The Great Recordings: The LSO Years 1971-1980

~ Release by André Previn (see all versions of this release, 1 available)

Tracklist

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1▼CD: Olivier Messiaen : Turangalîla-Symphonie
#TitleArtistRatingLength
1Turangalila Symphony: Introduction
producer:
Christopher Bishop (conductor/producer)
ondes Martenot:
Jeanne Loriod (from 1977-07-11 until 1977-07-13)
piano:
Michel Béroff (French pianist) (from 1977-07-11 until 1977-07-13)
orchestra:
London Symphony Orchestra (from 1977-07-11 until 1977-07-13)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1977-07-11 until 1977-07-13)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) and (p) for Digital Remastering EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-07-11 until 1977-07-13)
recording of:
Turangalîla-Symphonie, I/29: I. Introduction (from 1977-07-11 until 1977-07-13)
composer:
Olivier Messiaen (composer and organist) (from 1946 until 1948)
part of:
Turangalîla-Symphonie, I/29
Olivier Messiaen6:51
2Turangalila Symphony: Chant d'amour I
producer:
Christopher Bishop (conductor/producer)
ondes Martenot:
Jeanne Loriod (from 1977-07-11 until 1977-07-13)
piano:
Michel Béroff (French pianist) (from 1977-07-11 until 1977-07-13)
orchestra:
London Symphony Orchestra (from 1977-07-11 until 1977-07-13)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1977-07-11 until 1977-07-13)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) and (p) for Digital Remastering EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-07-11 until 1977-07-13)
recording of:
Turangalîla-Symphonie, I/29: II. Chant d’amour (from 1977-07-11 until 1977-07-13)
composer:
Olivier Messiaen (composer and organist) (from 1946 until 1948)
part of:
Turangalîla-Symphonie, I/29
Olivier Messiaen8:37
3Turangalila Symphony: Turangalila I
producer:
Christopher Bishop (conductor/producer)
ondes Martenot:
Jeanne Loriod (from 1977-07-11 until 1977-07-13)
piano:
Michel Béroff (French pianist) (from 1977-07-11 until 1977-07-13)
orchestra:
London Symphony Orchestra (from 1977-07-11 until 1977-07-13)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1977-07-11 until 1977-07-13)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) and (p) for Digital Remastering EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-07-11 until 1977-07-13)
recording of:
Turangalîla-Symphonie, I/29: III. Turangalîla 1 (from 1977-07-11 until 1977-07-13)
composer:
Olivier Messiaen (composer and organist) (from 1946 until 1948)
part of:
Turangalîla-Symphonie, I/29
Olivier Messiaen5:35
4Turangalila Symphony: Chant d'amour II
producer:
Christopher Bishop (conductor/producer)
ondes Martenot:
Jeanne Loriod (from 1977-07-11 until 1977-07-13)
piano:
Michel Béroff (French pianist) (from 1977-07-11 until 1977-07-13)
orchestra:
London Symphony Orchestra (from 1977-07-11 until 1977-07-13)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1977-07-11 until 1977-07-13)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) and (p) for Digital Remastering EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-07-11 until 1977-07-13)
recording of:
Turangalîla-Symphonie, I/29: IV. Chant d’amour 2 (from 1977-07-11 until 1977-07-13)
composer:
Olivier Messiaen (composer and organist) (from 1946 until 1948)
part of:
Turangalîla-Symphonie, I/29
Olivier Messiaen11:33
5Turangalila Symphony: Joie du sang des etoiles
producer:
Christopher Bishop (conductor/producer)
ondes Martenot:
Jeanne Loriod (from 1977-07-11 until 1977-07-13)
piano:
Michel Béroff (French pianist) (from 1977-07-11 until 1977-07-13)
orchestra:
London Symphony Orchestra (from 1977-07-11 until 1977-07-13)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1977-07-11 until 1977-07-13)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) and (p) for Digital Remastering EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-07-11 until 1977-07-13)
recording of:
Turangalîla-Symphonie, I/29: V. Joie du sang des étoiles (from 1977-07-11 until 1977-07-13)
composer:
Olivier Messiaen (composer and organist) (from 1946 until 1948)
part of:
Turangalîla-Symphonie, I/29
Olivier Messiaen6:36
6Turangalila Symphony: Jardin du sommiel d'amour
producer:
Christopher Bishop (conductor/producer)
ondes Martenot:
Jeanne Loriod (from 1977-07-11 until 1977-07-13)
piano:
Michel Béroff (French pianist) (from 1977-07-11 until 1977-07-13)
orchestra:
London Symphony Orchestra (from 1977-07-11 until 1977-07-13)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1977-07-11 until 1977-07-13)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) and (p) for Digital Remastering EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-07-11 until 1977-07-13)
recording of:
Turangalîla-Symphonie, I/29: VI. Jardin du sommeil d’amour (from 1977-07-11 until 1977-07-13)
composer:
Olivier Messiaen (composer and organist) (from 1946 until 1948)
part of:
Turangalîla-Symphonie, I/29
Olivier Messiaen12:29
7Turangalila Symphony: Turangalila II
producer:
Christopher Bishop (conductor/producer)
ondes Martenot:
Jeanne Loriod (from 1977-07-11 until 1977-07-13)
piano:
Michel Béroff (French pianist) (from 1977-07-11 until 1977-07-13)
orchestra:
London Symphony Orchestra (from 1977-07-11 until 1977-07-13)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1977-07-11 until 1977-07-13)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) and (p) for Digital Remastering EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-07-11 until 1977-07-13)
