Now That’s What I Call Music! 1985

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Label: EMI/Virgin/Polygram

Anmerkung zuletzt geändert am 2022-12-30 21:22 UTC.

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Money for Nothing
Produzent(in):
Neil Dorfsman und Mark Knopfler
zusätzlich Gast vocals:
Sting (singer, songwriter & member of The Police)
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1988) und Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1988, in 2022)
recording of:
Money for Nothing (Dire Straits song)
Texter und Komponist(in):
Mark Knopfler
zusätzliche(r) Komponist(in):
Sting (singer, songwriter & member of The Police)
publisher:
Chariscourt Ltd., Rondor Music (London) Ltd. und Virgin Music (Publishers) Ltd.
quotes music from:
Don’t Stand So Close to Me
Dire Straits3.854:02
2A Good Heart
Produzent(in):
David A. Stewart (UK guitarist/singer for Eurythmics)
Mix:
Shelly Yakus
arranger:
Feargal Sharkey und Dave Stewart (UK guitarist/singer for Eurythmics)
phonographisches Urheberrecht (℗) von:
EMI Music Italy S.p.A. (company 1997–2007, not the same as "EMI Music Italy" its main imprint) (in 1985) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
recording of:
A Good Heart
Texter und Komponist(in):
Maria McKee
publisher:
J. Albert & Son Pty. Ltd.
Feargal Sharkey3.64:28
3There Must Be an Angel (Playing With My Heart)
recording of:
There Must Be an Angel (Playing With My Heart)
Verfasser(in):
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
BMG Music Publishing Ltd., D’n’A Ltd., Universal Music Publishing MGB Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Eurythmics3.54:26
41999
recording engineer:
Peggy McCreary (von 1982-07 bis 1982-08)
Produzent(in):
Prince Rogers Nelson (Prince, “The Artist Formerly Known as…”)
Becken, cowbell, drum machine [Linn LM-1], E-Bass, E-Gitarre, elektronisches Schlagzeug / E-Drums [Pearl SY-1 Syncussion], Händeklatschen, Synthesizer [ARP Omni-2], Synthesizer [Oberheim OB-Xa] und Tamburin:
Prince (“The Artist Formerly Known as…”) (von 1982-07 bis 1982-08)
Hintergrundgesang:
Jesse Johnson (original guitarist for The Time) (von 1982-07 bis 1982-08)
Sologesang:
Lisa Coleman (US pianist/keyboardist & composer) (von 1982-07 bis 1982-08), Dez Dickerson (von 1982-07 bis 1982-08), Jill Jones (American singer, songwriter, and actress) (von 1982-07 bis 1982-08) und Prince (“The Artist Formerly Known as…”) (von 1982-07 bis 1982-08)
arranger:
Prince Rogers Nelson (Prince, “The Artist Formerly Known as…”)
Bearbeitung von:
1999 (album version) von Prince (“The Artist Formerly Known as…”)
Musikvideos:
1999 von Prince (“The Artist Formerly Known as…”)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 212) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 339)
recording of:
1999 (von 1982-07 bis 1982-08)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music, Warner Chappell Music (publisher as Warner/Chappell Music) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Prince43:32
5Road to Nowhere
Bearbeitung von:
Road to Nowhere von Talking Heads
recording of:
Road to Nowhere
Texter und Komponist(in):
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co. (publisher), Index Music, Inc., Warner Bros. Music Co., Ltd. und Warner Bros. Music Corp.
