Steve Wright's Sunday Love Songs... From Me to You X

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Greatest Day
recording of:
Greatest Day
writer:
Gary Barlow, Howard Donald, Jason Orange and Mark Owen (singer–songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Sony/ATV Music Publishing (UK) Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Take That4:00
2Endless Love
recording engineer:
Reggie Dozier
producer:
Lionel Richie
mixer:
Guy Costa
additional guest performer:
Diana Ross
arranger:
Gene Page
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1981)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 20)
recording of:
Endless Love
lyricist and composer:
Lionel Richie
publisher:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing (Warner/Chappell Music, Inc.) and Warner/Chappell North America
part of:
The 54th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1981 nominee)
Diana Ross & Lionel Richie3.54:27
3Miss IndependentNe‐Yo3:52
4Islands in the Stream
producer:
Albhy Galuten, Barry Gibb and Karl Richardson
vocals:
Dolly Parton and Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1983)
produced for:
Karlbhy Productions
recording of:
Islands in the Stream
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Crompton Songs, Gibb Brothers Music, Screen Gems–EMI Music, Summerhill Songs, Unichappel Music, Universal Music Publishing International MGB Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Kenny Rogers & Dolly Parton44:10
5Broken Strings
recording engineer:
Joao Nazario, Alex Smith (English songwriter and producer), Ren Swan and Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
programming and producer:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
assistant mixer:
Dan Parry (British mix/recording engineer)
mixer:
Tom Elmhirst (mixing engineer)
bass:
Alex Smith (English songwriter and producer)
drums (drum set):
Ash Soan
guitar:
Adam Phillips (British guitarist and singer) and Alex Smith (English songwriter and producer)
music videos:
Broken Strings by James Morrison (UK singer) feat. Nelly Furtado
recording of:
Broken Strings
writer:
James Morrison (UK singer), Fraser T. Smith and Nina Woodford
publisher:
BMG Blue
James Morrison & Nelly Furtado4.54:11
6I Got You Babe
vocals:
Sonny Bono (in 1965) and Cher (in 1965)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 331) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 444)
recording of:
I Got You Babe (in 1965)
lyricist and composer:
Sonny Bono
publisher:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) and Warner/Chappell Music Ltd. (1996–2019)
Sonny & Cher43:09
7The Look of Love
engineer:
Gary Langan
producer:
Trevor Horn
bass guitar:
Mark Lickley
keyboard:
Mark White (ABC/Vice Versa)
lead vocals:
Martin Fry
strings arranger:
Anne Dudley (English score composer)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1982), Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (not for release label use!) (in 1982) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom (in 1982)
part of:
TV Cream: Real 100 Best Singles Ever (number: 4), The Downloader’s Music Source Book (number: 73) and VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 43)
partial recording of:
The Look of Love
writer:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton and Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. and Virgin Music, Inc. (US arm of Virgin’s publishing company)
part of:
Mantrap (ABC long-form film)
ABC3.93:29
8You Can't Hurry Love
recording engineer:
Russ Terrana
engineer:
Lamont Dozier
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
bass:
James Jamerson (on 1966-06-11)
brass [horns]:
Detroit Symphony Orchestra (on 1966-06-11)
drums (drum set):
Benny Benjamin (US drummer) (on 1966-06-11)
guitar [Gibson L-5]:
Robert White (US funk/soul guitarist) (on 1966-06-11)
instruments:
The Funk Brothers (on 1966-06-11)
piano:
Earl Van Dyke (on 1966-06-11)
tambourine:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (on 1966-06-11)
background vocals:
Florence Ballard (on 1966-07-05) and Mary Wilson (on 1966-07-05)
lead vocals:
Diana Ross (on 1966-07-05)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1966) and Motown Records (not for label use; use “Motown” instead) (in 2015, in 2017)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (from 1966-06-11 until 1966-07-05)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 280)
recording of:
You Can’t Hurry Love (from 1966-06-11 until 1966-07-05)
writer:
Lamont Dozier, Brian Holland (Motown producer & songwriter) and Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30), Jobete Music (UK) Ltd. (in 1965) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Supremes4.752:46
9I'll Stand by You
programming:
Brian Higgins (British producer and song writer) and Tim Powell (Songwriter and producer, ex-Xenomania)
producer:
Brian Higgins (British producer and song writer) and Xenomania
mixer:
Tim Powell (Songwriter and producer, ex-Xenomania)
guitar:
Nick Coler and Shawn Lee (American musician, producer, video game composer)
keyboard:
Brian Higgins (British producer and song writer) and Tim Powell (Songwriter and producer, ex-Xenomania)
vocals:
Cheryl Cole (formerly Cheryl Cole), Nadine Coyle, Sarah Harding, Nicola Roberts and Kimberley Walsh
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2004)
cover recording of:
I’ll Stand by You
writer:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders), Tom Kelly (songwriter) and Billy Steinberg
publisher:
B. Steinbereg Music, Clive Banks Songs, D. Barry Music, EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Hynde House of Hits Music, Kobalt Music Publishing Australia P/L and Kobalt Publishing Ltd.
