Trio and Quintet Recordings With Ray Crawford

~ Release by Ahmad Jamal (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1New Rhumba
recorded in:
Chicago, Illinois, United States (on 1955-05-23)
producer:
Dave Usher
double bass:
Israel Crosby (on 1955-05-23)
guitar:
Ray Crawford (on 1955-05-23)
piano:
Ahmad Jamal (on 1955-05-23)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
New Rhumba (on 1955-05-23)
composer:
Ahmad Jamal
4:44
2A Foggy Day
recorded in:
Chicago, Illinois, United States (on 1955-05-23)
producer:
Dave Usher
double bass:
Israel Crosby (on 1955-05-23)
guitar:
Ray Crawford (on 1955-05-23)
piano:
Ahmad Jamal (on 1955-05-23)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
instrumental recording of:
A Foggy Day (in London Town) (on 1955-05-23)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
4:27
3All of You
3:19
4It Ain't Necessarily So
recorded in:
Chicago, Illinois, United States (on 1955-05-23)
producer:
Dave Usher
double bass:
Israel Crosby (on 1955-05-23)
guitar:
Ray Crawford (on 1955-05-23)
piano:
Ahmad Jamal (on 1955-05-23)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
instrumental recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (on 1955-05-23)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
3:04
5I Don't Wanna Be Kissed (By Anyone but You)
recording of:
I Don't Wanna Be Kissed (by Anyone but You)
composer:
John Elliot (1914-1972 US film songwriter mostly Westerns, aka Jack Ellott) and Harold Spina (composer/conductor)
3:30
6I Get a Kick Out of You
instrumental recording of:
I Get a Kick Out of You
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
4:54
7Jeff
4:56
8Darn That Dream
recorded in:
Chicago, Illinois, United States (on 1955-05-23)
producer:
Dave Usher
double bass:
Israel Crosby (on 1955-05-23)
guitar:
Ray Crawford (on 1955-05-23)
piano:
Ahmad Jamal (on 1955-05-23)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
instrumental recording of:
Darn That Dream (on 1955-05-23)
lyricist:
Eddie DeLange (in 1939)
composer:
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
part of:
Swingin’ the Dream
3:14
9Spring Is Here
instrumental recording of:
Spring Is Here
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and United Partnership Ltd.
4:06
10Perfidia
instrumental recording of:
Perfidia
lyricist and composer:
Alberto Domínguez
43:58
11Love for Sale
double bass:
Israel Crosby (in 1955-10)
guitar:
Ray Crawford (in 1955-10)
piano:
Ahmad Jamal (in 1955-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (in 1955-10)
instrumental recording of:
Love for Sale (in 1955-10)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
8:33
12Rica Pulpa
recording of:
Rica Pulpa
composer:
Eliseo Grenet
3:52
13Autumn Leaves
double bass:
Israel Crosby (in 1955-10)
guitar:
Ray Crawford (in 1955-10)
piano:
Ahmad Jamal (in 1955-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (in 1955-10)
instrumental recording of:
Autumn Leaves (jazz standard, english lyrics)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
2:42
14Squeeze Me
double bass:
Israel Crosby (in 1955-10)
guitar:
Ray Crawford (in 1955-10)
piano:
Ahmad Jamal (in 1955-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (in 1955-10)
3:52
15Something to Remember You By
instrumental recording of:
Something to Remember You By (on 1955-10-25)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
part of:
The Band Wagon (1953 film)
2:50
16Black Beauty
double bass:
Israel Crosby (in 1955-10)
guitar:
Ray Crawford (in 1955-10)
piano:
Ahmad Jamal (in 1955-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (in 1955-10)
recording of:
Black Beauty (in 1955-10)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
3:28
17The Donkey Serenade