Talking Heads44:01
6Running Up That Hill
assistierende(r) Techniker(in):
Pearse Dunne
Techniker(in):
Haydn Bendall (producer and engineer), James Guthrie, Paul Hardiman, Del Palmer, Brian Tench und Nigel Walker (UK producer/engineer/guitarist)
Produzent(in):
Kate Bush
Mix:
Brian Tench
Balalaika:
Paddy Bush
Bass:
Del Palmer
Gitarre:
Alan Murphy (UK session guitarist)
Schlagzeug:
Stuart Elliott (session drummer, member of Cockney Rebel)
vocals:
Kate Bush
phonographisches Urheberrecht (℗) von:
EMI America Records (holding – file NO releases here!) (in 1985), EMI Korea (in 1985), EMI Records (not for release label use!) (in 1985), EMI Records Group N.A. (in 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985), Noble & Brite Ltd. (in 1985), Novercia Ltd. (in 1985), Oasis (in 1985), CEMA Special Markets (a division of Capitol‐EMI Music, Inc.) (in 1993), Universal Domestic Division (do not use as a release label! sub-division of Universal Music GmbH) (in 2006), Noble and Brite (in 2011) und Noble & Brite Ltd (in 2018)
aufgenommen bei:
Wickham Farm Home Studio in Welling, Bexley (London Borough of Bexley), London (Greater London), England, Vereinigtes Königreich
engineered at:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
Musikvideos:
Running Up That Hill (music video) von Kate Bush
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 7), Billboard Year-End Hot 100 singles of 2022 (Nummer: 23), Billboard Hot 100: 2026-01-17 (Nummer: 46), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 60), BILLIONS CLUB und Indie 88: Top 500 Indie Rock Songs (Nummer: 279)
recording of:
Running Up That Hill
Texter und Komponist(in):
Kate Bush
publisher:
EMI Music Publishing Germany GmbH (2008–today), EMI Music Publishing Ltd. (PRS‐affiliated), Kate Bush Ltd., Noble & Brite Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing LLC (1995–2020) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Kate Bush3.954:50
7Johnny Come Home
Produzent(in):
Andy Cox (Composer) und David Steele (UK musician, member of The Beat and Fine Young Cannibals)
phonographisches Urheberrecht (℗) von:
London Records (UK, 1947–1999, re-launched 2011–present) (in 1985)
Musikvideos:
Johnny Come Home von Fine Young Cannibals
recording of:
Johnny Come Home
Verfasser(in):
Roland Gift und David Steele (UK musician, member of The Beat and Fine Young Cannibals)
publisher:
Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (in 1985)
Fine Young Cannibals3.73:26
8I Got You Babe
Produzent(in):
Ray “Pablo” Falconer und UB40
Gast vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
Interpret(in):
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) und UB40
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 2000)
produced at:
The Abattoir in Birmingham, West Midlands, England, Vereinigtes Königreich
cover recording of:
I Got You Babe
Texter und Komponist(in):
Sonny Bono
publisher:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) und Warner/Chappell Music Ltd. (1996–2019)
UB40 feat. Chrissie Hynde2.753:04
9Slave to Love
Produzent(in):
Rhett Davies und Bryan Ferry
Mix:
Bob Clearmountain
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
Musikvideos:
Slave to Love von Bryan Ferry
recording of:
Slave to Love
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Mushroom Music Pty. Ltd., Virgin Songs, Inc., E.G. Music Inc. (in 1985), E.G. Music Ltd. (publisher) (in 1985), E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) und Virgin EG Records Ltd. (in 1985)
Bryan Ferry34:10
10One More Night
Bearbeitung von:
One More Night von Phil Collins (of Genesis)
recording of:
One More Night
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Hit & Run Music (Publishing) Ltd, Imagem Music, Imagem Music NL und Philip Collins Ltd.
Phil Collins24:33
11Nikita
Produzent(in):
Gus Dudgeon
Musikvideos:
Nikita von Elton John (English singer, songwriter, pianist, and composer)
recording of:
Nikita
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Big Pig Music Ltd. (publisher) und Universal–Songs of PolyGram International, Inc.
