Die beliebtesten Meisterwerke der Romantik

~ Release by Various Artists (see all versions of this release, 6 available)

Annotation

Cello Violoncello – Anton Fiebig (tracks: 4-2)
Composed By – Alexander Borodin (tracks: 5-1), Anton Bruckner (tracks: 7-1 to 7-4), Antonin Dvorak* (tracks: 2-1 to 2-4), Dvorak* (tracks: 4-3), Bedrich Smetana* (tracks: 10-1 to 10-6), Smetana* (tracks: 4-1), Debussy* (tracks: 4-4a to 4-4c), Felix Mendelssohn Bartholdy* (tracks: 3-1 to 3-8), Hector Berlioz (tracks: 6-1 to 6-6), Bruch* (tracks: 4-2), Peter Iljitsch Tschaikowsky* (tracks: 1-1 to 1-13, 5-2 to 5-5, 9-1 to 9-10), Robert Schumann (tracks: 8-1 to 8-9)
Conductor – Alberto Lizzio (tracks: 1-1 to 1-8, 4-2, 6-6, 9-1 to 9-8), Alfred Scholz (tracks: 1-9 to 1-13, 4-1, 4,3, 8-1 to 8-9), Anton Nanut (tracks: 6-1 to 6-5, 9-10), Henry Adolph (tracks: 2-1 to 2-4), Lawrence Siegel* (tracks: 5-1, 9-9), Marko Munib* (tracks: 5-2 to 5-5), Milan Horvat (tracks: 3-1 to 3-8, 4-4a to 4-4c, 7-1 to 7-4), Zdenek Macal* (tracks: 10-1 to 10-6)
Orchestra – London Festival Orchestra* (tracks: 9-1 to 9-8), London Symphony Orchestra* (tracks: 4-1, 4-3), New Philharmonic Orchestra (tracks: 1-9 to 1-13), New Philharmonic Orchestra, The* (tracks: 9-9), Austrian Radio Symphony* (tracks: 3-1 to 3-8, 7-1 to 7-4), Austrian Broadcasting* (tracks: 4-4a to 4-4c), Philharmonia Slavonica (tracks: 2-1 to 2-4, 4-2, 8-1 to 8-9), Radio Symphony Orchestra Ljubljana* (tracks: 5-1 to 5-5, 6-1 to 6-5, 9-10), Sinfonieorchester Baden-Baden* (tracks: 10-1 to 10-6), Symphony Orchestra (tracks: 1-1 to 1-8), Süddeutsche Philharmonie (tracks: 6-6)

Annotation last modified on 2014-04-11 14:14 UTC.

Tracklist

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▼ CD 1: Schwanensee / Dornröschen
#TitleArtistRatingLength
1Schwanensee: 1. Szene (Symphony Orchestra feat. conductor Alberto Lizzio)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Schwanensee / Swan Lake, Ballett / Ballet: 1. Szene
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
recording of:
The Swan Lake (suite from the ballet), op. 20a: I. Scène
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский3:14
2Schwanensee: Valse (Symphony Orchestra feat. conductor Alberto Lizzio)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
The Swan Lake (suite from the ballet), op. 20a: II. Valse
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский7:43
3Schwanensee: Valse (Symphony Orchestra feat. conductor Alberto Lizzio)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
recording of:
The Swan Lake (suite from the ballet), op. 20a: II. Valse
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
recording of:
The Swan Lake (suite from the ballet), op. 20a: III. Danse des cygnes
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский1:39
4Schwanensee: Pas d'action (Symphony Orchestra feat. conductor Alberto Lizzio)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
The Swan Lake (suite from the ballet), op. 20a: IV. Scène
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский8:02
5Schwanensee: Danse Hongroise (Symphony Orchestra feat. conductor Alberto Lizzio)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
The Swan Lake (suite from the ballet), op. 20a: V. Czardas: Danse hongroise
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский2:52
6Schwanensee: Danse Espagnole (Symphony Orchestra feat. conductor Alberto Lizzio)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
The Swan Lake (suite from the ballet), op. 20a: VI. Danse espagnole
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский2:25
7Schwanensee: Danse Napolitaine (Symphony Orchestra feat. conductor Alberto Lizzio)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
The Swan Lake (suite from the ballet), op. 20a: VII. Danse napolitaine
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский2:07
8Schwanensee: Mazurka (Symphony Orchestra feat. conductor Alberto Lizzio)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
Пётр Ильич Чайковский3:57
9Dornröschen, Ballet-Suite: Introduktion, Die Fliederfee (New Philharmonic Orchestra feat. conductor: Alfred Scholz)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra, RTV Slovenia Symphony Orchestra) and Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren and Peter Wohlert
recording of:
The Sleeping Beauty Suite, op. 66a: I. Introduction. La Fée des Lilas
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty, op. 66: Introduction
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Спящая красавица, op. 66 (The Sleeping Beauty, op. 66, The Sleeping Beauty)
