The Essential Rock 70’s & 80’s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1American Woman
produttore:
Nimbus 9 e Jack Richardson
diritti fonografici (℗) detenuti da:
RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (nel 1970) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1972)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 3) e Huffington Post: 100 Best Canadian Songs Ever (numero: 4)
registrazione di:
American Woman (dal 1969-08 al 1969-11)
autore:
Randy Bachman (Canadian guitarist, singer & songwriter), Burton Cummings, Jim Kale (original bassist for The Guess Who) e Garry Peterson (Canadian drummer for The Guess Who)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music e Unichappell Music, Inc.
The Guess Who4.15:09
2Somebody to Love
registrazione di:
Somebody to Love (Jefferson Airplane song)
paroliere e compositore:
Darby Slick
editore:
Copperpenny Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc., Knockout Music Company, Rondor Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing, Synch Division e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Jefferson Airplane2:59
3Hold Your Head Up
produttore:
Rod Argent e Chris White (UK bassist for The Zombies)
basso :
Jim Rodford
batteria :
Robert Henrit
chitarra :
Russ Ballard
tastiera :
Rod Argent
voce:
Rod Argent e Russ Ballard
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
Hold Your Head Up
autore:
Rod Argent e Chris White (UK bassist for The Zombies)
editore:
Al Gallico Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Essex (publisher), Mainstay Music, Inc., Marquis Songs USA e Verulum Music Co Ltd
sub-editore:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Argent4.356:17
4All the Young Dudes
produttore:
David Bowie (English singer‐songwriter)
voce principale:
Ian Hunter (Mott the Hoople)
arrangiatore:
David Bowie (English singer‐songwriter)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1972), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1972), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1972) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1972, nel 1976)
parte di:
Songs banned by the BBC, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 166) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 253)
registrazione cover di:
All the Young Dudes
paroliere e compositore:
David Bowie (English singer‐songwriter)
editore:
BMG Blue, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Chrysalis Songs, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Jones Music America, Mainman Ltd., Mainman Saag (New York), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Northern Songs Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Tintoretto Music
sub-editore:
EMI Music Publishing France, Warner Chappell Music France, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Mott the Hoople4.23:31
5Frankenstein
produttore:
Rick Derringer
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1972), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1972) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1972)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 97)
registrazione di:
Frankenstein
compositore:
Edgar Winter
editore:
Longitude Music (conclusa), EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Virgin Songs, Inc., Hierophant Music, Longitude Music Co., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Edgar Winter Group44:46
6Walk on the Wild Side
produttore:
David Bowie (English singer‐songwriter), Lou Reed e Mick Ronson (British guitarist)
basso elettrico e contrabbasso :
Herbie Flowers (nel 1972-08)
batteria :
John Halsey (nel 1972-08)
sassofono baritono :
Ronnie Ross (nel 1972-08)
voce di accompagnamento:
The Thunder Thighs (70s UK vocal group) (nel 1972-08)
voce principale:
Lou Reed (nel 1972-08)
arrangiatore archi e arrangiatore ottoni :
Mick Ronson (British guitarist)
arrangiatore:
David Bowie (English singer‐songwriter), Lou Reed e Mick Ronson (British guitarist)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1972), BMG Music (nel 1972), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1972) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1972)
registrata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito (nel 1972-08)
mixata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito
campionamenti da:
Lexicon Valley #150, “Why Language Can’t Be Tamed” di John McWhorter
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 180) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 221)
registrazione di:
Walk on the Wild Side (nel 1972-08)
paroliere e compositore:
Lou Reed
editore:
Dunbar Music, EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Six Continents Music Publishing Inc.
