Feel Good Songs

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1You’re My Best Friend
additional sound engineer:
Gary Lyons (UK engineer & producer)
additional engineer:
Kris Fredriksson
executive engineer:
Mike Stone (producer and engineer, 1960s–80s)
executive producer:
Brian May (Queen guitarist) and Roger Taylor (Queen drummer)
producer:
Roy Thomas Baker (producer) and Queen (UK rock group)
bass guitar and electric piano:
John Deacon
drums (drum set):
Roger Taylor (Queen drummer)
guitar:
Brian May (Queen guitarist)
handclaps:
John Deacon, Brian May (Queen guitarist), Freddie Mercury and Roger Taylor (Queen drummer)
background vocals:
Brian May (Queen guitarist), Freddie Mercury and Roger Taylor (Queen drummer)
lead vocals:
Freddie Mercury
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) and Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1975, in 2011)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
recording of:
You’re My Best Friend
lyricist and composer:
John Deacon
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and Queen Music Ltd.
Queen3.82:52
2You Can’t Hurry Love
assistant engineer:
Howard (Double Plug) Gray (UK producer, engineer, and electronic musician)
engineer:
Paul Gomersall and Hugh Padgham
assistant producer:
Hugh Padgham
producer:
Robert Colby (live sound engineer & producer, notably for Phil Collins) and Phil Collins (of Genesis)
mixer:
Robert Colby (live sound engineer & producer, notably for Phil Collins) and Paul Gomersall
bass guitar [bass]:
John
drums (drum set) [drums], tambourine and lead vocals:
Phil Collins (of Genesis)
glockenspiel [glock], piano and vibraphone:
Peter (Scene) Robinson (English score composer)
guitar [guitars]:
Daryl
strings arranger:
Martyn (Norrie) Ford (conductor)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (from 1982 to present)
cover recording of:
You Can’t Hurry Love
writer:
Lamont Dozier, Brian Holland (Motown producer & songwriter) and Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30), Jobete Music (UK) Ltd. (in 1965) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Phil Collins42:50
3Is This the Way to Amarillo
phonographic copyright (℗) by:
Geffen Records (in 1972) and JTC Music (in 2001)
recording of:
Is This the Way to Amarillo
writer:
Howard Greenfield and Neil Sedaka
publisher:
Kirshner-Warner Bros Music
Tony Christie23:10
4Life Is a RollercoasterRonan Keating2.653:54
5Dancing on the Ceiling
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1986)
recording of:
Dancing on the Ceiling
lyricist:
Lionel Richie
composer:
Michael Frenchik, Lionel Richie and Carlos Rios (producer/guitarist)
publisher:
Brenda Richie Publishing, Concord Music Publishing LLC, Skegee Music and Brockman Music (in 1986)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Lionel Richie44:20
6Let Me Entertain You
recording of:
Let Me Entertain You
lyricist and writer:
Guy Chambers (English songwriter and record producer) and Robbie Williams
publisher:
BMG Music Publishing, EMI Music Publishing (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK) and BMG VM Music Ltd. (from 2013-05 to present)
Robbie Williams2.153:44
7Let’s Dance
engineer and mixer:
Bob Clearmountain
producer:
David Bowie (English singer‐songwriter) and Nile Rodgers
assistant mixer:
David Bowie (English singer‐songwriter) and Nile Rodgers
solo guitar:
Stevie Ray Vaughan
lead vocals:
David Bowie (English singer‐songwriter)
phonographic copyright (℗) by:
David Bowie (English singer‐songwriter) (in 1983)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1982-12 until 1983-01)
recording of:
Let’s Dance (from 1982-12 until 1983-01)
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
Essex (publisher), Jones Music (publishers associated with David Bowie), Jones Music America, RZO Music Ltd and Watanabe Music Publishing CM division
David Bowie44:06
8Best
engineer:
Chris Lord‐Alge
producer:
Dan Hartman and Tina Turner
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989)
edit of:
The Best by Tina Turner
music videos:
The Best by Tina Turner
cover recording of:
The Best
writer:
Holly Knight and Michael Chapman (Australian producer and songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner3.94:06
9Celebration
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1980) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1980)
recording of:
Celebration
writer:
Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Eumir Deodato, Robert Spike Mickens, Claydes Smith, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang), Dennis “D.T.” Thomas (Kool & The Gang) and Earl Toon, Jr.