Girls Aloud33:44
10Brown Eyed Girl
recording engineer:
Brooks Arthur (on 1967-03-28)
producer:
Bert Russell Berns
bass guitar:
Eric Gale (on 1967-03-28)
drums (drum set):
Gary Chester (studio drummer and educator) (on 1967-03-28)
guitar:
Al Gorgoni (on 1967-03-28), Hugh McCracken (on 1967-03-28) and Van Morrison (on 1967-03-28)
organ:
Garry Sherman (mid-20th century composer, arranger & conductor) (on 1967-03-28)
background vocals:
The Sweet Inspirations (on 1967-03-28)
lead vocals:
Van Morrison (on 1967-03-28)
performer:
Van Morrison (on 1967-03-28)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) and Exile Productions Ltd. (not for Label Release) (in 1973)
recorded at:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, United States (on 1967-03-28) and A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (on 1967-04-07)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 71) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 109)
recording of:
Brown Eyed Girl (from 1967-03-28 until 1967-04-07)
lyricist and composer:
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) and Polygram Publishing AB (in 1992)
Van Morrison3.253:02
11Hallelujah
producer:
Patrick Leonard (producer, songwriter and pianist)
cover recording of:
Hallelujah
lyricist and composer:
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Bad Monk Publishing, Leonard Cohen Stranger Music Inc., SM Publishing Argentina S.R.L., Sony/ATV Music LLC, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs (SOCAN), Sony/ATV Songs LLC and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
sub-publisher:
Sony/ATV Music Publishing (Hong Kong)
Rufus Wainwright4.054:10
12Sweet About Me
recording of:
Sweet About Me
writer:
Gabriella Cilmi, Nick Coler, Miranda Cooper, Brian Higgins (British producer and song writer), Tim Larcombe (Production music composer) and Tim Powell (Songwriter and producer, ex-Xenomania)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), Warner Chappell Music (publisher as Warner/Chappell Music) and Warner/Chappell Music Australia Pty. Ltd.
