Discovering Opera 23: The Magic Flute

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 4 available)

Tracklist

1▼CD
#TitleRatingLength
1Die Zauberflöte: Act 1. Der Vogelfänger bin ich ja
producer:
Peter Andry (producer)
baritone vocals [Papageno]:
Walter Berry (bass‐baritone) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
2:42
2Die Zauberflöte: Act 1. Dies Bildnis ist bezaubernd schön
producer:
Peter Andry (producer)
tenor vocals [Tamino]:
Nicolai Gedda (tenor) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
4:12
3Die Zauberflöte: Act 1. O zittre nicht
producer:
Peter Andry (producer)
soprano vocals [Die Königin der Nacht]:
Lucia Popp (soprano) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt I. No. 4 Rezitativ und Arie „O zittre nicht, mein lieber Sohn” ... „Zum Leiden bin ich auserkoren” (Die Königin der Nacht) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
5:10
4Die Zauberflöte: Act 1. Hm, hm, hm
producer:
Peter Andry (producer)
baritone vocals [Papageno]:
Walter Berry (bass‐baritone) (from 1964-03-24 until 1964-04-10)
tenor vocals [Tamino]:
Nicolai Gedda (tenor) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt I. No. 5 Quintet „Hm! hm! hm! hm!” … „Drei Knaben, jung, schön, hold und weise” (Papageno, Tamino, Drei Damen) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
6:45
5Die Zauberflöte: Act 1. Bei Männern, welche Liebe fühlen
producer:
Peter Andry (producer)
baritone vocals [Papageno]:
Walter Berry (bass‐baritone) (from 1964-03-24 until 1964-04-10)
soprano vocals [Pamina]:
Gundula Janowitz (soprano) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt I. No. 7 Duett „Bei Männern, welche Liebe fühlen” (Pamina, Papageno) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
3:38
6Die Zauberflöte: Act 2. O Isis und Osiris
producer:
Peter Andry (producer)
bass vocals [Sarastro]:
Gottlob Frick (operatic bass) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
3:21
7Die Zauberflöte: Act 2. Der Hölle Rache
producer:
Peter Andry (producer)
soprano vocals [Die Königin der Nacht]:
Lucia Popp (soprano) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
3:14
8Die Zauberflöte: Act 2. In diesen heil'gen Hallen
producer:
Peter Andry (producer)
bass vocals [Sarastro]:
Gottlob Frick (operatic bass) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil’gen Hallen” (Sarastro) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
4:54
9Die Zauberflöte: Act 2. Ach, ich fühl's
producer:
Peter Andry (producer)
soprano vocals:
Gundula Janowitz (soprano) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl’s, es ist verschwunden“ (Pamina) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
4:10
10Die Zauberflöte: Act 2. O Isis und Osiris (Chor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
3:17
11Die Zauberflöte: Act 2. Ein Mädchen oder Weibchen
producer:
Peter Andry (producer)
baritone vocals [Papageno]:
Walter Berry (bass‐baritone) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
4:19
12Die Zauberflöte: Act 2. Papagena! Papagena! Papagena!
producer:
Peter Andry (producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. „Papagena! Weibchen! Täubchen!” … „Klinget, Glöckchen, klinget!” (Papageno, Drei Knaben, Papagena) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
13:38

Credits

Release

part of:Discovering Opera (a series by Fabbri Publishing Limited) (number: 23) (order: 20)
Discogs:https://www.discogs.com/release/8954405 [info]

Release group

excerpt from:Die Zauberflöte (1964 studio cast) by Mozart (Wolfgang Amadeus Mozart, classical composer); Janowitz (soprano), Gedda (tenor), Popp (soprano), Berry (bass‐baritone), Frick (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Otto Klemperer (German-born conductor and composer)
Discogs:https://www.discogs.com/master/304987 [info]