Lou Reed4.254:12
7Cat Scratch Fever
tecnico:
Tim Geelan e Wayne Tarnowski
produttore:
Cliff Davies (British drummer, songwriter and producer), Lew Futterman e Tom Werman
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1977), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
parte di:
A.V. Club: 15 Songs That Make Diseases (Real and Imaginary) Rock (numero: 12) e VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 32)
registrazione di:
Cat Scratch Fever
paroliere e compositore:
Ted Nugent
editore:
IQ Music Ltd., Magicland Music e Round Hill Works
Ted Nugent3.453:40
8Fox on the Run
registrazione di:
Fox on the Run
autore:
Brian Connolly (Scottish, member of Sweet), Steve Priest, Andy Scott (Member of Sweet) e Mick Tucker (drummer for The Sweet)
editore:
Maxwood Music Ltd., Sweet Publishing Ltd. e Warner Chappell Music (publisher as Warner/Chappell Music)
Sweet3:23
9Glad All Over
diritti fonografici (℗) detenuti da:
Wizard (Australian rock) (nel 1975)
registrazione cover di:
Glad All Over
autore:
Dave Clark (UK drummer for the Dave Clark Five) e Mike Smith (Lead vocalist and keyboard player for The Dave Clark Five)
editore:
Campbell Connelly e Campbell Connelly (Australia) P/L
Hush3:21
10Julia
Pavlov’s Dog3:12
11More Than a Feeling
assistente tecnico:
Bruce Hensal, Deni King (engineer) e Doug Rider
tecnico:
Warren Dewey e Tom Scholz
produttore:
John Boylan e Tom Scholz
assistente tecnico di missaggio:
Steve Hodge (engineer and producer)
batteria e percussione :
Sib Hashian (dal 1975 al 1976)
chitarra [lead guitar] , chitarra [rhythm guitar] , chitarra acustica e chitarra basso :
Tom Scholz (dal 1975 al 1976)
voce principale e voce principale [Harmony]:
Brad Delp (dal 1975 al 1976)
arrangiatore:
Brad Delp e Tom Scholz
co-arrangiatore:
Jim Masdea
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1976), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1976) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976)
registrata presso:
Foxglove Studios in Watertown, Massachusetts, Stati Uniti (nel 1975), Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (nel 1976) e The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (nel 1976)
mixata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti
prima pubblicazione:
More Than a Feeling di Boston (US rock band)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 39), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 194), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 212) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 500)
registrazione di:
More Than a Feeling (dal 1975 al 1976)
paroliere e compositore:
Tom Scholz
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) e Pure Songs (nel 1976)
Boston3.94:43
12(Don’t Fear) The Reaper
tecnico di registrazione:
Andy Abrams (nel 1976-03) e Shelly Yakus (nel 1976-03)
tecnico:
Andy Abrams e Shelly Yakus
produttore:
Murray Krugman, David Lucas (US producer, composer & engineer) e Sandy Pearlman
tecnico di missaggio:
Andy Abrams (dal 1975 al 1976) e Shelly Yakus (dal 1975 al 1976)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1976) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (nel 1976-03)
mixata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1975 al 1976)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 55)
registrazione di:
(Don’t Fear) The Reaper (nel 1976-03)
paroliere e compositore:
Donald Roeser
editore:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC e Sony/ATV Tunes LLC (ASCAP) (nel 1976)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Öyster Cult4.555:09
13April Sun in Cuba
basso elettrico :
Todd Hunter (Todd Stuart Hunter of Dragon)
chitarra :
Robert Taylor (Singer-songwriter and guitarist)
tastiera :
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
voce:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono), Todd Hunter (Todd Stuart Hunter of Dragon) e Robert Taylor (Singer-songwriter and guitarist)
voce principale:
Marc Hunter
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1977), Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (nel 1977) e Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (nel 1977)
registrazione di:
April Sun in Cuba
compositore:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd. e Essex Music of Australia Pty. Ltd.
parte di:
APRA Top 100 New Zealand Songs of All Time (numero: 10)
Dragon3:29
14Black Betty
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977) e CBS Schallplatten GmbH (nel 1990)
registrazione cover di:
Black Betty
paroliere e compositore:
[traditional] (special purpose artist) e Huddie William Ledbetter
editore:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (dal 1977 a oggi) e TRO (publisher) (dal 1977 a oggi)
Ram Jam3.853:57
15Barracuda
produttore:
Mike Flicker
batteria :
Michael Derosier (dal 1977-02 al 1977-04)
chitarra acustica :
Nancy Wilson (guitarist/singer of “Heart”) (dal 1977-02 al 1977-04)
chitarra basso :
Steve Fossen (dal 1977-02 al 1977-04)
chitarra e mellotron :
Howard Leese (dal 1977-02 al 1977-04)
chitarra elettrica :
Roger Fisher (US rock guitarist) (dal 1977-02 al 1977-04)
voce principale:
Ann Wilson (lead singer of Heart) (dal 1977-02 al 1977-04)
arrangiatore:
Heart (rock band, Ann and Nancy Wilson)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1977), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
registrata presso:
Kaye–Smith Studios in Seattle, Washington, Stati Uniti (dal 1977-02 al 1977-04)
mixata presso:
Royaltone Studios in North Hollywood, Los Angeles, California, Stati Uniti e Kaye–Smith Studios in Seattle, Washington, Stati Uniti (dal 1977-02 al 1977-04)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 34)
registrazione di:
Barracuda (dal 1977-02 al 1977-04)
autore:
Michael Derosier, Roger Fisher (US rock guitarist), Ann Wilson (lead singer of Heart) e Nancy Wilson (guitarist/singer of “Heart”)
editore:
BMG Songs, Inc., IQ Music Ltd., Know Music, Of the Roses Music, Play My Music, Rosebud Music, Strange Euphoria Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Universal/MCA Music Ltd. (not for release label use!) e Wilsongs
sub-editore:
Shinko Music Entertainment Co., Ltd. e Universal Music Publishing, Synch Division
Heart4.14:24
16Carry On Wayward Son
assistente tecnico:
Jeff Glixman
tecnico:
Bill Evans (Louisiana‐based producer/engineer, aka Bleu Evans)
produttore:
Jeff Glixman
batteria e percussione :
Phil Ehart (dal 1975 al 1976)
chitarra acustica :
Rich Williams (guitarist of Kansas) (dal 1975 al 1976)
chitarra basso :
Dave Hope (dal 1975 al 1976)
chitarra elettrica :
Kerry Livgren (dal 1975 al 1976) e Richard Williams (guitarist of Kansas) (dal 1975 al 1976)
clavinet , moog e sintetizzatore [Oberheim synthesizer] :
Kerry Livgren (dal 1975 al 1976)
organo , sintetizzatore e voce principale:
Steve Walsh (original lead singer of Kansas) (dal 1975 al 1976)
pianoforte :
Kerry Livgren (dal 1975 al 1976) e Steve Walsh (original lead singer of Kansas) (dal 1975 al 1976)
viola e violino :
Robby Steinhardt (dal 1975 al 1976)
voce di accompagnamento:
Robby Steinhardt (dal 1975 al 1976) e Steve Walsh (original lead singer of Kansas) (dal 1975 al 1976)
arrangiatore:
Kansas (US prog rock band)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976, nel 2001)
registrata presso e mixata presso:
Studio in the Country in Bogalusa, Louisiana, Stati Uniti (dal 1975 al 1976)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 96)
registrazione di:
Carry On Wayward Son (dal 1975 al 1976)
paroliere e compositore:
Kerry Livgren
editore:
Kirshner CBS Music Publishing, Kirshner-Warner Bros Music Ltd., Don Kirshner Music Inc. (dal 1976 a oggi) e EMI Blackwood Music Inc. (dal 1976 a oggi)
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Kansas3.75:22
17Two Tickets to Paradise
tecnico di registrazione:
Andy Johns (nel 1977-06)
produttore:
Bruce Botnick
tecnico di missaggio:
Andy Johns
armonica (a bocca) , sassofono e voce principale:
Eddie Money
batteria :
Gary Mallaber
chitarra :
Jimmy Lyon (rock guitarist, worked with Eddie Money)
chitarra basso :
Lonnie Turner
percussione :
Kevin Calhoun (percussionist)
sassofono contralto :
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
tastiera :
Eddie Money, Alan Pasqua e Freddie Webb (keyboardist)
voce di accompagnamento:
Randy Nichols
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1977) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1978)
registrata presso:
CBS Studios (San Francisco) in San Francisco, California, Stati Uniti (nel 1977-06) e Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (nel 1977-06)
registrazione di:
Two Tickets to Paradise (nel 1977-06)
paroliere e compositore:
Eddie Money
editore:
Cashola Music, Three Wise Boys Music LLC e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Eddie Money4.153:59
18But You Don’t Care
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1979)
registrazione di:
But You Don't Care
autore:
Murray Burns e Kevin Stanton
editore:
BMG Music Publishing Australia Pty Ltd, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Songs Australia Pty. Ltd.
