100 Ultimate Classical Music Masterpieces by Classic FM

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼Digital Media
#TitleArtistRatingLength
1Symphony No.5 in C minor, Op.67 - 1. Allegro con brio
Philharmonia Orchestra7:59
2Symphony No.9 in E minor, Op.95
recording engineer:
Colin Moorfoot (engineer)
producer:
Paul Myers (classical record producer)
orchestra:
The Cleveland Orchestra (on 1984-10-26)
conductor:
Christoph von Dohnányi (German conductor) (on 1984-10-26)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1986)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (on 1984-10-26)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 “From the New World”: II. Largo) (on 1984-10-26)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
The Cleveland Orchestra11:48
3The Planets, Op.32 - 4. Jupiter, the Bringer of Jollity
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra)
conductor:
Charles Dutoit (conductor)
recording of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Orchestre symphonique de Montréal8:01
4Carmina Burana / Fortuna Imperatrix Mundi -
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
choir vocals:
Brighton Festival Chorus
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Brighton Festival Chorus52:23
5Die Walküre - Concert version - Dritter Aufzug - The Ride of the Walkyres
orchestra:
National Symphony Orchestra (Washington, D.C. – refer to the UK one instead for musical theatre recordings)
conductor:
Antal Doráti (conductor)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
National Symphony Orchestra5:14
6Gloria in D, R.589 - 1. Gloria in excelsis Deo
producer:
Chris Hazell
choir vocals:
Choir of St John’s College, Cambridge (in 1981-07)
orchestra:
The Wren Orchestra (in 1981-07)
conductor:
George Guest (organist and conductor) (in 1981-07)
balance engineer:
Colin Moorfoot (engineer)
recorded at:
St John’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1981-07)
recording of:
Gloria, RV 589: I. Gloria in excelsis Deo (edited by Malipiero) (in 1981-07)
lyricist:
Anonymous ([anonymous], special purpose artist)
additional composer:
Gian Francesco Malipiero (Italian composer)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
is based on:
Gloria in D major, RV 589: I. Gloria in excelsis Deo
part of:
Gloria, RV 589 (edited by Malipiero)
Choir of St John’s College, Cambridge2:44
7Ruslan and Lyudmila / Act 1 - Overture
engineer:
Jaap de Jong and Roger de Schot
producer:
Anna Barry (classical producer)
orchestra:
Kirov Orchestra (Mariinsky Theatre Orchestra, fka Kirov Orchestra till 1992) (in 1993-05)
conductor:
Valery Gergeiv (Valery Gergiev, conductor) (in 1993-05)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Philharmonie Haarlem in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-05)
recording of:
Руслан и Людмила: Увертюра (Ruslan and Lyudmila: Overture) (in 1993-05)
composer:
Mikhail Glinka (Russian composer) (from 1837 until 1842)
part of:
Руслан и Людмила (Ruslan and Lyudmila)
Симфонический оркестр Мариинского театра4:55
8Adagio for Strings, Op.11
engineer:
Simon Eadon (classical music engineer)
producer:
Chris Hazell
orchestra:
Baltimore Symphony Orchestra (from 1991-09-30 until 1991-10-01)
conductor:
David Zinman (conductor) (from 1991-09-30 until 1991-10-01)
balance engineer:
Simon Eadon (classical music engineer) (from 1991-09-30 until 1991-10-01)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1992) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1992)
recorded at:
Joseph Meyerhoff Symphony Hall (Meyerhoff Symphony Hall) in Baltimore, Maryland, United States (from 1991-09-30 until 1991-10-01)
recording of:
Adagio for Strings (from 1991-09-30 until 1991-10-01)
orchestrator:
Samuel Barber (American composer) (in 1938)
composer:
Samuel Barber (American composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Baltimore Symphony Orchestra8:47
9Cavalleria rusticana - Intermezzo
recording engineer:
Colin Moorfoot (engineer)
producer:
Michael Woolcock (producer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1976-06-10 until 1976-06-16)
conductor:
Gianandrea Gavazzeni (conductor) (from 1976-06-10 until 1976-06-16)
balance engineer:
Kenneth Wilkinson (engineer) (in 1976-06)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-06-10 until 1976-06-16)
recording of:
Cavalleria rusticana: Intermezzo (from 1976-06-10 until 1976-06-16)
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
National Philharmonic Orchestra3:10
10Piano Concerto No.2 in C minor, Op.18 - 2. Adagio sostenuto
recording engineer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
producer:
Christopher Raeburn (producer)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (from 1970-10-20 until 1970-10-23)