recording of:
Turangalîla-Symphonie, I/29: VII. Turangalîla 2 (from 1977-07-11 until 1977-07-13)
composer:
Olivier Messiaen (composer and organist) (from 1946 until 1948)
part of:
Turangalîla-Symphonie, I/29
Olivier Messiaen3:49
8Turangalila Symphony: Developpement de l'amour
producer:
Christopher Bishop (conductor/producer)
ondes Martenot:
Jeanne Loriod (from 1977-07-11 until 1977-07-13)
piano:
Michel Béroff (French pianist) (from 1977-07-11 until 1977-07-13)
orchestra:
London Symphony Orchestra (from 1977-07-11 until 1977-07-13)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1977-07-11 until 1977-07-13)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) and (p) for Digital Remastering EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-07-11 until 1977-07-13)
recording of:
Turangalîla-Symphonie, I/29: VIII. Développement d’amour (from 1977-07-11 until 1977-07-13)
composer:
Olivier Messiaen (composer and organist) (from 1946 until 1948)
part of:
Turangalîla-Symphonie, I/29
Olivier Messiaen11:58
9Turangalila Symphony: Turangalila III
producer:
Christopher Bishop (conductor/producer)
ondes Martenot:
Jeanne Loriod (from 1977-07-11 until 1977-07-13)
piano:
Michel Béroff (French pianist) (from 1977-07-11 until 1977-07-13)
orchestra:
London Symphony Orchestra (from 1977-07-11 until 1977-07-13)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1977-07-11 until 1977-07-13)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) and (p) for Digital Remastering EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-07-11 until 1977-07-13)
recording of:
Turangalîla-Symphonie, I/29: IX. Turangalîla 3 (from 1977-07-11 until 1977-07-13)
composer:
Olivier Messiaen (composer and organist) (from 1946 until 1948)
part of:
Turangalîla-Symphonie, I/29
Olivier Messiaen5:18
10Turangalila Symphony: Final
producer:
Christopher Bishop (conductor/producer)
ondes Martenot:
Jeanne Loriod (from 1977-07-11 until 1977-07-13)
piano:
Michel Béroff (French pianist) (from 1977-07-11 until 1977-07-13)
orchestra:
London Symphony Orchestra (from 1977-07-11 until 1977-07-13)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1977-07-11 until 1977-07-13)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) and (p) for Digital Remastering EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-07-11 until 1977-07-13)
recording of:
Turangalîla-Symphonie, I/29: X. Final (from 1977-07-11 until 1977-07-13)
composer:
Olivier Messiaen (composer and organist) (from 1946 until 1948)
part of:
Turangalîla-Symphonie, I/29
Olivier Messiaen7:11
2▼CD: Claude Debussy : Prélude à l'après-midi d'un faune, Images for Orchestra, Nocturnes (3) for Orchestra
#TitleArtistRatingLength
1Prélude à l'après-midi d'un faune
orchestra:
London Symphony Orchestra
conductor:
André Previn (pianist, conductor, composer, arranger)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy10:30
2Images: I. Gigues
producer:
Suvi Raj Grubb
orchestra:
London Symphony Orchestra (from 1979-07-02 until 1979-07-03)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1979-07-02 until 1979-07-03)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-07-02 until 1979-07-03)
recording of:
Images pour orchestre, L. 122, CD 118: I. Gigues (from 1979-07-02 until 1979-07-03)
composer:
Claude Debussy (French composer) (in 1912)
publisher:
Durand et Cie (1909–1947) (in 1913-12)
part of:
Images pour orchestre, L. 122, CD 118
Claude Debussy7:20
3Images: II. Ibéria: 1. Par les rues et par les chemins
producer:
Suvi Raj Grubb
orchestra:
London Symphony Orchestra (from 1979-07-02 until 1979-07-03)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1979-07-02 until 1979-07-03)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-07-02 until 1979-07-03)
recording of:
Images pour orchestre, L 122: IIa. Ibéria - Par les rues et par les chemins (from 1979-07-02 until 1979-07-03)
composer:
Claude Debussy (French composer) (from 1905 until 1908)
part of:
Images pour orchestre, L. 122, CD 118: II. Ibéria
Claude Debussy7:26
4Images: II. Ibéria: 2. Les parfums de la nuit
producer:
Suvi Raj Grubb
orchestra:
London Symphony Orchestra (from 1979-07-02 until 1979-07-03)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1979-07-02 until 1979-07-03)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-07-02 until 1979-07-03)
recording of:
Images pour orchestre, L 122: IIb. Ibéria - Les Parfums de la nuit (from 1979-07-02 until 1979-07-03)
composer:
Claude Debussy (French composer) (from 1905 until 1908)
part of:
Images pour orchestre, L. 122, CD 118: II. Ibéria
Claude Debussy9:57
5Images: II. Ibéria: 3. Le matin d'un jour de fête
producer:
Suvi Raj Grubb
orchestra:
London Symphony Orchestra (from 1979-07-02 until 1979-07-03)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1979-07-02 until 1979-07-03)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-07-02 until 1979-07-03)
recording of:
Images pour orchestre, L 122: IIc. Ibéria - Le Matin d'un jour de fête (from 1979-07-02 until 1979-07-03)
composer:
Claude Debussy (French composer) (from 1905 until 1908)
part of:
Images pour orchestre, L. 122, CD 118: II. Ibéria
Claude Debussy5:00
6Images: III. Rondes de printemps
producer:
Suvi Raj Grubb
orchestra:
London Symphony Orchestra (from 1979-07-02 until 1979-07-03)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1979-07-02 until 1979-07-03)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-07-02 until 1979-07-03)
recording of:
Images pour orchestre, L. 122, CD 118: III. Rondes de printemps (from 1979-07-02 until 1979-07-03)
composer:
Claude Debussy (French composer) (from 1905 until 1909)
premiered at:
[concert] (1910-03-02)
publisher:
Durand et Cie (1909–1947) (in 1910-04)
premiered at:
Salle Gaveau in Paris, Île-de-France, France (on 1910-03-02)
part of:
Images pour orchestre, L. 122, CD 118
Claude Debussy8:09
7Nocturnes: I. Nuages
producer:
Suvi Raj Grubb
orchestra:
London Symphony Orchestra (on 1983-04-12, on 1983-04-15)
conductor:
André Previn (pianist, conductor, composer, arranger) (on 1983-04-12, on 1983-04-15)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-04-15, on 1983-04-12)
recording of:
Nocturnes, L. 91, CD 98 : I. Nuages (on 1983-04-12)
composer:
Claude Debussy (French composer) (from 1897-12 until 1899-12)
premiered at:
[concert] (1900-12-09)
part of:
Nocturnes, L. 91, CD 98 (for orchestra)
Claude Debussy8:10
8Nocturnes: II. Fêtes
producer:
Suvi Raj Grubb
orchestra:
London Symphony Orchestra (on 1983-04-12, on 1983-04-15)
conductor:
André Previn (pianist, conductor, composer, arranger) (on 1983-04-12, on 1983-04-15)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-04-15, on 1983-04-12)
recording of:
Nocturnes, L. 91, CD 98 : II. Fêtes (on 1983-04-12)
composer:
Claude Debussy (French composer) (from 1897-12 until 1899-12)
premiered at:
[concert] (1900-12-09)
part of:
Nocturnes, L. 91, CD 98 (for orchestra)
Claude Debussy6:43
9Nocturnes: III. Sirènes (with women's choir)
producer:
Suvi Raj Grubb
choir vocals:
Ambrosian Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (on 1983-04-12, on 1983-04-15)
orchestra:
London Symphony Orchestra (on 1983-04-12, on 1983-04-15)
conductor:
André Previn (pianist, conductor, composer, arranger) (on 1983-04-12, on 1983-04-15)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (on 1983-04-12, on 1983-04-15)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-04-15, on 1983-04-12)
recording of:
Nocturnes, L. 91, CD 98 : III. Sirènes (on 1983-04-12)
composer:
Claude Debussy (French composer) (from 1897-12 until 1899-12)
premiered at:
[concert] (1901-10-27)
part of:
Nocturnes, L. 91, CD 98 (for orchestra)
Claude Debussy11:28
3▼CD: Rachmaninov : Symphony No.2 & Maurice Ravel : Boléro
#TitleArtistRatingLength
1Symphony no. 2 in E minor, op. 27: I. Largo - Allegro moderato
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-01-03 until 1973-01-04)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-01-03 until 1973-01-04)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1973-01-03 until 1973-01-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-01-03 until 1973-01-04)
recording of:
Symphony no. 2 in E minor, op. 27: I. Largo — Allegro moderato (from 1973-01-03 until 1973-01-04)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (from 1906 until 1907)
part of:
Symphony no. 2 in E minor, op. 27
Sergei Rachmaninov19:10
2Symphony no. 2 in E minor, op. 27: II. Scherzo (Allegro molto)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-01-03 until 1973-01-04)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-01-03 until 1973-01-04)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1973-01-03 until 1973-01-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-01-03 until 1973-01-04)
recording of:
Symphony no. 2 in E minor, op. 27: II. Allegro molto (from 1973-01-03 until 1973-01-04)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (from 1906 until 1907)
part of:
Symphony no. 2 in E minor, op. 27
Sergei Rachmaninov10:10
3Symphony no. 2 in E minor, op. 27: III. Adagio
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-01-03 until 1973-01-04)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-01-03 until 1973-01-04)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1973-01-03 until 1973-01-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-01-03 until 1973-01-04)
recording of:
Symphony no. 2 in E minor, op. 27: III. Adagio (from 1973-01-03 until 1973-01-04)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (from 1906 until 1907)
part of:
Symphony no. 2 in E minor, op. 27
Sergei Rachmaninov15:45
4Symphony no. 2 in E minor, op. 27: IV. Finale (Allegro vivace)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-01-03 until 1973-01-04)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-01-03 until 1973-01-04)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1973-01-03 until 1973-01-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-01-03 until 1973-01-04)
recording of:
Symphony no. 2 in E minor, op. 27: IV. Allegro vivace (from 1973-01-03 until 1973-01-04)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (from 1906 until 1907)
part of:
Symphony no. 2 in E minor, op. 27
Sergei Rachmaninov14:08
5Boléro
producer:
Suvi Raj Grubb
orchestra:
London Symphony Orchestra (on 1979-06-26)
conductor:
André Previn (pianist, conductor, composer, arranger) (on 1979-06-26)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1979-06-26)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1979-06-26)
recording of:
Boléro (on 1979-06-26)
composer:
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Classic 100: Music of France (2012) (number: 9) and Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel17:18
4▼CD: Shostakovich : Symphony No.8 & Prokofiev : Symphony No.1
#TitleArtistRatingLength
1Symphony no. 8 in C minor, op. 65: I. Adagio - Allegro non troppo - Adagio
