| # | Title | Rating | Length |
|---|
| 1 | World Leader Pretend | 4.2 | 4:20 |
| 2 | Country Feedback | 2.85 | 4:09 |
| 3 | Strange Currencies- recording engineer:
- Scott Litt
- additional engineer:
- David Colvin, Jeff DeMorris, Mark Gruber and Mark Howard
- engineer and mixer:
- Pat McCarthy
- producer:
- Scott Litt and R.E.M.
- additional mixer:
- Victor Janacua
- bass guitar:
- Mike Mills
- drums (drum set):
- Bill Berry
- guitar:
- Peter Buck
- vocals:
- Michael Stipe
- phonographic copyright (℗) by:
- R.E.M./Athens, Ltd. (in 1994)
- recorded at:
- Criteria Studios in Miami, Florida, United States, Crossover Soundstage in Atlanta, Georgia, United States, Kingsway Studios in New Orleans, Louisiana, United States and Ocean Way Recording in Hollywood, Los Angeles, California, United States
- mixed at:
- Louie’s Clubhouse in Los Angeles, California, United States
- recording of:
- Strange Currencies
- writer:
- Bill Berry , Peter Buck , Mike Mills and Michael Stipe
- publisher:
- Night Garden Music
| 3.5 | 3:52 |
| 4 | The Lifting | 3.75 | 4:39 |
| 5 | Electron Blue | 3.15 | 4:12 |
| 6 | Supernatural Superserious | 4 | 3:24 |
| 7 | Oh My Heart | 3.85 | 3:21 |
| 8 | We All Go Back to Where We Belong | 3 | 3:35 |
| 9 | The Flowers of Guatemala | | 3:57 |
| 10 | Half a World Away | 3.4 | 3:28 |
| 11 | Feeling Gravity’s Pull | 4.35 | 4:51 |
| 12 | So. Central Rain | 3.8 | 3:16 |
| 13 | Walk Unafraid | 3.75 | 4:34 |
| 14 | You’re in the Air | 3 | 5:24 |
| 15 | Discoverer | 3.75 | 3:31 |
| 16 | All the Way to Reno (You’re Gonna Be a Star) | 3.2 | 4:44 |
| 17 | Try Not to Breathe- additional engineer:
- George Cowan , Mark Howard , John Keane , Ted Malia and Andrew Roshberg
- engineer:
- Clif Norrell
- producer:
- Scott Litt and R.E.M.
- additional mixer:
- Ed Brooks
- assistant mixer:
- Tod Lemkuhl
- mixer:
- Scott Litt and Clif Norrell
- vocals:
- Michael Stipe
- phonographic copyright (℗) by:
- R.E.M./Athens, Ltd. (in 1992) and R.E.M./Athens L.L.C. (in 2017)
- additionally recorded at:
- Bosstown Recording Studios in Atlanta, Georgia, United States, John Keane Studios in Athens, Georgia, United States and Kingsway Studios in New Orleans, Louisiana, United States
- recorded at:
- Bearsville Studios in Bearsville, New York, United States and Criteria Studios in Miami, Florida, United States
- mixed at:
- Bad Animals Studio in Seattle, Washington, United States
- recording of:
- Try Not to Breathe
- writer:
- Bill Berry , Peter Buck , Mike Mills and Michael Stipe
- publisher:
- Night Garden Music
| 4 | 3:51 |
| 18 | Undertow- additional recording engineer:
- John Keane and Patrick McCarthy
- recording engineer:
- Joe O’Herlihy, Jo Ravitch and Jeff Wooding
- additional assistant engineer:
- Victor Janacua
- assistant engineer:
- William “Billy” Field
- producer:
- Scott Litt and R.E.M.