Пётр Ильич Чайковский3:33
10Dornröschen, Ballet-Suite: Pas d'action (New Philharmonic Orchestra feat. conductor: Alfred Scholz)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Orquesta Sinfónica Clásica de Baviera (an Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra, RTV Slovenia Symphony Orchestra) and Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren and Peter Wohlert
recording of:
The Sleeping Beauty Suite, op. 66a: II. Adagio. Pas d'action
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Пётр Ильич Чайковский5:23
11Dornröschen, Ballet-Suite: Panorama (New Philharmonic Orchestra feat. conductor: Alfred Scholz)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra, RTV Slovenia Symphony Orchestra) and Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren and Peter Wohlert
recording of:
The Sleeping Beauty Suite, op. 66a: III. Pas de caractère
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty Suite, op. 66a: IV. Panorama
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
partial recording of:
The Sleeping Beauty Suite, op. 66a: IV. Panorama
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Пётр Ильич Чайковский2:35
12Dornröschen, Ballet-Suite: Valse (New Philharmonic Orchestra feat. conductor: Alfred Scholz)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra, RTV Slovenia Symphony Orchestra), Royal Philharmonic Orchestra and Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren and Peter Wohlert
recording of:
The Sleeping Beauty Suite, op. 66a: III. Pas de caractère
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty Suite, op. 66a: IV. Panorama
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
partial recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Пётр Ильич Чайковский4:24
13Dornröschen, Ballet-Suite: Finale (New Philharmonic Orchestra feat. conductor: Alfred Scholz)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra, RTV Slovenia Symphony Orchestra) and Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren and Peter Wohlert
recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
partial recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 30. Finale: b. Apothéose
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte III
Пётр Ильич Чайковский2:01
▼ CD 2: Symphonie No. 9 "Aus der Neuen Welt" (Philharmonia Slavonica feat. conductor: Henry Adolph)
#TitleArtistRatingLength
1Symphonie No. 9 e-Moll, Op. 95 "Aus der Neuen Welt": I. Adagio - Allegro molto
orchestra:
London Philharmonic Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (Alfred Scholz pseudonym) and Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra, RTV Slovenia Symphony Orchestra)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Anton Nanut (conductor) and Victor de Stradelli (an Alfred Scholz pseudonym)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: I. Adagio — Allegro molto (Symphony No. 9 in E minor, Op. 95 "From the New World": I. Adagio — Allegro molto)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák9:09
2Symphonie No. 9 e-Moll, Op. 95 "Aus der Neuen Welt": II. Largo
orchestra:
London Philharmonic Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (Alfred Scholz pseudonym) and Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra, RTV Slovenia Symphony Orchestra)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Anton Nanut (conductor) and Victor de Stradelli (an Alfred Scholz pseudonym)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 "From the New World": II. Largo)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák12:12
3Symphonie No. 9 e-Moll, Op. 95 "Aus der Neuen Welt": III. Scherzo. Molto vivace
orchestra:
London Philharmonic Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (Alfred Scholz pseudonym) and Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra, RTV Slovenia Symphony Orchestra)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Anton Nanut (conductor) and Victor de Stradelli (an Alfred Scholz pseudonym)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: III. Scherzo. Molto vivace — Poco sostenuto (Symphony No. 9 in E minor, Op. 95 "From the New World": III. Scherzo. Molto vivace — Poco sostenuto)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák7:44
4Symphonie No. 9 e-Moll, Op. 95 "Aus der Neuen Welt": IV. Allegro con fuoco
orchestra:
