Now That’s What I Call Music! 1988

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1With a Little Help From My Friends
cover recording of:
With a Little Help From My Friends
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
ATV (Northern Songs Catalog), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. (, in 1967), Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC (ASCAP) (from 1967 to present)
Wet Wet Wet2:39
2A Little Respect
engineer:
Bob Kraushaar
producer:
Stephen Hague
recording of:
A Little Respect
writer:
Andy Bell (singer / songwriter for Erasure) and Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Sony/ATV Music Publishing
Erasure43:28
3Always on My Mind
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987, in 1991)
part of:
New York Post: 100 Greatest Covers (2007) (number: 42)
cover recording of:
Always on My Mind
writer:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician), Mark James (Francis Zambon, composer of “Suspicious Minds”) and Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Sebanine Music
sub-publisher:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) and Screen Gems–EMI Music Ltd.
recording of:
Always on My Mind
writer:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician), Mark James (Francis Zambon, composer of “Suspicious Minds”) and Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Sebanine Music
sub-publisher:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) and Screen Gems–EMI Music Ltd.
Pet Shop Boys4.33:53
4The Only Way Is Up
producer:
Coldcut (Matt Black & Jonathan More)
phonographic copyright (℗) by:
Big Life (UK indie/dance) (in 1988)
produced for:
Ahead Of Our Time Productions
cover recording of:
The Only Way Is Up
writer:
Johnny Henderson (southern soul songwriter) and George Jackson (US soul songwriter/vocalist)
publisher:
Big Life Music (in 1988) and Malaco Music (publisher related to Malaco Records) (in 1988)
Yazz2.653:59
5Theme From S-Express
producer:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) and Mark Moore (DJ, producer, member of S’Express)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1988)
samples:
Is It Love You’re After by Rose Royce, Stacey’s Dream (a cappella) by Stacey Q and The Bottle by Gil Scott‐Heron & Brian Jackson (American keyboardist, flautist, singer, composer & producer)
recording of:
Theme From S’Express
lyricist and composer:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) and Mark Moore (DJ, producer, member of S’Express)
writer:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter), Miles Gregory and Mark Moore (DJ, producer, member of S’Express)
publisher:
Edition Intro (publisher) and Rhythm King Music (Publishing arm of Rhythm King Records)
is based on:
Is It Love You’re After
S’Express43:55
6The Race
producer:
Yello (Swiss electronica duo)
recording of:
The Race
lyricist:
Dieter Meier (member of Yello)
composer:
Boris Blank
publisher:
Bavaria Sonor Musikverlag, Datasound AG, Warner Bros. Music (publisher; do NOT use as release label) and Warner Chappell
Yello3.653:18
7Pink Cadillac
cover recording of:
Pink Cadillac
lyricist and composer:
Bruce Springsteen (from 1981 until 1982)
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Natalie Cole4:28
8Get Outta My Dreams, Get Into My Car
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1988) and Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1988)
edit of:
Get Outta My Dreams, Get Into My Car by Billy Ocean
recording of:
Get Outta My Dreams, Get Into My Car (in 1987)
writer:
Robert John “Mutt” Lange (Robert John Lange) and Billy Ocean
publisher:
Aqua Music (Billy Ocean's recording & publishing label), Universal Music Publishers MGB Australia Pty Ltd and Zomba Music Publishing Ltd.
Billy Ocean2.354:42
9Tell It to My Heart
producer:
Ric Wake
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987) and Arista Records, LLC (holding company - file NO releases here!) (in 1987)
recording of:
Tell It to My Heart
writer:
Ernie Gold and Seth Swirsky
publisher:
Chappell Music, Inc. (publisher), Goldpoint and Intersong Music
Taylor Dayne3.753:36
10The Twist (Yo, Twist!)
producer:
Albert Cabrera and Tony Moran
keyboard:
Mac Quayle (US composer)
saxophone:
The NYC Kid
background vocals:
Craig Derry, Cindy Mizelle and Norma Jean Wright
lead vocals and other vocals [stupid def vocals]:
Chubby Checker
performer:
Chubby Checker
phonographic copyright (℗) by:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1988) and PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1988)
produced for:
Latin Rascals Productions Inc.
recording of:
The Twist (Fat Boys version)
lyricist:
Hank Ballard and Jim "Jimbo" Glenn
composer:
Hank Ballard
publisher:
Fort Know Music, Inc., Fort Knox Music Co, Hudson Bay Music Inc. and Trio Music Co., Inc.