Gabriella Cilmi3:09
13I Was Made to Love Her
producer:
Henry Cosby
bass:
James Jamerson (on 1967-03-31)
electric sitar:
Eddie Willis (on 1967-03-31)
harmonica and lead vocals:
Stevie Wonder (on 1967-03-31)
instruments:
The Funk Brothers (on 1967-03-31)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1966) and Motown Record Corporation (company credits only; do NOT use as release label) (in 1967)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (on 1967-03-31)
recording of:
I Was Made to Love Her (on 1967-03-31)
writer:
Henry Cosby, Lula Mae Hardaway (songwriter), Sylvia Moy and Stevie Wonder
publisher:
Black Bull Music, Inc., EMI Blackwood Music Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Sawandi Music, Stone Agate Music and 大洋音楽 (Taiyō Music)
Stevie Wonder4.652:37
14Time to Grow
recording of:
Time to Grow
writer:
Fitzgerald Scott
Lemar3:44
15Change
recording of:
Change
writer:
Amelle Berrabah, Keisha Buchanan, Lars Jensen (Lars Halvor Jensen), Martin M. Larsson (DEEKAY Music), Heidi Range and Niara Scarlett
Sugababes33:19
16What a Wonderful World
additional engineer:
Rupert James Coulson and Brian Masterson (audio engineer)
engineer:
Steve Sale
producer:
Mike Batt and Chris Biondo (guitarist, producer with Eva Cassidy Band)
bass:
Tim Harries
drums (drum set) [drums]:
Henry Spinetti
guitar:
Jim Cregan (producer & member of Family), Steve Donnelly, John Parricelli, Luke Potashnick (British guitarist) and Chris Spedding
instruments:
The Irish Film Orchestra
percussion:
Ray Cooper (percussionist) and Rob Farrer (percussionist)
piano:
Mike Batt
trumpet:
Dominic Glover (composer, writer, trumpet, flugelhorn and brass)
violin:
Mike Darcy
vocals:
Eva Cassidy and Katie Melua
conductor:
Mike Batt
arranger:
Mike Batt and Chris Biondo (guitarist, producer with Eva Cassidy Band)
phonographic copyright (℗) by:
Blix Street Records Inc. (not release label) (in 2007), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)) (in 2007) and Dramatico Entertainment Ltd. (not release label) (in 2007)
cover recording of:
What a Wonderful World
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
recording of:
What a Wonderful World
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Eva Cassidy & Katie Melua24:18
17Ain't No Mountain High Enough
producer:
Nickolas Ashford, Henry Cosby and Valerie Simpson
arranger:
Paul Riser
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1970)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 6)
cover recording of:
Ain’t No Mountain High Enough
writer:
Nickolas Ashford and Valerie Simpson
publisher:
EMI Music Publishing (do not use as a release label!), EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc. and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Diana Ross4.153:30
18Just the Way You Are
engineer:
Frank Kejmar (engineer)
producer:
Barry White
arranger:
Gene Page and Barry White
cover recording of:
Just the Way You Are
lyricist and composer:
Billy Joel (American singer‐songwriter and pianist)
publisher:
April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Joelsongs (from 1977 to present), CBS Songs Ltd. (in 1977) and Impulsive Music (in 1977)
sub-publisher:
Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
recording of:
Just the Way You Are
lyricist and composer:
Billy Joel (American singer‐songwriter and pianist)
publisher:
April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Joelsongs (from 1977 to present), CBS Songs Ltd. (in 1977) and Impulsive Music (in 1977)
sub-publisher:
Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
Barry White54:12
19Ain't No Sunshine
recording engineer:
Bill Halverson (in 1971) and Bill Lazarus (in 1971)
producer:
Booker T. Jones
mixer:
John Golden (mastering engineer)
acoustic guitar:
Stephen Stills (in 1971)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1971)
electric bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1971)
lead vocals:
Bill Withers (in 1971)
strings arranger:
Booker T. Jones
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1971) and Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
part of:
BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 280) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 309)
recording of:
Ain’t No Sunshine (in 1971)
lyricist and composer:
Bill Withers
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Songs Ltd.
