The Royal Edition, no. 11 of 100: Beethoven: Missa Solemnis / Choral Fantasy / Haydn: Theresia Mass

~ Release by Beethoven, Haydn; Leonard Bernstein, Rudolf Serkin, New York Philharmonic, London Symphony Chorus, London Symphony Orchestra (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Missa Solemnis, op.123, I. Kyrie, Kyrie eleison
bass vocals:
Kim Borg (operatic bass)
choir vocals:
Westminster Choir (Princeton, USA) (on 1960-04-21)
contralto vocals:
Carol Smith (US contralto)
soprano vocals:
Eileen Farrell (soprano)
tenor vocals:
Richard Lewis (Welsh tenor)
orchestra:
New York Philharmonic (on 1960-04-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1960-04-21)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-04-21)
recording of:
Missa Solemnis D-Dur, op. 123: Ia. Kyrie: Kyrie eleison (on 1960-04-21)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: I. Kyrie
Ludwig van Beethoven3:37
2Missa Solemnis, op.123, I. Kyrie, Christe eleison
bass vocals:
Kim Borg (operatic bass)
choir vocals:
Westminster Choir (Princeton, USA) (on 1960-04-21)
contralto vocals:
Carol Smith (US contralto)
soprano vocals:
Eileen Farrell (soprano)
tenor vocals:
Richard Lewis (Welsh tenor)
orchestra:
New York Philharmonic (on 1960-04-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1960-04-21)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-04-21)
recording of:
Missa Solemnis D-Dur, op. 123: Ib. Kyrie: Christe eleison (on 1960-04-21)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: I. Kyrie
Ludwig van Beethoven1:47
3Missa Solemnis, op.123, I. Kyrie, Kyrie eleison
bass vocals:
Kim Borg (operatic bass)
choir vocals:
Westminster Choir (Princeton, USA) (on 1960-04-21)
contralto vocals:
Carol Smith (US contralto)
soprano vocals:
Eileen Farrell (soprano)
tenor vocals:
Richard Lewis (Welsh tenor)
orchestra:
New York Philharmonic (on 1960-04-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1960-04-21)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-04-21)
recording of:
Missa Solemnis D-Dur, op. 123: Ic. Kyrie: Kyrie eleison (on 1960-04-21)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: I. Kyrie
Ludwig van Beethoven4:10
4Missa Solemnis, op.123, II. Gloria, Gloria in excelsis Deo
bass vocals:
Kim Borg (operatic bass)
choir vocals:
Westminster Choir (Princeton, USA) (on 1960-04-21)
contralto vocals:
Carol Smith (US contralto)
soprano vocals:
Eileen Farrell (soprano)
tenor vocals:
Richard Lewis (Welsh tenor)
orchestra:
New York Philharmonic (on 1960-04-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1960-04-21)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-04-21)
recording of:
Missa solemnis D-Dur, op. 123: IIa. Gloria: Allegro vivace: Gloria in excelsis Deo (on 1960-04-21)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: II. Gloria
Ludwig van Beethoven4:31
5Missa Solemnis, op.123, II. Gloria, Qui tollis peccata mundi
bass vocals:
Kim Borg (operatic bass)
choir vocals:
Westminster Choir (Princeton, USA) (on 1960-04-21)
contralto vocals:
Carol Smith (US contralto)
soprano vocals:
Eileen Farrell (soprano)
tenor vocals:
Richard Lewis (Welsh tenor)
orchestra:
New York Philharmonic (on 1960-04-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1960-04-21)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-04-21)
recording of:
Missa solemnis D-Dur, op. 123: IIc. Gloria: Allegro vivace: Qui tollis peccata mundi, miserere nobis (on 1960-04-21)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: II. Gloria
Ludwig van Beethoven5:59
6Missa Solemnis, op.123, II. Gloria, Quoniam tu solus sanctus
bass vocals:
Kim Borg (operatic bass)
choir vocals:
Westminster Choir (Princeton, USA) (on 1960-04-21)
contralto vocals:
Carol Smith (US contralto)
soprano vocals:
Eileen Farrell (soprano)
tenor vocals:
Richard Lewis (Welsh tenor)
orchestra:
New York Philharmonic (on 1960-04-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1960-04-21)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-04-21)
recording of:
Missa solemnis D-Dur, op. 123: IId. Gloria: Allegro vivace: Quoniam tu solus Sanctus (on 1960-04-21)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: II. Gloria