London Philharmonic Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (Alfred Scholz pseudonym) and Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra, RTV Slovenia Symphony Orchestra)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Anton Nanut (conductor) and Victor de Stradelli (an Alfred Scholz pseudonym)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: IV. Allegro con fuoco (Symphony No. 9 in E minor, Op. 95 "From the New World": IV. Allegro con fuoco)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák11:15
▼ CD 3: Symphonie Nr. 4 Italienische / Symphonie Nr. 5 Reformation (Austrian Radio Symphony feat. conductor: Milan Horvat)
#TitleArtistRatingLength
1Symphonie Nr. 4 A-Dur, Op. 90 "Italienische": I. Allegro vivace
orchestra:
Bamberger Symphoniker (Bamberg Symphony), London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra, London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), ORF Radio‐Symphonieorchester Wien (previously ORF-Symphonieorchester) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Milan Horvat (Croatian conductor, 1919-2014), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Walter Scholz and Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian” (Symphony no. 4 in A major, op. 90 "Italian")
part of:
Symphony no. 4 in A major, op. 90 “Italian” (1834 revision, uncommon)
Felix Mendelssohn11:33
2Symphonie Nr. 4 A-Dur, Op. 90 "Italienische": II. Andante con moto
orchestra:
Bamberger Symphoniker (Bamberg Symphony), London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra, London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), ORF Radio‐Symphonieorchester Wien (previously ORF-Symphonieorchester) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Milan Horvat (Croatian conductor, 1919-2014), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz and Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: II. Andante con moto
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian” (Symphony no. 4 in A major, op. 90 "Italian")
Felix Mendelssohn5:46
3Symphonie Nr. 4 A-Dur, Op. 90 "Italienische": III. Con moto moderato
orchestra:
Bamberger Symphoniker (Bamberg Symphony), London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra, London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), ORF Radio‐Symphonieorchester Wien (previously ORF-Symphonieorchester) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Milan Horvat (Croatian conductor, 1919-2014), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz and Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: III. Con moto moderato
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian” (Symphony no. 4 in A major, op. 90 "Italian")
Felix Mendelssohn6:57
4Symphonie Nr. 4 A-Dur, Op. 90 "Italienische": IV. Saltarello. Presto
orchestra:
Bamberger Symphoniker (Bamberg Symphony), London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra, London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), ORF Radio‐Symphonieorchester Wien (previously ORF-Symphonieorchester) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Milan Horvat (Croatian conductor, 1919-2014), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz and Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello. Presto
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian” (Symphony no. 4 in A major, op. 90 "Italian")
Felix Mendelssohn6:02
5Symphonie Nr. 5 d-Moll, Op. 107 "Reformation": I. Andante. Allegro con fuoco
orchestra:
Bamberger Symphoniker (Bamberg Symphony), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), ORF Radio‐Symphonieorchester Wien (previously ORF-Symphonieorchester) and The London Philharmonic Orchestra (Alfred Scholz pseudonym)
conductor:
Milan Horvat (Croatian conductor, 1919-2014), Alexander von Pitamic (Alfred Scholz pseudonym), Alfred Scholz and Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
recording of:
Symphony no. 5 in D major, op. 107 "Reformation": I. Andante - Allegro con fuoco
composer:
Felix Mendelssohn (composer) (in 1830)
part of:
Symphony no. 5 in D major, op. 107 "Reformation"
Felix Mendelssohn11:06
6Symphonie Nr. 5 d-Moll, Op. 107 "Reformation": II. Allegro vivace
orchestra:
Bamberger Symphoniker (Bamberg Symphony), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), ORF Radio‐Symphonieorchester Wien (previously ORF-Symphonieorchester) and The London Philharmonic Orchestra (Alfred Scholz pseudonym)
conductor:
Milan Horvat (Croatian conductor, 1919-2014), Alexander von Pitamic (Alfred Scholz pseudonym), Alfred Scholz and Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
recording of:
Symphony no. 5 in D major, op. 107 "Reformation": II. Allegro vivace
composer:
Felix Mendelssohn (composer) (in 1830)
part of:
Symphony no. 5 in D major, op. 107 "Reformation"