Elton John2.54:48
12Drive
recording engineer:
Nigel Green (engineer)
Produzent(in):
The Cars und Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Bass:
Benjamin Orr (co-lead singer for The Cars)
Gitarre:
Elliot Easton und Ric Ocasek
Keyboard:
Greg Hawkes
Schlagzeug:
David Robinson (US rock drummer)
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek und Benjamin Orr (co-lead singer for The Cars)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Musikvideos:
Drive von The Cars
recording of:
Drive
publisher:
Ric Ocasek
Texter und Komponist(in):
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) und Warner/Chappell Music Ltd. (1996–2019)
The Cars43:53
13Kayleigh
recording engineer:
Thomas Stiehler (von 1985-03 bis 1985-05)
Produzent(in):
Chris Kimsey
Mix:
Mark Freegard und Chris Kimsey
Bassgitarre:
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (von 1985-03 bis 1985-05)
Gitarre:
Steve Rothery (von 1985-03 bis 1985-05)
Keyboard:
Mark Kelly (Marillion keyboardist) (von 1985-03 bis 1985-05)
Perkussion und Schlagzeug:
Ian Mosley (von 1985-03 bis 1985-05)
Sologesang:
Fish (Derek William Dick, ex‐Marillion frontman) (von 1985-03 bis 1985-05)
phonographisches Urheberrecht (℗) von:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (in 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985) und Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1985)
Remix von:
Kayleigh (alternative mix) von Marillion (British progressive rock band)
Bearbeitung von:
Kayleigh von Marillion (British progressive rock band)
recording of:
Kayleigh (von 1985-03 bis 1985-05)
Texter:
Derek William Dick
Komponist(in):
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery und Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
publisher:
Chappell, Charisma Music Publishing Co Ltd., Charisma Music Publishing Ltd. und Marillion Music
Marillion4.353:33
14St. Elmo’s Fire (Man in Motion)
Bearbeitung von:
St. Elmo’s Fire (Man in Motion) von John Parr
recording of:
St. Elmo’s Fire
Verfasser(in):
David Foster (Canadian music producer, arranger and composer) und John Parr
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Foster Frees Music, Gold Horizon Music Corp., SBK Songs (publisher) und Warner Bros. Music (publisher; do NOT use as release label)
John Parr33:57
15We Built This City
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1985)
recording of:
We Built This City
Verfasser(in):
Dennis Lambert, Martin Page, Bernie Taupin und Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
publisher:
BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Music–MGB Songs, Warner/Chappell Music Ltd. (1996–2019), Zomba Enterprises (ASCAP-affiliated) und Zomba Enterprises, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Starship24:32
16The Power of Love
Bearbeitung von:
The Power of Love von Huey Lewis and the News (American pop rock band)
recording of:
The Power of Love (Back to the Future)
Verfasser(in):
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) und Huey Lewis
publisher:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) und WB Music Corp. (1929–2019)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Teil von:
The 58th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1985 nominee)
Teil von:
Back to the Future: the Musical
Huey Lewis & the News43:43
17Walking on Sunshine
Produzent(in):
Pat Collier und Katrina and the Waves (British‐American rock band)
Bearbeitung von:
Walking on Sunshine von Katrina and the Waves (British‐American rock band)
recording of:
Walking on Sunshine
Texter:
Kimberley Rew (in 1983)
Komponist(in):
Kimberley Rew
publisher:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves42:48
18Out in the Fields
Techniker(in):
James (Jimbo) Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
Produzent(in):
Peter Collins (producer)
assistierende(r) Mix:
James “Jimbo” Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
Gast-Bassgitarre [bass] und Gast vocals:
Philip Lynott
Gast-Keyboard [keyboards]:
Don Airey und Andy Richards (Strawbs keyboard player/record producer)
Gast-Schlagzeug [drums]:
Charlie Morgan (British drummer and percussionist)
Gitarre [guitars] und Sologesang:
Gary Moore (Thin Lizzy, blues guitar)
phonographisches Urheberrecht (℗) von:
10 Records Ltd. (company and copyright holder for 10 Records) (in 1985) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 2002)
produced at:
Sarm East (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
recording of:
Out in the Fields
Texter und Komponist(in):
Gary Moore (Thin Lizzy, blues guitar)
Gary Moore & Phil Lynott3.44:15
19A New England
Bearbeitung von:
A New England von Kirsty MacColl
cover recording of:
A New England
Texter und Komponist(in):
Billy Bragg
publisher:
BMG Music Publishing Ltd. und Chappell Music Ltd.
