Superhits: 1966

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1California Dreamin'
Techniker(in):
Bones Howe
Produzent(in):
Lou Adler
Gitarre:
P.F. Sloan (in 1965)
Solo-Altflöte:
Bud Shank (in 1965)
phonographisches Urheberrecht (℗) von:
Geffen Records und Dunhill Records (in 1966)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1965)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 89) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 420)
recording of:
California Dreamin’ (in 1965)
Verfasser(in):
John Phillips (The Mamas & The Papas) und Michelle Phillips
publisher:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) und Universal/MCA Music Publishing GmbH
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas and the Papas4.452:40
2Good Vibrations
recording engineer:
Bruce Botnick (von 1966-02 bis 1966-06), Chuck Britz (von 1966-02 bis 1966-06) und Larry Levine (von 1966-02 bis 1966-06)
Techniker(in):
Chuck Britz und Jim Lockert (Enginear)
Produzent(in):
The Beach Boys (American rock band) und Brian Wilson (Beach Boys co‐founder)
Mix:
Derry FitzGerald
Sologesang:
Mike Love (Beach Boys) (von 1966-02 bis 1966-06) und Carl Wilson (Beach Boys) (von 1966-02 bis 1966-06)
vocals:
Mike Love (Beach Boys) (von 1966-02 bis 1966-06)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1966)
aufgenommen bei:
Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-02 bis 1966-06), Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-02 bis 1966-06) und Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-02 bis 1966-06)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 53)
recording of:
Good Vibrations (Love/Wilson lyrics, common version) (von 1966-02 bis 1966-06)
Texter:
Mike Love (Beach Boys) und Brian Wilson (Beach Boys co‐founder)
Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) und Universal Music Publishing (use ONLY if no country‐specific information is available)
Version von:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.23:37
3Sunny
Produzent(in):
Jerry Ross (Philadelphia soul composer/producer)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (in 1966)
recording of:
Sunny (in 1966)
Texter und Komponist(in):
Bobby Hebb
publisher:
MRC Music Corp., Portable Music Co., Inc., Unichappell Music und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Bobby Hebb42:43
4Daydream
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) und Kama Sutra (in 1966)
recording of:
Daydream (in 1966-02)
Texter und Komponist(in):
John Sebastian
publisher:
Robbins Music Corp. Ltd.
The Lovin’ Spoonful3.752:21
5Elusive Butterfly
recording of:
Elusive Butterfly
Texter und Komponist(in):
Bob Lind
publisher:
Metric Music Ltd.
Bob Lind2:51
6You Don't Have to Say You Love Me
Produzent(in):
John Franz
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 491)
recording of:
You Don’t Have to Say You Love Me
Texter:
Simon Napier-Bell, Vito Pallavicini (Lyricist) und Vicki Wickham
Komponist(in):
Pino Donaggio (Italian singer‐songwriter and score composer)
publisher:
Accordo Ediccione, B. Feldman & Co. Ltd. (publisher est. 1946), EMI Miller Catalog, Inc., EMI United Partnership Ltd. und Miller Music Corp.
übersetzte Version von:
Io che non vivo (senza te)
Dusty Springfield3.72:50
7Groovy Kind of Love
cover recording of:
A Groovy Kind of Love (in 1965-12)
Verfasser(in):
Carole Bayer Sager und Toni Wine
publisher:
EMI Music Publishing Germany GmbH (2008–today), Screen Gems-EMI (USA, affiliated with BMI), Screen Gems–Columbia Music, Inc. und Screen Gems-EMI Music (in 1966)
basiert auf:
Sonatina in G major, op. 36 no. 5: III. Rondo. Allegro di molto
The Mindbenders32:00
8Bang Bang (My Baby Shot Me Down)
recording of:
Bang Bang (My Baby Shot Me Down) (original version, first recorded by Cher)
Texter und Komponist(in):
Sonny Bono
publisher:
April Music (private press label?), Chris Marc Music, Cotillion Music Inc. (BMI), Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Cher32:45
9See You in September
cover recording of:
See You in September
Verfasser(in):
Sherman Edwards und Sid Wayne
publisher:
Vibar Music
The Happenings2:34
10Message to Michael
vocals:
Dionne Warwick
cover recording of:
Message to Martha
Texter:
Hal David
Komponist(in):
Burt Bacharach
Dionne Warwick3:07
11When a Man Loves a Woman
Produzent(in):
Marlin Greene (’60s teen artist, writer & engineer) und Quin Ivy
Farfisa-Orgel [farfisa organ]:
Spooner Oldham (am 1966-02-17)
Gitarre:
Marlin Greene (’60s teen artist, writer & engineer) (am 1966-02-17)
Kontrabass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (am 1966-02-17)
Schlagzeug:
Roger Hawkins (am 1966-02-17)
vocals:
Percy Sledge (am 1966-02-17)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, in 1966) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
aufgenommen bei:
Norala Studio in Sheffield, Alabama, Vereinigte Staaten (am 1966-02-17)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 54) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
When a Man Loves a Woman (am 1966-02-17)
Verfasser(in):
