyright (℗) by:
Gimcastle Ltd., Sanctuary Records Group Ltd. (not for release label use, for copyrights use only), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint), Castle Copyrights Ltd. (in 1970), Interworld Communications (in 1970), Sanctuary Copyrights Ltd. (in 1970) and Icarus Music (Argentinian metal label and distributor) (in 2006)
recorded at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (in 1970) and Regent Sound Studios in London (Greater London), England, United Kingdom (from 1970-06-16 until 1970-06-21)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 4), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 6), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 13), TV Cream: Real 100 Best Singles Ever (number: 27), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 250) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 338)
recording of:
Paranoid (from 1970-06-16 until 1970-07-08)
lyricist:
Geezer Butler
composer:
Geezer Butler, Tony Iommi, Ozzy Osbourne and Bill Ward
publisher:
Essex Music International Ltd., Essex Music International, Inc., TRO Essex Japan, A-Division, TRO Essex Music International, Inc., Tro-Andover Music, Inc. and Westminster Music Ltd. (in 1970)
Black Sabbath4.552:48
11Silver Machine (live)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
live recording of:
Silver Machine
lyricist:
Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind)
composer:
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
publisher:
EMI United Partnership Ltd., United Artists Music and United Partnership Ltd.
Hawkwind34:01
12Isn’t She Lovely
cover recording of:
Isn’t She Lovely
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music, EMI Music (do not use as release label! this is a music publisher) and Jobete Music Co., Inc.
sub-publisher:
大洋音楽 (Taiyō Music)
David Parton44:09
1320th Century Boy
performer:
Marc Bolan
phonographic copyright (℗) by:
Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (in 1973)
recording of:
20th Century Boy (in 1972-12)
lyricist and composer:
Marc Bolan
publisher:
Fintage Publishing, Spirit Catalogue Holdings and Wizard (Bahamas) Ltd.
sub-publisher:
Shinko Music Entertainment Co., Ltd. (ended) and フジパシフィックミュージック (Fujipacific Music, Inc.)
T. Rex4.83:36
14You’re Such a Good Looking Woman
recording of:
You're Such a Good Looking Woman
Joe Dolan2:57
15Now Is the Time
Jimmy James3:37
16My White Bicycle
engineer:
Nick Blagona (engineer/producer) and John Punter
producer:
Manny Charlton
bass guitar, piano and background vocals:
Pete Agnew
drums (drum set) and percussion:
Darrell Sweet
guitar:
Pete Agnew and Manny Charlton
lead vocals:
Dan McCafferty
phonographic copyright (℗) by:
Mountain Records (British record company, established early 1970s, best known act is Nazareth) (in 1975)
recorded at and mixed at:
Le Studio in Morin‐Heights, Québec (Quebec), Canada
cover recording of:
My White Bicycle
writer:
Ken Burgess and Keith Hopkins
publisher:
Carlin Music Corporation, Getaway Songs Ltd., Intersong Music and Sony Music (global brand, excluding JP, owned by Sony Music Entertainment)
Nazareth1.53:30
17Silly Love
engineer and mixer:
Eric Stewart
producer:
10cc
bass guitar, guitar and percussion:
Graham Gouldman (in 1974)
guitar and keyboard:
Eric Stewart (in 1974)
guitar, keyboard and percussion:
Lol Creme (in 1974)
vocals:
Lol Creme (in 1974), Kevin Godley (in 1974), Graham Gouldman (in 1974) and Eric Stewart (in 1974)
phonographic copyright (℗) by:
Jonathan King Enterprises (in 2007)
recorded at:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom (in 1974)
recording of:
Silly Love (in 1974)
writer:
Lol Creme and Eric Stewart
10cc4:01
18This Is It
remixer:
Tom Moulton
recording of:
This Is It
lyricist and composer:
Van McCoy
Melba Moore4.353:32
3▼CD
#TitleArtistRatingLength
1Sad Sweet Dreamer
recording of:
Sad Sweet Dreamer
lyricist and composer:
David Parton
publisher:
Mr. & Mrs. Music
Sweet Sensation23:26
2Rubber Bullets
engineer and mixer:
Eric Stewart
producer:
10cc
acoustic guitar, bass, electric guitar, resonator guitar [dobro] and tambourine:
Graham Gouldman (in 1972)
drums (drum set) and percussion:
Kevin Godley (in 1972)
Moog, acoustic guitar, electric guitar, electric piano, grand piano, mellotron and percussion:
Lol Creme (in 1972)
Moog, electric guitar and slide guitar:
Eric Stewart (in 1972)
vocals:
Lol Creme (in 1972), Kevin Godley (in 1972), Graham Gouldman (in 1972) and Eric Stewart (in 1972)
phonographic copyright (℗) by:
Strawberry Productions (copyright holder for 10cc) (in 1973) and Jonathan King Enterprises Ltd. (in 2007)
recorded at:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom (in 1972)
recording of:
Rubber Bullets (in 1972)
writer:
Lol Creme, Kevin Godley and Graham Gouldman
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and St. Anne’s Music Ltd. (in 1973)
10cc4.655:18
3That Same Old Song
Pickettywitch3:06
4Hot Love
producer:
Tony Visconti
vocals:
Marc Bolan
recording of:
Hot Love
lyricist and composer:
Marc Bolan
publisher:
Essex Music International Ltd., Onward Music Ltd. and Westminster Music Ltd.