is based on:
The Twist
Fat Boys2.354:06
11I Should Be So Lucky
engineer:
Karen Hewitt, Mark McGuire (UK producer/engineer) and Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
producer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
mixer:
Mixmaster Pete Hammond (UK producer aka “Mixmaster”)
phonographic copyright (℗) by:
Mushroom Records (from 1988 to present)
music videos:
I Should Be So Lucky by Kylie Minogue
recording of:
I Should Be So Lucky
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
publisher:
Mushroom Music Pty. Ltd. (from 1988 to present)
Kylie Minogue4.353:24
12I Want You Back
vocals:
Bananarama
phonographic copyright (℗) by:
London Records Ltd. (not release label) (in 1988)
recording of:
I Want You Back
writer:
Matt Aitken, Sara Dallin, Siobhan Fahey, Mike Stock (of Stock Aitken Waterman), Pete Waterman and Keren Woodward
publisher:
All Boys Music Ltd., Mike Stock Publishing, Reverb Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bananarama33:43
13I Think We're Alone Now
additional recording engineer:
John Kerns (US engineer)
drum machine [drum] programming:
John Duarte
engineer:
Bill Smith (US recording engineer)
producer:
George E. Tobin
guitar:
Chuck Yamek
synthesizer:
John Duarte
background vocals and lead vocals:
Tiffany (US 1980s pop star, "I Think We’re Alone Now")
remixer:
George E. Tobin and Bill Smith (US recording engineer)
arranger:
John Duarte
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1987)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 7) (number: 7)
cover recording of:
I Think We’re Alone Now
lyricist and composer:
Ritchie Cordell
publisher:
EMI Longitude Music
recording of:
I Think We’re Alone Now
lyricist and composer:
Ritchie Cordell
publisher:
EMI Longitude Music
Tiffany3.83:46
14You Came
programming and producer:
Tony Swain (songwriter, producer) and Ricky Wilde
engineer:
James Richards (engineer)
mixer:
Richard Lengyel
guitar:
Steve Byrd and Ricky Wilde
keyboard:
Tony Swain (songwriter, producer) and Ricky Wilde
background vocals:
Junior Giscombe (Norman Washington Giscombe, Jr.) and Ricky Wilde
lead vocals:
Kim Wilde
phonographic copyright (℗) by:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1988) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001)
produced for:
Big M Productions (Bigbeat, House label)
recorded at and mixed at:
Select Sound Studios in Knebworth, Hertfordshire, England, United Kingdom
edit of:
You Came by Kim Wilde
recording of:
You Came
writer:
Kim Wilde and Ricky Wilde
publisher:
Peermusic (UK) Limited
Kim Wilde3.753:29
15Push It
part of:
Grammy Award: Best Rap Performance nominees (number: 1989), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 54), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 374) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 440)
recording of:
Push It
writer:
Hurby Azor and Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Next Plateau Music Inc. and Turn Out Brothers Publishing
Salt‐N‐Pepa3.753:28
16Big Fun
engineer and producer:
Kevin Saunderson
vocals:
Paris Grey
phonographic copyright (℗) by:
10 Records Ltd. (company and copyright holder for 10 Records) (in 1988, in 1989)
recorded at:
KMS Studios in Detroit, Michigan, United States
recording of:
Big Fun
writer:
Arthur Forest, Paris Grey, Hollis P. Monroe, James Pennington (Detroit techno producer) and Kevin Saunderson
publisher:
Drive On Publishing and Renaissance Infinity Music
Inner City23:21
17Tribute (Right On)
recording of:
Tribute (Right On)
writer:
John Banfield, Aaron Brown (The Pasadenas), David Milliner, Michael Milliner, The Pasadenas, Hammish Seelochan and Pete Wingfield (keyboardist, singer, producer, songwriter)
publisher:
Island Music France S.A.R.L., Major Seven Ltd, SM Publishing (UK) Limited (Sony Music, 2009–2020), Sony/ATV Music Publishing France, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988) and Island Music Ltd. (in 1988)
The Pasadenas4:20
18Teardrops
producer:
Chris Blackwell (Island Records), Lee Hamblin and The Gypsy Wave Power Co.