instrumental recording of:
The Donkey Serenade (on 1955-10-25)
writer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
composer:
Rudolf Friml and Herbert Stothart (composer)
part of:
The Firefly (Rudolf Friml operetta)
3:22
18Don't Blame Me
guitar:
Ray Crawford (in 1955-10)
piano:
Ahmad Jamal (in 1955-10)
instrumental recording of:
Don’t Blame Me (in 1955-10)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
EMI Robbins Catalog Inc. (ASCAP) and Ireneadele Publishing
3:23
19They Can't Take That Away From Me
instrumental recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (on 1955-10-25)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1937 nominee)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
3:02
20New Rhumba
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1957-05-23)
bass clarinet:
Danny Banks (on 1957-05-23)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1957-05-23)
clarinet and flute:
Sid Cooper (flute & clarinet player) (on 1957-05-23) and Romeo Penque (on 1957-05-23)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-05-23)
drums (drum set):
Art Taylor (on 1957-05-23)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1957-05-23)
French horn:
Willie Ruff (on 1957-05-23)
trombone:
Joe Bennett (trombonist) (on 1957-05-23), Jimmy Cleveland (US jazz trombonist) (on 1957-05-23) and Frank Rehak (US jazz trombonist) (on 1957-05-23)
trumpet:
John Carisi (American trumpeter and composer) (on 1957-05-23), Bernie Glow (on 1957-05-23), Taft Jordan (on 1957-05-23), Louis R. Mucci (trumpetist) (on 1957-05-23) and Ernie Royal (on 1957-05-23)
tuba:
Bill Barber (Jazz tuba player) (on 1957-05-23)
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-23)
cover recording of:
New Rhumba (on 1957-05-23)
composer:
Ahmad Jamal
recording of:
New Rhumba
composer:
Ahmad Jamal
4:37
2▼CD
#TitleRatingLength
1Old Devil Moon
instrumental recording of:
Old Devil Moon (from “Finian’s Rainbow”) (on 1955-10-25)
lyricist:
Yip Harburg
composer:
Burton Lane
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and Victoria Music Ltd.
adaptations:
Old Devil Moon / Stari vražji mesec
part of:
Finian’s Rainbow (1947 Broadway musical)
3:46
2Ahmad's Blues
recorded in:
Chicago, Illinois, United States (on 1952-05-05)
double bass:
Eddie Calhoun (American jazz double-bassist) (on 1952-05-05, on 1955-10-25)
guitar:
Ray Crawford (on 1952-05-05)
piano:
Ahmad Jamal (on 1952-05-05)
recording of:
Ahmad’s Blues (on 1952-05-05)
composer:
Ahmad Jamal
2:57
3Poinciana (The Song of the Tree)
instrumental recording of:
Poinciana (Song of the Tree)
lyricist:
Buddy Bernier (in 1936)
composer:
Nat Simon (in 1936)
4:36
4Billy Boy
2:41
5Will You Still Be Mine
double bass:
Eddie Calhoun (American jazz double-bassist) (in 1951-10)
guitar:
Ray Crawford (in 1951-10)
piano:
Ahmad Jamal (in 1951-10)
instrumental recording of:
Will You Still Be Mine? (in 1951-10)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
2:45
6Pavanne
4:27
7Crazy He Calls Me
instrumental recording of:
Crazy He Calls Me
lyricist:
Sidney Keith Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Carl Sigman
publisher:
Harrison Music Corp., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
4:58
8The Surrey With the Fringe on Top
recorded in:
Chicago, Illinois, United States (on 1951-10-25)
double bass:
Eddie Calhoun (American jazz double-bassist) (on 1951-10-25)
guitar:
Ray Crawford (on 1951-10-25)
piano:
Ahmad Jamal (on 1951-10-25)
instrumental recording of:
The Surrey With the Fringe on Top (on 1951-10-25)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Williamson Music Company (from 1943 to present)
part of:
Oklahoma! (Rodgers & Hammerstein musical)
part of:
The Real Book (compilation of jazz standards, volume I)