Ludwig van Beethoven6:24
7Missa Solemnis, op.123, III. Credo, Credo in unum Deum
bass vocals:
Kim Borg (operatic bass)
choir vocals:
Westminster Choir (Princeton, USA) (on 1960-04-21)
contralto vocals:
Carol Smith (US contralto)
soprano vocals:
Eileen Farrell (soprano)
tenor vocals:
Richard Lewis (Welsh tenor)
orchestra:
New York Philharmonic (on 1960-04-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1960-04-21)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-04-21)
recording of:
Missa solemnis D-Dur, op. 123: IIIa. Credo: Allegro ma non troppo: Credo in unum Deum (on 1960-04-21)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: III. Credo
Ludwig van Beethoven4:12
8Missa Solemnis, op.123, III. Credo, Et incarnatus est
bass vocals:
Kim Borg (operatic bass)
choir vocals:
Westminster Choir (Princeton, USA) (on 1960-04-21)
contralto vocals:
Carol Smith (US contralto)
soprano vocals:
Eileen Farrell (soprano)
tenor vocals:
Richard Lewis (Welsh tenor)
orchestra:
New York Philharmonic (on 1960-04-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1960-04-21)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-04-21)
recording of:
Missa solemnis D-Dur, op. 123: IIIb. Credo: Allegro ma non troppo: Et incarnatus est (on 1960-04-21)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: III. Credo
Ludwig van Beethoven2:21
9Missa Solemnis, op.123, III. Credo, Crucifixus
bass vocals:
Kim Borg (operatic bass)
choir vocals:
Westminster Choir (Princeton, USA) (on 1960-04-21)
contralto vocals:
Carol Smith (US contralto)
soprano vocals:
Eileen Farrell (soprano)
tenor vocals:
Richard Lewis (Welsh tenor)
orchestra:
New York Philharmonic (on 1960-04-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1960-04-21)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-04-21)
partial recording of:
Missa Solemnis D‐Dur, op. 123: III. Credo (on 1960-04-21)
premiered in:
Sankt-Peterburg (Saint Petersburg), Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D‐Dur, op. 123
Ludwig van Beethoven3:04
10Missa Solemnis, op.123, III. Credo, Et Resurrexit
bass vocals:
Kim Borg (operatic bass)
choir vocals:
Westminster Choir (Princeton, USA) (on 1960-04-21)
contralto vocals:
Carol Smith (US contralto)
soprano vocals:
Eileen Farrell (soprano)
tenor vocals:
Richard Lewis (Welsh tenor)
orchestra:
New York Philharmonic (on 1960-04-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1960-04-21)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-04-21)
recording of:
Missa solemnis D-Dur, op. 123: IIIc. Credo: Allegro ma non troppo: Et resurrexit - Et ascendit in coelum (on 1960-04-21)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: III. Credo
Ludwig van Beethoven1:21
11Missa Solemnis, op.123, III. Credo, Credo in Spiritum Sanctum
bass vocals:
Kim Borg (operatic bass)
choir vocals:
Westminster Choir (Princeton, USA) (on 1960-04-21)
contralto vocals:
Carol Smith (US contralto)
soprano vocals:
Eileen Farrell (soprano)
tenor vocals:
Richard Lewis (Welsh tenor)
orchestra:
New York Philharmonic (on 1960-04-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1960-04-21)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-04-21)
partial recording of:
Missa Solemnis D‐Dur, op. 123: III. Credo (on 1960-04-21)
premiered in:
Sankt-Peterburg (Saint Petersburg), Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D‐Dur, op. 123
Ludwig van Beethoven1:26
12Missa Solemnis, op.123, III. Credo, Et vitam venturi
bass vocals:
Kim Borg (operatic bass)
choir vocals:
Westminster Choir (Princeton, USA) (on 1960-04-21)
contralto vocals:
Carol Smith (US contralto)
soprano vocals:
Eileen Farrell (soprano)
tenor vocals:
Richard Lewis (Welsh tenor)
orchestra:
New York Philharmonic (on 1960-04-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1960-04-21)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-04-21)
recording of:
Missa solemnis D-Dur, op. 123: IIId. Credo: Allegro ma non troppo: Et vitam venturi saeculi (on 1960-04-21)
composer:
Ludwig van Beethoven (German composer)
part of:
Missa Solemnis D‐Dur, op. 123: III. Credo