- mixer:
- John Keane and Scott Litt
- editor:
- Eric Stolz
- bass guitar and background vocals:
- Mike Mills
- drums (drum set) and percussion:
- Bill Berry
- guitar:
- Peter Buck and Nathan December
- synthesizer [ARP Odyssey]:
- Scott McCaughey
- lead vocals:
- Michael Stipe
- phonographic copyright (℗) by:
- R.E.M./Athens, Ltd. (in 1996)
- additionally recorded at:
- John Keane Studios in Athens, Georgia, United States and Louie’s Clubhouse in Los Angeles, California, United States
- recorded at:
- FleetCenter in West End, Boston, Massachusetts, United States (on 1995-10-03)
- mixed at:
- John Keane Studios in Athens, Georgia, United States and Louie’s Clubhouse in Los Angeles, California, United States
- live recording of:
- Undertow
- writer:
- Bill Berry , Peter Buck , Mike Mills and Michael Stipe
- publisher:
- Warner-Tamerlane and Night Garden Music (in 1996)
| 3.25 | 5:09 |
| 19 | Electrolite- additional recording engineer:
- John Keane and Patrick McCarthy
- recording engineer:
- Joe O’Herlihy, Jo Ravitch and Jeff Wooding
- additional assistant engineer:
- Victor Janacua
- assistant engineer:
- William “Billy” Field
- producer:
- Scott Litt and R.E.M.
- mixer:
- John Keane and Scott Litt
- editor:
- Eric Stolz
- banjo and bass guitar:
- Peter Buck
- drums (drum set) and percussion:
- Bill Berry
- güiro:
- Nathan December
- piano:
- Mike Mills
- violin:
- Andy Carlson
- lead vocals:
- Michael Stipe
- phonographic copyright (℗) by:
- R.E.M./Athens, Ltd. (in 1996)
- additionally recorded at:
- John Keane Studios in Athens, Georgia, United States and Louie’s Clubhouse in Los Angeles, California, United States
- recorded at:
- Desert Sky Pavilion in Phoenix, Arizona, United States (on 1995-11-04)
- mixed at:
- John Keane Studios in Athens, Georgia, United States and Louie’s Clubhouse in Los Angeles, California, United States
- music videos:
- Electrolite by R.E.M.
- recording of:
- Electrolite
- writer:
- Bill Berry , Peter Buck , Mike Mills and Michael Stipe
- publisher:
- Warner-Tamerlane and Night Garden Music (in 1996)
| 3.5 | 4:07 |
| 20 | Finest Worksong | 4 | 3:50 |
| 21 | Wolves, Lower | 4.35 | 4:09 |
| 22 | Pilgrimage | 3.7 | 4:30 |
| 23 | I Believe | 4.6 | 3:51 |
| 24 | It’s the End of the World as We Know It (And I Feel Fine) | 4.2 | 4:07 |
| 25 | You Are the Everything | 4.4 | 3:45 |
| 26 | Orange Crush | 4.05 | 3:52 |
| 27 | What’s the Frequency, Kenneth?- additional engineer:
- David Colvin, Jeff DeMorris, Mark Gruber and Mark Howard
- engineer:
- Pat McCarthy
- producer:
- Scott Litt and R.E.M.
- additional mixer:
- Victor Janacua
- bass guitar:
- Mike Mills
- drums (drum set):
- Bill Berry
- guitar:
- Peter Buck
- vocals:
- Michael Stipe
- phonographic copyright (℗) by:
- R.E.M./Athens, Ltd. (in 1994)
- recorded at:
- Criteria Studios in Miami, Florida, United States, Crossover Soundstage in Atlanta, Georgia, United States, Kingsway Studios in New Orleans, Louisiana, United States and Ocean Way Recording in Hollywood, Los Angeles, California, United States
- mixed at:
- Louie’s Clubhouse in Los Angeles, California, United States
- music videos:
- What’s the Frequency, Kenneth? (music video) by R.E.M.
- recording of:
- What’s the Frequency, Kenneth?
- writer:
- Bill Berry , Peter Buck , Mike Mills and Michael Stipe
- publisher:
- Night Garden Music
| 4.2 | 4:00 |
| 28 | How the West Was Won and Where It Got Us- additional recording engineer:
- John Keane and Patrick McCarthy
- recording engineer:
- Adam Kasper
- additional assistant engineer:
- Victor Janacua
- assistant engineer:
- Sam Hofstedt and William “Billy” Field
- producer:
- Scott Litt and R.E.M.