publisher:
Delightful Music Publishing Ltd., Double F Music Co., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing WP Ltd., Fresh Start Music, Intersong-Förlagen AB, Planetary Nom (London) Ltd., Warner/Chappell Music Ltd. (1996–2019), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1980) and WB Music Corp. (1929–2019) (in 1980)
Kool & the Gang4.43:39
10Dancing in the Street
producer:
William Stevenson (Motown songwriter)
baritone saxophone:
Thomas Bowles (on 1964-06-29)
bass guitar:
James Jamerson (on 1964-06-29)
drums (drum set):
Marvin Gaye (on 1964-06-29)
guitar:
Joe Messina (on 1964-06-29), Robert White (US funk/soul guitarist) (on 1964-06-29) and Eddie Willis (on 1964-06-29)
other instruments [tire iron]:
Ivy Jo Hunter (on 1964-06-29)
percussion, tambourine and vibraphone [vibes]:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (on 1964-06-29)
tenor saxophone:
Henry Cosby (on 1964-06-29)
trombone:
George Bohanon (on 1964-06-29) and Paul Riser (on 1964-06-29)
trumpet:
Russell Conway (trumpet player) (on 1964-06-29) and Herbert Williams (trumpet player) (on 1964-06-29)
background vocals:
Rosalind Ashford (on 1964-06-29), Ivy Jo Hunter (on 1964-06-29), Betty Kelly (on 1964-06-29) and William Stevenson (Motown songwriter) (on 1964-06-29)
lead vocals:
Martha Reeves (on 1964-06-29)
publisher:
EMI Music Publishing (do not use as a release label!)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 130) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 403)
recording of:
Dancing in the Street (on 1964-06-29)
writer:
I. Hunter, M. Gaye and W. Stevenson (Motown songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Martha and the Vandellas3.552:37
11I’m a Believer
recorded in:
New York, New York, United States (from 1966-10-15 until 1966-10-23)
producer:
Jeff Barry
acoustic guitar:
Neil Diamond (from 1966-10-15 until 1966-10-23)
bass:
Dick Romoff (from 1966-10-15 until 1966-10-23)
drums (drum set):
Buddy Salzman (from 1966-10-15 until 1966-10-23)
guitar:
Al Gorgoni (from 1966-10-15 until 1966-10-23) and Sal Ditroia (from 1966-10-15 until 1966-10-23)
organ:
Artie Butler (from 1966-10-15 until 1966-10-23)
piano and tambourine:
Jeff Barry (from 1966-10-15 until 1966-10-23)
background vocals:
Davy Jones (The Monkees member) (from 1966-10-15 until 1966-10-23) and Peter Tork (from 1966-10-15 until 1966-10-23)
background vocals and lead vocals:
Micky Dolenz (from 1966-10-15 until 1966-10-23)
arranger:
Jeff Barry
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 1966) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966, in 1967)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 65) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 341)
cover recording of:
I’m a Believer (from 1966-10-15 until 1966-10-23)
lyricist and composer:
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Stonebridge Music (publisher)
recording of:
I’m a Believer
lyricist and composer:
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Stonebridge Music (publisher)
The Monkees4.652:43
12Mony Mony
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recording of:
Mony Mony
writer:
Bobby Bloom (US singer-songwriter), Ritchie Cordell, Bo Gentry and Tommy James (American musician, singer, songwriter and record producer)
publisher:
Big Seven Music Corp., EMI Blackwood Music (Canada) Ltd., EMI Music Publishing (WP) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB and Planetary Nom (London) Ltd.