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Teardrops
writer:
Cecil Womack and Linda Womack
publisher:
Zomba Music Publishing Ltd. and Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988)
Womack & Womack33:52
19Come Into My Life
recording of:
Come Into My Life
lyricist and composer:
Joyce Sims
publisher:
Beach House Music, Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Smokin' Amigos and Tawanne Lamont Music
Joyce Sims33:48
20Kiss
producer:
Art of Noise, Anne Dudley (English score composer) and J.J. Jeczalik
lead vocals:
Tom Jones (Welsh pop singer) (in 1988)
performer:
Art of Noise (in 1988)
arranger:
Art of Noise, Anne Dudley (English score composer) and J.J. Jeczalik
phonographic copyright (℗) by:
China Records (UK label founded by Derek Green) (in 1988)
samples:
Close (to the Edit) by Art of Noise, Dragnet by Art of Noise, Moments in Love by Art of Noise, Paranoimia (7″ mix) by The Art of Noise with Max Headroom (titular character from "Max Headroom") and Peter Gunn by The Art of Noise featuring Duane Eddy
music videos:
Kiss by Art of Noise featuring Tom Jones (Welsh pop singer)
cover recording of:
Kiss (in 1988)
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Tom Jones & Art of Noise33:31
2▼CD
#TitleArtistRatingLength
1A Groovy Kind of Love
engineer:
Steve Chase
producer:
Phil Collins (of Genesis) and Anne Dudley (English score composer)
drums (drum set), keyboard and lead vocals:
Phil Collins (of Genesis)
conductor:
Anne Dudley (English score composer)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1988)
cover recording of:
A Groovy Kind of Love
writer:
Carole Bayer Sager and Toni Wine
publisher:
EMI Music Publishing Germany GmbH (2008–today), Screen Gems-EMI (USA, affiliated with BMI), Screen Gems–Columbia Music, Inc. and Screen Gems-EMI Music (in 1966)
is based on:
Sonatina in G major, op. 36 no. 5: III. Rondo. Allegro di molto
Phil Collins43:30
2Perfect
producer:
Fairground Attraction and Kevin Moloney
assistant mixer:
Alistair Johnson (engineering)
mixer:
Kevin Moloney
lead vocals:
Eddi Reader
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1988), BMG UK & Ireland Limited (holding company, do not add releases here) (in 1988) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1988)
recorded at:
Chipping Norton Studios in Chipping Norton, Oxfordshire, England, United Kingdom
music videos:
Perfect by Fairground Attraction
recording of:
Perfect
lyricist and composer:
Mark Nevin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd., Universal Music Limited (UK sound recording / publishing company) and Universal/MCA Music Ltd. (not for release label use!)
Fairground Attraction4.353:35
3Mary's Prayer
producer:
Dave Bascombe
performer:
Danny Wilson (Scottish pop group) (in 1987)
produced at:
Marcus Studios in Bayswater, Westminster, London (Greater London), England, United Kingdom and Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recording of:
Mary’s Prayer (in 1987)
lyricist and composer:
Gary Clark (Scottish singer/producer; ex‐Danny Wilson, ex‐Transister, ex‐King L)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (, in 1988)
Danny Wilson33:47
4Everywhere
programming:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987)
producer:
Lindsey Buckingham (guitarist, singer, songwriter and producer) and Richard Dashut
drums (drum set) and percussion:
Mick Fleetwood (in 1987)
electric bass guitar:
John McVie (in 1987)
guitar and sampler [Fairlight CMI]:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987)
keyboard:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987) and Christine McVie (in 1987)
background vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987), Christine McVie (in 1987) and Stevie Nicks (in 1987)
lead vocals:
Christine McVie (in 1987)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1987) and Warner Music International (trademark of Warner Music International the company) (in 1988)
recording of:
Everywhere (in 1987)
lyricist and composer:
Christine McVie
publisher:
Bright Music Ltd. (publisher)
Fleetwood Mac43:40
5Love Changes (Everything)
engineer:
Mike Ging and Bob Kraushaar
producer:
Stephen Hague
additional percussion:
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
guitar:
Neil Taylor (guitarist)
keyboard:
Rob Fisher (UK keyboardist, in Naked Eyes)
background vocals:
Coral Gordon and Soultanas
vocals:
Simon Climie
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recording of:
Love Changes (Everything)
writer:
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) and Dennis Morgan (US songwriter)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Rondor Music (London) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher3.94:29
6Gimme Hope Jo'anna
recording of:
Gimme Hope Jo’anna
lyricist and composer:
Eddy Grant
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Greenheart Music, Intersong (publisher) and Warner/Chappell (Warner/Chappell Music, Inc.)
is based on:
Apunta't al Cepitu
Eddy Grant2.54:00
7Don't Turn Around
cover recording of:
Don’t Turn Around
lyricist and composer:
Albert Hammond and Diane Warren (US songwriter)
publisher:
Albert Hammond Music, BMG Music, Edition Sunset Publishing, EMI Music (do not use as release label! this is a music publisher), Empire Music Ltd., Intersong Music Ltd., Realsongs and Warner Chappell
Aswad2.53:20
8Don't Worry Be Happy
producer:
Linda Goldstein
phonographic copyright (℗) by:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1988) and EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1988)
music videos:
Don’t Worry, Be Happy by Bobby McFerrin
recording of:
Don’t Worry, Be Happy (in 1988)
lyricist and composer:
Bobby McFerrin
writer:
Steve Sidwell (English composer & wind instrumentalist)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Probnoblem Music
Bobby McFerrin3.73:53
9Orinoco Flow
phonographic copyright (℗) by:
WEA Records Ltd (Hong Kong holding company from 1978 to 1990) (in 1988)
recording of:
Orinoco Flow
lyricist:
Roma Ryan
composer:
Enya (Irish singer-songwriter)
publisher:
Aigle Music, EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Songs Ltd.