Kirsty MacColl2.653:38
20Everybody Wants to Rule the World
Techniker(in):
David Bascombe
Produzent(in):
Chris Hughes (producer, aka “Merrick”)
Mix:
Steven Wilson (founder of Porcupine Tree)
Bassgitarre:
Curt Smith (in 1984)
Gitarre und Solo-Gitarre:
Neil Taylor (guitarist) (in 1984)
Keyboard:
Ian Stanley (in 1984)
Schlagzeug:
Manny Elias (in 1984)
Hintergrundgesang:
Roland Orzabal (UK musician, songwriter and producer) (in 1984)
Sologesang:
Curt Smith
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1985, in 2014) und Phonogram Ltd. (not for release label use!) (in 1985)
Musikvideos:
Everybody Wants to Rule the World von Tears for Fears
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 28) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 319)
recording of:
Everybody Wants to Rule the World (in 1984)
Verfasser(in):
Christopher Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) und Ian Stanley
publisher:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Virgin Music (Publishers) Ltd.
sub-publisher:
フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Tears for Fears3.93:59
2▼CD
Nr.TitelKünstlerBewertungLänge
1Take On Me
Bass-Programmierung:
Magne Furuholmen
Produzent(in):
Alan Tarney
Mix:
a‐ha (Norwegian synth‐pop band) und John Ratcliff
drum machine und Gitarre:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Keyboard:
Magne Furuholmen
Hintergrundgesang:
Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Sologesang:
Morten Harket
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985, in 2004)
Musikvideos:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) von a‐ha (Norwegian synth‐pop band) und Take On Me (official music video, 1985 version) von a‐ha (Norwegian synth‐pop band)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 26), The Downloader’s Music Source Book (Nummer: 284) und BILLIONS CLUB
recording of:
Take On Me
Verfasser(in):
Magne Furuholmen, Morten Harket und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. und EMI Music Publishing (do not use as a release label!)
Version von:
Miss Eerie
a‐ha4.53:39
2A View to a Kill
Techniker(in) und Mix:
Jason Corsaro (U.S. music engineer, and record producer)
Produzent(in):
John Barry (English score composer), Jason Corsaro (U.S. music engineer, and record producer), Duran Duran (English rock band) und Bernard Edwards (American bassist and record producer)
Sampler:
Jonathan Elias
vocals:
Duran Duran (English rock band)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
recording of:
A View to a Kill
Orchestrator(in):
John Barry (English score composer)
Verfasser(in):
John Barry (English score composer), Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
Komponist(in):
John Barry (English score composer) und Duran Duran (English rock band)
publisher:
EMI Songs und Gloucester Place Music Ltd.
Teil von:
James Bond themes
Teil von:
A View to a Kill (from the James Bond film)
Duran Duran3.63:34
3Kiss Me
recording of:
Kiss Me
Texter und Komponist(in):
Stephen Duffy
publisher:
EMI Music Ltd. (in 1985)
Stephen Duffy23:31
4West End Girls
Techniker(in):
David Jacob
Produzent(in):
Stephen Hague
Hintergrundgesang, Sologesang und Sprecher:
Neil Tennant
zusätzlich vocals:
Helena Springs
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985, in 1991)
Musikvideos:
West End Girls von Pet Shop Boys
recording of:
West End Girls (in 1985)
Verfasser(in):
Chris Lowe (1/2 of Pet Shop Boys) und Neil Tennant
publisher:
10 Music Ltd., Edition Meridian, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), Cage Music Ltd. (vom 1984 bis heute) und CBS, Inc. (US broadcasting company; file no releases here!) (vom 1984 bis heute)
Pet Shop Boys3.83:53
5We Close Our Eyes
Produzent(in):
Gary Stevenson
remixer:
Tom Lord‐Alge
phonographisches Urheberrecht (℗) von:
EMI Records (UK label renamed from Virgin EMI Records in 2020) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1985)
Musikvideos:
We Close Our Eyes von Go West
recording of:
We Close Our Eyes
Verfasser(in):
Peter Cox (Artist and songwriter) und Richard Drummie
publisher:
ATV Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und EMI Music Publishing (do not use as a release label!)
