Richard Tauber – Superstar

~ Release by Richard Tauber (see all versions of this release, 1 available)

Tracklist

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1CD: Tauberlieder – Zauberlieder
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1Ich küsse Ihre Hand, Madame
tenor vocals:
Richard Tauber (tenor) (on 1928-08-28)
orchestra:
Dajos Bela Orchestra (on 1928-08-28) and Orchester des Großen Schauspielhauses, Berlin (on 1928-08-28)
conductor:
Ernst Hauke (conductor) (on 1928-08-28)
recording of:
Ich küsse Ihre Hand, Madame (on 1928-08-28)
lyricist:
Fritz Rotter (Austrian composer and lyricist) (in 1928)
composer:
Ralph Erwin (in 1928)
3:04
2Wenn der weiße Flieder wieder blüht
recorded in:
Berlin, Germany (on 1928-12-15)
tenor vocals:
Richard Tauber (tenor) (in 1928, on 1928-12-15)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1928, on 1928-12-15)
recording of:
Wenn der weiße Flieder wieder blüht (on 1928-12-15)
lyricist:
Fritz Rotter (Austrian composer and lyricist) (in 1928)
composer:
Franz Doelle (German composer) (in 1928)
arranger:
Fred Ralph (in 1928)
recording of:
Wenn der weiße Flieder wieder blüht (in 1928)
lyricist:
Fritz Rotter (Austrian composer and lyricist) (in 1928)
composer:
Franz Doelle (German composer) (in 1928)
arranger:
Fred Ralph (in 1928)
3:52
3Der schönste Gedanke bist du
tenor vocals:
Richard Tauber (tenor) (in 1932)
orchestra:
Odeon-Künstler-Orchester (in 1932)
conductor:
Franz Schönbaumsfeld (composer, conductor) (in 1932)
recording of:
Der schönste Gedanke bist du (aus dem Film “Zigeuner der Nacht”) (in 1932)
lyricist:
Robert Gilbert
composer:
Paul Abraham (composer)
2:57
4Liebe, himmlische Macht (Extase)
organ:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1931)
tenor vocals:
Richard Tauber (tenor) (in 1931)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1931)
conductor:
Frieder Weissmann (conductor) (in 1931)
recording of:
Liebe, himmlische Macht (Extase) (in 1931)
lyricist:
Benno Balan
composer:
Louis Ganne
version of:
Extase
3:00
5Sprich zu mir vom Glück (Parlez‐moi d’amour)
tenor vocals:
Richard Tauber (tenor) (in 1932)
orchestra:
Odeon-Künstler-Orchester (in 1932)
conductor:
Franz Schönbaumsfeld (composer, conductor) (in 1932)
recording of:
Sprich zu mir vom Glück (Parlez-moi d'amour) (in 1932)
lyricist:
Peter Grau
composer:
Jean Lenoir
translated version of:
Parlez‐moi d’amour
3:04
6Rot ist dein Mund
tenor vocals:
Richard Tauber (tenor) (on 1930-04-05)
orchestra:
Odeon-Künstler-Orchester (on 1930-04-05)
conductor:
Frieder Weissmann (conductor) (on 1930-04-05)
recording of:
Rot ist dein Mund (from the Tauber-film „Das lockende Ziel”) (on 1930-04-05)
lyricist:
Fritz Rotter (Austrian composer and lyricist)
composer:
Richard Tauber (tenor)
2:47
7Ich glaub’ nie mehr an eine Frau
tenor vocals:
Richard Tauber (tenor) (in 1929)
orchestra:
Künstler-Orchester Dajos Bela (in 1929)
recording of:
Ich glaub’ nie mehr an eine Frau (aus dem gleichnamigen ersten Tauber-Gesangsfilm) (in 1929)
lyricist:
Fritz Rotter (Austrian composer and lyricist)
composer:
Richard Tauber (tenor)
2:51
8Schade, dass Liebe ein Märchen ist
tenor vocals:
Richard Tauber (tenor) (in 1932)
orchestra:
Odeon-Künstler-Orchester (in 1932)
conductor:
Paul Dessau (composer and conductor) (in 1932)
recording of:
Schade, dass Liebe ein Märchen ist (aus dem Film „Melodie der Liebe”) (in 1932)
lyricist:
Bronisław Kaper and Fritz Rotter (Austrian composer and lyricist)
composer:
Walter Jurmann
3:11
9Sonny Boy
tenor vocals:
Richard Tauber (tenor) (in 1929)
orchestra:
Künstler-Orchester Dajos Bela (in 1929)
recording of:
Sonny Boy (German lyrics) (in 1929)
lyricist and composer:
Lew Brown (in 1928-08), Buddy DeSylva (in 1928-08), Ray Henderson (in 1928-08) and Al Jolson (in 1928-08)
translator:
Ernest Neubach and Robert Gilbert
publisher:
Dreiklang Dreimasken and Chappell & Co., Inc. (USA) (in 1928-08)
translated version of:
Sonny Boy
3:10
10Gute Nacht, du mein herziges Kind
tenor vocals:
Richard Tauber (tenor) (in 1935)
recording of:
Gute Nacht, du mein herziges Kind (in 1935)
lyricist:
Ludwig Friedrich Seyffardt
composer:
Franz Abt
2:41
11Die Kirschen in Nachbars Garten
tenor vocals:
Richard Tauber (tenor) (in 1932)
orchestra:
Odeon-Künstler-Orchester (in 1932)
conductor:
Franz Schönbaumsfeld (composer, conductor) (in 1932)
recording of:
Die Kirschen in Nachbars Garten (in 1932)
lyricist:
Julius Freund
composer:
Victor Hollaender
3:06
12Vom Balkon jeden Abend (Verbotener Gesang)
tenor vocals:
Richard Tauber (tenor) (in 1931)
orchestra:
Odeon-Künstler-Orchester (in 1931)
conductor:
Frieder Weissmann (conductor) (in 1931)
recording of:
Vom Balkon jeden Abend (Verbotener Gesang) (in 1931)