Enya3:46
10He Ain't Heavy, He's My Brother
producer:
Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969) and The Hollies Ltd. (from 1969 until 1970)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1969-06-25)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 46)
cover recording of:
He Ain’t Heavy, He’s My Brother (on 1969-06-25)
writer:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) and Bobby Scott (vocals, piano, US musician & producer)
publisher:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
The Hollies4.24:16
11The King of Rock 'n' Roll
recording of:
The King of Rock ’n’ Roll
lyricist and composer:
Paddy McAloon
publisher:
EMI Songs Ltd.
Prefab Sprout3:51
12Somewhere in My Heart
producer:
Michael Jonzun
recording of:
Somewhere in My Heart
lyricist and composer:
Roddy Frame
publisher:
Complete Music Ltd.
Aztec Camera3.63:51
13Real Gone Kid
recording engineer:
Felix Kendall (UK recording engineer)
producer:
Warne Livesey
mixer:
Bob Clearmountain
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1988)
recording of:
Real Gone Kid
lyricist and composer:
Ricky Ross (Scottish singer-songwriter)
publisher:
ATV Music, Sony/ATV Music Publishing and Sony/ATV Music Publishing Ltd.
Deacon Blue4.354:02
14Desire
assistant recording engineer:
Pat McCarthy
recording engineer:
Paul Barrett (U2 sound technician / brass player)
assistant engineer:
Randy Wine
producer:
Jimmy Iovine
mixer:
Rob Jacobs (mixer/recorder for a.o. U2 and Alanis Morissette) and Shelly Yakus
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1988) and Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2017)
recording of:
Desire
lyricist:
Bono (singer of U2)
composer:
Bono (singer of U2), Adam Clayton, The Edge (U2 guitarist David Evans) and Larry Mullen, Jr.
publisher:
Blue Mountain Music Ltd, Mother Music, PolyGram International Music Publishing B.V., Taiyo Music Inc. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
U23.252:58
15Don't Go
recording of:
Don’t Go
writer:
Fiachna Ó Braonáin, Liam Ó Maonlaí and Peter O’Toole (bassist and mandolinist)
Hothouse Flowers3:26
16You Have Placed a Chill in My Heart
engineer:
Fred Defaye
producer:
Dave Stewart (UK guitarist/singer for Eurythmics)
recording of:
You Have Placed a Chill in My Heart
lyricist and composer:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
D’n’A Ltd.
Eurythmics33:50
17These Dreams
engineer and producer:
Ron Nevison
arranger:
Ron Nevison
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985)
recording of:
These Dreams
writer:
Martin Page and Bernie Taupin
publisher:
Imagem London Ltd., Intersong Music Ltd., Rouge Booze, Inc., Universal Music–Z Tunes LLC, Zomba Music Publ (music publisher – add no releases here!), Zomba Enterprises, Inc. (from 1984 to ????), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) (from 1984 to ????), Intersong U.S.A. (publisher) (from 1984 to present) and Little Mole Music (from 1984 to present)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Heart43:45
18Sign Your Name
recording engineer and mixer:
Phil Legg
producer:
Terence Trent D’Arby (now known as Sananda Maitreya) and Martyn Ware
lead vocals:
Terence Trent D’Arby (now known as Sananda Maitreya)
strings arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
phonographic copyright (℗) by:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008), CBS Records (2006–2021) (in 1987) and Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1987)
recording of:
Sign Your Name
lyricist:
Terence Trent D’Arby (now known as Sananda Maitreya)
composer:
Chris Cameron (British pianist, singer-songwriter, arranger and producer) and Terence Trent D’Arby (now known as Sananda Maitreya)
publisher:
Virgin Music (Publishing) Ltd., Virgin Music Ltd. and Young Terrence Music (Publisher)
Terence Trent D’Arby3.54:36
19Oh Patti (Don't Feel Sorry for Loverboy)
recording of:
Oh Patti (Don't Feel Sorry for Loverboy)
writer:
David Gamson and Green Gartside
Scritti Politti4:22
20I Don't Want to Talk About It
producer:
Ben Watt (from 1987-09 until 1987-12)
recorded at:
Livingston Studios in Wood Green, Haringey, London (Greater London), England, United Kingdom (from 1987-09 until 1987-12)
cover recording of:
I Don’t Want to Talk About It (from 1987-09 until 1987-12)
lyricist and composer:
Danny Whitten
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Crazy Horse Music and Rondor Music
Everything but the Girl44:15

Credits

Release group

part of:Now That’s What I Call Music! 10th Anniversary Series (UK) (number: 1988) (order: 6)