Tommy James & the Shondells2:51
13Fun Fun Fun
producer:
Brian Wilson (Beach Boys co‐founder)
lead vocals:
Mike Love (Beach Boys) (on 1964-01-01)
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (on 1964-01-01)
recording of:
Fun, Fun, Fun (on 1964-01-01)
lyricist and composer:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
publisher:
Almo Music Corporation (USA, affiliated with ASCAP), Elmwin Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Irving Music, Inc. and Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label)
The Beach Boys4.352:18
14Fantastic Day
producer:
Bob Sargeant
recording of:
Fantastic Day
lyricist and composer:
Nick Heyward
Haircut One Hundred2.53:13
15Love Is in the Air
producer:
Harry Vanda (Australian musician) and George Young (Australian musician and producer)
phonographic copyright (℗) by:
Albert Productions (in 1977, in 1978), Scotti Brothers Records, Inc. (company behind Scotti Bros. Records) (in 1978) and Volcano Entertainment III, L.L.C. (in 1998)
recording of:
Love Is in the Air (in 1978)
writer:
Harry Vanda (Australian musician) and George Young (Australian musician and producer)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
John Paul Young33:24
16Magic
producer:
Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974, in 1975, in 2003)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 41)
recording of:
Magic
writer:
Billy Lyall and David Paton (of Pilot)
publisher:
Beechwood Music Corp., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Robbins Music Corp. Ltd.
Pilot4.753:03
17Walking on Sunshine
recording of:
Walking on Sunshine
lyricist:
Kimberley Rew (in 1983)
composer:
Kimberley Rew
publisher:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves3.63:39
18Staying Out for the Summer
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1994)
recording of:
Staying Out for the Summer
lyricist:
Nigel Clark (singer and bassist of Dodgy) and Mathew Priest
composer:
Nigel Clark (singer and bassist of Dodgy) and Andy Miller (UK guitarist for Dodgy/Hey Gravity)
publisher:
BMG Music Publishing Ltd.
Dodgy3.753:05
19It Must Be Love
cover recording of:
It Must Be Love
lyricist and composer:
Labi Siffre
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated)
Madness43:18
20I Got You Babe
producer:
Ray “Pablo” Falconer and UB40
guest vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
performer:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) and UB40
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 2000)
produced at:
The Abattoir in Birmingham, West Midlands, England, United Kingdom
cover recording of:
I Got You Babe
lyricist and composer:
Sonny Bono
publisher:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) and Warner/Chappell Music Ltd. (1996–2019)
UB402.753:07
21No Worries
music videos:
No Worries by Simon Webbe
recording of:
No Worries
Simon Webbe3.353:28
22Put Your Records On
recording engineer, programming and producer:
Steve Chrisanthou
additional producer:
Jimmy Hogarth (producer and songwriter)
mixer:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
acoustic guitar and percussion and background vocals and lead vocals:
Corinne Bailey Rae
alto saxophone:
Jason Rae
bass guitar [bass]:
Samuel Dixon
classical guitar [spanish guitar], electric guitar and percussion:
Steve Chrisanthou
Hammond organ:
Joe Tatton
keyboard:
John Beck (Writer, producer & musician)
tenor saxophone:
Jim Corry
trumpet:
Malcolm Strachan
additional background vocals:
Cara Robinson
contains samples by:
Steve Chrisanthou (horn)
mixed at:
TwentyOne Studios in London (Greater London), England, United Kingdom
music videos:
Put Your Records On by Corinne Bailey Rae
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 236)
recording of:
Put Your Records On
writer:
Corinne Bailey Rae, John Beck (Writer, producer & musician) and Steve Chrisanthou
Corinne Bailey Rae3.653:34
23Follow You Follow Me
assistant producer:
Pierre Geoffroy Chateau
producer:
Genesis (English rock band) and David Hentschel
assistant mixer:
Steve Short (sound engineer & producer)
bass guitar and guitar:
Mike Rutherford (from 1977-09 until 1977-10)
drums (drum set), percussion and lead vocals:
Phil Collins (of Genesis) (from 1977-09 until 1977-10)
keyboard:
Tony Banks (Genesis) (from 1977-09 until 1977-10)
phonographic copyright (℗) by:
Charisma Records Ltd.