Calvin Lewis und Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (vom 1966 bis heute), Quinvy Music Publishing Company, Inc. (vom 1966 bis heute), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (vom 1966 bis heute), Pronto (BMI‐affiliated publishing company) (in 1972) und Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:53
12You Can't Hurry Love
recording engineer:
Russ Terrana
Techniker(in):
Lamont Dozier
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
Bass:
James Jamerson (am 1966-06-11)
Blechblasinstrumente [horns]:
Detroit Symphony Orchestra (am 1966-06-11)
Gitarre [Gibson L-5]:
Robert White (US funk/soul guitarist) (am 1966-06-11)
Instrumente:
The Funk Brothers (am 1966-06-11)
Klavier:
Earl Van Dyke (am 1966-06-11)
Schlagzeug:
Benny Benjamin (US drummer) (am 1966-06-11)
Tamburin:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1966-06-11)
Hintergrundgesang:
Florence Ballard (am 1966-07-05) und Mary Wilson (am 1966-07-05)
Sologesang:
Diana Ross (am 1966-07-05)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1966) und Motown Records (not for label use; use “Motown” instead) (in 2015, in 2017)
aufgenommen bei:
Hitsville (Motown Records) in Detroit, Michigan, Vereinigte Staaten (von 1966-06-11 bis 1966-07-05)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 280)
recording of:
You Can’t Hurry Love (von 1966-06-11 bis 1966-07-05)
Texter:
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30), Jobete Music (UK) Ltd. (in 1965) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Supremes4.752:47
13I'm a Believer
recorded in:
New York, New York, Vereinigte Staaten (von 1966-10-15 bis 1966-10-23)
Produzent(in):
Jeff Barry
Akustikgitarre:
Neil Diamond (von 1966-10-15 bis 1966-10-23)
Bass:
Dick Romoff (von 1966-10-15 bis 1966-10-23)
Gitarre:
Al Gorgoni (von 1966-10-15 bis 1966-10-23) und Sal Ditroia (von 1966-10-15 bis 1966-10-23)
Klavier und Tamburin:
Jeff Barry (von 1966-10-15 bis 1966-10-23)
Orgel:
Artie Butler (von 1966-10-15 bis 1966-10-23)
Schlagzeug:
Buddy Salzman (von 1966-10-15 bis 1966-10-23)
Hintergrundgesang:
Davy Jones (The Monkees member) (von 1966-10-15 bis 1966-10-23) und Peter Tork (von 1966-10-15 bis 1966-10-23)
Hintergrundgesang und Sologesang:
Micky Dolenz (von 1966-10-15 bis 1966-10-23)
arranger:
Jeff Barry
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 1966) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966, in 1967)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 65) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 341)
cover recording of:
I’m a Believer (von 1966-10-15 bis 1966-10-23)
Texter und Komponist(in):
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. und Stonebridge Music (publisher)
The Monkees4.652:46
14Sweet Talkin' Guy
recording of:
Sweet Talking Guy
Verfasser(in):
Baer, Greenberg, Morris (record executive) und Schwartz (songwriter for and co-founder of Laurie Records)
The Chiffons2:27
15Cherish
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966)
recording of:
Cherish
Texter und Komponist(in):
Terry Kirkman
publisher:
Beechwood Music Corp., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Association33:27
16She's Just My Style
recording of:
She’s Just My Style
Verfasser(in):
Al Capps (American record producer, arranger, songwriter, multi-instrumentalist, and vocalist; Born: Allan Alfonzo Capps), Tom Leslie, Gary Lewis und Leon Russell
Gary Lewis and the Playboys3:03
17You Didn't Have to Be So Nice
recording of:
You Didn’t Have to Be So Nice
Verfasser(in):
Steve Boone und John Sebastian
The Lovin’ Spoonful42:28
18Georgy Girl
Produzent(in):
Tom Springfield
Interpret(in):
The Seekers (Australian pop quartet)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Georgy Girl (in 1966)
Texter:
Jim Dale
Komponist(in):
Tom Springfield
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Teil von:
The 39th Academy Award for Best Original Song (Nummer: 2)
The Seekers42:18
19Winchester Cathedral
Produzent(in):
Geoff Stephens
Bass:
Neil Korner
Gitarre:
Mick Wilsher
Klavier:
Stan Haywood (piano)
Perkussion [drums, washboard, spoons]:
Henry Harrison (drums, percussion)
Posaune:
"Shuggy" Watts
Trompete:
'Pops' Kerr
vocals:
Tristram, The Seventh Earl of Cricklewood
recording of:
Winchester Cathedral
Texter und Komponist(in):
Geoff Stephens
publisher:
Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
The New Vaudeville Band4.252:26
20My Love
arranger:
Kenny Clayton (composer / pianist)
recording of:
My Love (in 1986)
Texter und Komponist(in):
Tony Hatch
publisher:
ATV Music Ltd. und Songs of Universal (SOCAN)
Petula Clark52:46
21(Your My) Soul and Inspiration
The Righteous Brothers3:22
22I'm So Lonesome I Could Cry
cover recording of:
I’m So Lonesome I Could Cry
Texter und Komponist(in):
Hank Williams (country music legend)
publisher:
Sony/ATV Music Publishing (Germany) GmbH (2002–today), Acuff-Rose Publications, Inc. (BMI) (am 1949-10-31) und Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) (vom 2002 bis heute)
B.J. Thomas and the Triumphs3:06

Nennungen

Veröffentlichungsgruppe

Teil von:Superhits (Time-Life Music) (Reihenfolge: 5)