Felix Mendelssohn5:37
7Symphonie Nr. 5 d-Moll, Op. 107 "Reformation": III. Andante
orchestra:
Bamberger Symphoniker (Bamberg Symphony), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), ORF Radio‐Symphonieorchester Wien (previously ORF-Symphonieorchester) and The London Philharmonic Orchestra (Alfred Scholz pseudonym)
conductor:
Milan Horvat (Croatian conductor, 1919-2014), Alexander von Pitamic (Alfred Scholz pseudonym), Alfred Scholz and Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
recording of:
Symphony no. 5 in D major, op. 107 “Reformation”: III. Andante
composer:
Felix Mendelssohn (composer) (in 1830)
part of:
Symphony no. 5 in D major, op. 107 "Reformation"
Felix Mendelssohn3:15
8Symphonie Nr. 5 d-Moll, Op. 107 "Reformation": IV. Choral: Ein' feste Burg ist unser Gott! Andante con moto
orchestra:
Bamberger Symphoniker (Bamberg Symphony), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), ORF Radio‐Symphonieorchester Wien (previously ORF-Symphonieorchester) and The London Philharmonic Orchestra (Alfred Scholz pseudonym)
conductor:
Milan Horvat (Croatian conductor, 1919-2014), Alexander von Pitamic (Alfred Scholz pseudonym), Alfred Scholz and Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
recording of:
Symphony no. 5 in D major, op. 107 “Reformation”: IV. Choral “Ein’ feste Burg ist unser Gott”
composer:
Felix Mendelssohn (composer) (in 1830)
part of:
Symphony no. 5 in D major, op. 107 "Reformation"
Felix Mendelssohn8:35
▼ CD 4: Moldau / Kol Nidrei und andere Werke
#TitleArtistRatingLength
1Sinfonische Dichtung: Die Moldau (London Symphony Orchestra feat. conductor: Alfred Scholz)
orchestra:
Philharmonisches Staatsorchester Hamburg (aka Philharmoniker Hamburg), London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), Philharmonia Slavonica (Alfred Scholz pseudonym), The Vienna Symphony Orchestra (Alfred Scholz related) and Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Pietro di la Corona (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, George Ralph Warren and Yuri Ahronovich (Yuri Ahronovitch, conductor)
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana12:57
2Kol Nidrei, Variationen für Violoncello und Orchester Op. 47, Adagio (Philharmonia Slavonic feat. conductor: Alberto Lizzio, Violoncello: Anton Fiebig)
cello:
Anton Fiebig and Josef Vondra (pianist, an Alfred Scholz pseudonym)
orchestra:
Camerata Romana (an Alfred Scholz pseudonym) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Kol Nidrei, op. 47
composer:
Max Bruch (composer and conductor) (in 1880-07)
dedicated to:
Robert Hausmann
part of:
Works of Max Bruch by opus number (number: op. 47)
Max Bruch9:51
3Slawischer Tanz Nr. 2 e-Moll (London Symphony Orchestra feat. conductor: Alfred Scholz)
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym) and London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO)
conductor:
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym), Alfred Scholz, Thomas Waldham and George Ralph Warren
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1984)
recording of:
Slavonic Dances, op. 46, B. 83: No. 2 in E minor (Dumka)
composer:
Antonín Dvořák (composer) (from 1878-04 until 1878-08-22)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Antonín Dvořák5:38
4La Mer: De l'aube a midi sur la mer (Austrian Broadcasting feat. conductor: Milan Horvat)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), Orchestre philharmonique de l’ORTF, ORF-Symphonic Orchestra (previously ORF-Symphonieorchester) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Milan Horvat (Croatian conductor, 1919-2014), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym) and Alfred Scholz
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. “De l’aube à midi sur la mer”
composer:
Claude Debussy (composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy9:02
5La Mer: Jeux de vague (Austrian Broadcasting feat. conductor: Milan Horvat)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), Orchestre philharmonique de l’ORTF, ORF-Symphonic Orchestra (previously ORF-Symphonieorchester) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Milan Horvat (Croatian conductor, 1919-2014), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym) and Alfred Scholz
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. “Jeux de vagues”
composer:
Claude Debussy (composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy6:31