- mixer:
- John Keane and Scott Litt
- editor:
- Eric Stolz
- bass guitar, bouzouki, guitar and mandolin:
- Peter Buck
- drums (drum set), percussion and whistle [ennio whistle]:
- Bill Berry
- piano and synthesizer and background vocals:
- Mike Mills
- synthesizer and lead vocals:
- Michael Stipe
- phonographic copyright (℗) by:
- R.E.M./Athens, Ltd. (in 1996)
- additionally recorded at:
- John Keane Studios in Athens, Georgia, United States and Louie’s Clubhouse in Los Angeles, California, United States
- recorded at:
- Bad Animals Studio in Seattle, Washington, United States
- mixed at:
- John Keane Studios in Athens, Georgia, United States and Louie’s Clubhouse in Los Angeles, California, United States
- music videos:
- How the West Was Won and Where It Got Us by R.E.M.
- recording of:
- How the West Was Won and Where It Got Us
- writer:
- Bill Berry , Peter Buck , Mike Mills and Michael Stipe
- publisher:
- Warner-Tamerlane and Night Garden Music (in 1996)
| 3.65 | 4:31 |
| 29 | Living Well Is the Best Revenge | 3.55 | 3:12 |
| 30 | Every Day Is Yours to Win | 3.75 | 3:26 |
| 31 | Beachball | 3 | 4:14 |
| 32 | Daysleeper | 3.65 | 3:40 |
| 33 | Leaving New York | 3.35 | 4:49 |
| 34 | These Days | | 3:25 |
| 35 | We Walk | | 3:01 |
| 36 | I Remember California | 3.6 | 5:04 |
| 37 | I Don’t Sleep, I Dream- additional engineer:
- David Colvin, Jeff DeMorris, Mark Gruber and Mark Howard
- engineer:
- Pat McCarthy
- producer:
- Scott Litt and R.E.M.
- additional mixer:
- Victor Janacua
- bass guitar:
- Mike Mills
- drums (drum set):
- Bill Berry
- guitar:
- Peter Buck
- vocals:
- Michael Stipe
- phonographic copyright (℗) by:
- R.E.M./Athens, Ltd. (in 1994)
- recorded at:
- Criteria Studios in Miami, Florida, United States, Crossover Soundstage in Atlanta, Georgia, United States, Kingsway Studios in New Orleans, Louisiana, United States and Ocean Way Recording in Hollywood, Los Angeles, California, United States
- mixed at:
- Louie’s Clubhouse in Los Angeles, California, United States
- recording of:
- I Don’t Sleep, I Dream
- writer:
- Bill Berry , Peter Buck , Mike Mills and Michael Stipe
- publisher:
- Night Garden Music
| 3.95 | 3:27 |
| 38 | Rotary Ten | 3.5 | 2:01 |
| 39 | Voice of Harold | | 4:24 |
| 40 | Find the River- additional engineer:
- George Cowan , Mark Howard , John Keane , Ted Malia and Andrew Roshberg
- engineer:
- Clif Norrell
- producer:
- Scott Litt and R.E.M.
- additional mixer:
- Ed Brooks
- assistant mixer:
- Tod Lemkuhl
- mixer:
- Scott Litt and Clif Norrell
- vocals:
- Michael Stipe
- phonographic copyright (℗) by:
- R.E.M./Athens, Ltd. (in 1992) and R.E.M./Athens L.L.C. (in 2017)
- additionally recorded at:
- Bosstown Recording Studios in Atlanta, Georgia, United States, John Keane Studios in Athens, Georgia, United States and Kingsway Studios in New Orleans, Louisiana, United States
- recorded at:
- Bearsville Studios in Bearsville, New York, United States and Criteria Studios in Miami, Florida, United States
- mixed at:
- Bad Animals Studio in Seattle, Washington, United States
- recording of:
- Find the River
- writer:
- Bill Berry , Peter Buck , Mike Mills and Michael Stipe
- publisher:
- Night Garden Music
| 4 | 3:50 |
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