Ludwig van Beethoven6:51
13Missa Solemnis, op.123, IV. Sanctus, Sanctus Dominus
bass vocals:
Kim Borg (operatic bass)
choir vocals:
Westminster Choir (Princeton, USA) (on 1960-04-21)
contralto vocals:
Carol Smith (US contralto)
soprano vocals:
Eileen Farrell (soprano)
tenor vocals:
Richard Lewis (Welsh tenor)
orchestra:
New York Philharmonic (on 1960-04-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1960-04-21)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-04-21)
recording of:
Missa solemnis D-Dur, op. 123: IVa. Sanctus: Adagio: Sanctus, Sanctus, Sanctus Dominus, Deus Sabaoth (on 1960-04-21)
premiered in:
Sankt-Peterburg (Saint Petersburg), Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: IV. Sanctus
Ludwig van Beethoven3:17
14Missa Solemnis, op.123, IV. Sanctus, Pleni sunt caeli
bass vocals:
Kim Borg (operatic bass)
choir vocals:
Westminster Choir (Princeton, USA) (on 1960-04-21)
contralto vocals:
Carol Smith (US contralto)
soprano vocals:
Eileen Farrell (soprano)
tenor vocals:
Richard Lewis (Welsh tenor)
orchestra:
New York Philharmonic (on 1960-04-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1960-04-21)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-04-21)
recording of:
Missa solemnis D-Dur, op. 123: IVb. Sanctus: Adagio: Pleni sunt coeli et terra (on 1960-04-21)
premiered in:
Sankt-Peterburg (Saint Petersburg), Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer)
part of:
Missa Solemnis D‐Dur, op. 123: IV. Sanctus
Ludwig van Beethoven1:11
15Missa Solemnis, op.123, IV. Sanctus, Praeludium. Sostenuto, ma non troppo
bass vocals:
Kim Borg (operatic bass)
choir vocals:
Westminster Choir (Princeton, USA) (on 1960-04-21)
contralto vocals:
Carol Smith (US contralto)
soprano vocals:
Eileen Farrell (soprano)
tenor vocals:
Richard Lewis (Welsh tenor)
orchestra:
New York Philharmonic (on 1960-04-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1960-04-21)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-04-21)
recording of:
Missa solemnis D-Dur, op. 123: IVc. Sanctus: Adagio: Praeludium (on 1960-04-21)
premiered in:
Sankt-Peterburg (Saint Petersburg), Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: IV. Sanctus
Ludwig van Beethoven2:21
16Missa Solemnis, op.123, IV. Sanctus, Benedictus qui venit
bass vocals:
Kim Borg (operatic bass)
choir vocals:
Westminster Choir (Princeton, USA) (on 1960-04-21)
contralto vocals:
Carol Smith (US contralto)
soprano vocals:
Eileen Farrell (soprano)
tenor vocals:
Richard Lewis (Welsh tenor)
orchestra:
New York Philharmonic (on 1960-04-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1960-04-21)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-04-21)
recording of:
Missa solemnis D-Dur, op. 123: IVd. Sanctus: Adagio: Benedictus, qui venit in nomine Domini (on 1960-04-21)
premiered in:
Sankt-Peterburg (Saint Petersburg), Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer)
part of:
Missa Solemnis D‐Dur, op. 123: IV. Sanctus
Ludwig van Beethoven9:56
2▼CD
#TitleArtistRatingLength
1Missa Solemnis in D major, op. 123: V. Agnus Dei, adagio, “Agnus Dei, qui tollis peccata mundi”
bass vocals:
Kim Borg (operatic bass)
choir vocals:
Westminster Choir (Princeton, USA) (on 1960-04-21)
contralto vocals:
Carol Smith (US contralto)
soprano vocals:
Eileen Farrell (soprano)
tenor vocals:
Richard Lewis (Welsh tenor)
orchestra:
New York Philharmonic (on 1960-04-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1960-04-21)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-04-21)
recording of:
Missa solemnis D-Dur, op. 123: Va. Agnus Dei: Adagio: Agnus Dei, qui tollis peccata mundi (on 1960-04-21)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: V. Agnus Dei
Ludwig van Beethoven6:37
2Missa Solemnis in D major, op. 123: V. Agnus Dei, adagio, “Dona Nobis pacem”
bass vocals:
Kim Borg (operatic bass)
choir vocals:
Westminster Choir (Princeton, USA) (on 1960-04-21)
contralto vocals:
Carol Smith (US contralto)
soprano vocals:
Eileen Farrell (soprano)
tenor vocals:
Richard Lewis (Welsh tenor)
orchestra:
New York Philharmonic (on 1960-04-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1960-04-21)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-04-21)
recording of:
Missa solemnis D-Dur, op. 123: Vb. Agnus Dei: Allegretto vivace: Dona nobis pacem (on 1960-04-21)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
is based on:
Dona nobis pacem
part of:
Missa Solemnis D‐Dur, op. 123: V. Agnus Dei
Ludwig van Beethoven8:30
3Fantasy for Piano, Chorus and Orchestra in C minor, Op 80: I. Adagio
piano:
Rudolf Serkin (pianist) (on 1962-05-01)
choir vocals:
Westminster Choir (Princeton, USA) (on 1962-05-01)
orchestra:
New York Philharmonic (on 1962-05-01)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-05-01)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1962-05-01)
recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: I. Adagio (on 1962-05-01)
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
version of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: Original introduction (Original introduction, not part of standard repertoire)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
partial recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
Ludwig van Beethoven12:12
4Fantasy for Piano, Chorus and Orchestra in C minor, Op 80: II. Finale. Allegro - Allegretto ma non troppo, quasi Andante con moto
piano:
Rudolf Serkin (pianist) (on 1962-05-01)
choir vocals:
Westminster Choir (Princeton, USA) (on 1962-05-01)
orchestra:
New York Philharmonic (on 1962-05-01)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-05-01)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1962-05-01)
partial recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto (on 1962-05-01)
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
Ludwig van Beethoven6:12
5Theresia Mass in B-flat major, Hob. XXII: 12, I. Kyrie, adagio - allegro, “Kyrie elieson”
baritone vocals:
Paul Hudson (operatic bass singer and actor)
choir vocals:
London Symphony Chorus (on 1979-05-15)
mezzo-soprano vocals:
Rosalind Elias (mezzo-soprano)
soprano vocals:
Lucia Popp (soprano)
tenor vocals:
Robert Tear (tenor)
orchestra:
London Symphony Orchestra (on 1979-05-15)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1979-05-15)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (on 1979-05-15)
recording of:
Theresienmesse, Hob. XXII:12: I. Kyrie (on 1979-05-15)
composer:
Joseph Haydn (composer)
part of:
Theresienmesse, Hob. XXII:12
Joseph Haydn5:10
6Theresia Mass in B-flat major, Hob. XXII: 12, II. Gloria, allegro - modeato - Vivace, “Gloria in excelsis Deo”
baritone vocals:
Paul Hudson (operatic bass singer and actor)
choir vocals:
London Symphony Chorus (on 1979-05-15)
mezzo-soprano vocals:
Rosalind Elias (mezzo-soprano)
soprano vocals:
Lucia Popp (soprano)
tenor vocals:
Robert Tear (tenor)
orchestra:
London Symphony Orchestra (on 1979-05-15)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1979-05-15)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (on 1979-05-15)
partial recording of:
Theresienmesse, Hob. XXII:12: II. Gloria (on 1979-05-15)
composer:
Joseph Haydn (composer)
part of:
Theresienmesse, Hob. XXII:12
Joseph Haydn2:42
7Theresia Mass in B-flat major, Hob. XXII: 12, II. Gloria, allegro - modeato - Vivace, “Gratias agimus tibi”
baritone vocals:
Paul Hudson (operatic bass singer and actor)
choir vocals:
London Symphony Chorus (on 1979-05-15)
mezzo-soprano vocals:
Rosalind Elias (mezzo-soprano)
soprano vocals:
Lucia Popp (soprano)
tenor vocals:
Robert Tear (tenor)
orchestra:
London Symphony Orchestra (on 1979-05-15)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1979-05-15)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (on 1979-05-15)
partial recording of:
Theresienmesse, Hob. XXII:12: II. Gloria (on 1979-05-15)
composer:
Joseph Haydn (composer)
part of:
Theresienmesse, Hob. XXII:12
Joseph Haydn6:27
8Theresia Mass in B-flat major, Hob. XXII: 12, II. Gloria, allegro - modeato - Vivace, “Quoniam tu solus sanctus”
baritone vocals:
Paul Hudson (operatic bass singer and actor)
choir vocals:
London Symphony Chorus (on 1979-05-15)
mezzo-soprano vocals:
Rosalind Elias (mezzo-soprano)