2:52
9Aki and Ukthay (Brother and Sister)
recorded in:
Chicago, Illinois, United States (on 1952-05-05)
double bass:
Eddie Calhoun (American jazz double-bassist) (on 1952-05-05)
guitar:
Ray Crawford (on 1952-05-05)
piano:
Ahmad Jamal (on 1952-05-05)
recording of:
Aki and Ukthay (Brother and Sister) (on 1952-05-05)
composer:
Ahmad Jamal
3:08
10Slaughter on Tenth Avenue
instrumental recording of:
Slaughter on Tenth Avenue
orchestrator:
Robert Russell Bennett (American composer and arranger)
composer:
Richard Rodgers (composer)
arranger:
Sammy Nestico
part of:
On Your Toes
4:54
11A Gal in Calico
double bass:
Eddie Calhoun (American jazz double-bassist) (on 1952-05-05)
guitar:
Ray Crawford (on 1952-05-05)
piano:
Ahmad Jamal (on 1952-05-05)
instrumental recording of:
A Gal in Calico (on 1952-05-05)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Arthur Schwartz
part of:
The 20th Academy Award for Best Original Song (number: 2)
2:37
12It's Easy to Remember
instrumental recording of:
It’s Easy to Remember (and So Hard to Forget)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
2:59
13Ahmad's Waltz
recording engineer:
Ron Malo (from 1960-08-15 until 1960-08-16)
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-08-15 until 1960-08-16)
drums (drum set):
Vernell Fournier (from 1960-08-15 until 1960-08-16)
guitar:
Ray Crawford (from 1960-08-15 until 1960-08-16)
piano:
Ahmad Jamal (in 1960-08, from 1960-08-15 until 1960-08-16)
violin:
Joe Kennedy (violin, aranger, writer) (from 1960-08-15 until 1960-08-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-08-15 until 1960-08-16)
4:45
14Valentina
recording engineer:
Ron Malo (from 1960-08-15 until 1960-08-16)
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-08-15 until 1960-08-16)
drums (drum set):
Vernell Fournier (from 1960-08-15 until 1960-08-16)
guitar:
Ray Crawford (from 1960-08-15 until 1960-08-16)
piano:
Ahmad Jamal (in 1960-08, from 1960-08-15 until 1960-08-16)
violin:
Joe Kennedy (violin, aranger, writer) (from 1960-08-15 until 1960-08-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-08-15 until 1960-08-16)
2:23
15Yesterdays
recording engineer:
Ron Malo (from 1960-08-15 until 1960-08-16)
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-08-15 until 1960-08-16)
drums (drum set):
Vernell Fournier (from 1960-08-15 until 1960-08-16)
guitar:
Ray Crawford (from 1960-08-15 until 1960-08-16)
piano:
Ahmad Jamal (in 1960-08, from 1960-08-15 until 1960-08-16)
violin:
Joe Kennedy (violin, aranger, writer) (from 1960-08-15 until 1960-08-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-08-15 until 1960-08-16)
instrumental recording of:
Yesterdays (in 1960-08)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
2:58
16Tempo for Two
recording engineer:
Ron Malo (from 1960-08-15 until 1960-08-16)
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-08-15 until 1960-08-16)
drums (drum set):
Vernell Fournier (from 1960-08-15 until 1960-08-16)
guitar:
Ray Crawford (from 1960-08-15 until 1960-08-16)
piano:
Ahmad Jamal (in 1960-08, from 1960-08-15 until 1960-08-16)
violin:
Joe Kennedy (violin, aranger, writer) (from 1960-08-15 until 1960-08-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-08-15 until 1960-08-16)
3:28
17Hallelujah
recording engineer:
Ron Malo (from 1960-08-15 until 1960-08-16)
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-08-15 until 1960-08-16)
drums (drum set):
Vernell Fournier (from 1960-08-15 until 1960-08-16)
guitar:
Ray Crawford (from 1960-08-15 until 1960-08-16)
piano:
Ahmad Jamal (in 1960-08, from 1960-08-15 until 1960-08-16)
violin:
Joe Kennedy (violin, aranger, writer) (from 1960-08-15 until 1960-08-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-08-15 until 1960-08-16)