recorded at:
Relight Studio in Hilvarenbeek, Noord-Brabant (North Brabant), Netherlands, Kingdom of the Netherlands (from 1977-09 until 1977-10)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
recording of:
Follow You Follow Me (from 1977-09 until 1977-10)
lyricist:
Mike Rutherford
composer:
Tony Banks (Genesis), Phil Collins (of Genesis) and Mike Rutherford
publisher:
Concord Copyrights (BMI), Concord Sounds, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Michael Rutherford Ltd., Philip Collins Ltd., Run It Music, Inc., Gelring Ltd. (publishing company associated with Genesis) (in 1978) and Hit and Run Music (in 1978)
Genesis4.23:57
2CD
#TitleArtistRatingLength
1Under the Boardwalk
recorded in:
New York, New York, United States (on 1964-05-21)
producer:
Bert Berns and Mike Leander
double bass [bass]:
Milt Hinton (on 1964-05-21)
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (on 1964-05-21)
guitar:
Everett Barksdale (on 1964-05-21), Bill Suyker (on 1964-05-21), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (on 1964-05-21) and Bob Bushnell (on 1964-05-21)
piano:
Ernie Hayes (American pianist, organist and arranger) (on 1964-05-21)
strings [nine strings]:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1964-05-21)
vibraphone [vibes]:
George Devens (on 1964-05-21)
baritone vocals:
Gene Pearson (vocals, Drifters) (on 1964-05-21)
bass vocals:
Winifred Terry (on 1964-05-21)
lead vocals:
Johnny Moore (soul/rnb vocalist for The Drifters) (on 1964-05-21)
tenor vocals:
Charlie Thomas (The Drifters) (on 1964-05-21)
conductor:
Gary Sherman (mid-20th century composer, arranger & conductor) (on 1964-05-21)
arranger:
Gary Sherman (mid-20th century composer, arranger & conductor) and Teacho Wiltshire
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 304) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 487)
recording of:
Under the Boardwalk (on 1964-05-21)
writer:
Arthur Resnick (songwriter, producer) and Kenny Young
publisher:
Alley Music Corp., Intersong (publisher), TM Music Ltd. and Trio Music Company
The Drifters4.352:41
2I Got You (I Feel Good)
recorded in:
Miami, Florida, United States (on 1965-05-06)
producer:
James Brown (The Godfather of Soul)
alto saxophone:
Nat Jones (Saxophonist and organist, worked with James Brown) (on 1965-05-06) and Maceo Parker (US funk/jazz saxophonist) (on 1965-05-06)
bass:
Bernard Odum (on 1965-05-06)
drums (drum set):
Melvin Parker (on 1965-05-06)
guitar:
Alphonso "Country" Kellum (on 1965-05-06) and Jimmy Nolen (on 1965-05-06)
organ:
Nat Jones (Saxophonist and organist, worked with James Brown) (on 1965-05-06)
tenor saxophone:
Al "Brisco" Clark (on 1965-05-06), St. Clair Pinckney (on 1965-05-06) and Eldee Williams (on 1965-05-06)
trombone:
Levi Rasbury (on 1965-05-06)
trumpet:
Joe Dupars (on 1965-05-06), Mike Ridley (on 1965-05-06) and Ron Tooley (American trumpeter) (on 1965-05-06)
lead vocals:
James Brown (The Godfather of Soul) (on 1965-05-06)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1965) and PolyGram Inc. (1978–1990) (in 1988)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1965-05-06)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 78) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 359)
cover recording of:
I Found You (a.k.a. I Got You (I Feel Good)) (on 1965-05-06)
lyricist and composer:
James Brown (The Godfather of Soul)
publisher:
Fort Knox Music Co, Hudson Bay Music Inc., J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. and Try Me Inc.
