Complete Mozart Edition, Volume 45: Rarities & Surprises

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 1 available)

Annotation

Cat# (release): 422 545-2
Cat# (discs): 422 826-2 - 422 828-2

Probably has no barcode.

Annotation last modified on 2013-06-04 10:48 UTC.

Tracklist

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1▼CD
#TitleRatingLength
1Contredanse for Keyboard in F major, K. 33B "The London Sketchbook"
orchestra:
Academy of St Martin in the Fields (in 1971-08)
conductor:
Sir Neville Marriner (conductor) (in 1971-08)
arranger and orchestrator:
Erik Smith (British producer, pianist and harpsichordist)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971-08)
recording of:
Piece for Piano in F major, K. 33B/Anh. A 6 (catch-all for arrangements) (in 1971-08)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
arrangement of:
Piece for Piano in F major, K. Anh. A 6/33B. Allegro
1:16
2Contredanse for Piano in F major, K. 15h/deest "London Sketchbook No. 8"
orchestra:
Academy of St Martin in the Fields (in 1971-08)
conductor:
Sir Neville Marriner (conductor) (in 1971-08)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971-08)
recording of:
Three Contredanses: In F, K. 15h (orch. by Smith) (in 1971-08)
orchestrator:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
orchestration of:
Contredanse in F major, K. 15h (for piano)
part of:
The London Sketchbook, K. 15a-15ss (orch. by Smith)
0:47
3Final Movement to a Sonata for Piano in F major, K. 15x/(K2) Anh 109b/6/KV deest "London Sketchbook No. 23"
orchestra:
Academy of St Martin in the Fields (in 1971-08)
conductor:
Sir Neville Marriner (conductor) (in 1971-08)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971-08)
recording of:
Three Contredanses: In F, K. 15x (orch. by Smith) (in 1971-08)
orchestrator:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
orchestration of:
Piano Sonata in F major, K. 15x
part of:
The London Sketchbook, K. 15a-15ss (orch. by Smith)
0:58
4Divertimento for Piano in C major, K. 15b/(K2) Anh 109b/2/KV deest "London Sketchbook No. 2": Andantino
orchestra:
Academy of St Martin in the Fields (in 1971-08)
conductor:
Sir Neville Marriner (conductor) (in 1971-08)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971-08)
recording of:
Divertimento in C: I. [Maestoso], K. 15b (orch. by Smith) (in 1971-08)
orchestrator:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
orchestration of:
Andantino in C major, K. 15b
part of:
The London Sketchbook, K. 15a-15ss (orch. by Smith)
1:50
5Allegro for Piano in F major, K. 15a/(K2) A109b/1/KV deest "London Sketchbook No. 1"
orchestra:
Academy of St Martin in the Fields (in 1971-08)
conductor:
Sir Neville Marriner (conductor) (in 1971-08)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971-08)
recording of:
Divertimento in C: II. [Allegro], K. 15a (orch. by Smith) (in 1971-08)
orchestrator:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
orchestration of:
Allegro in F major, K. 15a
part of:
The London Sketchbook, K. 15a-15ss (orch. by Smith)
1:03
6Divertimento for Piano in C major, K. 15f/deest "London Sketchbook No. 6": Tempo di menuetto
orchestra:
Academy of St Martin in the Fields (in 1971-08)
conductor:
Sir Neville Marriner (conductor) (in 1971-08)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971-08)
recording of:
Divertimento in C: III. [Menuetto], K. 15f (orch. by Smith) (in 1971-08)
orchestrator:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
orchestration of:
Minuet in C major, K. 15f (for piano)
part of:
The London Sketchbook, K. 15a-15ss (orch. by Smith)
2:40
7Sonata Movement for Piano in G minor, K. 15p/(K2) Anh 109b/3/KV deest "London Sketchbook No. 15": Allegro non troppo
orchestra:
Academy of St Martin in the Fields (in 1971-08)
conductor:
Sir Neville Marriner (conductor) (in 1971-08)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971-08)
recording of:
Divertimento in G minor: I. [Allegro non troppo], K. 15p (orch. by Smith) (in 1971-08)
orchestrator:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
orchestration of:
Piano Sonata in G minor, K. 15p
part of:
The London Sketchbook, K. 15a-15ss (orch. by Smith)
2:26
8Divertimento for Piano in G minor, K. 15q/deest "London Sketchbook No. 16": Andante
orchestra:
Academy of St Martin in the Fields (in 1971-08)
conductor:
Sir Neville Marriner (conductor) (in 1971-08)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971-08)
recording of:
Divertimento in G minor: II. [Andante], K. 15q (orch. by Smith) (in 1971-08)
orchestrator:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
orchestration of:
Andante in B-flat major, K. 15q (for piano)
part of:
The London Sketchbook, K. 15a-15ss (orch. by Smith)
3:18
9Divertimento for Piano in G minor, K. 15r/(K2) Anh 109b/7/KV deest "London Sketchbook No. 17": Andante
orchestra:
Academy of St Martin in the Fields (in 1971-08)
conductor:
Sir Neville Marriner (conductor) (in 1971-08)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971-08)
recording of:
Divertimento in G minor: III. [Finale], K. 15r (orch. by Smith) (in 1971-08)
orchestrator:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
orchestration of:
Andante in G minor, K. 15r (for piano)
part of:
The London Sketchbook, K. 15a-15ss (orch. by Smith)
2:11
10Marcia for Piano in D major, K. 15o/deest "London Sketchbook No. 14": Andantino
orchestra:
Academy of St Martin in the Fields (in 1971-08)
conductor:
Sir Neville Marriner (conductor) (in 1971-08)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971-08)