orchestra:
London Symphony Orchestra (from 1970-10-20 until 1970-10-23)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1970-10-20 until 1970-10-23)
balance engineer:
Kenneth Wilkinson (engineer) (in 1970-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-10-20 until 1970-10-23)
recording of:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto (from 1970-10-20 until 1970-10-23)
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Sergei Rachmaninoff (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Vladimir Ashkenazy4.511:52
11The Lark Ascending
producer:
Dominic Fyfe
violin:
Janine Jansen (Dutch violinist and violist) (in 2003-02)
orchestra:
Royal Philharmonic Orchestra (in 2003-02)
conductor:
Barry Wordsworth (conductor) (in 2003-02)
balance engineer:
Philip Siney (sound engineer)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2003-02)
recording of:
The Lark Ascending (for violin and orchestra) (in 2003-02)
composer:
Ralph Vaughan Williams (English composer) (in 1914)
premiered at:
[concert] (1921-06-14)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1921-06-14)
arrangement of:
The Lark Ascending (for violin and piano)
Royal Philharmonic Orchestra14:35
12Piano Concerto No.4 in G, Op.58 - 3. Rondo (Vivace)
Stephen Kovacevich9:02
13Clarinet Concerto in A, K622 - 2. Adagio
clarinet:
Emma Johnson (UK clarinettist) (in 1985)
orchestra:
English Chamber Orchestra (in 1985)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1985)
phonographic copyright (℗) by:
ASV Ltd. (not for release label use; fka Academy Sound & Vision Ltd. until 1995-02-03) (in 1985)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (in 1985)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Emma Johnson7:37
14Variations on an Original Theme, Op.36
orchestra:
Royal Philharmonic Orchestra (from 1992-02-24 until 1992-02-25)
conductor:
Sir Charles Mackerras (Australian conductor) (from 1992-02-24 until 1992-02-25)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1992-02-24 until 1992-02-25)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (from 1992-02-24 until 1992-02-25)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Royal Philharmonic Orchestra4:10
15Serenade in G, K.525
recorded in:
Great Britain (from 1985-11-08 until 1985-11-09)
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (from 1985-11-08 until 1985-11-09)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-08 until 1985-11-09)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1985-11-08 until 1985-11-09)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (from 1985-11-08 until 1985-11-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Academy of St Martin in the Fields3:01
16Suite No.3 in D, BWV 1068 - 2. Air
executive producer:
Günther Breest (producer for classical music)
producer:
Michel Glotz
organ:
David Bell (organist) (from 1983-09-28 until 1983-09-30)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1983-09-28 until 1983-09-30)
conductor:
Herbert von Karajan (conductor) (from 1983-09-28 until 1983-09-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1983-09-28 until 1983-09-30)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1984)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1983-09-28 until 1983-09-30)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (from 1983-09-28 until 1983-09-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Berliner Philharmoniker56:04
17Vier letzte Lieder - 1. Frühling
engineer:
James Lock (James Locke, engineer)
producer:
Christopher Raeburn (producer)
soprano vocals:
Kiri Te Kanawa (soprano) (from 1990-06-08 until 1990-06-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1990-06-08 until 1990-06-09)
conductor:
Sir Georg Solti (conductor) (from 1990-06-08 until 1990-06-09)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1990-06-08 until 1990-06-09)
recording of:
Vier letzte Lieder, AV 150: I. „Frühling“ (Four Last Songs, AV 150: 1. “Spring”) (from 1990-06-08 until 1990-06-09)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-07-20)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Kiri Te Kanawa3:21
18Gabriel's Oboe
orchestra:
Prague Philharmonia (The City of Prague Philharmonic Orchestra) (in 1999-05) and Prague Philharmonia (in 1999-05)
conductor:
Nick Ingman (in 1999-05)
arranger:
Nick Ingman
recorded at:
Smecky Music Studios in Praha (Prague), Czechia (in 1999-05)
recording of:
Gabriel’s Oboe (The Mission, main theme) (in 1999-05)
publisher:
Ennio Morricone (Italian classical and score composer)
orchestrator and composer:
Ennio Morricone (Italian classical and score composer)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (Publishers) Ltd.