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-02-08 until 1973-02-09)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-02-08 until 1973-02-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-02-08 until 1973-02-09)
recording of:
Symphony no. 8 in C minor, op. 65: I. Adagio (from 1973-02-08 until 1973-02-09)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 8 in C minor, op. 65
Dmitri Shostakovich25:09
2Symphony no. 8 in C minor, op. 65: II. Allegretto
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-02-08 until 1973-02-09)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-02-08 until 1973-02-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-02-08 until 1973-02-09)
recording of:
Symphony no. 8 in C minor, op. 65: II. Allegretto (from 1973-02-08 until 1973-02-09)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 8 in C minor, op. 65
Dmitri Shostakovich5:51
3Symphony no. 8 in C minor, op. 65: III. Allegro non troppo
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-02-08 until 1973-02-09)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-02-08 until 1973-02-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-02-08 until 1973-02-09)
recording of:
Symphony no. 8 in C minor, op. 65: III. Allegro non troppo (from 1973-02-08 until 1973-02-09)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 8 in C minor, op. 65
Dmitri Shostakovich5:34
4Symphony no. 8 in C minor, op. 65: IV. Largo
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-02-08 until 1973-02-09)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-02-08 until 1973-02-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-02-08 until 1973-02-09)
recording of:
Symphony no. 8 in C minor, op. 65: IV. Largo (from 1973-02-08 until 1973-02-09)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 8 in C minor, op. 65
Dmitri Shostakovich11:16
5Symphony no. 8 in C minor, op. 65: V. Allegretto
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-02-08 until 1973-02-09)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-02-08 until 1973-02-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-02-08 until 1973-02-09)
recording of:
Symphony no. 8 in C minor, op. 65: V. Allegretto (from 1973-02-08 until 1973-02-09)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 8 in C minor, op. 65
Dmitri Shostakovich13:24
6Symphony no. 1 in D major, op. 25: I. Allegro
producer:
Suvi Raj Grubb
orchestra:
London Symphony Orchestra (from 1977-12-07 until 1977-12-08, on 1977-12-12)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1977-12-07 until 1977-12-08, on 1977-12-12)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-12-07 until 1977-12-08, on 1977-12-12)
recording of:
Symphony no. 1 in D major, op. 25 “Classical”: I. Allegro (from 1977-12-07 until 1977-12-12)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1917)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 1 in D major, op. 25 “Classical”
Sergei Prokofiev4:16
7Symphony no. 1 in D major, op. 25: II. Larghetto
producer:
Suvi Raj Grubb
orchestra:
London Symphony Orchestra (from 1977-12-07 until 1977-12-08, on 1977-12-12)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1977-12-07 until 1977-12-08, on 1977-12-12)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-12-07 until 1977-12-08, on 1977-12-12)
recording of:
Symphony no. 1 in D major, op. 25 “Classical”: II. Larghetto (from 1977-12-07 until 1977-12-12)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1917)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 1 in D major, op. 25 “Classical”
Sergei Prokofiev4:11
8Symphony no. 1 in D major, op. 25: III. Gavotte (Non troppo allegro)
producer:
Suvi Raj Grubb
orchestra:
London Symphony Orchestra (from 1977-12-07 until 1977-12-08, on 1977-12-12)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1977-12-07 until 1977-12-08, on 1977-12-12)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-12-07 until 1977-12-08, on 1977-12-12)
recording of:
Symphony no. 1 in D major, op. 25 “Classical”: III. Gavotta. Non troppo allegro (from 1977-12-07 until 1977-12-12)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1917)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 1 in D major, op. 25 “Classical”
Sergei Prokofiev1:37
9Symphony no. 1 in D major, op. 25: IV. Finale (Molto vivace)
producer:
Suvi Raj Grubb
orchestra:
London Symphony Orchestra (from 1977-12-07 until 1977-12-08, on 1977-12-12)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1977-12-07 until 1977-12-08, on 1977-12-12)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-12-07 until 1977-12-08, on 1977-12-12)
recording of:
Symphony no. 1 in D major, op. 25 “Classical”: IV. Finale. Molto vivace (from 1977-12-07 until 1977-12-12)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1917)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 1 in D major, op. 25 “Classical”
Sergei Prokofiev4:11
5▼CD: Prokofiev : Romeo & Juliet
#TitleArtistRatingLength
1Romeo and Juliet, op. 64: Act I: Introduction
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
recording of:
Romeo and Juliet, op. 64: Act I, Scene I. No. 1. Introduction (from 1973-06-08 until 1973-06-09)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev2:50
2Romeo and Juliet, op. 64: Act I: The street awakens
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
recording of:
Romeo and Juliet, op. 64: Act I, Scene I. No. 3. The street awakens (from 1973-06-08 until 1973-06-09)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev1:38
3Romeo and Juliet, op. 64: Act I: Morning Dance