Bill Withers4.52:05
20Run
recording of:
Run
lyricist:
Gary Lightbody
writer:
Iain Archer, Nathan Connolly, Mark McClelland and Jonny Quinn
composer:
Iain Archer, Nathan Connolly, Gary Lightbody, Mark McClelland and Jonny Quinn
publisher:
Big Life Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Kobalt Music Publishing Ltd. (UK), Universal Music Publishing BL Limited and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Snow Patrol5:58
21Let Your Love Flow
producer:
Phil Gernhard (songwriter and producer) (in 1975-10) and Tony Scotti (in 1975-10)
bass guitar:
Emory Gordy (in 1975-10)
drums (drum set):
Dennis St. John (in 1975-10)
guitar:
David Bellamy (Bellamy Brothers) (in 1975-10), Howard Bellamy (Bellamy Brothers) (in 1975-10), Richard Bennett (American guitarist) (in 1975-10) and Doug Rhone (American guitarist, songwriter, touring and studio musician) (in 1975-10)
percussion:
King Errison (conguero) (in 1975-10)
synthesizer:
Alan Lindgren (American keyboardist, arranger, producer, studio & session musician) (in 1975-10)
lead vocals:
David Bellamy (Bellamy Brothers) (in 1975-10) and Howard Bellamy (Bellamy Brothers) (in 1975-10)
phonographic copyright (℗) by:
Curb Records (in 1975) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1976)
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States (in 1975-10)
recording of:
Let Your Love Flow (in 1975-10)
lyricist and composer:
Lawrence Eugene Williams (songwriter, "Let Your Love Flow") (in 1975)
The Bellamy Brothers3.653:18
2CD
#TitleArtistRatingLength
1Amazing
recording of:
Amazing
writer:
Jon Douglas and George Michael
George Michael4:24
2Back to Black
assistant recording engineer:
Jesse Gladstone and Mike Makowski
recording engineer:
Vaughan Merrick and Mark Ronson (British DJ and producer)
miscellaneous support:
Isobel Griffiths (task: contractor)
engineer:
Dom Morley
producer:
Mark Ronson (British DJ and producer)
assistant mixer:
Matt Paul
mixer:
Tom Elmhirst (mixing engineer)
alto saxophone:
Chris Davies and Andy Mackintosh (British-born saxophonist)
baritone saxophone:
Dave Bishop (saxophonist)
bass guitar:
Nick Movshon
cello:
John Heley (cellist), Joely Koos (cellist) and Anthony Pleeth (cellist)
drums (drum set):
Homer Steinweiss
guitar:
Thomas Brenneck and Binky Griptite
percussion:
Frank Ricotti (percussionist)
piano:
Victor Axelrod
tambourine:
Mark Ronson (British DJ and producer)
tenor saxophone:
Jamie Talbot (English jazz alto saxophonist)
viola:
Rachel Bolt (violist), Jonathan Thorne (viola player), Bruce White (violist) and Katie Wilkinson (violist)
violin:
Mark Berrow (violinist), Elizabeth Edwards (violinist), Peter Hanson (violinist), Boguslaw Kostecki (violinist), Perry Montague‐Mason (violinist), Everton Nelson (violinist), Tom Pigott‐Smith (violinist), Jonathan Rees, Chris Tombling (violinist) and Warren Zielinski (violinist)
conductor:
Chris Elliott (composer and arranger)
strings arranger:
Chris Elliott (composer and arranger)
arranger:
Gabriel Roth (Gabriel Alexander Roth)
recorded at:
Chung King Studios in New York, New York, United States, Daptone’s House of Soul in Bushwick, New York, New York, United States and Metropolis (London) in London (Greater London), England, United Kingdom
part of:
BILLIONS CLUB, Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 62) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 79)
recording of:
Back to Black
writer:
Mark Ronson (British DJ and producer) and Amy Winehouse
publisher:
BMG Platinum Songs, BMG VM Music Ltd., EMI Blackwood Music Inc. and EMI Music Publishing Ltd. (PRS‐affiliated)
Amy Winehouse4.354:01
3Something About the Way You Look Tonight
producer:
Chris Thomas (UK record producer / remixer)
lead vocals:
Elton John (English singer, songwriter, pianist, and composer)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 58)
recording of:
Something About the Way You Look Tonight
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Universal–Songs of PolyGram International, Inc.