Go West3.23:42
619
Produzent(in):
Paul Hardcastle
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1985)
Musikvideos:
19 (music video) von Paul Hardcastle
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 73)
recording of:
19
Texter:
Bill Couturié, Paul Hardcastle und Jonas McCord
Komponist(in):
Paul Hardcastle
publisher:
Oval Music und Virgin Music (Publishing) Ltd.
Paul Hardcastle3.63:31
7If I Was
Gast-Interpret(in):
Mark King (bass guitarist and vocalist)
recording of:
If I Was
Verfasser(in):
Danny Mitchell (Scottish songwriter and member of Messengers) und Midge Ure
Midge Ure34:43
8Alive and Kicking
Bearbeitung von:
Alive and Kicking von Simple Minds (Scottish rock band)
recording of:
Alive and Kicking
Verfasser(in):
Charlie Burchill, Jim Kerr (of Simple Minds) und Michael MacNeil
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. und Simple Minds Ltd
Simple Minds44:34
9The Word Girl
recording of:
The Word Girl
Verfasser(in):
David Gamson und Green Gartside
publisher:
Jouissance Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019), Chrysalis Music Ltd. (music publisher, affiliated with PRS) (in 1985), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1985) und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) (in 1985)
Scritti Politti4:10
10Love Don’t Live Here Anymore
cover recording of:
Love Don’t Live Here Anymore
Texter und Komponist(in):
Miles Gregory
publisher:
Sony/ATV Ballad und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Jimmy Nail2.353:28
11I Want to Know What Love Is
assistierende(r) Techniker(in):
Bobby Cohen (engineer), Tim Crich und Scott “Abada” Mabuchi
Techniker(in):
Frank Filipetti
zusätzliche(r) Techniker(in):
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla und Howie Lindeman
Produzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Alex Sadkin
Bassgitarre:
Rick Wills
E-Gitarre:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
Schlagzeug:
Dennis Elliott
zusätzlich Keyboard:
Tom Bailey (Thompson Twins)
Chorgesang:
The New Jersey Mass Choir
Hintergrundgesang:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) und Rick Wills
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
zusätzlich vocals:
Jennifer Holliday
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984), Warner Music International (trademark of Warner Music International the company) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984, in 2018) und Rhino Entertainment Company (not for release label use!) (in 2009)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 205) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 476)
recording of:
I Want to Know What Love Is
Texter und Komponist(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Fujipacific Music inc. (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Foreigner3.955:01
12Move Closer
Produzent(in):
Yves Dessca und Pascal Rivaton
phonographisches Urheberrecht (℗) von:
OVC Ltd., Dessca Entertainment Company (in 1984) und Capricorn (imprint used by Carrère after 1989) (in 1985)
recording of:
Move Closer
Texter und Komponist(in):
Phyllis Nelson (American singer)
publisher:
IQ Music Ltd.
Phyllis Nelson34:01
13Saving All My Love for You
cover recording of:
Saving All My Love for You
Texter:
Gerry Goffin
Komponist(in):
Michael Masser
publisher:
Prince Street Music (Also known as "Prince St. Music"), Screen Gems–Columbia Music, Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Universal Music Corporation (France), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Whitney Houston53:50
14Solid
recorded in:
U.S.A.