Mi‐Sex4:36
2▼CD
#TitoloArtistaValutazioneDurata
1Hold the Line
tecnico e tecnico di missaggio:
Tom Knox
produttore:
Toto (US rock group)
batteria :
Jeffrey Porcaro (nel 1978-08)
chitarra basso :
David Hungate (nel 1978-08)
chitarra elettrica :
Steve Lukather (nel 1978-08)
percussione :
Lenny Castro (nel 1978-08)
pianoforte :
David Paich (nel 1978-08)
tastiera :
David Paich (nel 1978-08) e Steve Porcaro (nel 1978-08)
voce di accompagnamento:
Bobby Kimball (nel 1978-08), Steve Lukather (nel 1978-08) e David Paich (nel 1978-08)
voce principale:
Bobby Kimball (nel 1978-08)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977, nel 1978), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1978), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1978) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1978)
registrata presso:
Studio 55 in Los Angeles, California, Stati Uniti (nel 1978-08)
parte di:
BILLIONS CLUB
registrazione di:
Hold the Line (nel 1978-08)
paroliere e compositore:
David Paich
editore:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Ltd. e Spirit Two Music
sub-editore:
Sony/ATV Music Publishing (UK) Ltd. e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.23:58
2Living After Midnight
tecnico:
Louis Austin (engineering)
produttore:
Tom Allom
basso elettrico :
Ian Hill (UK bassist for Judas Priest) (dal 1980-01 al 1980-02)
batteria :
Dave Holland (British rock drummer) (dal 1980-01 al 1980-02)
chitarra elettrica :
Kenneth Downing (dal 1980-01 al 1980-02) e Glenn Tipton (dal 1980-01 al 1980-02)
voce principale:
Rob Halford (dal 1980-01 al 1980-02)
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1980), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1980) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1980)
registrata presso:
Startling Studios (Tittenhurst Park) in Ascot, Windsor and Maidenhead, England, Regno Unito (dal 1980-01 al 1980-02)
video musicali:
Living After Midnight (music video) di Judas Priest
parte di:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 27)
registrazione di:
Living After Midnight (dal 1980-01 al 1980-02)
autore:
Kenneth Downing, Rob Halford e Glenn Tipton
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e EMI Songs Ltd.
Judas Priest4.053:24
3Turn Me Loose
registrazione di:
Turn Me Loose
autore:
Paul Dean (Canadian guitarist) e Mike Reno
editore:
Blackwood Music Inc. (1953-02-07–1987-12-30), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dean of Music e EMI Songs
Loverboy5:38
4Ant Music
produttore:
Chris Hughes (producer, aka “Merrick”)
armonica (a bocca) , chitarra acustica , pianoforte e voce principale:
Adam Ant (English new wave singer and actor)
batteria :
Merrick (producer, aka “Merrick”) e Terry Lee Miall
chitarra basso :
Kevin Mooney
chitarra elettrica :
Marco Pirroni (British musician and producer)
voce:
Kevin Mooney
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1980, nel 2004), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1980) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1980)
video musicali:
Antmusic di Adam and the Ants (English new wave band)
parte di:
The Downloader’s Music Source Book (numero: 139)
registrazione di:
Antmusic
autore:
Adam Ant (English new wave singer and actor) e Marco Pirroni (British musician and producer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) e Universal Music Publishing MGB Ltd.
Adam & the Ants43:36
5Runaway Boys
produttore:
Dave Edmunds
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1980) e EMI America Records, Inc. (holding – file NO releases here!) (nel 1982)
registrazione di:
Runaway Boys
autore:
Slim Jim Phantom e Brian Setzer
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Stray Cats3.653:00
6Rock and Roll Dreams Come Through
Jim Steinman5:28
7If You Want My Love
assistente tecnico:
Paul Klingberg
tecnico:
Ian Taylor (rock producer/engineer)
produttore:
Roy Thomas Baker (producer)
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1982), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1982) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982)
registrata presso:
Pierce Arrow Recorders (Concert Venue) in Evanston, Illinois, Stati Uniti
mixata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
If You Want My Love
paroliere e compositore:
Rick Nielsen
editore:
Adult Music, EMI Music Publishing Australia Pty. Limited (not for release label use!) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Cheap Trick3.53:35
8Cum on Feel the Noize
tecnico:
Duane Baron
produttore:
Spencer Proffer
basso elettrico :
Rudy Sarzo
batteria :
Frankie Banali (US drummer)
chitarra elettrica :
Carlos Cavazo
tastiera :
Pat Regan (American recording engineer)
voce principale:
Kevin DuBrow
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1983)
è stato produttore per:
Pasha
registrata presso e mixata presso:
Pasha Music House in Hollywood, Los Angeles, California, Stati Uniti