6La Mer: Dialogue du vent et de la mer (Austrian Broadcasting feat. conductor: Milan Horvat)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), Orchestre Radio Symphonique, ORF-Symphonic Orchestra (previously ORF-Symphonieorchester) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Milan Horvat (Croatian conductor, 1919-2014), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym) and Alfred Scholz
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: III. “Dialogue du vent et de la mer”
composer:
Claude Debussy (composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy8:06
▼ CD 5: Polowetzer Tänze / Symphonie Nr. 5 Op. 64
#TitleArtistRatingLength
1Polowetzer Tänze 8 und 17 (Radio Symphony Orchestra Ljubljana feat. conductor Lawrence Siegel)
orchestra:
Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra, RTV Slovenia Symphony Orchestra)
conductor:
Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Polowetzer Tänze 8 und 17
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
Александр Порфирьевич Бородин13:58
2Symphonie No. 5 e-Moll, Op. 64: I. Andante (Radio Symphony Orchestra Ljubljana feat. conductor Marko Munih)
orchestra:
Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra, RTV Slovenia Symphony Orchestra)
conductor:
Marko Munih (conductor)
recording of:
Symphony no. 5 in E minor, op. 64: I. Andante – Allegro con anima
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Пётр Ильич Чайковский15:29
3Symphonie No. 5 e-Moll, Op. 64: II. Andante cantabile (Radio Symphony Orchestra Ljubljana feat. conductor Marko Munih)
orchestra:
Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra, RTV Slovenia Symphony Orchestra)
conductor:
Marko Munih (conductor)
recording of:
Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Пётр Ильич Чайковский13:12
4Symphonie No. 5 e-Moll, Op. 64: III. Valse. Allegro moderato (Radio Symphony Orchestra Ljubljana feat. conductor Marko Munih)
orchestra:
Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra, RTV Slovenia Symphony Orchestra)
conductor:
Marko Munih (conductor)
recording of:
Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Пётр Ильич Чайковский6:01
5Symphonie No. 5 e-Moll, Op. 64: IV. Finale. Andante maestoso (Radio Symphony Orchestra Ljubljana feat. conductor Marko Munih)
orchestra:
Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra, RTV Slovenia Symphony Orchestra)
conductor:
Marko Munih (conductor)
recording of:
Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace – Moderato assai e molto maestoso – Presto – Molto meno mosso (Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Пётр Ильич Чайковский11:23
▼ CD 6: Symphonie Fantastique, Op. 14A / Rokoczy - Marsch
#TitleArtistRatingLength
1Symphonie Fantastique, Op. 14a (Episoden aus dem Leben eines Künstlers): Träume, Leiden (Radio Symphony Orchestra Ljubljana feat. conductor: Anton Nanut)
orchestra:
Ljubljana Radio Symphony Orchestra (name used by Alfred Scholz, may be incorrect), London Festival Orchestra (Alfred Scholz pseudonym) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Anton Nanut (conductor) and Alfred Scholz
recording of:
Symphonie fantastique, op. 14: I. Rêveries, passions
composer:
Hector Berlioz (composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz15:26
2Symphonie Fantastique, Op. 14a (Episoden aus dem Leben eines Künstlers): Ein Ball (Radio Symphony Orchestra Ljubljana feat. conductor: Anton Nanut)
orchestra:
Ljubljana Radio Symphony Orchestra (RTV Slovenia Symphony Orchestra, RTV Slovenia Symphony Orchestra), London Festival Orchestra (Alfred Scholz pseudonym) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Anton Nanut (conductor) and Alfred Scholz
recording of:
Symphonie fantastique, op. 14: II. Un bal
composer:
Hector Berlioz (composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz6:14
3Symphonie Fantastique, Op. 14a (Episoden aus dem Leben eines Künstlers): Szene auf dem Lande (Radio Symphony Orchestra Ljubljana feat. conductor: Anton Nanut)
orchestra:
Ljubljana Radio Symphony Orchestra (RTV Slovenia Symphony Orchestra, RTV Slovenia Symphony Orchestra), London Festival Orchestra (Alfred Scholz pseudonym) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Anton Nanut (conductor) and Alfred Scholz
recording of:
Symphonie fantastique, op. 14: III. Scène aux champs
composer:
Hector Berlioz (composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz17:11
4Symphonie Fantastique, Op. 14a (Episoden aus dem Leben eines Künstlers): Gang zum Richtplatz (Radio Symphony Orchestra Ljubljana feat. conductor: Anton Nanut)
orchestra:
Ljubljana Radio Symphony Orchestra (RTV Slovenia Symphony Orchestra, RTV Slovenia Symphony Orchestra), London Festival Orchestra (Alfred Scholz pseudonym) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Anton Nanut (conductor) and Alfred Scholz
recording of:
Symphonie fantastique, op. 14: IV. Marche au supplice
composer:
Hector Berlioz (composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz4:47
5Symphonie Fantastique, Op. 14a (Episoden aus dem Leben eines Künstlers): Traum einer Sabbatnacht (Radio Symphony Orchestra Ljubljana feat. conductor: Anton Nanut)
orchestra:
Ljubljana Radio Symphony Orchestra (RTV Slovenia Symphony Orchestra, RTV Slovenia Symphony Orchestra), London Festival Orchestra (Alfred Scholz pseudonym) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Anton Nanut (conductor) and Alfred Scholz
recording of:
Symphonie fantastique, op. 14: IV. Marche au supplice
composer:
Hector Berlioz (composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
recording of:
Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat
composer:
Hector Berlioz (composer) (in 1830)
quotes music from:
Dies Irae (plainchant)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz11:35
6Rakoczy-Marsch (Ungarischer Marsch) (Süddeutsche Philharmonie feat. conductor Alberto Lizzio)
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym), Royal Philharmonic Orchestra, Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra, RTV Slovenia Symphony Orchestra) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Anton Nanut (conductor)
recording of:
La Damnation de Faust : Première Partie : Scène 3. Marche Hongroise (Orchestre) (Rákóczi March)
composer:
Hector Berlioz (composer)
part of:
La Damnation de Faust, op. 24: Première Partie
Hector Berlioz4:14
▼ CD 7: Symphonie No. 4 Romantische (Austrian Radio Symphony feat. conductor Milan Horvat)
#TitleArtistRatingLength
1Symphonie Nr. 4, Es-Dur (Romantische): I. Bewegt, nicht zu schnell
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym) and ORF-Symphonieorchester (ORF Symphony Orchestra, Alfred Scholz pseudonym, for the real ORF orchestra use Radio-Symphonieorchester Wien) (on 1971-12-11)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Milan Horvat (Alfred Scholz pseudonym) (on 1971-12-11)
recording of:
Symphony no. 4 in E-flat major, WAB 104 “Romantische”: I. Bewegt, nicht zu schnell (1878/1880 version with 1886 revisions, ed. Nowak, 1953) (on 1971-12-11)
composer:
Anton Bruckner (composer) (from 1873 until 1874)
revised by:
Anton Bruckner (composer) (from 1878 until 1880)
part of:
Symphony no. 4 in E-flat major, WAB 104 “Romantische” (Symphony No. 4 in E flat major, WAB 104 "Romantic", 1878/1880 version with 1886 revisions, ed. Nowak, 1953)
Anton Bruckner17:24
2Symphonie Nr. 4, Es-Dur (Romantische): II. Andante
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym) and ORF-Symphonieorchester (ORF Symphony Orchestra, Alfred Scholz pseudonym, for the real ORF orchestra use Radio-Symphonieorchester Wien) (on 1971-12-11)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Milan Horvat (Alfred Scholz pseudonym) (on 1971-12-11)
recording of:
Symphony no. 4 in E-flat major, WAB 104 “Romantische”: II. Andante, quasi allegretto (1878/1880 version with 1886 revisions, ed. Nowak, 1953) (on 1971-12-11)
composer:
Anton Bruckner (composer) (from 1873 until 1874)
revised by:
Anton Bruckner (composer) (from 1878 until 1880)
part of:
Symphony no. 4 in E-flat major, WAB 104 “Romantische” (Symphony No. 4 in E flat major, WAB 104 "Romantic", 1878/1880 version with 1886 revisions, ed. Nowak, 1953)
Anton Bruckner14:47
3Symphonie Nr. 4, Es-Dur (Romantische): III. Scherzo: Bewegt
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym) and ORF-Symphonieorchester (ORF Symphony Orchestra, Alfred Scholz pseudonym, for the real ORF orchestra use Radio-Symphonieorchester Wien) (on 1971-12-11)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Milan Horvat (Alfred Scholz pseudonym) (on 1971-12-11)
recording of:
Symphony no. 4 in E-flat major, WAB 104 “Romantische”: III. Scherzo (Bewegt) - Trio (Nicht zu schnell, Keinesfalls schleppend) (1878/1880 version with 1886 revisions, ed. Nowak, 1953) (on 1971-12-11)
composer:
Anton Bruckner (composer) (from 1873 until 1874)
revised by:
Anton Bruckner (composer) (from 1878 until 1880)
part of:
Symphony no. 4 in E-flat major, WAB 104 “Romantische” (Symphony No. 4 in E flat major, WAB 104 "Romantic", 1878/1880 version with 1886 revisions, ed. Nowak, 1953)
Anton Bruckner10:59
4Symphonie Nr. 4, Es-Dur (Romantische): IV. Finale: Bewegt, doch nicht zu schnell