part of:
The Mission
Pražská komorní filharmonie3:15
19Il Trovatore / Act 2 -
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Coro dell’Accademia Nazionale di Santa Cecilia2:38
20An der schönen blauen Donau, Op.314
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
partial recording of:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314)
premiered in:
Wien (Vienna), Austria (on 1867-02-15)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
Berliner Philharmoniker3:18
2▼Digital Media
#TitleArtistRatingLength
21Adagio for Strings and Organ in G minor
pipe organ:
Maria Teresa Garatti (keyboardist) (in 1960-11)
orchestra:
I Musici (in 1960-11)
recorded at:
Aula la magna de l'ateneo Antoniano in Roma (Rome), Roma, Lazio, Italy (in 1960-11)
recording of:
Adagio for Strings and Organ in G minor (in 1960-11)
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Maria Teresa Garatti6:58
22Ave verum corpus, K.618
producer:
Christopher Hazell
organ:
James Vivian (organist) (from 1996-07-01 until 1996-07-05)
choir vocals:
Choir of King’s College, Cambridge (from 1996-07-01 until 1996-07-05)
conductor:
Stephen Cleobury (organist, conductor) (from 1996-07-01 until 1996-07-05)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1996-07-01 until 1996-07-05)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ) (from 1996-07-01 until 1996-07-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 618)
Choir of King’s College, Cambridge3:37
23Symphony No.3
soprano vocals:
Joanna Kozłowska (soprano)
orchestra:
Warsaw Philharmonic Orchestra (The Warsaw National Philharmonic Orchestra)
conductor:
Kazimierz Kord (conductor)
recording of:
Symphony no. 3, op. 36 "Symphony of Sorrowful Songs": II. Lento e largo: Tranquillissimo - Cantabilissimo - Dolcissimo - Legatissimo
lyricist:
Helena Wanda Błażusiakówna
composer:
Henryk Mikołaj Górecki (Henryk Mikolaj Gorecki, Polish composer) (in 1976)
part of:
Symphony no. 3, op. 36 "Symphony of Sorrowful Songs"
Joanna Kozłowska410:04
24Zadok the Priest (Coronation Anthem No.1, HWV 258)
vocals:
Winchester Cathedral Choir (in 1993-02)
orchestra:
The Brandenburg Consort (in 1993-02)
conductor:
David Hill (British organist and conductor) (in 1993-02)
recorded at:
Winchester Cathedral in Winchester, Hampshire, England, United Kingdom (in 1993-02)
recording of:
The Four Coronation Anthems: “Zadok the Priest”, HWV 258 (in 1993-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1727)
premiered at:
Westminster Abbey in London (Greater London), England, United Kingdom (on 1727-10-11)
part of:
Händel-Werke-Verzeichnis (number: HWV 258)
part of:
The Four Coronation Anthems
Choir of Winchester Cathedral5:43
25Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043 - 2. Largo ma non tanto
recorded in:
La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 1978-11-06 until 1978-11-11)
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
violin:
Arthur Grumiaux (Belgian violinist) (from 1978-11-06 until 1978-11-11) and Herman Krebbers (violinist) (from 1978-11-06 until 1978-11-11)
orchestra:
Les Solistes Romands (from 1978-11-06 until 1978-11-11)
conductor:
Arpad Gérecz (violinist/conductor) (from 1978-11-06 until 1978-11-11)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 1978-11-06 until 1978-11-11)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto (from 1978-11-06 until 1978-11-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Arthur Grumiaux6:39
26Spiegel Im Spiegel
piano:
Alexei Grynyuk (pianist) (on 2008-04-15)
violin:
Nicola Benedetti (violinist) (on 2008-04-15)
recorded at:
Wyastone Concert Hall in Monmouth, Monmouthshire, Wales, United Kingdom (on 2008-04-15)
recording of:
Spiegel im Spiegel (for violin and piano) (on 2008-04-15)
composer:
Arvo Pärt (Estonian composer) (in 1978)
part of:
Classic 100: Piano (2025) (number: 12)
Nicola Benedetti9:50
27The Hebrides, Op.26 (Fingal's Cave)
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic) (in 1978-12)
conductor:
Christoph von Dohnányi (German conductor) (in 1978-12)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1978-12)
recording of:
Die Hebriden, op. 26 (The Hebrides, op. 26 “Fingal’s Cave”, Fingal's Cave) (in 1978-12)
premiered in:
London (Greater London), England, United Kingdom (on 1832-05-14)
composer:
Felix Mendelssohn (composer) (in 1830)
part of:
Works of Felix Mendelssohn by opus number (number: op. 26) and Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV P 7)
Wiener Philharmoniker510:11
28Suite bergamasque - 3. Clair de lune
audio engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Karl Faust (producer) and Hans-Joachim Reiser (engineer/producer)
piano:
Tamás Vásáry (Hungarian pianist and conductor) (in 1969-04)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1969-04)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano) (in 1969-04)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
part of:
Classic 100: Piano (2004) (number: 3)
part of:
Suite bergamasque, L. 75, CD 82 (for piano)
Tamás Vásáry55:15
29A Gaelic Blessing
choir vocals:
Ex Cathedra Chamber Choir
conductor:
Jeffrey Skidmore (Ex Cathedra conductor)
recording of:
A Gaelic Blessing: Meditation
lyricist:
William Sharp (Scottish poet)
composer:
John Rutter (English choral music composer, conductor, arranger and producer, born 1945)
Ex Cathedra Choir1:49
30Quanta Qualia
Hayley Westenra4:24
31Fantasia on a Theme by Thomas Tallis
cello:
Kenneth Heath (cellist) (in 1971-05)
viola:
Stephen Shingles (in 1971-05)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1971-05) and Trevor Connah (violinist) (in 1971-05)
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Neville Marriner (conductor) (in 1971-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Fantasia on a Theme by Thomas Tallis (in 1971-05)
composer:
Ralph Vaughan Williams (English composer) (in 1910)
is based on:
Nine Psalm Tunes for Archbishop Parker’s Psalter: No. 3 “Why Fum’th in Fight” (Psalm 2)
Iona Brown15:13
32Crown Imperial: A Coronation March
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1996-07)
conductor:
Roger Norrington (conductor) (in 1996-07)
recording of:
Crown Imperial (march) (in 1996-07)
composer:
William Walton (British composer and conductor) (in 1937)
publisher:
Oxford University Press
London Philharmonic Orchestra6:58
33Judas Maccabaeus HWV 63 -
choir vocals:
Handel Opera Society Chorus
orchestra:
Handel Opera Society Orchestra
conductor:
Charles Farncombe (conductor)
recording of:
Judas Maccabaeus, HWV 63: Act III, no. 58: “See the Conqu’ring Hero Comes” (Chorus of Youths, Chorus of Virgins)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act III
Handel Opera Society Orchestra3:06
34Chants d'Auvergne - 2. Bailero
producer:
Paul Myers (classical record producer)
soprano vocals:
Kiri Te Kanawa (soprano) (in 1982-08)
orchestra:
English Chamber Orchestra (in 1982-08)
conductor:
Jeffrey Tate (conductor) (in 1982-08)
balance engineer:
John Dunkerley (engineer) (in 1982-08)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1982-08)
recording of:
Chants d'Auvergne: Première Série: No. 2. Baïlèro (in 1982-08)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Joseph Canteloube
part of:
Chants d'Auvergne: Première Série
Kiri Te Kanawa6:39
35Fanfare for the Common Man
producer:
Ray Minshull (record producer)
orchestra:
Los Angeles Philharmonic Orchestra (in 1977-08)
conductor:
Zubin Mehta (conductor) (in 1977-08)
balance engineer:
Simon Eadon (classical music engineer) (in 1977-08) and James Lock (James Locke, engineer) (in 1977-08)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1977-08)
recording of:
Fanfare for the Common Man (for brass and percussion orchestra) (in 1977-08)
composer:
Aaron Copland (composer) (in 1942)
was commissioned by:
Cincinnati Symphony Orchestra and Eugene Goossens (Sir Eugene Goossens, composer and conductor, third of the Eugène Goossens dynasty)
premiered by:
Cincinnati Symphony Orchestra (on 1943-03-12) and Eugene Goossens (Sir Eugene Goossens, composer and conductor, third of the Eugène Goossens dynasty) (on 1943-03-12)
publisher:
Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
Los Angeles Philharmonic2:47
36Jerusalem
Waynflete Singers2:42
37Overture
Gewandhausorchester Leipzig12:00
38Symphony No.40 in G minor, K.550 - 1. Molto allegro
Staatskapelle Dresden8:24
39Rusalka, Op.114 / Act 1 - Mesicku na nebi hlubokém
engineer:
Jürgen Bulgrin (sound engineer) and Wolf‐Dieter Karwatky
assistant producer:
Gilles Delatronchette
producer:
Michael Haas (classical music producer)
soprano vocals:
Renée Fleming (soprano) (from 1988-04-28 until 1988-05-09)
orchestra:
Czech Philharmonic Orchestra (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (from 1988-04-28 until 1988-05-09)
conductor:
Sir Charles Mackerras (Australian conductor) (from 1988-04-28 until 1988-05-09)
balance engineer:
James Lock (James Locke, engineer) (from 1988-04-28 until 1988-05-09) and Philip Siney (sound engineer) (from 1988-04-28 until 1988-05-09)
recorded at:
Rudolfinum (House of Artists) in Praha (Prague), Czechia (from 1988-04-28 until 1988-05-09)
recording of:
Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Rusalka, op. 114, B. 203: Act 1. "Song to the Moon", Song to the Moon) (from 1988-04-28 until 1988-05-09)
composer:
Antonín Dvořák (composer) (from 1900-04-21 until 1900-11-27)
part of:
Rusalka, op. 114, B. 203: 1. jednání
Renée Fleming6:25
40Overture Cockaigne, Op.40
orchestra:
London Symphony Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Cockaigne (In London Town), op. 40