T. Rex4.34:57
5Baby Jump
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
Baby Jump
lyricist and composer:
Ray Dorset
publisher:
SM Publishing (UK) Limited (Sony Music, 2009–2020) and Sony/ATV Music Publishing (UK) Ltd.
Mungo Jerry4:09
6Mean Girl
engineer:
Alan Florence
producer:
John Schroeder (English composer, arranger, orchestra leader, record producer, author and A&R chief)
drums (drum set):
John Coghlan
electric bass guitar:
Alan Lancaster
electric guitar:
Rick Parfitt (UK guitarist for Status Quo) and Francis Rossi
background vocals:
Rick Parfitt (UK guitarist for Status Quo)
lead vocals:
Francis Rossi
arranger:
Status Quo (UK boogie rock band)
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1971), PRT (UK label) (in 1971) and Pye Records Ltd. (company owning the label Pye Records) (in 1971)
recorded at:
Pye Studios in London (Greater London), England, United Kingdom
recording of:
Mean Girl
writer:
Robert Keith Young (UK musician & author, Young & Moody; Status Quo) and Francis Rossi
publisher:
Valley Music Ltd (publisher)
Status Quo3:56
7I’ll Go Where the Music Takes Me
producer:
Biddu (composer, songwriter, producer and musician)
recording of:
I’ll Go Where Your Music Takes Me
lyricist and composer:
Biddu (composer, songwriter, producer and musician)
publisher:
Reverb 2 Music Limited, Chappell (in 1976) and Subiddu Music (publisher) (in 1976)
Jimmy James & the Vagabonds43:29
8Brand New Key
recording of:
Brand New Key
lyricist and composer:
Melanie Anne Safka‐Schekeryk (US singer‐songwriter Melanie Safka)
publisher:
EMI Music Publishing Australia Pty. Limited (not for release label use!)
Melanie2:24
9Broken Down Angel
recording of:
Broken Down Angel
writer:
Pete Agnew, Manny Charlton, Dan McCafferty and Darrell Sweet
publisher:
Carlin Music Corporation and Mountain Music Ltd.
Nazareth3:43
10Best Thing That Ever Happened to Me
cover recording of:
Best Thing That Ever Happened to Me
lyricist and composer:
James D. Weatherly (American singer/songwriter)
recording of:
Best Thing That Ever Happened to Me
lyricist and composer:
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips43:48
11Apeman
recording of:
Apeman
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
The Kinks3.653:52
12The Letter
cover recording of:
The Letter
lyricist and composer:
Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Warner Chappell Music (publisher as Warner/Chappell Music)
Joe Cocker54:17
13Dolly My Love
The Moments3:07
14Delilah
The Sensational Alex Harvey Band5:07
15Can’t Get by Without You
producer:
Ken Gold
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1976)
recording of:
Can’t Get by Without You
writer:
Michael Denne and Ken Gold
publisher:
Screen Gems–EMI Music Ltd.
The Real Thing43:27
16Solid Gold Easy Action
recording of:
Solid Gold Easy Action
lyricist and composer:
Marc Bolan
T. Rex4.52:23
17Tokoloshe Man
recording of:
Tokoloshe Man
lyricist and composer:
John Kongos
publisher:
Tapestry Music Ltd.
John Kongos5:12
4▼CD
#TitleArtistRatingLength
1In the Summertime
producer:
Barry Murray (producer, associated with Mungo Jerry)
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1970)
earliest release:
In the Summertime by Mungo Jerry
music videos:
In the Summertime by Mungo Jerry
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 40) and Billboard Year-End Hot 100 singles of 1970 (number: 53)
recording of:
In the Summertime
lyricist and composer:
Ray Dorset
publisher:
Associated Music International Ltd., Bovina Music Inc., Broadley Music (International) Ltd. (PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Our Music Ltd. (possibly aka Our Music Ltd., associated mostly with Mungo Jerry), Satellite Music Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Tunes LLC (ASCAP) and Universal Music Publishing (use ONLY if no country‐specific information is available)
Mungo Jerry3.653:34
2Ride a White Swan
recording of:
Ride a White Swan
lyricist and composer:
Marc Bolan
publisher:
Westminster Music Ltd.