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 41)
registrazione cover di:
Cum On Feel the Noize
autore:
Noddy Holder e Jim Lea
editore:
Barn Publishing (Slade) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Chappell e Warner Chappell Music (publisher as Warner/Chappell Music)
sub-editore:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Quiet Riot4.24:50
9The Warrior
tecnico:
William Wittman
produttore:
Mike Chapman (Australian producer and songwriter)
esecutore:
Patty Smyth
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1982)
registrazione di:
The Warrior
autore:
Nick Gilder e Holly Knight
editore:
712 Stone Avenue Music, All Nations Music, Chrysalis Songs, Hebbes Music Group Pty. Ltd., Kobalt Music Publishing Ltd. (UK), Mike Chapman Publishing Enterprises, Music & Media International, Inc. e Red Admiral Music Inc. (publisher)
Scandal feat. Patty Smyth4.53:57
10Oh Sherrie
registrazione di:
Oh Sherrie
autore:
Bill Cuomo, Randy Goodrum, Craig Krampf e Steve Perry (former lead singer of Journey)
editore:
Pants Down Music, Phosphene Music, Randy Goodrum Inc., Round Hill Songs / Randy Goodrum Music e Street Talk Tunes
sub-editore:
Origin Network Pty Ltd, フジパシフィックミュージック (Fujipacific Music, Inc.) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Steve Perry3:49
11Cold Shot
assistente tecnico:
Rob Eaton
tecnico:
Richard Mullen
produttore:
Jim Capfer, Chris Layton, Richard Mullen, Tommy Shannon e Stevie Ray Vaughan
produttore esecutivo:
John Hammond (producer)
batteria :
Chris Layton
chitarra :
Stevie Ray Vaughan
chitarra basso :
Tommy Shannon
voce:
Stevie Ray Vaughan
registrata presso:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
registrazione di:
Cold Shot
autore:
W.C. Clark e Mike Kindred
Stevie Ray Vaughan and Double Trouble44:00
12All You Zombies
tecnico di registrazione:
John Agnello (engineer & producer) e William Wittman
assistente tecnico:
Carol Cafiero e Dan Nash
produttore:
Rick Chertoff
tecnico di missaggio:
William Wittman
mixata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti
registrazione di:
All You Zombies
autore:
Eric Bazilian e Rob Hyman
The Hooters55:57
13Danger Zone
programmazione degli strumenti:
Hans Zimmer (German score composer)
tecnico:
Dave Concors, Dave Connors e Tom Whitlock
produttore:
Giorgio Moroder e Tom Whitlock
produttore esecutivo:
Michael Dilbeck
tecnico di missaggio:
Giorgio Moroder e Brian Reeves
batteria :
John Robinson (session drummer)
chitarra :
Dann Huff e Kenny Loggins
sassofono :
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
sintetizzatore :
Tom Whitlock
tastiera :
Giorgio Moroder
voce principale:
Kenny Loggins
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1986), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1986), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1986) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986)
registrata presso:
Oasis Recording Studios in North Hollywood, Los Angeles, California, Stati Uniti
versioni a cappella:
Danger Zone di Tufts Beelzebubs (Tufts University all-male a cappella group)
registrazione di:
Danger Zone (Top Gun)
paroliere:
Thomas Whitlock
compositore:
Giorgio Moroder
editore:
Budde Music Inc. (US publisher), Neue Welt Musikverlag GmbH (2017 – present), Sony/ATV Harmony, Sony/ATV Harmony UK, Sony/ATV Music Publishing (Germany) GmbH (1998–2002), Warner Chappell Overseas Holdings Ltd., Warner/Chappell North America, WB Music Corp. (1929–2019), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1986) e GMPC (nel 1986)
Kenny Loggins4.33:34
14The Final Countdown
tecnico di registrazione e tecnico di missaggio:
Wally Buck e Kevin Elson
produttore:
Kevin Elson
batteria [drums] :
Ian Haugland
chitarra :
John Norum
chitarra basso [bass] :
John Levén
tastiera :
Mic Michaeli
voce di accompagnamento:
Ian Haugland, Mic Michaeli e John Norum
voce principale:
Joey Tempest (Swedish singer)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1986), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1986) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986)
è stato produttore per:
Elson Music Vision, Inc.
registrata presso e mixata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti, Powerplay Studios in Maur, Zürich (Canton Zurigo), Svizzera e Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Svezia
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 66) e Cachitos Nochevieja 2022 (numero: 155)
registrazione di:
The Final Countdown
paroliere e compositore:
Joey Tempest (Swedish singer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Seven Doors Music
Europe4.155:11
15He’s Gonna Step on You Again
diritti fonografici (℗) detenuti da:
Sony Music Productions Pty. Ltd. (for copyrights use only) (nel 1992)
registrazione cover di:
He’s Gonna Step on You Again
paroliere:
Shaun Ryder
autore:
Christos Demitriou e John Kongos
editore:
Essex Music of Australia Pty. Ltd.