lyricist:
Gumdorf
composer:
Stanislao Gastaldon
3:02
13O sole mio
tenor vocals:
Richard Tauber (tenor) (in 1927)
orchestra:
Orchester des Deutschen Künstlertheaters Berlin (in 1927)
conductor:
Ernst Hauke (conductor) (in 1927)
recording of:
’O sole mio (German lyrics, Hugo Bock) (in 1927)
lyricist:
Giovanni Capurro (in 1898)
composer:
Eduardo Di Capua (in 1898)
translator:
Hugo Bock
translated version of:
’O sole mio
3:11
14Der Graf von Luxemburg: „Bist du’s lachendes Glück”2:54
15Ich wollt’, meine Liebe ergösse sich
tenor vocals:
Richard Tauber (tenor) (in 1933)
orchestra:
Odeon-Künstler-Orchester (in 1933)
conductor:
Frieder Weissmann (conductor) (in 1933)
recording of:
Ich wollt', meine Lieb' ergösse sich, op. 63 no. 1 (in 1933)
lyricist:
Heinrich Heine (German poet)
composer:
Felix Mendelssohn (composer)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV J 5)
part of:
6 Duets, op. 63
2:54
16Still wie die Nacht
tenor vocals:
Richard Tauber (tenor) (on 1928-01-26)
conductor:
Ernst Hauke (conductor) (on 1928-01-26)
recording of:
Still wie die Nacht, op. 326 no. 27 (on 1928-01-26)
composer:
Carl Bohm (German pianist and composer)
2:54
17Alle Tage ist kein Sonntag
tenor vocals:
Richard Tauber (tenor) (on 1931-10-06)
vocals:
Richard Tauber (tenor) (on 1931-10-06)
orchestra:
Odeon-Künstler-Orchester (on 1931-10-06)
conductor:
Frieder Weissmann (conductor) (on 1931-10-06)
recording of:
Alle Tage ist kein Sonntag (in 1931)
lyricist:
Carl Ferdinands
composer:
Carl Clewing
2:41
18Wandern, ach, wandern (Rattenfänger‐Lied)
tenor vocals:
Richard Tauber (tenor) (in 1933, on 1933-02-08)
conductor:
Frieder Weissmann (conductor) (in 1933)
recording of:
Wandern, ach, wandern (Rattenfänger‐Lied) (on 1933-02-08)
lyricist:
Robert Engelhardt (lyricist)
composer:
Adolf Neuendorff
recording of:
Wandern, ach, wandern (Rattenfänger‐Lied) (in 1933)
lyricist:
Robert Engelhardt (lyricist)
composer:
Adolf Neuendorff
3:06
19An der Weser
tenor vocals:
Richard Tauber (tenor) (in 1928)
orchestra:
Orchestra des Deutschen Schauspielhauses, Berlin (in 1928)
conductor:
Ernst Hauke (conductor) (in 1928)
recording of:
An der Weser (in 1928)
lyricist:
Franz von Dingelstedt
composer:
Gustav Pressel (German composer)
4:16
20Grüß mir die stolzen Burgen am Rhein
tenor vocals:
Richard Tauber (tenor) (in 1927)
orchestra:
Orchester des Deutschen Künstlertheaters Berlin (in 1927)
conductor:
Ernst Hauke (conductor) (in 1927)
recording of:
Grüß mir die stolzen Burgen am Rhein (in 1927)
lyricist:
Fritz Rotter (Austrian composer and lyricist)
composer:
Fred Raymond
3:16
21Aus der Jugendzeit
tenor vocals:
Richard Tauber (tenor) (on 1926-05-14)
recording of:
Aus der Jugendzeit (on 1926-05-14)
lyricist:
Friedrich Rückert (German poet)
composer:
Robert Radecke
3:35
22Ein Lied aus meiner Heimat
tenor vocals:
Richard Tauber (tenor) (in 1932)
orchestra:
Odeon-Künstler-Orchester (in 1932)
conductor:
Paul Dessau (composer and conductor) (in 1932)
recording of:
Ein Lied aus meiner Heimat (aus dem Film „Melodie der Liebe”) (in 1932)
lyricist:
Bronisław Kaper and Fritz Rotter (Austrian composer and lyricist)
composer:
Walter Jurmann
3:06
23Nach der Heimat möcht’ ich wieder
tenor vocals:
Richard Tauber (tenor) (in 1929)
orchestra:
Künstler-Orchester Dajos Bela (in 1929)
recording of:
Nach der Heimat möcht’ ich wieder (in 1929)
lyricist and composer:
Karl Kromer
3:18
24Das alte Lied
piano and tenor vocals:
Richard Tauber (tenor) (on 1928-10-05)
recording of:
Das alte Lied (on 1928-10-05)
lyricist:
Fritz Löhner-Beda (librettist, lyricist, writer)
composer:
Henry Love (pseudonym of Hilda Löwi)
2:37
25Ich möchte sterben in des Frühlings Prangen (Todessehnen)
tenor vocals:
Richard Tauber (tenor) (in 1927)
orchestra:
Orchester des Deutschen Künstlertheaters Berlin (in 1927)
conductor:
Ernst Hauke (conductor) (in 1927)
recording of:
Ich möchte sterben in des Frühlings Prangen (Todessehnen) (in 1927)
lyricist:
Leonardo Maria Cognetti
composer:
Francesco Paolo Tosti (Paolo Tosti, composer)
translator:
Georg Falkenheim
translated version of:
Vorrei morire!...melodia. Remember Londra, CS57
3:36
2CD: Lehár dirigiert, Tauber singt und dirigiert
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1Giuditta: “Freunde, das Leben ist lebenswert”
soprano vocals:
Jarmila Novotná (soprano) (on 1934-01-11)
tenor vocals:
Richard Tauber (tenor) (in 1934, on 1934-01-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1934, on 1934-01-11)
conductor:
Franz Lehár (composer) (in 1934, on 1934-01-11)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (on 1934-01-11)
recording of:
Giuditta: Akt I. Nr. 4 Auftrittslied „Freunde, das Leben ist lebenswert!” (Octavio, Chor, Antonio) (on 1934-01-11)