Elton John24:00
4Got to Be There
producer:
Hal Davis
lead vocals:
Michael Jackson (“King of Pop”) (from 1970-06 until 1970-07)
arranger:
Dave Blumberg
recording of:
Got to Be There (from 1971-06 until 1971-07)
lyricist and composer:
Elliot Willensky
vocals arranger:
Willie Hutch
Michael Jackson33:23
5You Do Something to Me
producer:
Brendan Lynch (London producer) and Paul Weller (English singer‐songwriter and musician)
mixer:
Brendan Lynch (London producer)
bass guitar:
Yolanda Charles
drums (drum set):
Steve White (Style Council drummer)
guitar, other instruments [novatron], piano and lead vocals:
Paul Weller (English singer‐songwriter and musician)
phonographic copyright (℗) by:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1995)
recorded at:
The Manor in Oxfordshire, England, United Kingdom and Finsbury Park in Haringey, London (Greater London), England, United Kingdom (on 1996-06-09)
live recording of:
You Do Something to Me (on 1996-06-09)
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd., Solid Bond Productions Ltd. and Stylist Music Ltd.
recording of:
You Do Something to Me
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd., Solid Bond Productions Ltd. and Stylist Music Ltd.
Paul Weller43:34
6Hate That I Love You
assistant recording engineer:
Ricardo "Slick" Hinkson, Deepu Panjwani and Phillip Ramos
recording engineer:
Al Hemberger, Michael Tocci and Mikkel S. Eriksen
producer:
Ne‐Yo (task: vocal) and StarGate (Norwegian production/songwriting team)
assistant mixer:
Josh Houghkirk
mixer:
Phil Tan (Malaysian-American audio engineer)
guitar:
Espen Lind
instruments:
Tor Erik Hermansen and Mikkel S. Eriksen
lead vocals:
Rihanna (Barbadian R&B/pop singer)
produced for:
Delirious Blacksmith Management, Ltd. and RiotProof Productions
recorded at:
Battery Studios (NYC; not to be confused with the mastering studio located at 321 W 44th Street) in New York, New York, United States, Lethal Studios in Bridgetown, Saint Michael, Barbados and Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
mixed at:
Soapbox Studios in Atlanta, Georgia, United States
music videos:
Hate That I Love You by Rihanna (Barbadian R&B/pop singer) feat. Ne‐Yo
part of:
Billboard Year-End Hot 100 singles of 2008 (number: 62)
recording of:
Hate That I Love You
writer:
Mikkel Storleer Eriksen, Tor Erik Hermansen and Shaffer Chimere Smith
recording of:
Hate That I Love You
translated version of:
Hate That I Love You
Rihanna & Ne‐Yo2.63:40
7Dream a Little Dream of Me
cover recording of:
Dream a Little Dream of Me
lyricist:
Gus Kahn (in 1931)
composer:
Fabian André (in 1931) and Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) and ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
part of:
The Real Book (compilation of jazz standards, volume I)
Mama Cass4.153:13
8Walk Away
recording of:
Walk Away (based on Warum nur, warum)
lyricist and composer:
Udo Jürgens (Austrian–Swiss composer, singer and songwriter)
translator:
Don Black (English lyricist)
publisher:
Hollis Music, Inc. and Montana GMBH-Co Musikverlagsgesellschaft Edit
translated version of:
Warum nur, warum
Matt Monro3:06
9Dreamboats and Petticoats
guitar:
Hank Marvin (lead guitarist of The Shadows, songwriter)
recording of:
Dreamboats and Petticoats
writer:
Jason Donovan (Australian actor and singer), Tom Gilbert and Henry Priestman
Jason Donovan2:45
10Catch a Falling Star
Nina Wall2:48
11Still
producer:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
arranger:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1978) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979)
recording of:
Still
lyricist and composer:
Lionel Richie
publisher:
Commodores Entertainment Publishing Corp. (ended), Brenda Richie Publishing, Jobete Music Co., Inc. and Libren Music
Commodores3.53:42
12Sewn
recording of:
Sewn
writer:
Dan Gillespie Sells, Ciaran Jeremiah, Kevin Jeremiah, Richard Jones (bassist with The Feeling) and Paul Stewart (drummer with The Feeling)
publisher:
EMI Music Publishing (do not use as a release label!)