T. Rex2:15
3Sad Old Kinda Movie
Pickettywitch3:06
4Donna
engineer and mixer:
Eric Stewart
producer:
10cc
acoustic guitar, bass, electric guitar, resonator guitar [dobro] and tambourine:
Graham Gouldman (in 1972-05)
drums (drum set) and percussion:
Kevin Godley (in 1972-05)
Moog, acoustic guitar, electric guitar, electric piano, grand piano, mellotron and percussion:
Lol Creme (in 1972-05)
Moog, electric guitar and slide guitar:
Eric Stewart (in 1972-05)
vocals:
Lol Creme (in 1972-05), Kevin Godley (in 1972-05), Graham Gouldman (in 1972-05) and Eric Stewart (in 1972-05)
phonographic copyright (℗) by:
Strawberry Productions (copyright holder for 10cc) (in 1973) and Jonathan King Enterprises Ltd. (in 2007)
recorded at:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom (in 1972-05)
recording of:
Donna (in 1972-05)
writer:
Lol Creme and Kevin Godley
publisher:
St. Anne’s Music Ltd. (in 1973)
10cc3.852:56
5Lola
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 52), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 386) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 422)
recording of:
Lola
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks) (in 1970-04)
publisher:
Carlin Music Corporation, Carlin (in 1970, in 1984) and Davray (publisher) (in 1970, in 1984)
The Kinks4.14:10
6Down the Dustpipe
engineer:
Alan Florence
producer:
John Schroeder (English composer, arranger, orchestra leader, record producer, author and A&R chief)
phonographic copyright (℗) by:
PRT (UK label) (in 1970) and Pye Records Ltd. (company owning the label Pye Records) (in 1970)
recording of:
Down the Dustpipe
lyricist and composer:
Carl Groszman
publisher:
Valley Music Ltd (publisher)
Status Quo2:05
7Ruby Tuesday
vocals:
Melanie (US singer‐songwriter Melanie Safka) (in 1970)
cover recording of:
Ruby Tuesday (in 1970)
writer:
Mick Jagger and Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
Melanie44:38
8Can You Feel the Force
recording of:
Can You Feel the Force
writer:
Chris Amoo and Eddie Amoo
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995)
The Real Thing4.57:41
9Kung Fu Fighting
arranger:
Gerry Shury
recording of:
Kung Fu Fighting
lyricist and composer:
Carl Douglas
publisher:
Carren Music (publisher) and 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
is based on:
[Oriental Riff]
Carl Douglas4.23:16
10Baby Don’t Change Your Mind
cover recording of:
Baby Don’t Change Your Mind
lyricist and composer:
Van McCoy
Gladys Knight & the Pips3.653:15
11The Boston Tea Party
The Sensational Alex Harvey Band4:37
12Me and My Life
The Tremeloes3:12
13Brontosaurus
engineer:
Roger Wake (engineer)
producer:
Jeff Lynne and Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
bass:
Rick Price (the Move and Electric Light Orchestra bassist) (in 1970)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (in 1970)
guitar:
Jeff Lynne (in 1970) and Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (in 1970)
piano:
Jeff Lynne (in 1970)
lead vocals:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (in 1970)
phonographic copyright (℗) by:
Cube (London)
recorded at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom (in 1970)
recording of:
Brontosaurus (in 1970)
writer:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
publisher:
Onward Music Ltd. (in 1970) and TRO-Essex Music, Inc. (in 1970)
The Move3.654:27
14This Flight Tonight
cover recording of:
This Flight Tonight
lyricist and composer:
Joni Mitchell
publisher:
Global Musikverlag (Global Musik GmbH & Co. KG), Joni Mitchell Publishing Corp., Siquomb Pub. Corp. and Warner Bros. Music (publisher; do NOT use as release label)
Nazareth3:25
15Mirrors
engineer:
Mark Dearnley, Dave Grinsted (sound engineer) and Ashley Howe
producer:
Sally Oldfield
assistant mixer:
Julian Cooper (engineer) and John Gallen (UK music producer, recording & mix engineer.)
mixer:
Ashley Howe and Sally Oldfield
arranger:
Sally Oldfield
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1978)
recorded at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (in 1978-05) and Roundhouse Studios in London (Greater London), England, United Kingdom (in 1978-05)
mixed at:
Roundhouse Studios in London (Greater London), England, United Kingdom (in 1978-07)
recording of:
Mirrors
lyricist and composer:
Sally Oldfield
publisher:
Betterbron Music Ltd. (publisher) (in 1978)
Sally Oldfield33:32
16Metal Guru
phonographic copyright (℗) by:
Wizard (Bahamas) Ltd., Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) and Wizard Artists Ltd. (Marc Bolan's company, for copyrights and publisher use) (in 1972)
recording of:
Metal Guru
lyricist and composer:
Marc Bolan
publisher:
Westminster Music and Wizard (Bahamas) Ltd.
T. Rex52:26
17Where Did Our Love Go
cover recording of:
Where Did Our Love Go
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. and Jobete Music Co., Inc.
Donnie Elbert33:21
18Sunshine Day
recording of:
Sunshine Day
writer:
Sol Amarfio, Teddy Osei and Mac Tontoh
publisher:
Sparta Florida Music Group Ltd.
Osibisa5:02