2:09
18It's a Wonderful World
recording engineer:
Ron Malo (from 1960-08-15 until 1960-08-16)
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-08-15 until 1960-08-16)
drums (drum set):
Vernell Fournier (from 1960-08-15 until 1960-08-16)
guitar:
Ray Crawford (from 1960-08-15 until 1960-08-16)
piano:
Ahmad Jamal (in 1960-08, from 1960-08-15 until 1960-08-16)
violin:
Joe Kennedy (violin, aranger, writer) (from 1960-08-15 until 1960-08-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-08-15 until 1960-08-16)
instrumental recording of:
It’s a Wonderful World (in 1960-08)
lyricist:
Harold Adamson
composer:
Jan Savitt (in 1939) and John Kluczko Watson (in 1939)
publisher:
EMI Robbins Catalog Inc. (ASCAP) and Robbins Music Corporation
part of:
New York, New York (1977 musical film soundtrack)
2:53
19Baia
4:02
20You Came a Long Way From St. Louis
recording engineer:
Ron Malo (from 1960-08-15 until 1960-08-16)
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-08-15 until 1960-08-16)
drums (drum set):
Vernell Fournier (from 1960-08-15 until 1960-08-16)
guitar:
Ray Crawford (from 1960-08-15 until 1960-08-16)
piano:
Ahmad Jamal (in 1960-08, from 1960-08-15 until 1960-08-16)
violin:
Joe Kennedy (violin, aranger, writer) (from 1960-08-15 until 1960-08-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-08-15 until 1960-08-16)
instrumental recording of:
You Came a Long Way From St. Louis (in 1960-08)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
John Benson Brooks
publisher:
Jewel Music Inc.
3:40
21Lover Man
recording engineer:
Ron Malo (from 1960-08-15 until 1960-08-16)
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-08-15 until 1960-08-16)
drums (drum set):
Vernell Fournier (from 1960-08-15 until 1960-08-16)
guitar:
Ray Crawford (from 1960-08-15 until 1960-08-16)
piano:
Ahmad Jamal (in 1960-08, from 1960-08-15 until 1960-08-16)
violin:
Joe Kennedy (violin, aranger, writer) (from 1960-08-15 until 1960-08-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-08-15 until 1960-08-16)
instrumental recording of:
Lover Man (in 1960-08)
lyricist:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
4:07
22Who Cares?
instrumental recording of:
Who Cares? (Of Thee I Sing)
lyricist:
Ira Gershwin (in 1931)
composer:
George Gershwin (composer) (in 1931)
publisher:
New World Music (new age music) and WB Music Corp. (1929–2019)
included in:
An American in Paris (2015 Broadway musical)
part of:
Of Thee I Sing: Act II
3:14
23Joy Spring
recorded in:
New York, New York, United States (on 1959-02-05)
producer:
Richard Bock (record producer)
bass:
Tommy Potter (on 1959-02-05)
drums (drum set):
Elvin Jones (jazz drummer) (on 1959-02-05)
French horn:
Earl Chapin (on 1959-02-05)
guitar:
Ray Crawford (on 1959-02-05)
piano:
Gil Evans (Canadian–American jazz pianist and composer) (on 1959-02-05)
reeds:
Eddie Caine (saxophone player, not the rapper) (on 1959-02-05) and Budd Johnson (on 1959-02-05)
saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004) (on 1959-02-05)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1959-02-05), Curtis Fuller (on 1959-02-05) and Rod Levitt (jazz trombonist, composer, bandleader) (on 1959-02-05)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1959-02-05), Louis R. Mucci (trumpetist) (on 1959-02-05) and Danny Stiles (trumpet) (on 1959-02-05)
tuba:
Bill Barber (Jazz tuba player) (on 1959-02-05)
conductor:
Gil Evans (Canadian–American jazz pianist and composer) (on 1959-02-05)
arranger:
Gil Evans (Canadian–American jazz pianist and composer)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
Joy Spring (on 1959-02-05)
composer:
Clifford Brown (trumpet)
2:50

Credits

Release

ASIN:UK: B01BY1XLS6 [info]