recording of:
Divertimento in D: I. [Marcia (Andantino)], K. 15o (orch. by Smith) (in 1971-08)
orchestrator:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
orchestration of:
Andante in D major, K. 15o (for piano)
part of:
The London Sketchbook, K. 15a-15ss (orch. by Smith)
2:06
11Final Movement to a Sonata for Piano in D major, K. 15bb/deest "London Sketchbook No. 27": Allegro
orchestra:
Academy of St Martin in the Fields (in 1971-08)
conductor:
Sir Neville Marriner (conductor) (in 1971-08)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971-08)
recording of:
Divertimento in D: II. [Notturno (Andantino)], K. 15bb (orch. by Smith) (in 1971-08)
orchestrator:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
orchestration of:
Piano Sonata in D major, K. 15bb
part of:
The London Sketchbook, K. 15a-15ss (orch. by Smith)
1:32
12Divertimento for Piano in D major, K. 15l/deest "London Sketchbook No. 11": Trio & minore
orchestra:
Academy of St Martin in the Fields (in 1971-08)
conductor:
Sir Neville Marriner (conductor) (in 1971-08)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971-08)
recording of:
Divertimento in D: III. [Contredance (Allegro)], K. 15l (orch. by Smith) (in 1971-08)
orchestrator:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
orchestration of:
Contredanse in A major, K. 15l (for piano)
part of:
The London Sketchbook, K. 15a-15ss (orch. by Smith)
1:09
13Divertimento for Piano in D major, K. 15k/deest "London Sketchbook No. 10"
orchestra:
Academy of St Martin in the Fields (in 1971-08)
conductor:
Sir Neville Marriner (conductor) (in 1971-08)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971-08)
recording of:
Divertimento in D: IV. [Menuetto - Trio], K. 15i & 15k (orch. by Smith) (in 1971-08)
orchestrator:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
orchestration of:
Minore in A minor, K. 15k (for piano)
orchestration of:
Minuet in A major, K. 15i (for piano)
part of:
The London Sketchbook, K. 15a-15ss (orch. by Smith)
2:21
14Rondo for Piano in D major, K. 15d/deest "London Sketchbook No. 4": Allegro moderato
orchestra:
Academy of St Martin in the Fields (in 1971-08)
conductor:
Sir Neville Marriner (conductor) (in 1971-08)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971-08)
recording of:
Divertimento in D: V. [Finale (Allegro moderato)], K. 15d (orch. by Smith) (in 1971-08)
orchestrator:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
orchestration of:
Rondo in D major, K. 15d (for piano)
part of:
The London Sketchbook, K. 15a-15ss (orch. by Smith)
1:21
15Contredanse for Piano in G major, K. 15e/deest "London Sketchbook No. 5"
orchestra:
Academy of St Martin in the Fields (in 1971-08)
conductor:
Sir Neville Marriner (conductor) (in 1971-08)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971-08)
recording of:
Two Contredanses: In G, K. 15e (orch. by Smith) (in 1971-08)
orchestrator:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
orchestration of:
Contredanse in G major, K. 15e (for piano)
part of:
The London Sketchbook, K. 15a-15ss (orch. by Smith)
0:33
16Gigue for Piano in C minor, K. 15z/deest "London Sketchbook No. 25"
orchestra:
Academy of St Martin in the Fields (in 1971-08)
conductor:
Sir Neville Marriner (conductor) (in 1971-08)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971-08)
recording of:
Two Contredanses: In C minor, K. 15z (orch. by Smith) (in 1971-08)
orchestrator:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
orchestration of:
Gigue in C minor, K. 15z (for piano)
part of:
The London Sketchbook, K. 15a-15ss (orch. by Smith)
2:28
17Sonata Movement for Piano in F major, K. 15t/(K2) Anh 109b/5/KV deest "London Sketchbook No. 19": Allegro
orchestra:
Academy of St Martin in the Fields (in 1971-08)
conductor:
Sir Neville Marriner (conductor) (in 1971-08)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971-08)
recording of:
Divertimento in F: I. [Allegro], K. 15t (orch. by Smith) (in 1971-08)
orchestrator:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
orchestration of:
Piano Sonata in F major, K. 15t
part of:
The London Sketchbook, K. 15a-15ss (orch. by Smith)
3:31
18Siciliano for Piano in F major, K. 15u/deest "London Sketchbook No. 20": Andantino
orchestra:
Academy of St Martin in the Fields (in 1971-08)
conductor:
Sir Neville Marriner (conductor) (in 1971-08)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971-08)
recording of:
Divertimento in F: II. [Siciliana (Andantino)], K. 15u (orch. by Smith) (in 1971-08)
orchestrator:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
orchestration of:
Sicilianos in D minor, K. 15u (for piano)
part of:
The London Sketchbook, K. 15a-15ss (orch. by Smith)
2:06
19Final Movement to a Sonata for Piano in F major, K. 15v/deest "London Sketchbook No. 21": Allegro
orchestra:
Academy of St Martin in the Fields (in 1971-08)
conductor:
Sir Neville Marriner (conductor) (in 1971-08)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971-08)
recording of:
Divertimento in F: III. [Finale (Allegro)], K. 15v (orch. by Smith) (in 1971-08)
orchestrator:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
orchestration of:
Piano Sonata in F major, K. 15v
part of:
The London Sketchbook, K. 15a-15ss (orch. by Smith)
3:34
20Andante for Piano in B-flat major, K. 15ii/deest "London Sketchbook No. 34"
orchestra:
Academy of St Martin in the Fields (in 1971-08)
conductor:
Sir Neville Marriner (conductor) (in 1971-08)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971-08)
recording of:
Divertimento in B-flat: I. [Marcia (Andantino)], K. 15ii (orch. by Smith) (in 1971-08)
orchestrator:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
orchestration of:
Andante in B-flat major, K. 15ii (for piano)
part of:
The London Sketchbook, K. 15a-15ss (orch. by Smith)
3:20
21Final Movement to a Sonata for Piano in B-flat major, K. 15ll/(K2) Anh 109b/9/KV deest "London Sketchbook No. 36": Presto
orchestra:
Academy of St Martin in the Fields (in 1971-08)
conductor:
Sir Neville Marriner (conductor) (in 1971-08)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971-08)
recording of:
Divertimento in B-flat: II. [Presto], K. 15ll (orch. by Smith) (in 1971-08)
orchestrator:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
orchestration of:
Presto in B-flat major, K. 15ll (for piano)
part of:
The London Sketchbook, K. 15a-15ss (orch. by Smith)
0:48
22Minuetto for Piano in E-flat major, K. 15qq/deest "London Sketchbook No. 41": Trio
orchestra:
Academy of St Martin in the Fields (in 1971-08)
conductor:
Sir Neville Marriner (conductor) (in 1971-08)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971-08)
recording of:
Divertimento in B-flat: III. [Menuetto - Trio], K. 15p & 15qq (orch. by Smith) (in 1971-08)
orchestrator:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
orchestration of:
Minuet in E-flat major, K. 15qq (for piano)
orchestration of:
Piano Sonata in G minor, K. 15p
part of:
The London Sketchbook, K. 15a-15ss (orch. by Smith)
2:28
23Divertimento for Piano in E-flat major, K. 15mm/deest "London Sketchbook No. 37": Andante
orchestra:
Academy of St Martin in the Fields (in 1971-08)
conductor:
Sir Neville Marriner (conductor) (in 1971-08)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971-08)
recording of:
Divertimento in B-flat: IV. [Adagio], K. 15mm (orch. by Smith) (in 1971-08)
orchestrator:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
orchestration of:
Andante in E-flat major, K. 15mm (for piano)
part of:
The London Sketchbook, K. 15a-15ss (orch. by Smith)
2:04
24Cottilon for Piano in B-flat major, K. 15gg/deest "London Sketchbook No. 32": Allegro
orchestra:
Academy of St Martin in the Fields (in 1971-08)
conductor:
Sir Neville Marriner (conductor) (in 1971-08)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971-08)
recording of:
Divertimento in B-flat: V. [Cotillon (Allegro)], K. 15gg (orch. by Smith) (in 1971-08)
orchestrator:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
orchestration of:
Contredanse in B-flat major, K. 15gg (for piano)
part of:
The London Sketchbook, K. 15a-15ss (orch. by Smith)
1:57
25Sonata Movement for Piano in E-flat major, K. 15kk/deest "London Sketchbook No. 35": Allegro assai
orchestra:
Academy of St Martin in the Fields (in 1971-08)
conductor:
Sir Neville Marriner (conductor) (in 1971-08)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971-08)
recording of:
Divertimento in E-flat: I. [Allegro assai], K. 15kk (orch. by Smith) (in 1971-08)
orchestrator:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
orchestration of:
Piano Sonata in E-flat major, K. 15kk
part of:
The London Sketchbook, K. 15a-15ss (orch. by Smith)
1:48
26Divertimento for Piano in A-flat major, K. 15dd/deest "London Sketchbook No. 29": Andante
orchestra:
Academy of St Martin in the Fields (in 1971-08)
conductor:
Sir Neville Marriner (conductor) (in 1971-08)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971-08)
recording of:
Divertimento in E-flat: II. [Andante], K. 15dd (orch. by Smith) (in 1971-08)
orchestrator:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
orchestration of:
Andante in A-flat major, K. 15dd (for piano)
part of:
The London Sketchbook, K. 15a-15ss (orch. by Smith)
2:23
27Minuetto for Piano in A-flat major, K. 15ff/(K2) Anh 109b/8/KV deest "London Sketchbook No. 31"
orchestra:
Academy of St Martin in the Fields (in 1971-08)
conductor:
Sir Neville Marriner (conductor) (in 1971-08)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971-08)
recording of:
Divertimento in E-flat: III. [Menuetto - Trio], K. 15cc & 15ff (orch. by Smith) (in 1971-08)
orchestrator:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
orchestration of:
Minuet in A-flat major, K. 15ff (for piano)
orchestration of:
Minuet in E-flat major, K. 15cc (for piano)
part of:
The London Sketchbook, K. 15a-15ss (orch. by Smith)
4:47
2▼CD
#TitleRatingLength
1Il dissoluto punito, ossia il Don Giovanni, K. 527: Ouverture. Andante - allegro molto
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (engineer) (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
clarinet:
Hans Mossel (from 1973-11-04 until 1973-11-10) and Hans Otter (Jodel) (from 1973-11-04 until 1973-11-10)
double bass:
Hans Krul (double bass player) (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (Dutch classical hornist) (from 1973-11-04 until 1973-11-10) and Iman Soeteman (conductor and hornist) (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (oboist and conductor) (from 1973-11-04 until 1973-11-10) and Carlo Ravelli (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Don Giovanni: I. Ouvertura (for wind ensemble, arr. Triebensee) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
wind instruments arranger:
Josef Triebensee
arrangement of:
Don Giovanni: Ouvertura
part of:
Don Giovanni (for wind ensemble, arr. Triebensee)
4:03
2Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene I. No. 1 Introduzione "Notte e giorno faticar" (Leporello)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (engineer) (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