James Brown4.552:46
3I Get the Sweetest Feeling
phonographic copyright (℗) by:
Brunswick Recordings (in 1968)
recording of:
I Get the Sweetest Feeling (in 1968)
writer:
Alicia Evelyn (songwriter and performer) and Van McCoy
publisher:
Alley Music, TM Music Ltd., Trio Music (publisher) and Van McCoy Music
Jackie Wilson4.52:53
4I Can Make You Feel GoodShalamar3:38
5Let’s GrooveEarth, Wind & Fire43:31
6Dancing in the Moonlight
cover recording of:
Dancing in the Moonlight
lyricist and composer:
Sherman Kelly
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., St. Nathanson Music Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Toploader43:28
7Spinning Around
additional producer:
7th District Inc.
producer:
Mike Spencer (UK producer)
lead vocals:
Kylie Minogue
remixer:
7th District Inc.
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2000)
music videos:
Spinning Around by Kylie Minogue
recording of:
Spinning Around
writer:
Paula Abdul (American singer), Osborne Bingham, Kara DioGuardi and Ira Schickman
publisher:
EMI Music Publishing (do not use as a release label!) and K’Stuff Publishing
Kylie Minogue33:26
8Groovejet (If This Ain’t Love)
engineer:
Gabriel Covacich
co-producer:
Cristiano Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") and Boris Dlugosch
background vocals:
Sharon Scott (UK acid jazz singer)
guest lead vocals:
Sophie Ellis‐Bextor
phonographic copyright (℗) by:
Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") (from 2000 to present) and Cristiano Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") (in 2000)
co-produced for:
F&G Management UK
samples:
Love Is You by Carol Williams (US disco musician) and Love Is You (original mix) by Carol Williams (US disco musician)
recording of:
Groovejet (If This Ain’t Love)
lyricist:
Sophie Ellis‐Bextor
composer:
Cristiano Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") and Rob Davis (songwriter/producer was in Mud)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lucky Three Music Publishing, Rondor Music and Universal Music (plain logo: “Universal Music”)
is based on:
Love Is You
version of:
Groovejet
Spiller33:47
9Rhythm Is a Dancer
producer:
Benito Benites, John “Virgo” Garrett III and Snap! (Eurodance)
phonographic copyright (℗) by:
Ariola (German label, used worldwide in the past) (in 1992) and Logic Records (Germany) (in 1992)
recording of:
Rhythm Is a Dancer
writer:
Thea Austin, Benito Benites, Butler and John “Virgo” Garrett III
is based on:
Automan
Snap!3.853:41
10Sun Is Shining
remixer:
Funkstar De Luxe (in 1999)
phonographic copyright (℗) by:
Trojan Recordings Ltd. (in 1999)
music videos:
Sun Is Shining by Bob Marley (Jamaican reggae artist) vs. Funkstar De Luxe
recording of:
Sun Is Shining (original version)
lyricist and composer:
Lee “Scratch” Perry (aka The Upsetter)
publisher:
Blue Mountain Music, Blue Mountain Music Ltd., Bob Marley Music and Bronjo Music
Bob Marley vs. Funkstar De Luxe3.653:53
11Who Let the Dogs Out
drum machine [drums] programming and keyboard programming:
The Magician (worked with Baha Men)
programming and mixer:
Michael Mangini (Not to be confused with the drummer who has the same name. He's a producer, songwriter and engineer)
assistant engineer:
Juan Rosario (engineer)
engineer:
Luis Diaz (part of the producer duo "The Diaz Brothers")
producer:
Steve Greenberg (Record producer) and Michael Mangini (Not to be confused with the drummer who has the same name. He's a producer, songwriter and engineer)
bass guitar [bass]:
Isaiah Taylor
cowbell:
Pat Carey, Colyn Grant, Herschel Small and Isaiah Taylor
drums (drum set) [set drums]:
Colyn Grant
guitar:
Pat Carey
membranophone [goat skin drum]:
Anthony Flowers, Colyn Grant and Isaiah Taylor
percussion:
Anthony (Monks) Flowers
background vocals:
Chea, Steve Greenberg (Record producer), Herschel, Marvin, Moe, Monks, Pat and Monty Taylor
lead vocals:
Rick Carey
other vocals [rap]:
Marvin Prosper
phonographic copyright (℗) by:
Edel Records (multinational, ERE suffix) (in 2000) and S‐Curve Records (in 2000)
recorded at:
Circle House Studios in North Miami, Florida, United States and Mojo Music in New York, New York, United States
music videos:
Who Let The Dogs Out (original music video) by Baha Men
part of:
Grammy Award: Best Dance/Electronic Recording nominees (number: 2001 winner)
cover recording of:
Who Let the Dogs Out?