composer:
Franz Lehár (composer)
part of:
Giuditta: Akt I
recording of:
Giuditta: Akt I. Nr. 4 Auftrittslied „Freunde, das Leben ist lebenswert!” (Octavio, Chor, Antonio) (in 1934)
composer:
Franz Lehár (composer)
part of:
Giuditta: Akt I
3:09
2Giuditta: “Schön, wie die blaue Sommernacht”
soprano vocals:
Jarmila Novotna (soprano) (in 1934) and Jarmila Novotná (soprano) (on 1934-01-11)
tenor vocals:
Richard Tauber (tenor) (in 1934, on 1934-01-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1934, on 1934-01-11)
conductor:
Franz Lehár (composer) (in 1934, on 1934-01-11)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (on 1934-01-11)
recording of:
Giuditta: Akt II. Nr. 8 Duett „Schön wie die blaue Sommernacht” (Octavio, Giuditta) (on 1934-01-11)
composer:
Franz Lehár (composer)
part of:
Giuditta: Akt II
recording of:
Giuditta: Akt II. Nr. 8 Duett „Schön wie die blaue Sommernacht” (Octavio, Giuditta) (in 1934)
composer:
Franz Lehár (composer)
part of:
Giuditta: Akt II
3:19
3Giuditta: “Du bist meine Sonne”
soprano vocals:
Jarmila Novotná (soprano) (on 1934-01-11)
tenor vocals:
Richard Tauber (tenor) (in 1934, on 1934-01-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1934, on 1934-01-11)
conductor:
Franz Lehár (composer) (in 1934, on 1934-01-11)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (on 1934-01-11)
recording of:
Giuditta: Akt III. Nr. 11 Lied “Welch tiefes Rätsel ist die Liebe” – „Du bist meine Sonne” (Octavio) (on 1934-01-11)
composer:
Franz Lehár (composer)
part of:
Giuditta: Akt III
recording of:
Giuditta: Akt III. Nr. 11 Lied “Welch tiefes Rätsel ist die Liebe” – „Du bist meine Sonne” (Octavio) (in 1934)
composer:
Franz Lehár (composer)
part of:
Giuditta: Akt III
3:15
4Giuditta: “So wie um den Sonnenball”
soprano vocals:
Jarmila Novotná (soprano) (on 1934-01-11)
tenor vocals:
Richard Tauber (tenor) (in 1934, on 1934-01-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1934, on 1934-01-11)
conductor:
Franz Lehár (composer) (in 1934, on 1934-01-11)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (on 1934-01-11)
recording of:
Giuditta: Akt IV. Nr. 17a Finale „So wie um den Sonnenball” – „Schön, so wie die Sonne” (Octavio, Martini, Barrymore, Giuditta, Chor) (on 1934-01-11)
composer:
Franz Lehár (composer)
part of:
Giuditta: Akt IV
recording of:
Giuditta: Akt IV. Nr. 17a Finale „So wie um den Sonnenball” – „Schön, so wie die Sonne” (Octavio, Martini, Barrymore, Giuditta, Chor) (in 1934)
composer:
Franz Lehár (composer)
part of:
Giuditta: Akt IV
3:01
5Giuditta: “Schönste der Frau’n”
soprano vocals:
Jarmila Novotná (soprano) (on 1934-01-11)
tenor vocals:
Richard Tauber (tenor) (in 1934, on 1934-01-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1934, on 1934-01-11)
conductor:
Franz Lehár (composer) (in 1934, on 1934-01-11)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (on 1934-01-11)
recording of:
Giuditta: Akt I. „Schönste der Frau’n, wenn alle Sterne glühen” (Giuditta, Octavio) (on 1934-01-11)
composer:
Franz Lehár (composer)
part of:
Giuditta: Akt I
recording of:
Giuditta: Akt I. „Schönste der Frau’n, wenn alle Sterne glühen” (Giuditta, Octavio) (in 1934)
composer:
Franz Lehár (composer)
part of:
Giuditta: Akt I
3:17
6Das Land des Lächelns: “Immer nur lächeln”
tenor vocals:
Richard Tauber (tenor) (on 1929-10-03)
orchestra:
Berlin State Opera Orchestra (on 1929-10-03)
conductor:
Franz Lehár (composer) (on 1929-10-03)
recording of:
Das Land des Lächelns: Akt II. Nr. 11 „Dein ist mein ganzes Herz” (Sou-Chong) (on 1929-10-03)
lyricist:
Ludwig Herzer and Fritz Löhner-Beda (librettist, lyricist, writer)
composer:
Franz Lehár (composer)
publisher:
Glocken Verlag
part of:
Das Land des Lächelns: Akt II
3:15
7Das Land des Lächelns: “Bei einem Tee à deux”
recorded in:
Berlin, Germany (on 1929-10-03)
producer:
Walter Michael Berten
soprano vocals:
Vera Schwarz (Austrian soprano) (in 1929, on 1929-10-03)
tenor vocals:
Richard Tauber (tenor) (in 1929, on 1929-10-03)
vocals:
Vera Schwarz (Austrian soprano) (on 1929-10-03)
orchestra:
Members of the Staatskapelle Berlin (in 1929) and Mitglieder der Staatskapelle Berlin (on 1929-10-03)
conductor:
Franz Lehár (composer) (in 1929, on 1929-10-03)
balance engineer:
Johannes Hübener
recording of:
Das Land des Lächelns: Akt I. Nr. 4 „Mein lieber Prinz” … „Bei einem Tee à deux” (Lisa, Sou-Chong) (on 1929-10-03)
composer:
Franz Lehár (composer)
part of:
Das Land des Lächelns: Akt I
recording of:
Das Land des Lächelns: Akt I. Nr. 4 „Mein lieber Prinz” … „Bei einem Tee à deux” (Lisa, Sou-Chong) (in 1929)
composer:
Franz Lehár (composer)
part of:
Das Land des Lächelns: Akt I
3:17
8Das Land des Lächelns: “Von Apfelblüten einen Kranz”