composer:
Edward Elgar (composer) (in 1897)
premiered at:
[concert] (1901-06-20)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes) (in 1901)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1901-06-20)
part of:
Works of Edward Elgar by opus number (number: op. 40)
London Symphony Orchestra14:25
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41Pavane, Op.50
Rotterdams Philharmonisch Orkest5:16
42A Night on the Bare Mountain
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 2000-12-22)
conductor:
Valery Gergiev (conductor) (on 2000-12-22)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 2000-12-22)
live recording of:
Une nuit sur le mont chauve: Fantaisie pour l’orchestre (Night on Bald Mountain, orchestrated by Rimsky-Korsakov) (on 2000-12-22)
orchestrator:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1886)
composer:
Modest Mussorgsky (composer) (from 1867-06-12 until 1867-06-23)
dedicated to:
Wladimir Stassoff (Vladimir Vasilievich Stasov)
publisher:
W. Bessel & Cie (in 1886)
is based on:
St. John’s Night on the Bare Mountain (original version)
Wiener Philharmoniker11:47
43Piano Sonata No.14 in C sharp minor, Op.27 No.2 -
recording engineer:
John Dunkerley (engineer) (in 1977-09)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca) (in 1977-09)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1977-09)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (in 1977-09)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Vladimir Ashkenazy6:08
44Ave Maria
harp:
Thelma Owen (in 1984-06)
soprano vocals:
Kiri Te Kanawa (soprano) (in 1984-06)
arranger:
Thelma Owen
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1984)
recording of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano) (in 1984-06)
lyricist:
Jairo (Argentinean singer) and Sir Walter Scott (19th-century Scottish author)
composer:
Franz Schubert (composer) (in 1825)
translator:
Adam Storck
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 839)
Kiri Te Kanawa3:32
45Nutcracker Suite, Op.71a - 3. Waltz of the Flowers
London Philharmonic Orchestra6:44
46Turandot / Act 3 -
José Carreras3:30
47Pictures at an Exhibition - Promenade
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 2000-04-28 until 2000-04-30)
conductor:
Valery Gergiev (conductor) (from 2000-04-28 until 2000-04-30)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2000-04-28 until 2000-04-30)
live recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Allegro giusto, nel modo russico – Senza allegrezza, ma poco sostenuto, orchestrated by Ravel, 1st promenade) (from 2000-04-28 until 2000-04-30)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: Promenade (1st) (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Wiener Philharmoniker1:34
48Violin Concerto in E minor, Op.64 - 2. Andante
recording engineer:
John Dunkerley (engineer) (in 1981-07)
producer:
Ray Minshull (record producer)
violin:
Kyung Wha-Chung (Kyung-Wha Chung, violinist) (in 1981-07)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1981-07)
conductor:
Charles Dutoit (conductor) (in 1981-07)
performer:
정경화 (Kyung-Wha Chung, violinist)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1981-07)
recording of:
Violinkonzert in e-Moll, op. 64: II. Andante (Concerto for Violin and Orchestra in E minor, op. 64: II. Andante) (in 1981-07)
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)
정경화7:21
49Piano Sonata No.11 in A, K.331 -
Claudio Arrau3:33
50Chanson de Matin, Op.15, No.2
BBC Concert Orchestra3:04
51Symphonie fantastique, Op.14 - 4. Marche au supplice (Allegretto non troppo)
Orchestre symphonique de Montréal4:55
52Nulla in mundo pax, R.630 - 1. Nulla in mundo pax (Larghetto)
Elly Ameling2:41
53Recuerdos De La Alhambra
Eduardo Fernández4:44
54Adagio from Spartacus: Onedin Line theme
Симфонический оркестр Мариинского театра2:51
55Boléro
Orchestre symphonique de Montréal15:05
56Canon and Gigue in D major - arr. Max Seiffert - 1. Canon
engineer:
Günter Hermanns (producer/engineer) (in 1983-11)
producer:
Werner Mayer (classical producer)
harpsichord:
Frank Maus (harpsichordist and pianist) (in 1983-11)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1983-11)
conductor:
Herbert von Karajan (conductor) (in 1983-11)
arranger:
Max Seiffert
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1983-11)
recording of:
Canon and Gigue in D major: I. Canon (arr. Max Seiffert) (in 1983-11)
composer:
Johann Pachelbel (composer)
arranger:
Max Seiffert
arrangement of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
part of:
Canon and Gigue in D major, T. 337 (arr. Max Seiffert)
Berliner Philharmoniker5:07
57Suite No.2 in B minor, BWV 1067 - 7. Badinerie
recording engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