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
recording of:
Romeo and Juliet, op. 64: Act I, Scene I. No. 4. Morning dance (from 1973-06-08 until 1973-06-09)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev2:07
4Romeo and Juliet, op. 64: Act I: Juliet as a young girl
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 10. Juliet as a young girl (from 1973-06-08 until 1973-06-09)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev3:34
5Romeo and Juliet, op. 64: Act I: Masks
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 12. Masks (from 1973-06-08 until 1973-06-09)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev2:44
6Romeo and Juliet, op. 64: Act I: Dance of the Knights
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 13. Dance of the Knights (from 1973-06-08 until 1973-06-09)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev5:37
7Romeo and Juliet, op. 64: Act I: Juliet's Variation
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 14. Juliet’s variation (from 1973-06-08 until 1973-06-09)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev2:36
8Romeo and Juliet, op. 64: Act I: Balcony scene
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 19. Balcony scene (from 1973-06-08 until 1973-06-09)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev3:49
9Romeo and Juliet, op. 64: Act I: Romeo's Variation
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 20. Romeo’s variation (from 1973-06-08 until 1973-06-09)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev1:28
10Romeo and Juliet, op. 64: Act I: Love Dance
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 21. Love dance (from 1973-06-08 until 1973-06-09)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev5:38
11Romeo and Juliet, op. 64: Act II: Romeo and Mercutio
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
recording of:
Romeo and Juliet, op. 64: Act II, Scene I. No. 23. Romeo and Mercutio (from 1973-06-08 until 1973-06-09)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act II
Sergei Prokofiev2:29
12Romeo and Juliet, op. 64: Act II: Dance with the mandolins
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
recording of:
Romeo and Juliet, op. 64: Act II, Scene I. No. 25. Dance with the mandolins (from 1973-06-08 until 1973-06-09)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act II
Sergei Prokofiev2:07
13Romeo and Juliet, op. 64: Act II: Romeo with Friar Laurence
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
recording of:
Romeo and Juliet, op. 64: Act II, Scene II. No. 28. Romeo at Friar Laurence’s (from 1973-06-08 until 1973-06-09)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act II
Sergei Prokofiev3:23
14Romeo and Juliet, op. 64: Act II: Juliet with Friar Laurence
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
recording of:
Romeo and Juliet, op. 64: Act II, Scene II. No. 29. Juliet at Friar Laurence’s (from 1973-06-08 until 1973-06-09)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act II
Sergei Prokofiev3:33
15Romeo and Juliet, op. 64: Act II: The people continue to make merry
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
recording of:
Romeo and Juliet, op. 64: Act II, Scene III. No. 30. The people continue to make merry (from 1973-06-08 until 1973-06-09)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act II
Sergei Prokofiev3:27
16Romeo and Juliet, op. 64: Act II: Tybalt and Mercutio fight
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
recording of:
Romeo and Juliet, op. 64: Act II, Scene III. No. 33. Tybalt and Mercutio fight (from 1973-06-08 until 1973-06-09)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act II
Sergei Prokofiev1:30
17Romeo and Juliet, op. 64: Act II: Romeo decides to avenge Mercutio's death
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
recording of:
Romeo and Juliet, op. 64: Act II, Scene III. No. 35. Romeo decides to avenge Mercutio’s death (from 1973-06-08 until 1973-06-09)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act II
Sergei Prokofiev2:11
18Romeo and Juliet, op. 64: Act II: Finale
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
recording of:
Romeo and Juliet, op. 64: Act II, Scene III. No. 36. Finale (from 1973-06-08 until 1973-06-09)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act II
Sergei Prokofiev1:53
19Romeo and Juliet, op. 64: Act III: Introduction
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
recording of:
Romeo and Juliet, op. 64: Act III, Scene I. No. 37. Introduction (from 1973-06-08 until 1973-06-09)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act III
Sergei Prokofiev1:48
20Romeo and Juliet, op. 64: Act III: Romeo and Juliet (Juliet's bedroom)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
recording of:
Romeo and Juliet, op. 64: Act III, Scene I. No. 38. Romeo and Juliet (Juliet’s bedroom) (from 1973-06-08 until 1973-06-09)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act III
Sergei Prokofiev1:27
21Romeo and Juliet, op. 64: Act III: The last farewell
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
recording of:
Romeo and Juliet, op. 64: Act III, Scene I. No. 39. The last farewell (from 1973-06-08 until 1973-06-09)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act III
Sergei Prokofiev5:32
22Romeo and Juliet, op. 64: Act III: Morning Serenade
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
recording of:
Romeo and Juliet, op. 64: Act III, Scene III. No. 48. Morning serenade (from 1973-06-08 until 1973-06-09)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act III
Sergei Prokofiev2:43
23Romeo and Juliet, op. 64: Act III: Dance of the girls with the lilies
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
recording of:
Romeo and Juliet, op. 64: Act III, Scene III. No. 49. Dance of the girls with the lilies (from 1973-06-08 until 1973-06-09)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act III
Sergei Prokofiev2:41
24Romeo and Juliet, op. 64: Act III: Juliet's funeral
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
recording of:
Romeo and Juliet, op. 64: Act III. Epilogue. No. 51. Juliet’s funeral (from 1973-06-08 until 1973-06-09)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act III
Sergei Prokofiev7:08
25Romeo and Juliet, op. 64: Act III: Death of Juliet
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
recording of:
Romeo and Juliet, op. 64: Act III. Epilogue. No. 52. Death of Juliet (from 1973-06-08 until 1973-06-09)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act III
Sergei Prokofiev4:04
6▼CD: Tchaikovsky : Swan Lake, The Sleeping Beauty, The Nutcracker
#TitleArtistRatingLength
1Swan Lake, op. 20, Act II: No. 10. Scène
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1976-05-26 until 1976-05-28, from 1976-06-08 until 1976-06-10)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1976-05-26 until 1976-05-28, from 1976-06-08 until 1976-06-10)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-05-26 until 1976-05-28, from 1976-06-08 until 1976-06-10)
recording of:
Swan Lake, op. 20: Act II, no. 10: Scene: Moderato (from 1976-05-26 until 1976-06-10)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act II
part of:
Swan Lake, op. 20: Act II (ed. Drigo)
Pyotr Ilyich Tchaikovsky2:50
2Swan Lake, op. 20, Act I: No. 2. Valse
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1976-05-26 until 1976-05-28, from 1976-06-08 until 1976-06-10)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1976-05-26 until 1976-05-28, from 1976-06-08 until 1976-06-10)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-05-26 until 1976-05-28, from 1976-06-08 until 1976-06-10)
recording of:
Swan Lake, op. 20: Act I, no. 2: Valse, Tempo di valse (from 1976-05-26 until 1976-06-10)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act I
part of:
Swan Lake, op. 20: Act I (ed. Drigo)
Pyotr Ilyich Tchaikovsky7:21
3Swan Lake, op. 20, Act II: No. 13. Danse des cygnes: IV. Allegro moderato
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1976-05-26 until 1976-05-28, from 1976-06-08 until 1976-06-10)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1976-05-26 until 1976-05-28, from 1976-06-08 until 1976-06-10)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-05-26 until 1976-05-28, from 1976-06-08 until 1976-06-10)
recording of:
Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: IV. Allegro moderato (Popularly known as "Dance of the Little Swans") (from 1976-05-26 until 1976-06-10)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act II (ed. Drigo)
part of:
Swan Lake, op. 20: Act II, no. 13: Danses des cygnes
Pyotr Ilyich Tchaikovsky1:31
4Swan Lake, op. 20, Act II: No. 13. Danse des cygnes: V. Andante non troppo - Allegro
orchestra:
London Symphony Orchestra (from 1976-05-26 until 1976-06-10)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1976-05-26 until 1976-06-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-05-26 until 1976-06-10)
edit of:
Swan Lake: Act Two. No. 13. Dances of the Swans: V. Andante - Andante non troppo - Allegro by Douglas Cummings (cellist), Ida Haendel (violinist), London Symphony Orchestra, André Previn (pianist, conductor, composer, arranger)
recording of:
Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: V. Pas d'Action (Odette et le Prince): Andante - Andante non troppo - Allegro (from 1976-05-26 until 1976-06-10)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Swan Lake, op. 20: Act II, no. 13: Danses des cygnes
Pyotr Ilyich Tchaikovsky6:02
5Swan Lake, op. 20, Act III: No. 20. Danse hongroise - Danse russe
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1976-05-26 until 1976-05-28, from 1976-06-08 until 1976-06-10)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1976-05-26 until 1976-05-28, from 1976-06-08 until 1976-06-10)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-05-26 until 1976-05-28, from 1976-06-08 until 1976-06-10)
recording of:
Swan Lake, op. 20: Act III, no. 20: Danse hongroise: Czárdás: Moderato assai - Allegro moderato: Vivace (from 1976-05-26 until 1976-06-10)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act III
part of:
Swan Lake, op. 20: Act III (ed. Drigo)
Pyotr Ilyich Tchaikovsky3:00
6Swan Lake, op. 20, Act III: No. 21 Danse espagnole
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1976-05-26 until 1976-05-28, from 1976-06-08 until 1976-06-10)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1976-05-26 until 1976-05-28, from 1976-06-08 until 1976-06-10)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-05-26 until 1976-05-28, from 1976-06-08 until 1976-06-10)
recording of:
Swan Lake, op. 20: Act III, no. 21: Danse espagnole: Allegro non troppo (Tempo di bolero) (from 1976-05-26 until 1976-06-10)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Swan Lake, op. 20: Act III
part of:
Swan Lake, op. 20: Act III (ed. Drigo)
Pyotr Ilyich Tchaikovsky2:36