clarinet:
Hans Mossel (from 1973-11-04 until 1973-11-10) and Hans Otter (Jodel) (from 1973-11-04 until 1973-11-10)
double bass:
Hans Krul (double bass player) (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (Dutch classical hornist) (from 1973-11-04 until 1973-11-10) and Iman Soeteman (conductor and hornist) (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (oboist and conductor) (from 1973-11-04 until 1973-11-10) and Carlo Ravelli (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
orchestra:
Nederlands Blazers Ensemble (Netherlands Wind Ensemble) (from 1973-11-04 until 1973-11-10)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Don Giovanni: II. Introduzione. "Notte e giorno faticar" (for wind ensemble, arr. Triebensee) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
wind instruments arranger:
Josef Triebensee
arrangement of:
Don Giovanni: Atto I. No. 1 Introduzione “Notte e giorno faticar” (Leporello) / “Non sperar se non m’uccidi” – “Lasciala indegno” – “Ah soccorso” (Donna Anna, Don Giovanni, Leporello, Commendatore)
part of:
Don Giovanni (for wind ensemble, arr. Triebensee)
2:04
3Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. No. 4 Aria "Madamina, il catalogo è questo" (Leporello)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (engineer) (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
clarinet:
Hans Mossel (from 1973-11-04 until 1973-11-10) and Hans Otter (Jodel) (from 1973-11-04 until 1973-11-10)
double bass:
Hans Krul (double bass player) (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (Dutch classical hornist) (from 1973-11-04 until 1973-11-10) and Iman Soeteman (conductor and hornist) (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (oboist and conductor) (from 1973-11-04 until 1973-11-10) and Carlo Ravelli (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Don Giovanni: IV. "Madamina, il catalogo è questo" (for wind ensemble, Triebensee) (from 1973-11-04 until 1973-11-10)
lyricist:
Wolfgang Amadeus Mozart (classical composer)
wind instruments arranger:
Josef Triebensee
arrangement of:
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello)
part of:
Don Giovanni (for wind ensemble, arr. Triebensee)
3:38
4Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VII. No. 5 Coro "Giovinette, che fate all'amore" (Zerlina, Coro)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (engineer) (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
clarinet:
Hans Mossel (from 1973-11-04 until 1973-11-10) and Hans Otter (Jodel) (from 1973-11-04 until 1973-11-10)
double bass:
Hans Krul (double bass player) (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (Dutch classical hornist) (from 1973-11-04 until 1973-11-10) and Iman Soeteman (conductor and hornist) (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (oboist and conductor) (from 1973-11-04 until 1973-11-10) and Carlo Ravelli (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Don Giovanni: V. "Giovinette, che fate all'amore" (for wind ensemble, arr. Triebensee) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
wind instruments arranger:
Josef Triebensee
part of:
Don Giovanni (for wind ensemble, arr. Triebensee)
1:10
5Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. No. 7 Duettino "Là ci darem la mano" (Don Giovanni, Zerlina)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (engineer) (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
clarinet:
Hans Mossel (from 1973-11-04 until 1973-11-10) and Hans Otter (Jodel) (from 1973-11-04 until 1973-11-10)
double bass:
Hans Krul (double bass player) (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (Dutch classical hornist) (from 1973-11-04 until 1973-11-10) and Iman Soeteman (conductor and hornist) (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (oboist and conductor) (from 1973-11-04 until 1973-11-10) and Carlo Ravelli (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
orchestra:
Nederlands Blazers Ensemble (Netherlands Wind Ensemble) (from 1973-11-04 until 1973-11-10)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Don Giovanni: VI."Là ci darem la mano" (for wind ensemble, arr. Triebensee) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
wind instruments arranger:
Josef Triebensee
arrangement of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina)
part of:
Don Giovanni (for wind ensemble, arr. Triebensee)
2:54
6Il dissoluto punito, ossia il Don Giovanni for Soprano in G major, K. 540a/deest: No. 10a. Appendix. Aria "Dalla sua pace" (Tenor)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (engineer) (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
clarinet:
Hans Mossel (from 1973-11-04 until 1973-11-10) and Hans Otter (Jodel) (from 1973-11-04 until 1973-11-10)
double bass:
Hans Krul (double bass player) (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (Dutch classical hornist) (from 1973-11-04 until 1973-11-10) and Iman Soeteman (conductor and hornist) (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (oboist and conductor) (from 1973-11-04 until 1973-11-10) and Carlo Ravelli (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Don Giovanni: VIII. "Dalla sua pace" (for wind ensemble, arr. Triebensee) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
wind instruments arranger:
Josef Triebensee
arrangement of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a]
part of:
Don Giovanni (for wind ensemble, arr. Triebensee)
3:48
7Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XV. No. 11 Aria "Fin ch'han dal vino" (Don Giovanni)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (engineer) (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
clarinet:
Hans Mossel (from 1973-11-04 until 1973-11-10) and Hans Otter (Jodel) (from 1973-11-04 until 1973-11-10)
double bass:
Hans Krul (double bass player) (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (Dutch classical hornist) (from 1973-11-04 until 1973-11-10) and Iman Soeteman (conductor and hornist) (from 1973-11-04 until 1973-11-10)
instruments:
Members of the Nederlands Wind Ensemble (Netherlands Wind Ensemble) (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (oboist and conductor) (from 1973-11-04 until 1973-11-10) and Carlo Ravelli (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Don Giovanni: IX. "Fin ch'han dal vino" (for wind ensemble, arr. Triebensee) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
wind instruments arranger:
Josef Triebensee
arrangement of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni)
part of:
Don Giovanni (for wind ensemble, arr. Triebensee)
1:01
8Il dissoluto punito, ossia il Don Giovanni, Op. 527: Act I. Finale I
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (engineer) (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
clarinet:
Hans Mossel (from 1973-11-04 until 1973-11-10) and Hans Otter (Jodel) (from 1973-11-04 until 1973-11-10)
double bass:
Hans Krul (double bass player) (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (Dutch classical hornist) (from 1973-11-04 until 1973-11-10) and Iman Soeteman (conductor and hornist) (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (oboist and conductor) (from 1973-11-04 until 1973-11-10) and Carlo Ravelli (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Don Giovanni: XI. "Presto, presto pria ch'ei venga" (for wind ensemble, arr. Triebensee) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
wind instruments arranger:
Josef Triebensee
arrangement of:
Don Giovanni: Atto I. No. 13 Finale “Presto, presto, pria ch’ei venga” (Masetto, Zerlina)
part of:
Don Giovanni (for wind ensemble, arr. Triebensee)
7:00
9Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene III. No. 16 Canzonetta "Deh vieni alla finestra" (Don Giovanni)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (engineer) (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
clarinet:
Hans Mossel (from 1973-11-04 until 1973-11-10) and Hans Otter (Jodel) (from 1973-11-04 until 1973-11-10)
double bass:
Hans Krul (double bass player) (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (Dutch classical hornist) (from 1973-11-04 until 1973-11-10) and Iman Soeteman (conductor and hornist) (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (oboist and conductor) (from 1973-11-04 until 1973-11-10) and Carlo Ravelli (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Don Giovanni: XIV. "Deh vieni alla finestra" (for wind ensemble, arr. Triebensee) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
wind instruments arranger:
Josef Triebensee
part of:
Don Giovanni (for wind ensemble, arr. Triebensee)
1:55
10Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VI. No. 18 Aria "Vedrai, carino" (Zerlina)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (engineer) (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
clarinet:
Hans Mossel (from 1973-11-04 until 1973-11-10) and Hans Otter (Jodel) (from 1973-11-04 until 1973-11-10)
double bass:
Hans Krul (double bass player) (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (Dutch classical hornist) (from 1973-11-04 until 1973-11-10) and Iman Soeteman (conductor and hornist) (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (oboist and conductor) (from 1973-11-04 until 1973-11-10) and Carlo Ravelli (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
orchestra:
Nederlands Blazers Ensemble (Netherlands Wind Ensemble) (from 1973-11-04 until 1973-11-10)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Don Giovanni: XVI. "Vedrai, carino" (for wind ensemble, arr. Triebensee) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
wind instruments arranger:
Josef Triebensee
arrangement of:
Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina)
part of:
Don Giovanni (for wind ensemble, arr. Triebensee)
2:29
11Il dissoluto punito, ossia il Don Giovanni for Soprano in E-flat major, K. 540c/deest: No. 21b. Appendix. Recitativo accompagnato ed Aria "Mi tradì quell'alma ingrata" (Soprano)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (engineer) (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
clarinet:
Hans Mossel (from 1973-11-04 until 1973-11-10) and Hans Otter (Jodel) (from 1973-11-04 until 1973-11-10)
double bass:
Hans Krul (double bass player) (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (Dutch classical hornist) (from 1973-11-04 until 1973-11-10) and Iman Soeteman (conductor and hornist) (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (oboist and conductor) (from 1973-11-04 until 1973-11-10) and Carlo Ravelli (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Don Giovanni: XVIII. "Mi tradí quell'alma ingrata" (for wind ensemble, arr. Triebensee) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
wind instruments arranger:
Josef Triebensee
arrangement of:
Don Giovanni: Atto II. Anhang. No. 21b Aria “Mi tradi quell’alma ingrata” (Donna Elvira) [540c/2]
part of:
Don Giovanni (for wind ensemble, arr. Triebensee)
1:59
12Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. No. 23 Rondo "Non mi dir, bell'idol mio" (Donna Anna)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (engineer) (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
clarinet:
Hans Mossel (from 1973-11-04 until 1973-11-10) and Hans Otter (Jodel) (from 1973-11-04 until 1973-11-10)
double bass:
Hans Krul (double bass player) (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (Dutch classical hornist) (from 1973-11-04 until 1973-11-10) and Iman Soeteman (conductor and hornist) (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (oboist and conductor) (from 1973-11-04 until 1973-11-10) and Carlo Ravelli (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Don Giovanni: XIX. "Non mi dir, bell'idol mio" (for wind ensemble, arr. Triebensee) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
wind instruments arranger:
Josef Triebensee
arrangement of:
Don Giovanni: Atto II. No. 23 Rondo “Non mi dir, bell’idol mio” (Donna Anna)
part of:
Don Giovanni (for wind ensemble, arr. Triebensee)
4:11
13Il dissoluto punito, ossia il Don Giovanni, Op. 527: Act II. Finale II
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (engineer) (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
clarinet:
Hans Mossel (from 1973-11-04 until 1973-11-10) and Hans Otter (Jodel) (from 1973-11-04 until 1973-11-10)
double bass:
Hans Krul (double bass player) (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (Dutch classical hornist) (from 1973-11-04 until 1973-11-10) and Iman Soeteman (conductor and hornist) (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (oboist and conductor) (from 1973-11-04 until 1973-11-10) and Carlo Ravelli (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Don Giovanni: XX. "Già la mensa è preparata" (for wind ensemble, arr. Triebensee) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
wind instruments arranger:
Josef Triebensee
arrangement of:
Don Giovanni: Atto II. No. 24 Finale “Già la mensa e preparata” (Don Giovanni, Leporello, Donna Elvira)
part of:
Don Giovanni (for wind ensemble, arr. Triebensee)
3:08
14Die Entführung aus dem Serail, K. 384: Ouvertüre
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (engineer) (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
cor anglais:
Carlo Ravelli (from 1973-11-04 until 1973-11-10) and Jan Spronk (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (Dutch classical hornist) (from 1973-11-04 until 1973-11-10) and Iman Soeteman (conductor and hornist) (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (oboist and conductor) (from 1973-11-04 until 1973-11-10) and Han de Vries (oboist) (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Die Entführung aus dem Serail, K. 384: Overtura (for wind ensemble, arr. Went) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
wind instruments arranger:
Johann Went
arrangement of:
Die Entführung aus dem Serail, K. 384: Ouvertüre (Die Entführung aus dem Serail, K. 384: Overture)
part of:
Die Entführung aus dem Serail, K. 384 (for wind ensemble, arr. Went)
1:36
15Die Entführung aus dem Serail, K. 384: Act I, Scene I. No. 1 Aria "Hier soll ich Dich denn sehen" (Belmonte)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (engineer) (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
cor anglais:
Carlo Ravelli (from 1973-11-04 until 1973-11-10) and Jan Spronk (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (Dutch classical hornist) (from 1973-11-04 until 1973-11-10) and Iman Soeteman (conductor and hornist) (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (oboist and conductor) (from 1973-11-04 until 1973-11-10) and Han de Vries (oboist) (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Die Entführung aus dem Serail, K. 384: Hier soll ich dich denn sehen (for wind ensemble, arr. Went) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
wind instruments arranger:
Johann Went
arrangement of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene I. No. 1 Arie "Hier soll ich dich denn sehen" (Belmonte)
part of:
Die Entführung aus dem Serail, K. 384 (for wind ensemble, arr. Went)
2:42
16Die Entführung aus dem Serail, K. 384: Act II, Scene I. No. 8 Aria "Durch Zärtlichkeit und Schmeicheln" (Blonde)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (engineer) (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
cor anglais:
Carlo Ravelli (from 1973-11-04 until 1973-11-10) and Jan Spronk (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (Dutch classical hornist) (from 1973-11-04 until 1973-11-10) and Iman Soeteman (conductor and hornist) (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (oboist and conductor) (from 1973-11-04 until 1973-11-10) and Han de Vries (oboist) (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Die Entführung aus dem Serail, K. 384: Durch Zärtlichkeit und Schmeichen (for wind ensemble, arr. Went) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
wind instruments arranger:
Johann Went
arrangement of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 8 Arie "Durch Zärtlichkeit und Schmeicheln" (Blonde)
part of:
Die Entführung aus dem Serail, K. 384 (for wind ensemble, arr. Went)
2:58
17Die Entführung aus dem Serail, K. 384: Act II, Scene I. No. 9 Duetto "Ich gehe, doch rate ich dir" (Osmin, Blonde)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (engineer) (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
cor anglais:
Carlo Ravelli (from 1973-11-04 until 1973-11-10) and Jan Spronk (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (Dutch classical hornist) (from 1973-11-04 until 1973-11-10) and Iman Soeteman (conductor and hornist) (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (oboist and conductor) (from 1973-11-04 until 1973-11-10) and Han de Vries (oboist) (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Die Entführung aus dem Serail, K. 384: Ich gehe, doch rate ich dir (for wind ensemble, arr. Went) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
wind instruments arranger:
Johann Went
arrangement of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 9 Duett "Ich gehe, doch rate ich dir" (Osmin, Blonde)
part of:
Die Entführung aus dem Serail, K. 384 (for wind ensemble, arr. Went)
2:48
18Die Entführung aus dem Serail, K. 384: Act II, Scene VI. No. 12 Aria "Welche Wonne, welche Lust" (Blonde)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (engineer) (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
cor anglais:
Carlo Ravelli (from 1973-11-04 until 1973-11-10) and Jan Spronk (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (Dutch classical hornist) (from 1973-11-04 until 1973-11-10) and Iman Soeteman (conductor and hornist) (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (oboist and conductor) (from 1973-11-04 until 1973-11-10) and Han de Vries (oboist) (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Die Entführung aus dem Serail, K. 384: Welche Wonne, welche Lust (for wind ensemble, arr. Went) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
wind instruments arranger:
Johann Went
arrangement of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VI. No. 12 Arie "Welche Wonne, welche Lust" (Blonde)
part of:
Die Entführung aus dem Serail, K. 384 (for wind ensemble, arr. Went)
2:42
19Die Entführung aus dem Serail, K. 384: Act II, Scene VIII. No. 14 Duetto "Vivat Bacchus! Bacchus lebe!" (Pedrillo, Osmin)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (engineer) (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
cor anglais:
Jan Spronk (in 1973-11, from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (Dutch classical hornist) (from 1973-11-04 until 1973-11-10) and Iman Soeteman (conductor and hornist) (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (oboist and conductor) (from 1973-11-04 until 1973-11-10) and Han de Vries (oboist) (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Die Entführung aus dem Serail, K. 384: Vivat Bacchus, Bacchus lebe (for wind ensemble, arr. Went) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
wind instruments arranger:
Johann Went
arrangement of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. No. 14 Duett "Vivat Bacchus! Bacchus lebe!" (Pedrillo, Osmin)
part of:
Die Entführung aus dem Serail, K. 384 (for wind ensemble, arr. Went)
1:43
20Die Entführung aus dem Serail, K. 384: Act II, Scene IX. No. 15 Aria "Wenn der Freude Tränen fließen" (Belmonte)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (engineer) (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
cor anglais:
Carlo Ravelli (from 1973-11-04 until 1973-11-10) and Jan Spronk (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (Dutch classical hornist) (from 1973-11-04 until 1973-11-10) and Iman Soeteman (conductor and hornist) (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (oboist and conductor) (from 1973-11-04 until 1973-11-10) and Han de Vries (oboist) (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Die Entführung aus dem Serail, K. 384: Wenn der Freude Tränen fließen (for wind ensemble, arr. Went) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
wind instruments arranger:
Johann Went
arrangement of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 15 Arie "Wenn der Freude Tränen fließen" (Belmonte)
part of:
Die Entführung aus dem Serail, K. 384 (for wind ensemble, arr. Went)
3:58
21Die Entführung aus dem Serail, K. 384: Act III, Scene V. No. 19 Aria "O, wie will ich triumphieren" (Osmin)
recording engineer:
Tony Buczynski (from 1973-11-04 until 1973-11-10) and Frans van Dongen (engineer) (from 1973-11-04 until 1973-11-10)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (from 1973-11-04 until 1973-11-10)
bassoon:
Kees Olthuis (from 1973-11-04 until 1973-11-10) and Joep Terwey (from 1973-11-04 until 1973-11-10)
cor anglais:
Carlo Ravelli (from 1973-11-04 until 1973-11-10) and Jan Spronk (from 1973-11-04 until 1973-11-10)
horn:
Jan Peeters (Dutch classical hornist) (from 1973-11-04 until 1973-11-10) and Iman Soeteman (conductor and hornist) (from 1973-11-04 until 1973-11-10)
oboe:
Werner Herbers (oboist and conductor) (from 1973-11-04 until 1973-11-10) and Han de Vries (oboist) (from 1973-11-04 until 1973-11-10)
wind instruments:
Netherlands Wind Ensemble (in 1973-11)
recorded at:
Doopsgezinde kerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1973-11-04 until 1973-11-10)
recording of:
Die Entführung aus dem Serail, K. 384: Ha, wie will ich triumphieren (for wind ensemble, arr. Went) (from 1973-11-04 until 1973-11-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
wind instruments arranger:
Johann Went
arrangement of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene V. No. 19 Arie "Ha, wie will ich triumphieren" (Osmin)
part of:
Die Entführung aus dem Serail, K. 384 (for wind ensemble, arr. Went)
1:52
3▼CD
#TitleRatingLength
1Rondo in E-flat for Horn and Orchestra, KV 371
recorded in:
London (Greater London), England, United Kingdom (in 1990-11)
horn:
Timothy Brown (UK horn player) (in 1990-11)
orchestra:
Academy of St Martin in the Fields (in 1990-11)
conductor:
Kenneth Sillito (violinist) (in 1990-11)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1990-11)
recording of:
Concerto for Orchestra in E-flat major, K. 371: Rondo. Allegro (compl. Smith) (in 1990-11)
additional composer:
Erik Smith (British producer, pianist and harpsichordist)
composer:
Wolfgang Amadeus Mozart (classical composer)
revision of:
Concerto Movement for Horn in E-flat major, K. 371 (fragment): Rondo. Allegro
5:40
2[Larghetto] in B-flat, KV 452a/Anh. 54
bassoon:
Robin O’Neill (bassoonist and conductor) (in 1991-09)
clarinet:
Julian Farrell (in 1991-09) and Thea King (British clarinettist) (in 1991-09)
oboe:
Neil Black (oboist) (in 1991-09)
piano:
Mitsuko Uchida (pianist) (in 1991-09)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1991-09)
recording of:
Quintet in B-flat, K. 452a/Anh. 54: Larghetto (fragment) (in 1991-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 452a) and Köchelverzeichnis (Köchel catalogue, original numbering) (number: Anh. 54)
2:27
3Contredanse in B-flat, KV 535b/Anh. 107
orchestra:
Academy of St Martin in the Fields (in 1988-08)
conductor:
Sir Neville Marriner (conductor) (in 1988-08)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1988-08)
recording of:
Contredanse in B-flat, K. 535b (Erik Smith) (in 1988-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 535b) and Köchelverzeichnis (Köchel catalogue, original numbering) (number: Anh. 107)
1:22
4Contredanse in D, KV 565a
orchestra:
Academy of St Martin in the Fields (in 1989-01)
conductor:
Sir Neville Marriner (conductor) (in 1989-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1989-01)
recording of:
Contredanse in D, K. 565a (Erik Smith) (in 1989-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 565a)
1:44
5«Tantum ergo» in D, KV 197/Anh. 186e
choir vocals:
Rundfunkchor Leipzig (in 1991-03)
orchestra:
Radio-Sinfonie-Orchester Leipzig (MDR Leipzig Radio Symphony Orchestra) (in 1991-03)
conductor:
Peter Schreier (German tenor and conductor) (in 1991-03)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1991-03)
recording of:
Contredanse for 4 Voices and Orchestra in D major, K. Anh. C 3.05/(K3) Anh. 186e/197 (possibly spurious) "Tantum ergo" (in 1991-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
St. Thomas Aquinas
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 197), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 197), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. Anh. 186e) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. Anh. C 3.05)
3:15
6«Tantum ergo» in B-flat, KV 142/Anh. 186d
choir vocals:
Rundfunkchor Leipzig (in 1991-03)
soprano vocals:
Monika Frimmer (soprano) (in 1991-03)
orchestra:
Radio-Sinfonie-Orchester Leipzig (MDR Leipzig Radio Symphony Orchestra) (in 1991-03)
conductor:
Peter Schreier (German tenor and conductor) (in 1991-03)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1991-03)
recording of:
Tantum ergo, K. Anh. C 3.04/142 (in 1991-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
St. Thomas Aquinas
part of:
Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 186d), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 142), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 142) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. Anh. C 3.04)
4:57
7Modulating Prelude in F major/E minor, KV deest
harpsichord:
Erik Smith (British producer, pianist and harpsichordist)
recording of:
Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 Nos. a-x: (no tempo indication) - Andantino (fragment)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. Anh. C 15.11)
part of:
Piano piece in C, K. 671
1:47
8«Non più. Tutto ascoltai» – «Non temer, amato bene, KV 490
violin:
Andreas Röhn (violinist) (in 1991-01)
mezzo-soprano vocals [Idamante]:
Susanne Mentzer (mezzo soprano) (in 1991-01)
soprano vocals [Ilia]:
Barbara Hendricks (soprano) (in 1991-01)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1991-01)
conductor:
Sir Colin Davis (English conductor) (in 1991-01)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1991-01)
recording of:
Recitative and Aria for Tenor & Orchestra in B‐flat major, K. 490: “Non più, tutto ascoltai” … “Non temer, amato bene” (in 1991-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
publisher:
Breitkopf & Härtel (in 1881)
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 490), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 490) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 490)
10:12
9March, KV deest
orchestra:
Academy of St Martin in the Fields
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VI. No. 5a. Marcia (Marsch der Janitscharen)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Die Entführung aus dem Serail, K. 384: Akt I
1:50
10Musikalisches Würfelspiel, KV 516f
spoken vocals:
Sir Neville Marriner (conductor) (in 1990-07) and Erik Smith (British producer, pianist and harpsichordist) (in 1990-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-07)
recording of:
Musical Dice Game in C minor, K. 516f/deest "Musikalisches Wurfelspiel" (in 1990-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
publisher:
N. Simrock (in 1792)
part of:
Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 294d), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. Anh. H 24,11) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 516f)
6:21

Credits

Release

part of:Complete Mozart Edition (1990s Philips series) (number: 45) (order: 50)
ASIN:US: B00000411Q [info]
other databases:http://www.worldcat.org/oclc/25287081 [info]