flute:
Aurèle Nicolet (flutist) (in 1960-06)
orchestra:
Munich Bach Orchestra (in 1960-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1960-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1960-06)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (in 1960-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestral Suite no. 2 in B minor, BWV 1067: Badinerie (orch. Mahler) (in 1960-06)
orchestrator:
Gustav Mahler (composer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
part of:
Suite from Orchestral Works of Bach (orch. Mahler)
Aurèle Nicolet1:31
58Messiah / Part 2 - 42. Chorus:
London Symphony Chorus3:51
59Herz und Mund und Tat und Leben Cantata, BWV 147 - Jesu, Joy Of Man's Desiring
producer:
Christopher Hazell
oboe:
Nicholas Daniel (oboist and conductor) (from 1996-07-01 until 1996-07-05)
organ:
Robert Quinney (organist and choir director) (from 1996-07-01 until 1996-07-05) and James Vivian (organist) (from 1996-07-01 until 1996-07-05)
choir vocals:
Choir of King’s College, Cambridge (from 1996-07-01 until 1996-07-05)
conductor:
Stephen Cleobury (organist, conductor) (from 1996-07-01 until 1996-07-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1996-07-01 until 1996-07-05)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) (from 1996-07-01 until 1996-07-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Jesu, Joy of Man’s Desiring (in 1996-07)
orchestrator:
Leopold Stokowski (conductor)
lyricist:
Robert Bridges (poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
translated version of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Choir of King’s College, Cambridge6:00
60Water Music Suite No.2 in D, HWV 349 - Alla Hornpipe
Koninklijk Concertgebouworkest3:02
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61Le Carnaval des Animaux - Le Cygne
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
recording of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello) (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
arranger:
Pege Aladár
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Martha Argerich3:10
62Carmen Suite No.1 - Les toréadors
Orchestre symphonique de Montréal2:10
63Toccata and Fugue in D minor, BWV 565
Peter Hurford9:17
64Gayaneh - Sabre Dance
engineer:
James Brown (Decca engineer, 1960s) (in 1962-03)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1962-03-08 until 1962-03-11)
conductor:
Aram Khachaturian (Soviet-Armenian composer) (from 1962-03-08 until 1962-03-11)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1962)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1962-03-08 until 1962-03-11)
recording of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55: V. Sabre Dance (on 1962-03-08)
composer:
Արամ Խաչատրյան (Aram Khachaturian, Soviet-Armenian composer) (in 1942)
version of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
part of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55
recording of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55: V. Sabre Dance (from 1962-03-08 until 1962-03-11)
composer:
Արամ Խաչատրյան (Aram Khachaturian, Soviet-Armenian composer) (in 1942)
version of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
part of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55
Wiener Philharmoniker2:27
65Peer Gynt, Op.23 - Incidental Music - No.8. In the hall of the Mountain King
London Symphony Orchestra2:41
66Rhapsody in Blue
Pittsburgh Symphony Orchestra13:50
67Bagatelle in A minor, WoO 59 -
producer:
Andrew Cornall (engineer / producer) (from 1984-05 to present)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1984-05)
balance engineer:
Colin Moorfoot (engineer) (in 1984-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1984)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1984-05)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59) (in 1984-05)
composer:
Ludwig van Beethoven (German composer) (from 1808 until 1810)
part of:
Classic 100: Piano (2004) (number: 15), Classic 100: Piano (2025) (number: 17) and Kinsky catalogue (Beethoven WoO works) (number: WoO 59)
Vladimir Ashkenazy3:09
68Solomon HWV 67 - Act 3 - The Arrival of the Queen of Sheba
Academy of Ancient Music3:22
69Concerto For Violin And Strings In E, Op.8, No.1, R.269
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (engineer) (in 1981-10)
editor:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (from 1981-10-20 until 1981-10-23)
violin:
Simon Standage (English violinist and conductor) (from 1981-10-20 until 1981-10-23)
orchestra:
The English Concert (from 1981-10-20 until 1981-10-23)
conductor:
Trevor Pinnock (conductor / harpsichord) (from 1981-10-20 until 1981-10-23)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1981-10)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1981-10-20 until 1981-10-23)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (from 1981-10-20 until 1981-10-23)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Simon Standage3:17
70Rigoletto - original version - Act 3 -
Luciano Pavarotti2:09
71Cello Concerto in E minor, Op.85 - 3. Adagio
Julian Lloyd Webber5:14
72Mass in B minor, BWV 232 - Kyrie - Kyrie Eleison
Chicago Symphony Chorus10:17
73Tristan und Isolde / Act 3 -
Joan Sutherland6:21
74Requiem, Op.48 - 5. Agnus Dei
choir vocals:
Academy of St Martin in the Fields Chorus (in 1993-01)
vocals:
Academy of St Martin in the Fields Chorus
orchestra:
Academy of St Martin in the Fields (in 1993-01)
conductor:
Sir Neville Marriner (conductor) (in 1993-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1993-01)
recording of:
Requiem, op. 48: V. Agnus Dei et Lux Aeterna (1890, second version) (in 1993-01)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
Academy of St. Martin in the Fields Chorus5:37
75Brandenburg Concerto No.2 in F, BWV 1047 - 1. (Allegro)
oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1980-05)
recorder:
Michala Petri (recorder player) (in 1980-05)
trumpet:
André Bernard (trumpet player and conductor) (in 1980-05)
violin:
Henryk Szeryng (violinist) (in 1980-05)
orchestra:
Academy of St Martin in the Fields (in 1980-05)
conductor:
Neville Marriner (conductor) (in 1980-05)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1980-05)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (in 1980-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Henryk Szeryng5:07
76Die Meistersinger von Nürnberg - Prelude
orchestra:
Chicago Symphony Orchestra
conductor:
Sir Georg Solti (conductor)
recording of:
Die Meistersinger von Nürnberg, WWV 96: Vorspiel
composer:
Richard Wagner (composer) (from 1863 until 1867)
part of:
Die Meistersinger von Nürnberg, WWV 96
Chicago Symphony Orchestra9:41
77Symphony No.5 in C sharp minor - 4. Adagietto (Sehr langsam)
Koninklijk Concertgebouworkest10:17
78William Tell - Overture
National Philharmonic Orchestra11:53
79Requiem in D minor, K.626 - 3. Sequentia: Dies irae
producer:
Erik Smith (British producer, pianist and harpsichordist)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1990-02)
orchestra:
Academy of St Martin in the Fields (in 1990-02)
conductor:
Sir Neville Marriner (conductor) (in 1990-02)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1990-02)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-02)
recording of:
Requiem in D minor, K. 626: III. Sequenz: a. Dies irae (Süßmayr Edition; choir) (in 1990-02)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Academy of St. Martin in the Fields Chorus1:56
80Les Contes d'Hoffmann / Act 4 - Entr'acte (Barcarolle)
orchestra:
Gothenburg Symphony Orchestra
conductor:
Neeme Järvi (Estonian conductor)
recording of:
Les Contes d’Hoffmann: Barcarolle (The Tales of Hoffmann: Barcarolle, catch-all for arrangements)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
arrangement of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
Göteborgs Symfoniker4:42
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81La Damnation de Faust, Op.24 / Part 1 - Marche hongroise
Orchestre symphonique de Montréal4:37
82Kinderszenen, Op.15 - 7. Träumerei
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (from 1987-06 until 1987-07, in 1987-07)
recorded at:
Saalbau in Aarau, Aargau, Switzerland (from 1987-06 until 1987-07, in 1987-07)
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano) (from 1987-06 until 1987-07)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Classic 100: Piano (2004) (number: 17)
part of:
Kinderszenen, op. 15
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano) (in 1987-07)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Classic 100: Piano (2004) (number: 17)
part of:
Kinderszenen, op. 15
Vladimir Ashkenazy2:49
83Piano Quintet in A, D.667 -
András Schiff8:13
848 Slavonic Dances, Op.46 - No.8 in G minor (Presto)
Koninklijk Concertgebouworkest4:21
85Má Vlast (My Country) - 2. Vltava (The Moldau)
Koninklijk Concertgebouworkest2:58
86Horn Concerto No.4 in E flat, K.495 - 3. Rondo (Allegro vivace)
Barry Tuckwell3:55
87Fantasia on Greensleeves
producer:
Chris Hazell
flute:
William Bennett (flautist) (from 1980-02-12 until 1980-02-13)
orchestra:
Academy of St Martin in the Fields (from 1980-02-12 until 1980-02-13)
conductor:
Neville Marriner (conductor) (from 1980-02-12 until 1980-02-13)
balance engineer:
Stanley Goodall (engineer) (in 1980-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-02-12 until 1980-02-13)
recording of:
Fantasia on “Greensleeves” (from 1980-02-12 until 1980-02-13)
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Academy of St Martin in the Fields4:28