7Sleeping Beauty, op. 66: Act I "The Spell": No. 8. Pas d'action: I. Adagio à la rose (Andante - Adagio maestoso)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1974-04-08 until 1974-04-09, from 1974-05-09 until 1974-05-10, on 1974-06-05, on 1974-06-27, on 1974-06-29)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1974-04-08 until 1974-04-09, from 1974-05-09 until 1974-05-10, on 1974-06-05, on 1974-06-27, on 1974-06-29)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-04-08 until 1974-04-09, from 1974-05-09 until 1974-05-10, on 1974-06-05, on 1974-06-27, on 1974-06-29)
recording of:
The Sleeping Beauty, op. 66: Acte I, no. 8. Pas d’action: a. Introduction ("Rose adagio") (from 1974-04-08 until 1974-06-27)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte I
Pyotr Ilyich Tchaikovsky6:16
8Sleeping Beauty, op. 66: Act III "The Wedding": No. 24. Pas de caractère (Puss-in-Boots and the White Cat) (Allegro moderato)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1974-04-08 until 1974-04-09, from 1974-05-09 until 1974-05-10, on 1974-06-05, on 1974-06-27, on 1974-06-29)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1974-04-08 until 1974-04-09, from 1974-05-09 until 1974-05-10, on 1974-06-05, on 1974-06-27, on 1974-06-29)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-04-08 until 1974-04-09, from 1974-05-09 until 1974-05-10, on 1974-06-05, on 1974-06-27, on 1974-06-29)
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 24. Pas de caractère: Le Chat botté et la chatte blanche (from 1974-04-08 until 1974-06-27)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte III
Pyotr Ilyich Tchaikovsky1:58
9Sleeping Beauty, op. 66: Act II: Scene 1 "The Vision": 17. Panorama (Andantino "The Awakening")
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1974-04-08 until 1974-04-09, from 1974-05-09 until 1974-05-10, on 1974-06-05, on 1974-06-27, on 1974-06-29)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1974-04-08 until 1974-04-09, from 1974-05-09 until 1974-05-10, on 1974-06-05, on 1974-06-27, on 1974-06-29)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-04-08 until 1974-04-09, from 1974-05-09 until 1974-05-10, on 1974-06-05, on 1974-06-27, on 1974-06-29)
recording of:
The Sleeping Beauty, op. 66: Acte II, no. 17. Panorama (from 1974-04-08 until 1974-06-27)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte II
Pyotr Ilyich Tchaikovsky4:06
10Sleeping Beauty, op. 66: Act I "The Spell": No. 6. Valse (Allegro Tempo di valse)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1974-04-08 until 1974-04-09, from 1974-05-09 until 1974-05-10, on 1974-06-05, on 1974-06-27, on 1974-06-29)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1974-04-08 until 1974-04-09, from 1974-05-09 until 1974-05-10, on 1974-06-05, on 1974-06-27, on 1974-06-29)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-04-08 until 1974-04-09, from 1974-05-09 until 1974-05-10, on 1974-06-05, on 1974-06-27, on 1974-06-29)
recording of:
The Sleeping Beauty, op. 66: Acte I, no. 6. Valse (from 1974-04-08 until 1974-06-27)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte I
Pyotr Ilyich Tchaikovsky5:03
11Sleeping Beauty, op. 66: Act III "The Wedding": No. 28. Pas de deux (Aurora and Florimund): VI. Coda (Allegro vivace)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1974-04-08 until 1974-04-09, from 1974-05-09 until 1974-05-10, on 1974-06-05, on 1974-06-27, on 1974-06-29)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1974-04-08 until 1974-04-09, from 1974-05-09 until 1974-05-10, on 1974-06-05, on 1974-06-27, on 1974-06-29)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-04-08 until 1974-04-09, from 1974-05-09 until 1974-05-10, on 1974-06-05, on 1974-06-27, on 1974-06-29)
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 28. Pas des deux: f. Coda (from 1974-04-08 until 1974-06-27)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte III
Pyotr Ilyich Tchaikovsky1:24
12Sleeping Beauty, op. 66: Act III "The Wedding": No. 30. Finale (Allegro brillante Tempo di mazurka) et Apothéose (Andante molto maestoso)
orchestra:
London Symphony Orchestra
conductor:
André Previn (pianist, conductor, composer, arranger)
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 30. Finale: a. Introduction
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte III
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 30. Finale: b. Apothéose
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte III
Pyotr Ilyich Tchaikovsky8:06
13The Nutcracker, op. 71: Miniature Overture
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1972-05-01 until 1972-05-04)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1972-05-01 until 1972-05-04)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-05-01 until 1972-05-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-05-01 until 1972-05-04)
recording of:
Щелкунчик, op. 71: Увертюра (The Nutcracker, op. 71: Overture, Nutcracker Overture) (from 1972-05-01 until 1972-05-04)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71 (The Nutcracker, op. 71, The Nutcracker)
Pyotr Ilyich Tchaikovsky3:31
14The Nutcracker, op. 71: Act I: March
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1972-05-01 until 1972-05-04)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1972-05-01 until 1972-05-04)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-05-01 until 1972-05-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-05-01 until 1972-05-04)
recording of:
Щелкунчик, op. 71: Действие I, Картина I, no. 2. Марш (The Nutcracker, op. 71: March, March) (from 1972-05-01 until 1972-05-04)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие I (The Nutcracker, op. 71: Act 1, The Nutcracker, op. 71: Act 1)
Pyotr Ilyich Tchaikovsky42:26
15The Nutcracker, op. 71: Act II: Divertissement: Coffee (Arab Dance)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1972-05-01 until 1972-05-04)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1972-05-01 until 1972-05-04)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-05-01 until 1972-05-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-05-01 until 1972-05-04)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12b. Дивертисмент (б) Кофе: арабский танец (Coffee: Arabian dance) (from 1972-05-01 until 1972-05-04)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky3:16
16The Nutcracker, op. 71: Act II: Divertissement: Tea (Chinese Dance)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1972-05-01 until 1972-05-04)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1972-05-01 until 1972-05-04)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-05-01 until 1972-05-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-05-01 until 1972-05-04)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12c. Дивертисмент (в) Чай: китайский танец (Tea: Chinese dance) (from 1972-05-01 until 1972-05-04)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky1:07
17The Nutcracker, op. 71: Act II: Divertissement: Trepak (Russian Dance)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1972-05-01 until 1972-05-04)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1972-05-01 until 1972-05-04)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-05-01 until 1972-05-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-05-01 until 1972-05-04)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12d. Дивертисмент (г) Трепак: русский танец (Trepak: Russian dance) (from 1972-05-01 until 1972-05-04)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky1:07
18The Nutcracker, op. 71: Act II: Divertissement: Dance of the Reed Flutes
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1972-05-01 until 1972-05-04)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1972-05-01 until 1972-05-04)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-05-01 until 1972-05-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-05-01 until 1972-05-04)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds) (from 1972-05-01 until 1972-05-04)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky2:18
19The Nutcracker, op. 71: Act II: Pas de deux (The Prince and the Sugar-Plum Fairy): Pas de deux
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1972-05-01 until 1972-05-04)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1972-05-01 until 1972-05-04)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-05-01 until 1972-05-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-05-01 until 1972-05-04)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14a. Па-де-де: Танец Принца Оршада и Феи Драже (Dance of the Prince & the Sugar-Plum Fairy) (from 1972-05-01 until 1972-05-04)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky5:01
20The Nutcracker, op. 71: Act II: Pas de deux (The Prince and the Sugar-Plum Fairy): Variation I (Tarantella)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1972-05-01 until 1972-05-04)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1972-05-01 until 1972-05-04)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (in 1972-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-05-01 until 1972-05-04)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14b. Па-де-де: Вариация I: Тарантелла (Variation I: Tarantella) (from 1972-05-01 until 1972-05-04)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky0:40
21The Nutcracker, op. 71: Act II: Pas de deux (The Prince and the Sugar-Plum Fairy): Variation II (Dance of the Sugar-Plum Fairy) - Coda
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1972-05-01 until 1972-05-04)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1972-05-01 until 1972-05-04)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-05-01 until 1972-05-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-05-01 until 1972-05-04)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy) (from 1972-05-01 until 1972-05-04)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14d. Па-де-де: Кода (Coda) (from 1972-05-01 until 1972-05-04)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky3:29
22The Nutcracker, op. 71: Act II: Final Waltz and Apotheosis
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1972-05-01 until 1972-05-04)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1972-05-01 until 1972-05-04)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-05-01 until 1972-05-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-05-01 until 1972-05-04)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 15. Финальный вальс и Апофеоз (Final Waltz and Apotheosis) (from 1972-05-01 until 1972-05-04)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky4:58
7▶CD: Walton : Belshazzar's Feast & Elgar : Enigma Variations & Vaughan Williams : Fantasia on Greensleeves
8▶CD: Holst : The Planets & Britten : Four Sea Interludes, Passacaglia from Peter Grimes
9▶CD: Orff : Carmina Burana & Barber : Adagio for Strings
10▶CD: Gershwin ; Rhapsody in Blue, An American in Paris, Piano Concerto in F, Cuban Overture