soprano vocals:
Lucia Popp (soprano)
tenor vocals:
Robert Tear (tenor)
orchestra:
London Symphony Orchestra (on 1979-05-15)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1979-05-15)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (on 1979-05-15)
partial recording of:
Theresienmesse, Hob. XXII:12: II. Gloria (on 1979-05-15)
composer:
Joseph Haydn (composer)
part of:
Theresienmesse, Hob. XXII:12
Joseph Haydn3:01
9Theresia Mass in B-flat major, Hob. XXII: 12, III. Credo, allegro - adagio, “Credo in unum Deum”
baritone vocals:
Paul Hudson (operatic bass singer and actor)
choir vocals:
London Symphony Chorus (on 1979-05-15)
mezzo-soprano vocals:
Rosalind Elias (mezzo-soprano)
soprano vocals:
Lucia Popp (soprano)
tenor vocals:
Robert Tear (tenor)
orchestra:
London Symphony Orchestra (on 1979-05-15)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1979-05-15)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (on 1979-05-15)
partial recording of:
Theresienmesse, Hob. XXII:12: III. Credo (on 1979-05-15)
composer:
Joseph Haydn (composer)
part of:
Theresienmesse, Hob. XXII:12
Joseph Haydn1:58
10Theresia Mass in B-flat major, Hob. XXII: 12, III. Credo, allegro - adagio, “Et incarnatus est”
baritone vocals:
Paul Hudson (operatic bass singer and actor)
choir vocals:
London Symphony Chorus (on 1979-05-15)
mezzo-soprano vocals:
Rosalind Elias (mezzo-soprano)
soprano vocals:
Lucia Popp (soprano)
tenor vocals:
Robert Tear (tenor)
orchestra:
London Symphony Orchestra (on 1979-05-15)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1979-05-15)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (on 1979-05-15)
partial recording of:
Theresienmesse, Hob. XXII:12: III. Credo (on 1979-05-15)
composer:
Joseph Haydn (composer)
part of:
Theresienmesse, Hob. XXII:12
Joseph Haydn8:55
11Theresia Mass in B-flat major, Hob. XXII: 12, IV. Sanctus, andante, “Sanctus, Sanctus”
baritone vocals:
Paul Hudson (operatic bass singer and actor)
choir vocals:
London Symphony Chorus (on 1979-05-15)
mezzo-soprano vocals:
Rosalind Elias (mezzo-soprano)
soprano vocals:
Lucia Popp (soprano)
tenor vocals:
Robert Tear (tenor)
orchestra:
London Symphony Orchestra (on 1979-05-15)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1979-05-15)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (on 1979-05-15)
recording of:
Theresienmesse, Hob. XXII:12: IV. Sanctus (on 1979-05-15)
composer:
Joseph Haydn (composer)
part of:
Theresienmesse, Hob. XXII:12
Joseph Haydn2:10
12Theresia Mass in B-flat major, Hob. XXII: 12, V. Benedictus, moderato, “Benedictus qui venit”
baritone vocals:
Paul Hudson (operatic bass singer and actor)
choir vocals:
London Symphony Chorus (on 1979-05-15)
mezzo-soprano vocals:
Rosalind Elias (mezzo-soprano)
soprano vocals:
Lucia Popp (soprano)
tenor vocals:
Robert Tear (tenor)
orchestra:
London Symphony Orchestra (on 1979-05-15)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1979-05-15)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (on 1979-05-15)
recording of:
Theresienmesse, Hob. XXII:12: V. Benedictus (on 1979-05-15)
composer:
Joseph Haydn (composer)
part of:
Theresienmesse, Hob. XXII:12
Joseph Haydn6:16
13Theresia Mass in B-flat major, Hob. XXII: 12, VI. Agnus Dei, adagio - allegro, “Agnus Dei” - “Dona nobis pacem”
baritone vocals:
Paul Hudson (operatic bass singer and actor)
choir vocals:
London Symphony Chorus (on 1979-05-15)
mezzo-soprano vocals:
Rosalind Elias (mezzo-soprano)
soprano vocals:
Lucia Popp (soprano)
tenor vocals:
Robert Tear (tenor)
orchestra:
London Symphony Orchestra (on 1979-05-15)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1979-05-15)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (on 1979-05-15)
recording of:
Theresienmesse, Hob. XXII:12: VI. Agnus Dei (on 1979-05-15)
composer:
Joseph Haydn (composer)
part of:
Theresienmesse, Hob. XXII:12
Joseph Haydn6:50

Credits

Release

mixer:Francis X. Pierce
producer:Dennis D. Rooney
part of:The Royal Edition (Tribute edition of 100 items (119 CDs) to Leonard Bernstein released via Sony Classical) (number: 11) (order: 13)
ASIN:DE: B000025A61 [info]