O Moon of Alabama: Historische Originalaufnahmen (1928 - 1944)

~ Release by Kurt Weill (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Alabama-Song
orchestra:
Marek Weber und sein Orchester (in 1928-03)
conductor:
Marek Weber
instrumental recording of:
Alabama Song (from the songspiel “Mahagonny” & opera “Rise and Fall of the City of Mahagonny”) (in 1928-03)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Elisabeth Hauptmann
publisher:
Harms Co., Kurt Weill Foundation for Music, Inc., Universal Edition (publisher; do NOT use as release label) and Universal Edition (London) Ltd. (publisher; do NOT use as release label)
translated version of:
Alabama Song (from “Aufstieg und Fall der Stadt Mahagonny”)
2:57
2Tango Angèle
orchestra:
Saxophon-Orchester Dobbri
recording of:
Tango Angèle (in 1928-01)
composer:
Kurt Weill (composer)
3:05
3Die Muschel von Margate
vocals:
Otto Pasetti (in 1931)
recording of:
Die Muschel von Margate (Petroleum-Song) (in 1931)
lyricist:
Felix Gasbarra
composer:
Kurt Weill (composer)
2:58
4Surabaya-Johnny
vocals:
Lotte Lenya (in 1929)
orchestra:
Theo Mackeben Jazzband (in 1929)
recording of:
Happy End: Teil 3. No. 10: Das Lied vom Surabaya‐Johnny. “Ich war jung, Gott, erst sechzehn Jahre” (original German version) (in 1929)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
librettist:
Elisabeth Hauptmann
part of:
Happy End: Teil 3: Lieder der rivalisierenden Armeen
2:54
5Bilbao-Song
vocals:
Lotte Lenya (in 1929-10)
orchestra:
Theo Mackeben Jazzband (in 1929-10)
recording of:
Happy End: Teil 1. No. 1: Bilbao‐Song. “Bills Ballhaus in Bilbao” (in 1929-10)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
librettist:
Elisabeth Hauptmann
publisher:
Universal Edition AG (Wien) (publisher; do NOT use as release label)
part of:
Happy End: Teil 1: Lieder vom Höllenfeuer und Reue
2:58
6Matrosensong
orchestra:
Lewis Ruth Band (in 1929)
instrumental recording of:
Matrosen-Song (in 1929)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
3:10
7Surabaya-Johnny
orchestra:
Lewis Ruth Band (in 1929)
instrumental recording of:
Happy End: Teil 3. No. 10: Das Lied vom Surabaya‐Johnny. “Ich war jung, Gott, erst sechzehn Jahre” (original German version) (in 1929)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
librettist:
Elisabeth Hauptmann
part of:
Happy End: Teil 3: Lieder der rivalisierenden Armeen
2:45
8Der Song von Mandelay
orchestra:
Lewis Ruth Band (in 1929)
instrumental recording of:
Happy End: Teil 3. No. 9: Der Song von Mandelay. "Mutters Goddams Puff in Mandelay" (in 1929)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
librettist:
Elisabeth Hauptmann
part of:
Happy End: Teil 3: Lieder der rivalisierenden Armeen
3:04
9Surabaya-Johnny
orchestra:
"Red" Roberts mit seinem Ultraphon Jazz-Orchester (in 1930)
instrumental recording of:
Happy End: Teil 3. No. 10: Das Lied vom Surabaya‐Johnny. “Ich war jung, Gott, erst sechzehn Jahre” (original German version) (in 1930)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
librettist:
Elisabeth Hauptmann
part of:
Happy End: Teil 3: Lieder der rivalisierenden Armeen
2:44
10Surabaya-Johnny
vocals:
Marianne Oswald (in 1931)
orchestra:
Orchestre Pierre Chagnon (in 1931)
recording of:
Surabaya-Johnny (french version 1931) (in 1931)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
André Mauprey
3:18
11Alabama-Song
soprano vocals:
Lotte Lenya (on 1930-02-24)
vocals:
The Four Admirals (German 1930s vocal group) (on 1930-02-24) and Lotte Lenya (on 1930-02-24)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1930-02-24) and Theo Mackeben Jazzband (on 1930-02-24)
conductor:
Theo Mackeben (on 1930-02-24)
recording of:
Alabama Song (from the songspiel “Mahagonny” & opera “Rise and Fall of the City of Mahagonny”) (on 1930-02-24)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Elisabeth Hauptmann
publisher:
Harms Co., Kurt Weill Foundation for Music, Inc., Universal Edition (publisher; do NOT use as release label) and Universal Edition (London) Ltd. (publisher; do NOT use as release label)
translated version of:
Alabama Song (from “Aufstieg und Fall der Stadt Mahagonny”)
2:51
12Denn wie man sich bettet
vocals:
Lotte Lenya (in 1930)
recording of:
Aufstieg und Fall der Stadt Mahagonny: Denn wie man sich bettet (in 1930)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
3:25
13Querschnitt aus der Oper "Aufstieg und Fall der Stadt Mahagonny" (medley)
vocals:
Lotte Lenya (in 1932)
orchestra:
Ensemble und Orchester des Theaters am Kurfürstendamm Berlin (in 1932)
recording of:
Aufstieg und Fall der Stadt Mahagonny (medley) (in 1932)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
8:36
14Das Lied vom Schlaraffenland
vocals:
Ernst Busch (in 1933-01)
conductor:
Maurice Abravanel (conductor) (in 1933-01)
recording of:
Der Silbersee: III. Akt: Nr. 15a Er wächst uns in den Mund (Das Lied vom Schlaraffenland) (in 1933-01)
lyricist:
Georg Kaiser (playwright)
composer:
Kurt Weill (composer)
part of:
Der Silbersee: III. Akt
2:57
15Der Bäcker backt ums Morgenrot
vocals:
Ernst Busch (in 1933-01)
conductor:
Maurice Abravanel (conductor) (in 1933-01)
recording of:
Der Silbersee: I. Akt: Nr. 3 Der Bäcker bäckt im Morgenrot (in 1933-01)
lyricist:
Georg Kaiser (playwright)
composer:
Kurt Weill (composer)
part of:
Der Silbersee: I. Akt
3:10
166 Songs: 1. Lost in the Stars
piano:
Kurt Weill (composer) (in 1943)
vocals:
Lotte Lenya (in 1943)
recording of:
6 Songs: No. 1. Lost In the Stars (piano arrangement by the composer 1942) (in 1943)
lyricist:
Maxwell Anderson
composer and arranger:
Kurt Weill (composer)
arrangement of:
Lost in the Stars (song, Ulysses Africanus)
3:02
176 Songs: 2. Lover Man
piano:
Kurt Weill (composer) (in 1943)
vocals:
Lotte Lenya (in 1943)
recording of:
6 Songs: No. 2. Lover Man (piano arrangement by the composer 1942) (in 1943)
lyricist:
Maxwell Anderson
composer:
Kurt Weill (composer)
2:53
186 Songs: 3. J'attends un navire
piano:
Kurt Weill (composer)
vocals:
Lotte Lenya
recording of:
6 Songs: No. 3. J'attends un navire (piano arrangement by the composer 1942) (in 1943)
lyricist:
Jacques Deval
composer:
Kurt Weill (composer)
3:04
196 Songs: 4. Complainte de la Seine
piano:
Kurt Weill (composer)
vocals:
Lotte Lenya
recording of:
6 Songs: No. 4. Complainte de la Seine (piano arrangement by the composer 1942) (in 1943)
lyricist:
Maurice Magre
composer:
Kurt Weill (composer)
version of:
Complainte de la Seine
3:28
206 Songs: 5. Surabaya-Johnny
piano:
Kurt Weill (composer) (in 1943)
vocals:
Lotte Lenya (in 1943)
recording of:
6 Songs: No. 5. Surabaya Johnny (piano arrangement by the composer 1942) (in 1943)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
3:08
216 Songs: 6. Denn wie man sich bettet
piano:
Kurt Weill (composer) (in 1943)
vocals:
Lotte Lenya (in 1943)
recording of:
6 Songs: No. 6. Denn wie man sich bettet (piano arrangement by the composer 1942) (in 1943)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
3:06
22Und was bekam des Soldaten Weib?
piano:
Kurt Weill (composer)
vocals:
Lotte Lenya
recording of:
Und was bekam des Soldaten Weib? (music by Kurt Weill) (from 1943 until 1944)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
4:12
23Wie lange noch?
piano:
Kurt Weill (composer)
vocals:
Lotte Lenya
recording of:
Wie lange noch? (from 1943 until 1944)
lyricist:
Walter Mehring
composer:
Kurt Weill (composer)
3:17

Credits

Release

ASIN:DE: B000001WNR [info]