writer:
Anslem Douglas, Osbert Gurley and Marvin Prosper
publisher:
BMG Platinum Songs US, Desmoné Music, Full Wingspan Music, Hyckryck Publishing Inc, Wyz Girl Entertainment Consulting LLC, フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Baha Men2.253:18
12U Can’t Touch This
co-producer:
James Earley and Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer)
producer:
MC Hammer
mixer:
James Earley, Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer) and MC Hammer
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
samples:
Super Freak by Rick James (US vocalist, multi‐instrumentalist, composer & producer)
recording of:
U Can’t Touch This
writer:
Rick James (US vocalist, multi‐instrumentalist, composer & producer), Alonzo Miller (Singer-songwriter, producer) and Stanley Kirk Burrell
publisher:
Bust‐It Publishing, EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music Co., Inc., Mushroom Music (Mushroom label’s publishing company), Stone City Music and Stone Diamond Music Corporation
is based on:
Super Freak
MC Hammer4.14:14
13That’s the Way (I Like It)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1976) and T.K. Records (Miami‐based disco label) (in 1975)
edit of:
That’s the Way (I Like It) by KC and the Sunshine Band (US funk, R&B & disco band)
recording of:
That’s the Way (I Like It)
writer:
Harry Wayne Casey and Richard Finch
publisher:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) and Mushroom Music (Mushroom label’s publishing company)
KC and the Sunshine Band4.33:01
14You to Me Are Everything
producer:
Ken Gold
phonographic copyright (℗) by:
Pye Records (in 1976) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1976)
recording of:
You to Me Are Everything
writer:
Michael Denne and Ken Gold
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Screen Gems–EMI Music Ltd.
The Real Thing3.653:23
15Be Young Be Foolish and Be Happy
The Tams2:05
16Sunday Girl
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978, in 1979), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
recording of:
Sunday Girl (from 1978-06 until 1978-07)
lyricist and composer:
Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated) and Rare Blue Music Inc (in 1978)
Blondie3.83:09
17Wired for Sound
producer:
Alan Tarney
vocals:
Cliff Richard
recording of:
Wired for Sound
lyricist and composer:
B.A. Robertson and Alan Tarney
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Warner Chappell Music (publisher as Warner/Chappell Music)
Cliff Richard53:37
18One and Only
producer:
Nik Kershaw and Alan Shacklock
vocals:
Chesney Hawkes (British pop singer, songwriter, and occasional actor)
recorded at:
Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom
music videos:
The One and Only (first version, Buddy's Song) by Chesney Hawkes (British pop singer, songwriter, and occasional actor)
recording of:
The One and Only
lyricist and composer:
Nik Kershaw
Chesney Hawkes2.53:40
19I’m Gonna Be (500 Miles)
engineer:
Barry Hammond
producer:
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
acoustic guitar:
Jerry Donahue and Charlie Reid
bass guitar:
Phil Cranham
drums (drum set):
Paul Robinson (UK drummer, also Turning Point member)
electric guitar:
Jerry Donahue
fiddle:
Steve Shaw (Steve Brennan)
keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
mandolin and tin whistle:
Stuart Nisbet
steel guitar:
Gerry Hogan
vocals:
Charlie Reid and Craig Reid
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) and Chrysalis Records, Inc. (not for release label use!) (in 1988)