recorded in:
Berlin, Germany (on 1929-10-04)
producer:
Walter Michael Berten
tenor vocals:
Richard Tauber (tenor) (on 1929-10-03)
tenor vocals [Sou-Chong]:
Kammersänger Richard Tauber (tenor) (on 1929-10-04)
orchestra:
Mitglieder der Staatskapelle Berlin (on 1929-10-03) and Staatskapelle Berlin (on 1929-10-04)
conductor:
Franz Lehár (composer) (on 1929-10-03, on 1929-10-04)
balance engineer:
Johannes Hübener
recording of:
Das Land des Lächelns: Akt I. Nr. 5 „Von Apfelblüten einen Kranz” (Sou-Chong) (on 1929-10-03)
composer:
Franz Lehár (composer)
part of:
Das Land des Lächelns: Akt I
recording of:
Das Land des Lächelns: Akt I. Nr. 5 „Von Apfelblüten einen Kranz” (Sou-Chong) (on 1929-10-04)
composer:
Franz Lehár (composer)
part of:
Das Land des Lächelns: Akt I
3:09
9Das Land des Lächelns: “Dein ist mein ganzes Herz”
recorded in:
Berlin, Germany (on 1929-10-03)
producer:
Walter Michael Berten
soprano vocals:
Vera Schwarz (Austrian soprano) (on 1929-10-03)
tenor vocals:
Richard Tauber (tenor) (on 1929-10-03)
vocals:
Vera Schwarz (Austrian soprano) (on 1929-10-03)
orchestra:
Mitglieder der Staatskapelle Berlin (on 1929-10-03)
conductor:
Franz Lehár (composer) (on 1929-10-03)
balance engineer:
Johannes Hübener
recording of:
Das Land des Lächelns: Akt II. Nr. 11 „Dein ist mein ganzes Herz” (Sou-Chong) (on 1929-10-03)
lyricist:
Ludwig Herzer and Fritz Löhner-Beda (librettist, lyricist, writer)
composer:
Franz Lehár (composer)
publisher:
Glocken Verlag
part of:
Das Land des Lächelns: Akt II
3:15
10Das Land des Lächelns: “Wer hat die Liebe uns ins Herz gesenkt”
recorded in:
Berlin, Germany (on 1929-10-03)
producer:
Walter Michael Berten
soprano vocals:
Vera Schwarz (Austrian soprano) (on 1929-10-03)
soprano vocals [Lisa]:
Kammersängerin Vera Schwarz (Austrian soprano) (on 1929-10-03)
tenor vocals:
Richard Tauber (tenor) (on 1929-10-03)
tenor vocals [Sou-Chong]:
Kammersänger Richard Tauber (tenor) (on 1929-10-03)
vocals:
Vera Schwarz (Austrian soprano) (on 1929-10-03)
orchestra:
Mitglieder der Staatskapelle Berlin (on 1929-10-03)
conductor:
Franz Lehár (composer) (on 1929-10-03)
balance engineer:
Johannes Hübener
recording of:
Das Land des Lächelns: Akt II. „Wer hat die Liebe uns ins Herz gesenkt?” (Sou-Chong, Lisa) (on 1929-10-03)
composer:
Franz Lehár (composer)
part of:
Das Land des Lächelns: Akt II
3:53
11Das Land des Lächelns: “Kann es möglich sein?”
recorded in:
Berlin, Germany (on 1929-10-04)
producer:
Walter Michael Berten
soprano vocals:
Vera Schwarz (Austrian soprano) (on 1929-10-04)
tenor vocals:
Richard Tauber (tenor) (on 1929-10-03, on 1929-10-04)
vocals:
Vera Schwarz (Austrian soprano) (on 1929-10-04)
orchestra:
Mitglieder der Staatskapelle Berlin (on 1929-10-03) and Staatskapelle Berlin (on 1929-10-04)
conductor:
Franz Lehár (composer) (on 1929-10-03, on 1929-10-04)
balance engineer:
Johannes Hübener
recording of:
Das Land des Lächelns: Akt II. „Ihr Götter, sagt” … „Kann es möglich sein?” (Sou-Chong) (on 1929-10-03)
composer:
Franz Lehár (composer)
part of:
Das Land des Lächelns: Akt II
recording of:
Das Land des Lächelns: Akt II. „Ihr Götter, sagt” … „Kann es möglich sein?” (Sou-Chong) (on 1929-10-04)
composer:
Franz Lehár (composer)
part of:
Das Land des Lächelns: Akt II
2:33
12Eva: Vorspiel
tenor vocals:
Richard Tauber (tenor) (on 1946-06-05)
orchestra:
Radio-Orchester Beromünster (on 1946-06-05)
conductor:
Franz Lehár (composer) (on 1946-06-05)
recording of:
Eva (das Fabriksmädel): Vorspiel (on 1946-06-05)
composer:
Franz Lehár (composer)
part of:
Eva (das Fabriksmädel)
5:51
13Das Land des Lächelns: “Immer nur lächeln”
tenor vocals:
Richard Tauber (tenor) (on 1946-06-05)
orchestra:
Radio-Orchester Beromünster (on 1946-06-05)
conductor:
Franz Lehár (composer) (on 1946-06-05)
recording of:
Das Land des Lächelns: Akt I. Nr. 3 „Immer nur lächeln und immer vergnügt” (Sou-Chong) (on 1946-06-05)
composer:
Franz Lehár (composer)
part of:
Das Land des Lächelns: Akt I
4:53
14Der Graf von Luxemburg: Walzer‐Intermezzo
tenor vocals:
Richard Tauber (tenor) (on 1946-06-05)
orchestra:
Radio-Orchester Beromünster (on 1946-06-05)
conductor:
Franz Lehár (composer) (on 1946-06-05)
recording of:
Der Graf von Luxemburg: Intermezzo (on 1946-06-05)
composer:
Franz Lehár (composer)
part of:
Der Graf von Luxemburg
4:03
15Giuditta: “Du bist meine Sonne”
tenor vocals:
Richard Tauber (tenor) (on 1946-06-05)
orchestra:
Radio-Orchester Beromünster (on 1946-06-05)
conductor:
Franz Lehár (composer) (on 1946-06-05)
recording of:
Giuditta: Akt III. Nr. 11 Lied “Welch tiefes Rätsel ist die Liebe” – „Du bist meine Sonne” (Octavio) (on 1946-06-05)
composer:
Franz Lehár (composer)
part of:
Giuditta: Akt III
3:43