Produzent(in):
Nickolas Ashford und Valerie Simpson
phonographisches Urheberrecht (℗) von:
Capitol Records Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984)
produced for:
Hopsack & Silk Productions Inc.
Bearbeitung von:
Solid von Ashford & Simpson
recording of:
Solid
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
Nick‐O‐Val Music Co. Inc.
Ashford & Simpson2.653:21
15Money’s Too Tight (to Mention)
cover recording of:
Money’s Too Tight (to Mention)
Verfasser(in):
Billy Valentine (US soul funk singer), John Valentine (Valentine Brothers) und Carolyn Wiggins
publisher:
Songs for Today Ltd
Simply Red3:38
16Sisters Are Doin’ It for Themselves
Produzent(in):
Dave Stewart (UK guitarist/singer for Eurythmics)
Remaster von:
Sisters Are Doin’ It for Themselves von Eurythmics and Aretha Franklin
recording of:
Sisters Are Doin’ It for Themselves
Verfasser(in):
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
Blue Network Music Inc., BMG Music Publishing Ltd., BMG Songs, Inc., D’n’A Ltd., RCA Music, Universal Music Publishing MGB France und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Eurythmics & Aretha Franklin3.54:50
17Yah Mo B There
vocals:
James Ingram (R&B singer)
zusätzlich vocals:
Michael McDonald (R&B & soul singer)
remixer:
John Jellybean Benitez (US producer John Benitez)
Interpret(in):
Michael McDonald (R&B & soul singer)
recording of:
Yah Mo B There
Verfasser(in):
James Ingram (R&B singer), Quincy Jones, Michael McDonald (R&B & soul singer) und Rod Temperton
publisher:
Eiseman Music Co., Inc., Genevieve Music, Hen-Al Pub. (related to Hen-Al Music and Hen-Al Publishing Co.), Kings Road Music (US work publisher), Rodsongs (publisher), Rondor Music (London) Ltd. und Yellowbrick Road Music
James Ingram with Michael McDonald4:05
18Trapped
Techniker(in):
Frank Roszak (engineer and producer)
Produzent(in) und Mix:
Richard Burgess
vocals arranger:
Colonel Abrams und Marston Freeman (songwriter)
Bearbeitung von:
Trapped von Colonel Abrams
recording of:
Trapped
Verfasser(in):
Don Abrams und Marston Freeman (songwriter)
publisher:
Moonwalk Music (publisher)
Colonel Abrams2.53:25
19Something About You
Techniker(in) und Mix:
Julian Mendelsohn (Australian record producer and engineer)
assistierende(r) Produzent(in):
Julian Mendelsohn (Australian record producer and engineer)
Produzent(in):
Wally Badarou und Level 42
Musikvideos:
Something About You von Level 42
recording of:
Something About You
Verfasser(in):
Wally Badarou, Boon Gould, Phil Gould, Mark King (bass guitarist and vocalist) und Mike Lindup
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Visual Arts Ltd., Music of Windswept, Peermusic III, Ltd. (BMI), Universal–Songs of PolyGram International, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Level 422.53:39
20Everything She Wants
assistierende(r) Techniker(in):
Paul Gomersau
Techniker(in):
Chris Porter (engineer and producer)
Produzent(in):
George Michael
E-Gitarre:
Andrew Ridgeley (in 1984)
Keyboard:
George Michael
Saxophon:
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
Hintergrundgesang und Sologesang:
George Michael (in 1984)
Interpret(in):
Wham! (British pop-duo) (in 1984)
arranger:
George Michael
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984)
recording of:
Everything She Wants
Texter und Komponist(in):
George Michael
publisher:
Chappell Music (UK)
Wham!4.45:00

Nennungen

Veröffentlichungsgruppe

Teil von:Now That’s What I Call Music! 10th Anniversary Series (UK) (Nummer: 1985) (Reihenfolge: 3)