The Party Boys4:09
16Touch
diritti fonografici (℗) detenuti da:
CBS Productions Pty. Limited (nel 1988), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1988), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1988) e Sony Music Productions Pty. Ltd. (for copyrights use only) (nel 1988)
registrata presso:
Rhinoceros Studios in Sydney, New South Wales, Australia (nel 1988-07)
registrazione di:
Touch (nel 1988-07)
autore:
Steve Balbi, Stuart Fraser, Kevin Nicol, Justin Stanley e Jon Stevens (Australian/NZ rock singer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Peer Music
Noiseworks5:05
17Satch Boogie
programmazione:
Jeff Kreeger
programmazione degli strumenti:
Joe Satriani e Bongo Bob Smith
tecnico:
John Cuniberti
produttore:
John Cuniberti e Joe Satriani
produttore aggiunto:
Jeff Kreeger
batteria :
Jeff Campitelli
chitarra , chitarra basso e tastiera :
Joe Satriani
percussione :
Jeff Campitelli, John Cuniberti, Joe Satriani e Bongo Bob Smith
registrata presso e mixata presso:
Alpha Omega in San Rafael, California, Stati Uniti e Hyde Street Studios (San Francisco) in San Francisco, California, Stati Uniti
registrazione di:
Satch Boogie
compositore:
Joe Satriani
editore:
Strange Beautiful Music
Joe Satriani3.63:13
18Poison
tecnico di registrazione:
Sir Arthur Payson (dal 1988 al 1989)
programmazione degli strumenti:
Steve Deutsch
assistente tecnico:
George Cowan (US engineer), Ben Fowler, Lolly Grodner, Robert Hart (engineer), John Herman (engineer), Don Peterkofsky, Duane Seykora, Brian Sterber e Mark Tanzer
produttore:
Desmond Child
tecnico di missaggio:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) e Steve Thompson (producer)
altri strumenti [special effects] aggiunto:
Gregg Mangiafico (dal 1988 al 1989)
batteria :
Bobby Chouinard (dal 1988 al 1989)
chitarra :
John McCurry (dal 1988 al 1989)
chitarra basso :
Hugh McDonald (bassist) (dal 1988 al 1989)
tastiera :
Alan St. John (dal 1988 al 1989)
tastiera aggiunto:
Paul Chiten (dal 1988 al 1989) e Gregg Mangiafico (dal 1988 al 1989)
voce di accompagnamento:
Alan St. John (dal 1988 al 1989), Michael Anthony (US bassist, formerly of Van Halen) (dal 1988 al 1989), Desmond Child (dal 1988 al 1989), Diana Grasselli (dal 1988 al 1989), Jango (backing vocalist on “Trash” by Alice Cooper) (dal 1988 al 1989), Louie Merlino (dal 1988 al 1989), Hugh McDonald (bassist) (dal 1988 al 1989), Jamie Sever (dal 1988 al 1989), Bernie Shanahan (dal 1988 al 1989), Stiv Bator (dal 1988 al 1989), Tom Teeley (dal 1988 al 1989), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (dal 1988 al 1989), Myriam Valle (dal 1988 al 1989) e Maria Vidal (American singer-songwriter) (dal 1988 al 1989)
voce principale:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) (dal 1988 al 1989)
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1989), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1989), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1989), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1989) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1989)
registrata presso:
Bearsville Studios in Bearsville, New York, Stati Uniti (dal 1988 al 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, Stati Uniti (dal 1988 al 1989), Grog Kill Studio in Woodstock, New York, Stati Uniti (dal 1988 al 1989), Mediasound Studios in New York, New York, Stati Uniti (dal 1988 al 1989), Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1988 al 1989), Right Track Recording in Manhattan, New York, New York, Stati Uniti (dal 1988 al 1989), Sigma Sound Studios (New York) in New York, New York, Stati Uniti (dal 1988 al 1989), The Complex Studios in Los Angeles, California, Stati Uniti (dal 1988 al 1989), The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (dal 1988 al 1989) e The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti (dal 1988 al 1989)
registrazione di:
Poison (dal 1988 al 1989)
autore:
Desmond Child, Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) e John McCurry
editore:
Desmobile Inc., Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, dal 1989 a oggi), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, dal 1989 al ????), SBK Songs Ltd., Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Group, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Ezra Music Corp. (dal 1989 a oggi)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.454:29