16Zigeunerliebe: Ouvertüre
tenor vocals:
Richard Tauber (tenor) (on 1946-06-05)
orchestra:
Radio-Orchester Beromünster (on 1946-06-05)
conductor:
Franz Lehár (composer) (on 1946-06-05)
recording of:
Zigeunerliebe: Ouvertüre (on 1946-06-05)
composer:
Franz Lehár (composer)
part of:
Zigeunerliebe
9:07
17Das Fürstenkind: “Schweig, zagendes Herz”
tenor vocals:
Richard Tauber (tenor) (on 1946-06-05)
orchestra:
Radio-Orchester Beromünster (on 1946-06-05)
conductor:
Franz Lehár (composer) (on 1946-06-05)
recording of:
Das Fürstenkind: “Schweig, zagendes Herz” (on 1946-06-05)
composer:
Franz Lehár (composer)
part of:
Das Fürstenkind
4:51
18Das Land des Lächelns: “Dein ist mein ganzes Herz”
tenor vocals:
Richard Tauber (tenor) (on 1946-06-05)
orchestra:
Radio-Orchester Beromünster (on 1946-06-05)
conductor:
Franz Lehár (composer) (on 1946-06-05)
recording of:
Das Land des Lächelns: Akt II. Nr. 11 „Dein ist mein ganzes Herz” (Sou-Chong) (on 1946-06-05)
lyricist:
Ludwig Herzer and Fritz Löhner-Beda (librettist, lyricist, writer)
composer:
Franz Lehár (composer)
publisher:
Glocken Verlag
part of:
Das Land des Lächelns: Akt II
3:45
19Der singende Traum: “Du bist die Welt für mich”
tenor vocals:
Joseph Schmidt (Austro-Hungarian and Romanian tenor and actor.) (in 1935)
orchestra:
Wiener Studioorchester (in 1935)
conductor:
Richard Tauber (tenor) (in 1935)
recording of:
Der singende Traum: „Du bist die Welt für mich” (in 1935)
lyricist:
Ernst Marischka
composer:
Richard Tauber (tenor)
part of:
Der singende Traum
3:17
3CD: Zarensohn und Teufelsgeiger – Der Lehár‐Tenor
#TitleRatingLength
1Schön ist die Welt: “Schön ist die Welt”3:18
2Schön ist die Welt: “Frei und jung dabei”
soprano vocals:
Gitta Alpár (soprano) (in 1930)
tenor vocals:
Richard Tauber (tenor) (in 1930)
orchestra:
Orchester des Metropol-Theaters Berlin (in 1930)
conductor:
Franz Schönbaumsfeld (composer, conductor) (in 1930)
recording of:
Schön ist die Welt: Akt I. Nr. 6. „Ein Ausflug mit Ihnen” - „Frei und jung dabei” (Elisabeth, Georg) (in 1930)
composer:
Franz Lehár (composer)
part of:
Schön ist die Welt
3:07
3Schön ist die Welt: “Liebste, glaub’ an mich”
tenor vocals:
Richard Tauber (tenor) (in 1930)
orchestra:
Orchester des Metropol-Theaters Berlin (in 1930)
conductor:
Franz Schönbaumsfeld (composer, conductor) (in 1930)
recording of:
Schön ist die Welt: Akt II. Nr. 10 „Liebste, glaub' an mich” (Georg) (in 1930)
composer:
Franz Lehár (composer)
part of:
Schön ist die Welt
3:07
4Schön ist die Welt: “Es steht vom Lieben gar oft geschrieben”
soprano vocals:
Gitta Alpár (soprano) (in 1930)
tenor vocals:
Richard Tauber (tenor) (in 1930)
orchestra:
Orchester des Metropol-Theaters Berlin (in 1930)
conductor:
Franz Schönbaumsfeld (composer, conductor) (in 1930)
recording of:
Schön ist die Welt: Akt II. Nr. 9b. „Jetzt mit der rechten Hand” - „Es steht vom Lieben so oft geschrieben” (Elisabeth, Georg) (in 1930)
composer:
Franz Lehár (composer)
part of:
Schön ist die Welt
3:08
5Friederike: “O Mädchen, mein Mädchen”
tenor vocals:
Richard Tauber (tenor) (in 1928)
orchestra:
Mitglieder der Staatskapelle Berlin (in 1928)
recording of:
Friederike: Akt II. “O Mädchen, mein Mädchen” (in 1928)
lyricist and librettist:
Ludwig Herzer and Fritz Löhner-Beda (librettist, lyricist, writer)
composer:
Franz Lehár (composer)
part of:
Friederike: Akt II
3:26
6Friederike: “Sah ein Knab’ ein Röslein steh’n”
tenor vocals:
Richard Tauber (tenor) (in 1928)
orchestra:
Mitglieder der Staatskapelle Berlin (in 1928)
recording of:
Friederike: „Sah ein Knab' ein Röslein stehn” (in 1928)
composer:
Franz Lehár (composer)
part of:
Friederike
3:03
7Friederike: “O wie schön, wie wunderschön”
tenor vocals:
Richard Tauber (tenor) (in 1928)
orchestra:
Mitglieder der Staatskapelle Berlin (in 1928)
recording of:
Friederike: “O wie schön, wie wunderschön” (in 1928)
composer:
Franz Lehár (composer)
part of:
Friederike
2:48
8Paganini: “Schönes Italien”
tenor vocals:
Richard Tauber (tenor) (in 1925)
orchestra:
Orchester der Berliner Staatsoper (in 1925)
conductor:
Hermann Weigert (in 1925)
recording of:
Paganini: Akt I. Nr. 3 “Schönes Italien“ (Paganini) (in 1925)
composer:
Franz Lehár (composer)
librettist:
Béla Jenbach and Paul Knepler (librettist and composer)
part of:
Paganini: Akt I
2:21
9Paganini: “Einmal möchte’ ich was Närrisches tun”
soprano vocals:
Carlotta Vanconti (in 1925)
tenor vocals:
Richard Tauber (tenor) (in 1925)
orchestra:
Orchester der Berliner Staatsoper (in 1925)
conductor:
Hermann Weigert (in 1925)
recording of:
Paganini: Akt II. Nr. 11 “Einmal möcht' ich was Närrisches tun” (“Einmal feiern auf Teufel komm raus”) (in 1925)
composer:
Franz Lehár (composer)
librettist:
Béla Jenbach and Paul Knepler (librettist and composer)
part of:
Paganini: Akt II
2:49
10Paganini: “Gern hab’ ich die Frau’n geküsst”
tenor vocals:
Richard Tauber (tenor) (in 1927)
orchestra:
Orchester des Deutschen Künstlertheaters Berlin (in 1927)
recording of:
Paganini: Akt II. Nr. 9 “Gern hab’ ich die Frau’n geküsst” (Paganini) (in 1927)
composer:
Franz Lehár (composer)
librettist:
Béla Jenbach and Paul Knepler (librettist and composer)
part of:
Paganini: Akt II
3:46
11Paganini: “Niemand liebt dich so wie ich”
soprano vocals:
Carlotta Vanconti (in 1926)
tenor vocals:
Richard Tauber (tenor) (in 1926)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1926)
recording of:
Paganini: Akt II. Nr. 12 “Niemand liebt dich so wie ich” (Elisa, Paganini) (in 1926)
composer:
Franz Lehár (composer)
librettist:
Béla Jenbach and Paul Knepler (librettist and composer)
part of:
Paganini: Akt II
4:16
12Frasquita: “Hab’ ein blaues Himmelbett”
tenor vocals:
Richard Tauber (tenor) (in 1927)
orchestra:
Orchester des Deutschen Künstlertheaters Berlin (in 1927)
conductor:
Ernst Hauke (conductor) (in 1927)
recording of:
Frasquita: Akt II. “Hab’ ein blaues Himmelbett” (Serenade) (in 1927)
composer:
Franz Lehár (composer)
librettist:
Heinz Reichert and Alfred Maria Willner
part of:
Frasquita: Akt II
3:52
13Zigeunerliebe: “Wer nennt nicht die Liebe sein winziges Glück”
tenor vocals:
Richard Tauber (tenor) (in 1929)
orchestra:
Mitglieder der Staatskapelle Berlin (in 1929)
conductor:
Ernst Hauke (conductor) (in 1929)
recording of:
Zigeunerliebe: “Wer nennt nicht die Liebe sein winziges Glück” (in 1929)
composer:
Franz Lehár (composer)
part of:
Zigeunerliebe
2:55
14Zigeunerliebe: “Es liegt in blauen Fernen”
soprano vocals:
Vera Schwarz (Austrian soprano) (in 1928)
tenor vocals:
Richard Tauber (tenor) (in 1928)
orchestra:
Mitglieder der Staatskapelle Berlin (in 1928)
conductor:
Frieder Weissmann (conductor) (in 1928)
recording of:
Zigeunerliebe: “Es liegt in blauen Fernen” (in 1928)
composer:
Franz Lehár (composer)
part of:
Zigeunerliebe
3:48
15Zigeunerliebe: “Hör ich Cymbalklänge”
tenor vocals:
Richard Tauber (tenor) (in 1927)
orchestra:
Orchester des Deutschen Künstlertheaters Berlin (in 1927)
conductor:
Ernst Hauke (conductor) (in 1927)
recording of:
Zigeunerliebe: Akt III. "Hör ich Cymbalklänge" (Ilona) (in 1927)
composer:
Franz Lehár (composer)
part of:
Zigeunerliebe: Akt III
4:18
16Die lustige Witwe: Vilja‐Lied3:04
17Die lustige Witwe: “Lippen schweigen” (Ballsirenen‐Walzer)
tenor vocals:
Richard Tauber (tenor) (in 1932)
orchestra:
Odeon-Künstler-Orchester (in 1932)
conductor:
Erich Wolfgang Korngold (Austrian composer and conductor) (in 1932)
recording of:
Die lustige Witwe: Akt III. Nr. 15. Duett „Lippen schweigen” … „Bei jedem Walzerschritt” (Hanna, Danilo) (Ballsirenen-Walzer) (in 1932)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
3:19
18Der Rastelbinder: “Wenn zwei sich lieben”
soprano vocals:
Carlotta Vanconti (in 1928)
tenor vocals:
Richard Tauber (tenor) (in 1928)
orchestra:
Mitglieder der Staatskapelle Berlin (in 1928)
recording of:
Der Rastelbinder: „Wenn zwei sich lieben” (in 1928)
composer:
Franz Lehár (composer)
part of:
Der Rastelbinder
4:03
19Das Fürstenkind: “Schweig, zagendes Herz”
tenor vocals:
Richard Tauber (tenor) (in 1932)
orchestra:
Odeon-Künstler-Orchester (in 1932)
conductor:
Franz Schönbaumsfeld (composer, conductor) (in 1932)
recording of:
Das Fürstenkind: “Schweig, zagendes Herz” (in 1932)
composer:
Franz Lehár (composer)
part of:
Das Fürstenkind
3:07
20Das Fürstenkind: “Freiheit, du bist unser Leben” (“Lange Jahre, bange Jahre”)
tenor vocals:
Richard Tauber (tenor) (in 1932)
orchestra:
Odeon-Künstler-Orchester (in 1932)
conductor:
Franz Schönbaumsfeld (composer, conductor) (in 1932)
recording of:
Das Fürstenkind: “Freiheit, du bist unser Leben” (“Lange Jahre, bange Jahre”) (in 1932)
composer:
Franz Lehár (composer)
part of:
Das Fürstenkind
3:09
21Der Zarewitsch: Wolgalied (“Es steht ein Soldat am Wolgastrand”)4:01
22Der Zarewitsch: “Warum hat jeder Frühling, ach, nur einen Mai”3:47
23Das Land des Lächelns: “Liebes Schwesterlein, sollst nicht traurig sein” (Tonfilmversion)
tenor vocals:
Richard Tauber (tenor) (in 1930)
conductor:
Paul Dessau (composer and conductor) (in 1930)
recording of:
Das Land des Lächelns: Akt III. „Liebes Schwesterlein, sollst nicht traurig sein” (Sou‐Chong, Mi) (in 1930)
composer:
Franz Lehár (composer)
part of:
Das Land des Lächelns: Akt III
3:40
4CD: Der König der Operette
#TitleRatingLength
1Der singende Traum: “Du bist die Welt für mich”
tenor vocals:
Richard Tauber (tenor) (in 1934, on 1934-09-28)
orchestra:
Orchester des Theaters an der Wien (in 1934) and [unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1934-09-28)
