16 Most Requested Songs

~ Release by Doris Day (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Sentimental Journey (78 RPM version)
recorded in:
New York, New York, United States (on 1944-11-20)
vocals:
Doris Day (on 1944-11-20)
orchestra:
Les Brown and His Orchestra (on 1944-11-20)
recording of:
Sentimental Journey (on 1944-11-20)
lyricist:
Bud Green (in 1944)
composer:
Les Brown (American big band & jazz musician) (in 1944) and Ben Homer (in 1944)
publisher:
Chappell/Morris Ltd., Holliday Publishing, Morley Music Co. Inc., Morley Music Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Doris Day & Les Brown and His Orchestra3:10
2My Dreams Are Getting Better All the Time (78 RPM version)
orchestra:
Les Brown and His Orchestra (on 1945-02-01)
recording of:
My Dreams Are Getting Better All The Time (on 1945-02-01)
lyricist:
Mann Curtis
composer:
Vic Mizzy (US television & movie composer) (in 1945)
Doris Day & Les Brown and His Orchestra3:17
3It's Magic
vocals:
Doris Day (in 1947)
orchestra:
George Siravo and His Orchestra (in 1947)
conductor:
Percy Faith (on 1947-11-12)
recording of:
It’s Magic (on 1947-11-12)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 21st Academy Award for Best Original Song (number: 2)
part of:
Romance on the High Seas
Doris Day & Percy Faith and His Orchestra3:25
4Love Somebody (78 RPM version)
vocals:
Buddy Clark (US 1930s~1940s singer) (on 1947-11-21)
orchestra:
George Siravo Orchestra (on 1947-11-21)
recording of:
Love Somebody
writer:
Alex Kramer and Joan Whitney
Doris Day3:02
5Again
recording of:
Again
lyricist:
Dorcas Cochran
composer:
Lionel Newman
Doris Day, John Rarig & The Mellomen2:46
6Bewitched, Bothered and Bewildered
recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Williamson Music Company
part of:
Pal Joey
Doris Day, John Rarig & The Mellomen2:42
7Would I Love You (Love You, Love You)
Doris Day & Harry James3:01
8(Why Did I Tell You I Was Going to) Shanghai (78 RPM version)
vocals:
Doris Day (on 1951-05-15)
orchestra:
Paul Weston and His Orchestra (on 1951-05-15)
recording of:
(Why Did I Tell You I Was Going to) Shanghai
writer:
Milton DeLugg and Bob Hilliard
Doris Day2:20
9Sugarbush (78 RPM version)
vocals:
Doris Day (on 1952-02-07) and Frankie Laine (on 1952-02-07)
additional orchestra:
Carl Fischer and His Orchestra (on 1952-02-07)
recording of:
Sugarbush (Based on a the Afrikaans melody Suikerbossie) (on 1952-02-07)
arranger:
Josef Marais (South African singer, songwriter)
Doris Day & Frankie Laine1:59
10A Guy Is a Guy (78 RPM version)
vocals:
Doris Day (on 1952-02-07)
orchestra:
Paul Weston Orchestra (on 1952-02-07)
conductor:
Paul Weston (on 1952-02-07)
recording of:
A Guy Is a Guy (on 1952-02-07)
lyricist and composer:
Oscar Brand
publisher:
Ludlow Music
Doris Day2:40
11When I Fall in Love
choir vocals:
The Norman Luboff Choir (on 1952-06-05)
vocals:
Doris Day (on 1952-06-05)
orchestra:
Percy Faith and His Orchestra (Faith’s orchestra before his death in 1976) (on 1952-06-05)
conductor:
Percy Faith (on 1952-06-05)
cover recording of:
When I Fall in Love (on 1952-06-05)
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Doris Day, Paul Weston and His Orchestra & The Norman Luboff Choir2:57
12Secret Love (78 RPM version)
vocals:
Doris Day (on 1953-08-05)
orchestra:
The Warner Bros. Studio Orchestra (on 1953-08-05)
conductor:
Ray Heindorf (on 1953-08-05)
recorded at:
Warner Bros. Studios (Burbank, CA) in Burbank, California, United States (on 1953-08-05)
recording of:
Secret Love (song from “Calamity Jane”) (on 1953-08-05)
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
Chappell, Remick Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell North America and Warner Chappell North America Ltd.
sub-publisher:
Universal/MCA Music Ltd. (not for release label use!) and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
part of:
The 26th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1953 winner)
part of:
Calamity Jane (stage musical)
Doris Day33:38
13If I Give My Heart to You (78 RPM version)
background vocals:
The Mellomen (American singing quartet) (in 1954)
vocals:
Doris Day (in 1954)
orchestra:
Percy Faith and His Orchestra (Faith’s orchestra before his death in 1976) (in 1954)
conductor:
Percy Faith (in 1954)
recording of:
If I Give My Heart to You
writer:
Jimmie Crane, Al Jacobs and Milton Gabler
Doris Day & The Mellomen2:49
14I'll Never Stop Loving You (78 RPM version)
conductor:
Percy Faith (on 1955-04-05)
recording of:
I’ll Never Stop Loving You (on 1955-04-05)
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
part of:
The 28th Academy Award for Best Original Song (number: 2)
Doris Day & Percy Faith and His Orchestra3:04
15Whatever Will Be, Will Be (Que Sera, Sera)
vocals:
Doris Day (on 1956-02-24)
orchestra:
Frank De Vol and His Orchestra (on 1956-02-24)
conductor:
Frank De Vol (on 1956-02-24)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (from 1956 to present)
cover recording of:
Que será, será (Whatever Will Be, Will Be) (on 1956-02-24)
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
publisher:
Jay Livingston Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), St. Angelo Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Chappell Music (publisher as Warner/Chappell Music)
part of:
The 29th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1956 winner)
Doris Day2:05
16Everybody Loves a Lover (single version)
vocals:
Doris Day (on 1958-05-12)
orchestra:
Frank DeVol’s Orchestra (on 1958-05-12)
conductor:
Frank De Vol (on 1958-05-12)
recording of:
Everybody Loves a Lover (on 1958-05-12)
lyricist:
Richard Adler (musical composer/lyricist)
composer:
Robert Allen (US songwriter/arranger/pianist)
Doris Day & Frank De Vol and His Orchestra2:43