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym) and ORF-Symphonieorchester (ORF Symphony Orchestra, Alfred Scholz pseudonym, for the real ORF orchestra use Radio-Symphonieorchester Wien) (on 1971-12-11)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Milan Horvat (Alfred Scholz pseudonym) (on 1971-12-11)
recording of:
Symphony no. 4 in E-flat major, WAB 104 “Romantische”: IV. Finale. Bewegt, doch nicht zu schnell (1878/1880 version with 1886 revisions, ed. Nowak, 1953) (on 1971-12-11)
composer:
Anton Bruckner (composer) (from 1873 until 1874)
revised by:
Anton Bruckner (composer) (from 1878 until 1880)
part of:
Symphony no. 4 in E-flat major, WAB 104 “Romantische” (Symphony No. 4 in E flat major, WAB 104 "Romantic", 1878/1880 version with 1886 revisions, ed. Nowak, 1953)
Anton Bruckner19:20
▼ CD 8: Symphonie No. 1 / No. 3 (Philharmonia Slavonica feat. conductor Alfred Scholz)
#TitleArtistRatingLength
1Symphonie Nr. 1 B-Dur, Op. 38 "Frühlingssinfonie": I. Andante un poco maestoso. Allegro molto vivace
recording of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: I. Andante un poco maestoso - Allegro molto vivace
composer:
Robert Schumann (German classical composer) (from 1841-01-23 until 1841-02-20)
part of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”
Robert Schumann12:11
2Symphonie Nr. 1 B-Dur, Op. 38 "Frühlingssinfonie": II. Larghetto. Attacca
recording of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: II. Larghetto - (attacca:)
composer:
Robert Schumann (German classical composer) (from 1841-01-23 until 1841-02-20)
part of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”
Robert Schumann7:23
3Symphonie Nr. 1 B-Dur, Op. 38 "Frühlingssinfonie": III. Scherzo. Molto vivace
recording of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: III. Scherzo: Molto vivace
composer:
Robert Schumann (German classical composer) (from 1841-01-23 until 1841-02-20)
part of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”
Robert Schumann5:47
4Symphonie Nr. 1 B-Dur, Op. 38 "Frühlingssinfonie": IV. Allegro animato e grazioso
recording of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: IV. Allegro animato e grazioso
composer:
Robert Schumann (German classical composer) (from 1841-01-23 until 1841-02-20)
part of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”
Robert Schumann6:55
5Symphonie Nr. 3 Es-Dur, Op. 97 "Rheinische": I. Lebhaft
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: I. Lebhaft
composer:
Robert Schumann (German classical composer) (from 1850-11-02 until 1850-12-09)
part of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
Robert Schumann8:49
6Symphonie Nr. 3 Es-Dur, Op. 97 "Rheinische": II. Scherzo. Sehr mäßig
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: II. Scherzo. Sehr mäßig
composer:
Robert Schumann (German classical composer) (from 1850-11-02 until 1850-12-09)
part of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
Robert Schumann5:31
7Symphonie Nr. 3 Es-Dur, Op. 97 "Rheinische": III. Nicht so schnell
orchestra:
Hamburger Symphoniker and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: III. Nicht schnell
composer:
Robert Schumann (German classical composer) (from 1850-11-02 until 1850-12-09)
part of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
Robert Schumann4:33
8Symphonie Nr. 3 Es-Dur, Op. 97 "Rheinische": IV. Feierlich
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: IV. Feierlich
composer:
Robert Schumann (German classical composer) (from 1850-11-02 until 1850-12-09)
part of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
Robert Schumann5:19
9Symphonie Nr. 3 Es-Dur, Op. 97 "Rheinische": V. Lebhaft
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: V. Lebhaft
composer:
Robert Schumann (German classical composer) (from 1850-11-02 until 1850-12-09)
part of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
Robert Schumann5:46
▼ CD 9: Der Nussknacker / Romeo & Julia / Capriccio Italien, Op. 45
#TitleArtistRatingLength
1Der Nussknacker: Ouverture miniature (London Festival Orchestra feat. conductor Alberto Lizzio)
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), Leipzig Philharmonic Orchestra (FICTIONAL / used for an Alfred Scholz (style) release - NOT the Philharmonie Leipzig (est. 2000)), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Gerhard Bosse (as used for an Alfred Scholz release - NOT the real artist), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (until 1892)
part of:
The Nutcracker (suite from the ballet), op. 71a
Пётр Ильич Чайковский3:19
2Der Nussknacker: Marsch (London Festival Orchestra feat. conductor Alberto Lizzio)