conductor:
Anton Paulik (conductor) (in 1934)
recording of:
Der singende Traum: „Du bist die Welt für mich” (on 1934-09-28)
lyricist:
Ernst Marischka
composer:
Richard Tauber (tenor)
part of:
Der singende Traum
recording of:
Der singende Traum: „Du bist die Welt für mich” (in 1934)
lyricist:
Ernst Marischka
composer:
Richard Tauber (tenor)
part of:
Der singende Traum
3:38
2Die Blume von Hawai: “Will dir die Welt zu Füßen legen”
tenor vocals:
Richard Tauber (tenor) (in 1931)
orchestra:
Odeon-Künstler-Orchester (in 1931)
conductor:
Frieder Weissmann (conductor) (in 1931)
recording of:
Die Blume von Hawai: “Will dir die Welt zu Füßen legen” (in 1931)
composer:
Paul Abraham (composer)
part of:
Die Blume von Hawaii
3:19
3Viktoria und ihr Husar: “Reich mir zum Abschied noch einmal die Hände”
tenor vocals:
Richard Tauber (tenor) (in 1931)
orchestra:
Odeon-Künstler-Orchester (in 1931)
conductor:
Frieder Weissmann (conductor) (in 1931)
recording of:
Viktoria und ihr Husar: Reich mir zum Abschied noch einmal die Hände (in 1931)
lyricist:
Alfred Grünwald and Fritz Löhner-Beda (librettist, lyricist, writer)
composer:
Paul Abraham (composer)
part of:
Viktoria und ihr Husar ("Victoria and Her Hussar")
3:14
4Die Zirkusprinzessin: “Zwei Märchenaugen“
tenor vocals:
Richard Tauber (tenor) (in 1927)
orchestra:
Orchester des Deutschen Künstlertheaters Berlin (in 1927)
conductor:
Ernst Hauke (conductor) (in 1927)
recording of:
Die Zirkusprinzessin: Akt I. „Zwei Märchenaugen” (in 1927)
composer:
Emmerich Kálmán (Kálmán Imre - composer)
part of:
Die Zirkusprinzessin: Akt I
4:25
5Gräfin Mariza: “Komm, Zigan”
tenor vocals:
Richard Tauber (tenor) (in 1932)
orchestra:
Odeon-Künstler-Orchester (in 1932)
conductor:
Frieder Weissmann (conductor) (in 1932)
recording of:
Gräfin Mariza: Akt I. „Komm Zigány“ (Tassilo) (in 1932)
composer:
Emmerich Kálmán (Kálmán Imre - composer)
part of:
Gräfin Mariza: Akt I
2:59
6Das Veilchen vom Montmartre: “Ninon, du Kind der Stadt Paris”
tenor vocals:
Richard Tauber (tenor) (in 1931)
orchestra:
Odeon-Künstler-Orchester (in 1931)
conductor:
Frieder Weissmann (conductor) (in 1931)
recording of:
Das Veilchen vom Montmartre: “Ninon, du Kind der Stadt Paris” (in 1931)
composer:
Emmerich Kálmán (Kálmán Imre - composer)
part of:
Das Veilchen von Montmartre
3:15
7Frühlingsstürme: Traumversunken – Liebestrunken
tenor vocals:
Richard Tauber (tenor) (in 1933)
vocals:
Mary Laseff (in 1933)
orchestra:
Orchester des Theaters im Admiralspalast Berlin (in 1933)
conductor:
Manfred Gurlitt (in 1933)
recording of:
Frühlingsstürme: „Traumversunken – Liebestrunken” (in 1933)
composer:
Jaromír Weinberger
part of:
Frühlingsstürme
3:25
8Marietta: “Frauen, ihr macht uns das Leben schön”
tenor vocals:
Richard Tauber (tenor) (in 1929)
orchestra:
Staatskapelle Berlin (in 1929)
conductor:
Oscar Straus (in 1929)
recording of:
Marietta: „Frauen, ihr macht uns das Leben schön” (in 1929)
composer:
Walter Kollo
part of:
Marietta
2:51
9Venus in Seide: “O mia bella Napoli”
tenor vocals:
Richard Tauber (tenor) (in 1933)
orchestra:
Odeon-Künstler-Orchester (in 1933)
conductor:
Frieder Weissmann (conductor) (in 1933)
recording of:
Venus in Seide: “O mia bella Napoli” (in 1933)
composer:
Robert Stolz (Viennese operetta composer, songwriter and conductor)
part of:
Venus in Seide
2:46
10Das Lied der Liebe: “Man glaubt so gerne an Frauenlieb’ und Glück”
tenor vocals:
Richard Tauber (tenor) (in 1931)
orchestra:
Odeon-Künstler-Orchester (in 1931)
conductor:
Erich Wolfgang Korngold (Austrian composer and conductor) (in 1931)
recording of:
Das Lied der Liebe: “Man glaubt so gerne an Frauenlieb’ und Glück” (in 1931)
lyricist:
Ludwig Herzer
composer:
Erich Wolfgang Korngold (Austrian composer and conductor) and Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Das Lied der Liebe
2:57
11Nakiris Hochzeit: “Ob du mich liebst, hab’ ich den Wind gefragt”2:51
12Frau Luna: “Schlösser, die im Monde liegen”
tenor vocals:
Richard Tauber (tenor) (in 1932)
orchestra:
Odeon-Künstler-Orchester (in 1932)
conductor:
Frieder Weissmann (conductor) (in 1932)
recording of:
Frau Luna: Akt I. “Schlösser, die im Monde liegen” (Marie) (in 1932)
lyricist:
Heinrich Bolten-Baeckers
composer:
Paul Lincke
part of:
Frau Luna: Akt I
2:55
13Im Reiche des Indra: “Wenn auch die Jahre enteilen”
tenor vocals:
Richard Tauber (tenor) (in 1929)
orchestra:
Künstler-Orchester Dajos Bela (in 1929)
recording of:
Im Reiche des Indra: „Wenn auch die Jahre enteilen” (in 1929)
composer:
Paul Lincke
part of:
Im Reiche des Indra
2:51
14Der Page des Königs: “Was wär’ mein Lied, könnt’ ich’s dir nicht singen”
tenor vocals:
Richard Tauber (tenor) (in 1933)