recorded at and mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 21)
recording of:
I’m Gonna Be (500 Miles)
writer:
Charlie Reid and Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:34
20Tubthumping
engineer:
Neil Ferguson (Chumbawamba)
producer:
Chumbawamba
phonographic copyright (℗) by:
Chumbawamba (in 1997)
phonographic copyright (℗) by:
EMI Electrola GmbH & Co KG (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1997)
recorded at:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, United Kingdom (in 1997-02)
mixed at:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, United Kingdom (in 1997-09)
edit of:
Tubthumping (album version) by Chumbawamba
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 23)
recording of:
Tubthumping (in 1997-02)
publisher:
Chumbawamba (in 1997)
writer:
Jude Abbott, Dunstan Bruce, Paul Greco (former bassist of British band Chumbawamba), Harry “Daz” Hamer, Danbert Nobacon, Alice Nutter, Lou Watts (member of Chumbawamba) and Boff Whalley
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Leosong (publisher) (in 1997)
Chumbawamba3.653:32
219 to 5
producer:
Gregg Perry (American producer, arranger, songwriter and keyboardist)
baritone saxophone:
Kim S. Hutchcroft (in 1980)
bass guitar:
Abraham Laboriel (in 1980)
drums (drum set):
Richard Schlosser (drummer) (in 1980)
guitar:
Jeff Baxter (in 1980) and Martin K. Walsh (in 1980)
percussion:
Leonard Castro (in 1980)
piano:
Larry Knechtel (in 1980)
saxophone:
Tom Saviano (in 1980)
trombone:
William Reichenbach (jazz trombonist) (in 1980)
trumpet:
Jerry Hey (in 1980)
background vocals:
Anita Ball (in 1980), Denise Maynelli (in 1980) and Stephanie Spruill (American soul/disco singer, songwriter, and percussionist) (in 1980)
vocals:
Dolly Parton (in 1980)
phonographic copyright (℗) by:
BMG Entertainment (in 1980) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 191)
recording of:
9 to 5 (in 1980)
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Canada Ltd. (Canadian publisher), Fox Fanfare Music, Screen Gems–EMI Music and Velvet Apple Music
part of:
The 53rd Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1980 nominee)
Dolly Parton4.052:44
22Never Let Her Slip Away
assistant engineer:
George Ybara
engineer:
Dennis Kirk and Greg Ladanyi
producer:
Andrew Gold and Brock Walsh (singer, producer, songwriter)
percussion:
Andrew Gold (in 1978) and Brock Walsh (singer, producer, songwriter) (in 1978)
saxophone:
Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (in 1978)
synthesizer:
Andrew Gold (in 1978)
background vocals:
Andrew Gold (in 1978), John David Souther (in 1978) and Brock Walsh (singer, producer, songwriter) (in 1978)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978)
recorded at and mixed at:
Sound Factory (1969–1980) in Los Angeles, California, United States (in 1978)
recording of:
Never Let Her Slip Away (in 1978)
lyricist and composer:
Andrew Gold
publisher:
Luckyu Music
Andrew Gold53:25
23Don’t Worry Be Happy
producer:
Linda Goldstein
phonographic copyright (℗) by:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1988) and EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1988)
music videos:
Don’t Worry, Be Happy by Bobby McFerrin
recording of:
Don’t Worry, Be Happy (in 1988)
lyricist and composer:
Bobby McFerrin
writer:
Steve Sidwell (English composer & wind instrumentalist)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Probnoblem Music
Bobby McFerrin3.73:53

Credits

Release

ASIN:UK: B000FVQX3M [info]