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
recording of:
Щелкунчик, op. 71: Действие I, Картина I, no. 2. Марш (The Nutcracker, op. 71: March, March)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие I (The Nutcracker, op. 71: Act 1, The Nutcracker, op. 71: Act 1)
Пётр Ильич Чайковский2:48
3Der Nussknacker: Tanz der Zuckerfee (London Festival Orchestra feat. conductor Alberto Lizzio)
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
Пётр Ильич Чайковский2:10
4Der Nussknacker: Russischer Tanz (Trepank) (London Festival Orchestra feat. conductor Alberto Lizzio)
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский1:16
5Der Nussknacker: Arabischer Tanz (London Festival Orchestra feat. conductor Alberto Lizzio)
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский3:41
6Der Nussknacker: Chinesischer Tanz (London Festival Orchestra feat. conductor Alberto Lizzio)
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский1:24
7Der Nussknacker: Tanz der Rohrflöten (London Festival Orchestra feat. conductor Alberto Lizzio)
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
Пётр Ильич Чайковский2:40
8Der Nussknacker: Blumenwalzer (London Festival Orchestra feat. conductor Alberto Lizzio)
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), Hamburger Symphoniker, London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Pietro di la Corona (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
Пётр Ильич Чайковский7:10
9Romeo & Julia: Fantasie-Ouverture (The New Philharmonic Orchestra feat. conductor: Lawrence Siegel)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
Пётр Ильич Чайковский20:57
10Capriccio Italien, Op. 45 (Radio Symphony Orchestra Ljubljana feat. conductor Anton Nanut)
orchestra:
Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra, RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
recording of:
Capriccio italien, op. 45
premiered in:
Moscow, Russia (on 1880-12-18)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1880-01 until 1880-05)
dedicated to:
Карл Юльевич Давыдов
part of:
The Tchaikovsky Handbook (number: TH 47), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 44) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 45)
Пётр Ильич Чайковский15:00
▼ CD 10: Mein Vaterland (Sinfonieorchester Baden-Baden feat. conductor Zdenek Macal)
#TitleArtistRatingLength
1Vyšehrad
orchestra:
Sinfonieorchester Baden-Baden (SWR Baden-Baden and Freiburg Symphony Orchestra)
conductor:
Zdeněk Mácal (conductor)
recording of:
Má vlast: I. Vyšehrad, JB 1:112/1
composer:
Bedřich Smetana (composer) (from 1872 until 1874-11-18)
part of:
B. number catalogue by František Bartoš (number: B. 110)
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana13:41
2Vltava - Die Moldau
orchestra:
Sinfonieorchester Baden-Baden (SWR Baden-Baden and Freiburg Symphony Orchestra)
conductor:
Zdeněk Mácal (conductor)
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana11:32
3Šárka
orchestra:
Sinfonieorchester Baden-Baden (SWR Baden-Baden and Freiburg Symphony Orchestra)
conductor:
Zdeněk Mácal (conductor)
recording of:
Má vlast: III. Šárka, JB 1:112/3
composer:
Bedřich Smetana (composer) (in 1875)
part of:
B. number catalogue by František Bartoš (number: B. 113)
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana9:40
4Z českých luhů a hájů - Aus Böhmens Hain und Flur
orchestra:
Sinfonieorchester Baden-Baden (SWR Baden-Baden and Freiburg Symphony Orchestra)
conductor:
Zdeněk Mácal (conductor)
recording of:
Má vlast: IV. Z českých luhů a hájů, JB 1:112/4 (My Country: IV. From Bohemia's Woods and Fields, From Bohemia's Woods and Fields)
composer:
Bedřich Smetana (composer) (in 1875)
part of:
B. number catalogue by František Bartoš (number: B. 114)
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana12:20
5Tábor
orchestra:
Sinfonieorchester Baden-Baden (SWR Baden-Baden and Freiburg Symphony Orchestra)
conductor:
Zdeněk Mácal (conductor)
recording of:
Má vlast: V. Tábor, JB 1:112/5
composer:
Bedřich Smetana (composer) (in 1878)
part of:
B. number catalogue by František Bartoš (number: B. 120)
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana12:26
6Blaník
orchestra:
Sinfonieorchester Baden-Baden (SWR Baden-Baden and Freiburg Symphony Orchestra)
conductor:
Zdeněk Mácal (conductor)
recording of:
Má vlast: VI. Blaník, JB 1:112/6
composer:
Bedřich Smetana (composer) (on 1879-03-09)
part of:
B. number catalogue by František Bartoš (number: B. 121)
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana13:13