orchestra:
Odeon-Künstler-Orchester (in 1933)
conductor:
Frieder Weissmann (conductor) (in 1933)
recording of:
Der Page des Königs: “Was wär’ mein Lied, könnt’ ich’s dir nicht singen” (in 1933)
composer:
Walter Goetze
librettist:
Oskar Felix and Josef Rheinberg (librettist)
3:04
15Sissy: “Die Liebe kommt, die Liebe geht”
tenor vocals:
Richard Tauber (tenor) (in 1933)
orchestra:
Odeon-Künstler-Orchester (in 1933)
conductor:
Frieder Weissmann (conductor) (in 1933)
recording of:
Sissy: “Die Liebe kommt, die Liebe geht” (in 1933)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
librettist:
Ernst Marischka and Hubert Marischka
part of:
Sissy
2:51
16Das Dreimäderlhaus: “Was schön’res könnt’ sein als ein Wiener Lied”
tenor vocals:
Richard Tauber (tenor) (in 1932)
orchestra:
Odeon-Künstler-Orchester (in 1932)
recording of:
Das Dreimäderlhaus: “Was schön’res könnt’ sein als ein Wiener Lied” (in 1932)
lyricist:
Heinz Reichert and Alfred Maria Willner
composer:
Heinrich Berté and Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
publisher:
Ludwig Doblinger
part of:
Das Dreimäderlhaus (Known as Blossom Time or Lilac Time)
3:18
17Ein Walzertraum: “Da draußen im duftenden Garten” (“Leise ganz leise”)
tenor vocals:
Richard Tauber (tenor) (in 1932)
conductor:
Franz Schönbaumsfeld (composer, conductor) (in 1932)
recording of:
Ein Walzertraum, Akt I: "Leise, ganz leise" (in 1932)
composer:
Oscar Straus
librettist:
Felix Dörmann (librettist) and Leopold Jacobson (librettist)
part of:
Ein Walzertraum: Akt I
3:10
18Bruder Straubinger: “Küssen ist kein Sünd’”
tenor vocals:
Richard Tauber (tenor) (in 1928)
orchestra:
Orchester des Großen Schauspielhauses, Berlin (in 1928)
conductor:
Ernst Hauke (conductor) (in 1928)
recording of:
Bruder Straubinger: „Küssen ist keine Sünd'” (in 1928)
composer:
Edmund Eysler
part of:
Bruder Straubinger
2:47
19Der Zigeunerbaron: “Als flotter Geist” (“Ja, das alles auf Ehr’”)
tenor vocals:
Richard Tauber (tenor) (in 1924)
orchestra:
Orchester des Theaters an der Wien (in 1924)
conductor:
Anton Paulik (conductor) (in 1924)
recording of:
Der Zigeunerbaron: Akt I, Nr. 2. „Als flotter Geist“ (in 1924)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Der Zigeunerbaron: Akt I
recording of:
Der Zigeunerbaron: Akt I. „Ja! Ja, das alles auf Ehr“ (Barinkay, Chor) (in 1924)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Der Zigeunerbaron: Akt I
3:10
20Eine Nacht in Venedig: “Treu sein, das liegt mir nicht”
tenor vocals:
Richard Tauber (tenor) (in 1924)
orchestra:
Orchester des Theaters an der Wien (in 1924)
conductor:
Erich Wolfgang Korngold (Austrian composer and conductor) (in 1924)
recording of:
Eine Nacht in Venedig: “Treu sein, das liegt mir nicht” (Fassung der Korngold-Bearbeitung, 1923) (in 1924)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
revised by:
Erich Wolfgang Korngold (Austrian composer and conductor)
is based on:
Eine Nacht in Venedig: “Was mir der Zufall gab”
part of:
Eine Nacht in Venedig
2:46
21Der Opernball: “Gehen wir ins Chambre separée”
tenor vocals:
Richard Tauber (tenor) (in 1931)
orchestra:
Odeon-Künstler-Orchester (in 1931)
conductor:
Frieder Weissmann (conductor) (in 1931)
recording of:
Der Opernball: Akt II. "Im chambre séparée" (in 1931)
composer:
Richard Heuberger (Austrian composer)
librettist:
Victor Léon (librettist) and Heinrich von Waldberg
part of:
Der Opernball: Akt II
3:03
22Die Fledermaus: “Dieser Anstand, so manierlich”
tenor vocals:
Richard Tauber (tenor) (in 1928)
orchestra:
Staatskapelle Berlin (in 1928)
conductor:
Frieder Weissmann (conductor) (in 1928)
recording of:
Die Fledermaus: Akt II. Nr. 9 Duett „Dieser Anstand, so manierlich“ (Eisenstein, Rosalinde) (in 1928)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
3:44
23Die Fledermaus: “Herr Chevalier, ich grüße Sie” / “Brüderlein und Schwesterlein”
choir vocals:
Chor der Deutschen Staatsoper Berlin (in 1928)
soprano vocals:
Lotte Lehmann (soprano) (in 1928) and Grete Merrem-Nikisch (German soprano) (in 1928)
tenor vocals:
Richard Tauber (tenor) (in 1928)
orchestra:
Orchester der Deutschen Staatsoper Berlin (in 1928)
conductor:
Frieder Weissmann (conductor) (in 1928)
recording of:
Die Fledermaus: Akt II. Finale „Herr Chevalier, ich grüße Sie“ … „Brüderlein, Brüderlein und Schwesterlein“ (Eisenstein, Frank, Falke, Rosalinde, Adele, Chor, Orlofsky) (in 1928)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
3:59
5CD: Der Opernsänger I
6CD: Der Opernsänger II
7CD: Der Konzertsänger
8CD: Volkslieder und Wiener Musik
9CD: Als Emigrant von Land zu Land
10CD: Der Emigrant – Fluchtpunkt London

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ASIN:DE: B0027LZ4BA [info]