The Feeling3:47
13Could It Be Forever
recording of:
Could It Be Forever
writer:
Wes Farrell and Danny Janssen (Songwriter, guitarist and singer)
David Cassidy2:38
14Do You Love Me
producer:
Berry Gordy Jr.
guitar:
Huey Davis (guitarist) (on 1962-06-03)
instruments:
The Funk Brothers (on 1962-06-03)
additional lead vocals:
Billy Hoggs (on 1962-06-03)
background vocals:
Billy Hoggs (in 1962), Joe Billingslea (soul vocalist, songwriter) (on 1962-06-03), Hubert Johnson (singer) (on 1962-06-03) and Sylvester Potts (on 1962-06-03)
lead vocals:
Billy Gordon (The Contours) (on 1962-06-03)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (on 1962-06-03)
music videos:
Do You Love Me (music video) by The Contours (60s soul)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1962 (number: 9)
recording of:
Do You Love Me (on 1962-06-03)
lyricist and composer:
Berry Gordy
publisher:
Jobete Music (UK) Ltd. and Jobete Music Co., Inc.
The Contours4.352:53
15She's Like a Star
recording of:
She’s Like a Star (Original Taio Cruz version)
lyricist and composer:
Taio Cruz
Taio Cruz3:18
16Casablanca
engineer:
Doug Johnson (audio engineer)
producer:
Sonny Limbo
recorded at:
Pyramid Studios in Lookout Mountain, Tennessee, United States (from 1981-01 until 1981-11) and Southern Tracks in Atlanta, Georgia, United States (from 1981-01 until 1981-11)
recording of:
Casablanca
writer:
John Healy ("Casablanca" writer), Bertie Higgins and Sonny Limbo
publisher:
Bike Music, Chappell & Co., Inc. (USA) and Jen‐Lee Music Company
Bertie Higgins4:32
17Love You Anyway
recording of:
Love You Anyway
writer:
Nick Atkinson (member of Rooster), Ronan Keating and Jarrad Rogers
Boyzone3:21
18Get Here
producer:
David Bascombe and Roland Orzabal (UK musician, songwriter and producer)
bass:
Pino Palladino
drums (drum set):
John Cushon
keyboard and piano:
Oleta Adams
percussion:
Luís Jardim
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!), Mercury Records Ltd. (not for release label use!) (in 1990) and Mercury Records Ltd. (London) (for copyrights use only) (in 1990)
part of:
The Downloader’s Music Source Book (number: 191)
cover recording of:
Get Here
lyricist and composer:
Brenda Russell (US singer-songwriter & keyboardist)
publisher:
Rutland Road Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America and WB Music Corp. (1929–2019)
Oleta Adams44:35
19America
additional engineer:
Chris Thomas (UK record producer / remixer)
engineer:
Sam Miller (alias of Hanno Leichtmann)
producer:
Razorlight
mixer:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
12 string guitar, mellotron, organ and Rhodes piano:
Björn Ågren (guitarist)
bass and piano:
Carl Dalemo
drums (drum set) and background vocals:
Andy Burrows (songwriting drummer)
guitar:
Björn Ågren (guitarist), Johnny Borrell and Carl Dalemo
vocals:
Johnny Borrell
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 2006)
mixed at:
Matrix Studios in Soho, Westminster, London (Greater London), England, United Kingdom
additionally engineered at:
British Grove Studios (owned and built by Mark Knopfler) in Chiswick, Hounslow, London (Greater London), England, United Kingdom
engineered at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
America
writer:
Johnny Borrell and Andy Burrows (songwriting drummer)
publisher:
Sony/ATV Music Publishing (UK) Ltd.
Razorlight3.254:11
20Too Busy Thinking About My Baby
producer:
Norman Whitfield
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
cover recording of:
Too Busy Thinking About My Baby
writer:
Janie Bradford, Barrett Strong and Norman Whitfield
publisher:
Jobete Music (UK) Ltd. and Stone Agate Music
Marvin Gaye42:56
21Zoom
Fat Larry’s Band5:18

Credits

Release

ASIN:UK: B001P7PT44 [info]

Release group

part of:Steve Wright's Sunday Love Songs (order: 6)