88Miserere
organ:
Andrew Wright (Organist)
choir vocals:
Westminster Cathedral Boys' Choir (in 1982-06)
treble vocals:
Saul Quirke (English boy soprano, late 20th cent.) (in 1982-06)
conductor and chorus master:
Stephen Cleobury (organist, conductor) (in 1982-06)
recorded at:
Westminster Cathedral in London (Greater London), England, United Kingdom (in 1982-06)
recording of:
Miserere mei, Deus (in 1982-06)
composer:
Gregorio Allegri (composer)
quotes lyrics from:
Miserere mei (words from Psalm 51)
Saul Quirke11:17
89Concierto de Aranjuez for Guitar and Orchestra - 2. Adagio
Carlos Bonell10:52
90Organ Concerto No.13 in F -
organ:
George Malcolm (English harpsichordist, conductor)
orchestra:
Academy of St Martin in the Fields
conductor:
Neville Marriner (conductor)
recording of:
Organ Concerto no. 13 in F major, HWV 295 “The Cuckoo and the Nightingale”
composer:
George Frideric Handel (German‐British baroque composer) (until 1739-04-02)
premiered at:
His Majesty’s Theatre (Haymarket, London) in London (Greater London), England, United Kingdom (on 1739-04-04)
part of:
Händel-Werke-Verzeichnis (number: HWV 295)
George Malcolm0:59
91St. Matthew Passion, BWV 244 / Part Two - No.39 Aria (Alto):
cello:
John Sharp (cellist)
double bass:
Joseph Guastafeste (double bassist)
flute:
Louise Dixon (flutist) and Donald Peck (flautist)
oboe:
Michael Henoch (oboist) and Grover Schiltz (American classical English horn player)
organ:
David Schrader (harpsichordist)
violin:
Samuel Magad (violinist)
alto vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1987-03)
vocals:
Anne Sofie von Otter (mezzo-soprano)
orchestra:
Chicago Symphony Orchestra (in 1987-03)
conductor:
Sir Georg Solti (conductor) (in 1987-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 1987-03)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Anne Sofie von Otter7:02
92Vesperae solennes de confessore in C, K.339 - Laudate Dominum omnes gentes (Ps. 116/117)
producer:
Chris Hazell
choir vocals:
Choir of St John’s College, Cambridge (from 1979-08-01 until 1979-08-02)
soprano vocals:
Felicity Palmer (mezzo-soprano) (from 1979-08-01 until 1979-08-02)
orchestra:
The Wren Orchestra (from 1979-08-01 until 1979-08-02)
conductor:
George Guest (organist and conductor) (from 1979-08-01 until 1979-08-02)
balance engineer:
John Dunkerley (engineer) (in 1979-08) and Kenneth Wilkinson (engineer) (in 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
Chapel of St John's College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1979-08-01 until 1979-08-02)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum (from 1979-08-01 until 1979-08-02)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1780)
part of:
Vesperae solennes de confessore, K. 339
Felicity Palmer4:48
93Introduction and Allegro for Strings, Op.47
Academy of St Martin in the Fields13:49
94I Was Glad
Waynflete Singers7:26
95The Nutcracker, Op.71 / Act 2 - No. 13 Waltz of the Flowers
National Philharmonic Orchestra6:36
96Pavane pour une infante défunte - Orchestral version
John Zirbel6:44
97Cantique De Jean Racine, Op.11
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
organ:
Stephen Cleobury (organist, conductor) (from 1975-07-28 until 1975-07-29)
choir vocals:
Choir of St John’s College, Cambridge (from 1975-07-28 until 1975-07-29)
conductor:
George Guest (organist and conductor) (from 1975-07-28 until 1975-07-29)
recorded at:
St John’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1975-07-28 until 1975-07-29)
recording of:
Cantique de Jean Racine, op. 11 (for choir and piano or organ) (from 1975-07-28 until 1975-07-29)
lyricist:
Jean Racine (French dramatist)
composer:
Gabriel Fauré (French composer) (in 1865)
dedicated to:
César Franck (Belgian‐born French composer)
part of:
Works of Gabriel Fauré by opus number (number: op. 11)
Choir of St John’s College, Cambridge5:43
98Rhapsody on a Theme by Paganini, Op.43 - Variation 18
piano:
Bella Davidovich (pianist)
orchestra:
Concertgebouw Orchestra Amsterdam (Royal Concertgebouw Orchestra)
conductor:
Neeme Järvi (Estonian conductor)
partial recording of:
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile
composer:
Sergei Rachmaninoff (Russian composer) (from 1934-07-03 until 1934-08-18)
part of:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
Neeme Järvi2:34
99Nocturnes - orchestral version - 2. Fêtes
Orchestre symphonique de Montréal6:19
100Waltz No.6 in D flat, Op.64 No.1 -
piano:
Nikita Magaloff (pianist) (in 1975-10)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1975-10)
recording of:
Waltz no. 6 in D‐flat major, op. 64 no. 1 “Minute Waltz” (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1846 until 1847)
part of:
Waltzes, op. 64
Nikita Magaloff1:41